I am, alas, rapidly losing my enthusiasm for E. R. Punshon’s Bobby Owen series of detective stories. I was delighted with the first entry in this classic 1930s English series, featuring young policeman Bobby Owen who, under the wry mentorship of his superior, Superintendent Mitchell, finds within himself the makings of a good crime solver.
What I liked about the first book, Information Received, was the emphasis on the characters of Bobby and Supt. Mitchell, an interesting and amusing interplay of minds. Sadly, the second book, which I reviewed further down the page here, had less of that. And this one, Crossword Mystery, though better in that regard, is still less a character story than a puzzle story. And the motivations and behavior of the criminals, as in previous books, are more like melodrama than a modern mystery story.
In this story, Bobby is sent to the majestic seaside home of Mr. George Winterton, an economic eccentric who’s writing a book on the Gold Standard. His brother, who lived across the bay from him, drowned recently under suspicious circumstances, and Mr. Winterton fears that it was murder, and that he himself is next. In between writing sessions, he’s working on a crossword puzzle about which he’s very secretive, and which proves to be the key to the mystery in the end.
The book’s all right. Well enough written, and nothing objectionable. But the story dragged for me, and the climactic scene was not very credible in a realistic story. I’m not sure I’ll continue following Bobby Owen’s career.
I watched the 2004 movie Primerwith barely any knowledge of it, which may be the best way to watch it. Shane Carruth wrote, directed, and stared in this detailed sci-fi story about four entrepreneurs who hope to make some kind of breakthrough on one of their garage-lab projects. When Abe discovers that a box they made does something unexpected, he tells Aaron and the two decide to pursue it. The scene below gives you a taste of the movie’s style while showing Abe and Aaron conducting their first experiment.
That’s the pace of the first quarter–realistic talk from scientific engineers who aren’t spelling anything out for the viewers at home. In this scene, I’m not sure Abe knows what’s going on yet, but he works it out and then tells Aaron everything. They’ve invented a time machine.
Since Abe draws this conclusion first, he experiments with the necessary components to make the box work, to make the box larger, and to survive within it–all before introducing it to Aaron.
That’s when the story goes from a bit tedious to mind-bending. Carruth hasn’t given us a simple lark about time-traveling engineers trying to better their lives or two ordinary guys trying to change the course of history. He’s written a story that pushes into the paradoxes bound to occur when someone breaks time’s linear progression.
For example, if someone could go back in time a day or a week in order to prevent a major crime or gain a windfall in the lottery or stock market, once he goes back to do this he removes his motive for going back. If on Saturday he decides to return to Monday in order to stop a crime and he succeeds, what happens when he returns to Saturday again? Having stopped the crime, he doesn’t have any reason to go back to Monday. So what happens? Are the first days overwritten by the second? What if he had discovered time travel during that week; would revisiting the week delay or prevent the discovery that enabled him to go back in the first place?
What if you began to see it the opposite way, as a way to avoid consequences? What if you could go back in time, punch a jerk who deserves it, and return to the same morning as if (no, because) none of it ever happened? What if you could press a reset button to undo everything you’ve done over the last several days?
Primer is a story about all of that, and while it’s easy to understand the danger presented at the movie’s conclusion, it’s difficult to follow everything occurring up to that point. What happens at the birthday party? Who is the guy following them? Where does the man who looks severely beaten come in? The story pushes into these paradoxes without full explanation, giving rise to explanatory videos like this one as well as webpages dedicated to spelling it all out.
Abe: “I’m not into the whole ‘destiny, there’s-only-one-right-way’ thing.”
Aaron: “Abe, I’m not either, but what’s worse? You know, thinking you’re being paranoid or knowing you should be?”
I enjoyed it overall, but it is dense. One reviewer said that though it’s a short movie, it feels longer due to the many details packed into every minute.
If you’re looking for a good Christian movie that would work well as a discussion starter for a thoughtful group, look up Paul Harill’s Something, Anything (which is available on Netflix streaming).
While the trailer gives you the tone of this film, it doesn’t spell out the story. Peggy, the woman whom you see agreeing to be married, hits a wall when her first child is miscarried. The grief overwhelms her, causing her to question herself and her lifestyle. In the trailer, you see one of her friends asking her what she wants. In the movie, that friend recommends she try to have another child and recognize her role as a wife. Life, she says, is about pleasing a husband, raising children, and supporting them so that they can repeat the cycle of marriage and child-rearing. Peggy used to accept that, but now it all rings hollow, and she doesn’t know what to believe.
So we watch a normal, East Tennessee woman leave one life for another, exchanging a self-centered materialistic life for one that may have moments of wonder, like synchronous fireflies in the Smoky Mountains.
One wordless scene appears to capture the entire story of “Something, Anything.” Peggy and her husband, Mark, are preparing to move, and he finds the journal she has been pouring her heart into throughout her spiritual journey. Mark picked it up and began to read a page, when Peggy saw what he was doing. She stands in the doorway, silently open to talking to him about what he read, but he just puts it down and walks out. The two of them were living in completely different worlds at that point, and Mark wasn’t curious enough to ask her about hers. He wanted a comfortable, worldly life; she wanted eternity.
I liked this slow, quiet film, and it will provoke discussion in an attentive group with its references to worldly comforts, Thomas Merton, monastic life, and the Sermon on the Mount.
The hood of her cloak was fallen backward, baring the flame-like splendour of her hair above the smooth brow and stately and lovely face of her. There was in her face, as she gazed south with haughty lip and level chin, so much beauty as the Gods might throw up hands and strive no more to better it were they to frame the world anew; and so much gentleness and womanish pity and softness as a man shall find in the rain-cold rock of the sea.
I’d heard of E. R. Eddison’s novelStyrbiorn the Strongfor years, but never actually saw a copy. And I was a little reluctant to read it because I’m not a big fan of the author’s most famous work, The Worm Ouroboros. Although that book has its virtues (Lewis and Tolkien both admired it), I disliked its amorality, along with its ending, which in my view rendered the whole tale pointless.
But Styrbiorn (I prefer to spell it Styrbjorn, but this is a review) himself gets an interesting scene in The Long Ships, which I reviewed a few inches down. And that whetted my curiosity. So I got the Kindle version.
Having finished it, I find myself floundering to make a judgment on it. There are elements I dislike – that same amorality, some Nietzchean concept that the truly great are above mere kindness to their “inferiors.” And I generally don’t care for affected antique diction. But Eddison was a master of affected antique diction, and when he’s got the wind in his sails he soars to the level of real poetry, and can carry you along with him. This book is very effective and even moving, in its way.
Styrbiorn the Strong is a character whose own saga has not survived, but he gets mentions in various sagas and historical sources. Some scholars nevertheless dispute whether he ever existed in the real world. As portrayed by Eddison, he’s a character beyond realism, the mightiest of warriors, almost a demigod. The son of a joint king of Sweden, his loving uncle promises, in all sincerity, to give Styrbiorn his father’s half of the domain as soon as he reaches 16 years. Styrbiorn, with the madness of a man doomed before birth, manages to throw these prospects away through impetuosity and passion.
Another saga character whose existence has been questioned is Sigrid the Haughty, who also plays a major role in the book. She appears (to me) to be inspired by Gudrun Osvifsdatter of Laxdaela Saga, who famously says in her old age that, of all the men she knew in her life, “I treated him worst whom I loved best.” Eddison pictures Sigrid as a kind of Gudrun on stilts, a woman apparently void of tender feelings, motivated wholly by pride and vengeance. I almost said that she’s at fault for Styrbiorn’s tragedy, but that’s not fair. He brings his defeat and death on himself.
Styrbiorn the Strong is not an easy book, but it’s highly effective of its kind (which it’s pretty much the only one of) and difficult to forget. Recommended, if you’re up for this sort of thing.
Not long ago I gave high praise to E.R. Punshon’s first Bobby Owen mystery, Information Received. Death Among the Sunbathers is the second book in the series, and to speak frankly I was a little disappointed in it. However, I have reason to believe the series will find its feet again in the third book.
Despite its sensationalist title, Death Among the Sunbathers isn’t a racy story featuring a lot of naked people running about. The fictional sun-worshiping organization featured here is a pretty mild one where most of the members wear something like bathing suits most of time.
In this story, a young female newspaper reporter is murdered in an engineered automobile accident, and Superintendent Mitchell, whom we know well from Information Received, is on the scene in the victim’s last moments. This motivates him to give special attention to this crime. Bobby Owen, now promoted to Detective, is in the story, but mostly off stage. He dogs the criminals unseen, until they come to fear him as an inexorable, almost superhuman Nemesis.
This approach, in my opinion, doesn’t work as well as the amusing mentor/mentee relationship established between him and Superintendent Mitchell in the first book. Without that magic, the narrative here seems theatrical and artificial.
Also I figured out the Big Surprise well before the author revealed it.
But I shall press on with the series, in hopes that balance will be restored in the next installment.
Meanwhile the fire had caught the straw on the floor, and eleven drunken or wounded men lying in it had been burned to death, so that this wedding was generally agreed to have been one of the best they had had for years in Finnveden, and one that would be long remembered.
Sometime last week it occurred to me that, although I’ve been praising the book to people most of my life, it’s actually been decades since I read Frans Gunnar Bengtsson’s The Long Ships. My old copy, printed in the 1960s, with a cover that doesn’t even appear on Amazon, is pretty much going to pieces, but it’s not terribly expensive to get a Kindle copy.
I’m happy to report that the book is as good as I remembered. Better. I still nominate it for the best Viking novel ever written – though a lot of Viking novels have been written in the last few years, and I haven’t read most of them. Nevertheless, it’s hard to imagine how anybody could do it better than this. (Pay no attention to the 1964 movie starring Richard Widmark. It’s a travesty.)
The Long Ships (Swedish title, Röde Orm), is the story of Red Orm Tostesson, younger son of a chieftain in Scania, which is part of Sweden today but was Danish back in the Viking Age. Early in the story he’s kidnapped by a Viking crew, who take him away into the Baltic and then south to Spain. There they, more or less by happenstance, “rescue” a Jewish slave from another Viking crew. He directs them to a rich city they can plunder, which eventually leads to their enslavement by the Moors, slavery in a galley, and then military service under the caliph of Cordoba. Further adventures bring them back to Denmark, into the favor of King Harald Bluetooth (the guy your wireless device was named after), and then home again. Followed by participation in Thorkel the Tall’s invasion of England, and an epic voyage into Russia in search of a hoard of gold. Continue reading ‘The Long Ships,’ by Frans Gunnar Bengtsson→
It’s a good day when I discover a mystery writer who a) I like, b) has a lot of books available, and c) comes cheap in Kindle format. And so I present to you, for the first time at Brandywine Books, the classic English detective novelist E. R. Punshon.
Punshon was admired by no less a figure than Dorothy Sayers, who saw his work as a positive development, helping to move the English mystery beyond the confines of the cozy “puzzle” story. Judging by Information Received, his first Bobby Owen mystery, she was correct. There’s a little more of real life here, and some fair psychology.
Constable Bobby Owen is a young London policeman, walking a beat. He actually attended Oxford, but his grades were lackluster, and so he sort of drifted into being a “bobby,” though he’s found the work pretty tedious thus far.
That all changes one day when he’s standing across the street from the home of a City magnate, Sir Christopher Clarke. Sir Christopher has been found shot to death, and Bobby gets just a glimpse of a man running away from the scene, though he can’t catch him.
Among the detectives who come in to look over the scene is Superintendent Mitchell, who takes a liking to the bright young policeman and allows him to help with the investigation. The motive seems unclear, the suspects seem to have little to gain, and means and opportunity are hard to sort out. But they work at it doggedly and in the end all his revealed.
The “fair psychology” I praised in this book does not apply to the murder itself, or the suspects, who are pretty melodramatic and not highly believable. But the relationship between Bobby and Supt. Mitchell is fascinating to follow. The older man guides Bobby, helps him sharpen his thinking, and exploits his talents, but all with a bemused and dryly playful air. He’s happy to give the young chap a career break, but he expects some entertainment along the way in the form of teasing him and testing his limits.
I enjoyed Information Received very much, and recommend it. I’d never heard of Punshon before I bought this book, but I’ve already bought the second work in the series.
A mock Western written by an eighteen-year-old James Thurber was found in an archive and has been unleashed on the world in the Strand magazine.
“This was the first time Thurber tried his hand at penning a satirical story in the wild west, which features a gun-slinging bartender, a couple of wild bullies, and a very odd sheriff,” said Andrew Gulli of the Strand.
That sheriff in “How Law and Order Came to Aramie” is like a pre-incarnation of Thurber’s Walter Mitty.
Gulli said the story “uses every single western cliche and, in Thurber style, turns them all into something very funny.”
God’s Not Dead encourages its audience to participate in the film’s “challenge,” an equivalent to those chain letters that claimed if you didn’t forward the email to 10 people something terrible would happen to you. Many complied. “Are YOU up for the challenge?” asks the Facebook page. “Text ‘God’s Not Dead’ to 10 friends RIGHT NOW! Then leave a comment below!” The image that accompanies the challenge includes this quotation from the movie’s cheeriest Christian character, Pastor Dave: “So your acceptance of this challenge, if you decide the [sic] accept it, may be the only meaningful exposure to God & Jesus they’ll ever have.” . . .
Ultimately, what the increasingly profitable “faith film” industry machine wants to do is sell me an idea of what “taking a stand” for Jesus looks like. That involves buying a ticket, sharing a Facebook meme, going to a concert, and texting a bastardization of a late 19th-century philosophical proclamation about the bleak condition into which we humans have painted ourselves to 10 people RIGHT NOW.
Sometimes a book attains added significance, not on its own merits, but because of its time and place.
That’s the case with E. Phillips Oppenheim’s Envoy Extraordinary. A pretty good thriller in its own right, its historical context adds a weird poignancy to the whole exercise.
The hero is Ronald Matresser, an English nobleman in the 1930s best known as a big game hunter. Few people are aware that he has been serving as a government agent in his travels, reporting on conditions in various hot spots. Now he has announced he’s settling down to take up his ancestral responsibilities in his home county and in Parliament.
But one night, during a powerful storm, a man is murdered bringing a message to Ronald’s palatial home. The same night a mysterious Dutch nobleman brings his yacht into the nearby port, despite the weather. The Dutchman, a large and intimidating man, pushes his way into Ronald’s social circle, and nearly murders Ronald and the Austrian woman he’s falling in love with, during a hunting party. Ronald soon realizes that the Dutchman is trying to disrupt his participation in an upcoming European peace conference.
Envoy Extraordinary is a book full of ironies. One assumes that people of good will, in those unsettled days, were hoping and working to find a way to avert the tragedies they could see coming (much as in our own time). Author Oppenheim (whose name, after all, was German) imagines a situation where the dictator of Germany (who appears in this book under a disguised name) was a genuine patriot, in failing health and willing to barter power of which he’s grown weary for the return of Germany’s colonies. An era of peace and stability is possible, if only the Dutchman can be stopped…
In light of actual events, it’s hard to read this book without a sad smile.
Still, it’s a good story, and worth reading on its own merits.
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