Tag Archives: James Thurber

‘The Thurber Carnival,’ by James Thurber

In the early years of the nineteenth century, Columbus won out, as state capital, by only one vote over Lancaster, and ever since then has had the hallucination that it is being followed, a curious municipal state of mind which affects, in some way or other, all those who live there.

I had read bits of it already. I remember finding “The Night the Bed Fell On Father” hilarious when I was a boy. So I looked forward to reading A Thurber Carnival.

To be honest, I found it less funny, and more troubling, than I expected.

James Thurber is a classic American humorist, one of the founding fathers of The New Yorker. Some of his pieces, especially the story, “The Secret Life of Walter Mitty,” have become classics. Even legends.

As I worked my way through this collection of essays, stories, and cartoons, I was surprised how dark I found it. Not overtly – there was no obvious self-pity on display here. But I thought I felt the presence of a bitter spirit behind it all.

James Thurber, born in Columbus, Ohio, suffered the loss of an eye in a game of William Tell as a small boy. For the rest of his life, he lived with the fear – then the certainty – that the other eye was going to fail. He lost his sight entirely in the end, a terrible fate for a man of letters. For this reader, that unspoken fear seemed to form a background to everything. Here is not the lightness of Robert Benchley. Here is a humorist cracking wise on the scaffold.

Or so it seemed to me.

Or maybe it’s just that I’m not bright enough to appreciate the sophisticated gags.

Anyway, it’s a classic. You should probably read it. You might enjoy it more than I did.

I should perhaps warn that there’s some casual racism, characteristic of the time but not vicious, in descriptions of black people.

You Can’t Say ‘Hello’ Without ‘O’

Callie Feyen writes about James Thurber’s The Wonderful O, in which a sailor named Black hates the letter O. She says it’s terribly funny.

Despite Black’s efforts, the people of Ooroo bring O back. They do it by speaking the names of characters in beloved stories: Romeo, Robin Hood, Shylock, and Captain Hook. Black scoffs at their efforts; these characters, he says, are mere creatures of fantasy, made of ink, and “ink can be destroyed . . . books can be burned.”

(via Prufrock News)

New James Thurber Story Published

A mock Western written by an eighteen-year-old James Thurber was found in an archive and has been unleashed on the world in the Strand magazine.

“This was the first time Thurber tried his hand at penning a satirical story in the wild west, which features a gun-slinging bartender, a couple of wild bullies, and a very odd sheriff,” said Andrew Gulli of the Strand.

That sheriff in “How Law and Order Came to Aramie” is like a pre-incarnation of Thurber’s Walter Mitty.

Gulli said the story “uses every single western cliche and, in Thurber style, turns them all into something very funny.”

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James Thurber's Guide to English Usage

[first posted October 22, 2004] In an earlier post, I referred to this collection of useful usage articles by James Thurber. On the question of using “bad” or “badly” within a sentence like “I feel bad(ly),” Thurber advises not to use either word.

There is, of course, a special problem presented by the type of person who looks well even when he doesn’t feel well, and who is not likely to be believed if he says he doesn’t feel well. In such cases, the sufferer should say, “I look well, but I don’t feel well.” While this usage has the merit of avoiding the troublesome words “bad” and “badly,” it also has the disadvantage of being a negative statement. If a person is actually ill, the important thing is to find out not how he doesn’t feel, but how he does feel. He should state his symptoms more specifically—“I have a gnawing pain here, that comes and goes,” or something of the sort. There is always the danger, of course, that one’s listeners will cut in with a long description of how they feel; this can usually be avoided by screaming.