Category Archives: Music

Witnessing to Social Media Scammers, Good Novels, and the Legal Power of Music

Social media is something of a minefield. It’s easily misused, partly because it’s easy for people to write poorly and misunderstand what they’ve read. People do that with books, and they misspeak and misheard live conversations. Some of us are astonishingly accomplished at misunderstanding what people say. There ought to be annual awards for that level of skill.

And the socials have another aspect that complicates communication— anonymity.

I had an interaction with a new follow on Twitter/X, which I noticed and returned the follow even though the profile and activity were sparse and a little sus. I played the Benefit of the Doubt card this time—not my usual strategy. She slid into my DMs saying she wanted to be my friend (also sus). I say “she” because that’s how the profile was set up, but I can’t confirm that. I found two other profiles with the same or similar names, images, and profile descriptions, so I figured I wasn’t dealing with an honest individual. But I didn’t ignore her this time.

She DMed me in an overly friendly way, so I asked about the username, which didn’t fit her name or profile. It was like Cindy @kergu_addict. I asked what @kergu_addict referred to. She said it was just something she filled in earlier. I responded by praising the Lord’s mercy and goodness and asking if she knew Him. That question was ignored.

The next day after another DM checking up on me, I told her she needed in-person friends. Online connections can’t keep up with daily living. She responded with one of those statements you see in spam, like it was cut from two separate sentences.

“I’m not sure what you’re saying,” I said. “In person, we have proximity–people in the same room. We can talk with our voices and body language, and that’s a big difference. Online, we can only type and wait for the other person to read our message.”

“So that you wish you could find someone like that?” she asked.

“I have people like that,” I said. “I also have a close relationship with Jesus Christ. Do you have a Bible? Do you know something about Jesus?”

“I’m an atheist. I believe in what I do.”

“You don’t have to stay that way. This life, this world, are not there is. We were made for eternity.”

“Why? Don’t you believe in what you’re doing?”

“Because God, the creator of everything, and Jesus, the incarnation of God, are real. I believe in them because they exist. It’s reality.”

“Of course, I respect you. Faith is a good thing.”

She unfollowed me after that, which is what I expected. I wonder if anything I said will stay with whoever is on the other side.

What else can we look into?

Fantasy: The Queen of Ebenezer is “a dreamlike but intense story of two lost teenagers trying to find their way through a mysterious swamp—and that’s just the beginning of what they’re trying to find.” Gina Dalfonzo talks to author K. B. Hoyle about her latest novel.

Novels: John Wilson reminisces about his early novel reading in light of “Joseph Epstein’s just-published book The Novel, Who Needs It? If, like me, you are an incorrigible reader of novels, you should make haste to acquire it. . . . Most readers besotted with ‘the novel,’ as I am, will get their money’s worth.”

Music: Ted Gioia on how musicians gave the ancient world law, taken from his new book Music to Raise the Dead. The whole story isn’t spelled out and remains unclear, but “it’s indisputable that ancient communities frequently turned to people outside of the ruling class for their laws.”

Photo: Bomber gas station, Milwaukie, Oregon. John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.

Sunday Singing: Redeemed, How I Love to Proclaim It

“Redeemed, How I Love to Proclaim It” performed by student in the
Fountainview Academy

Fanny Crosby (1820-1915), a great Methodist hymn composer, gave us today’s song in 1882. She wrote poems before her conversion in 1950 and afterward about 8,000 hymns, many of which have not been set to music.

“The LORD is near to the brokenhearted
and saves the crushed in spirit.
. . .
The LORD redeems the life of his servants;
none of those who take refuge in him will be condemned.”
(Psalm 34:18,22 ESV)

1 Redeemed how I love to proclaim it,
Redeemed by the blood of the Lamb;
Redeemed through his infinite mercy
His child and forever I am.

Refrain:
Redeemed, redeeemed,
Redeemed by the blood of the Lamb,
Redeemed, redeemed,
His child and forever I am.

2 Redeemed, and so happy in Jesus,
No language my rapture can tell,
I know that the light of his presence
With me doth continually dwell.
[Refrain]

3 I think of my blessed Redeemer,
I think of him all the day long,
I sing, for I cannot be silent,
His love is the theme of my song.
[Refrain]

4 I know I shall see in his beauty
The King in whose law I delight,
Who lovingly guardeth my footsteps,
And giveth me songs in the night.
[Refrain]

5 I know there’s a crown that is waiting
In yonder bright mansion for me,
And soon, with the spirits made perfect,
At home with the Lord I shall be.
[Refrain]

Sunday Singing: Loved with Everlasting Love

For the next several weeks, I want to take up the theme of faith in our hymn selections. Many hymns speak of our response to God, the comfort we receive, our gratitude, or our confession, so I want to break our pattern of monthly themes for this continuing topic of our life sustained by faith.

Today’s hymn is originally by Irish Pastor Wade Robinson (1838-1876). The words in the video above may reflect his original. The words I’ve copied below are the ones revised by Edmund Clowney of Westminster Seminary.

1 Loved with everlasting love,
drawn by grace that love to know,
Spirit sent from Christ above,
thou dost witness it is so.
O this full and precious peace
from his presence all divine;
in a love that cannot cease,
I am his and he is mine.

2 Heav’n above is deeper blue,
earth around is sweeter green,
that which glows in ev’ry hue
Christless eyes have never seen.
Birds in song his glories show,
flow’rs with richer beauties shine
since I know, as now I know,
I am his and he is mine.

3 Taste the goodness of the Lord:
welcomed home to his embrace,
all his love, as blood outpoured,
seals the pardon of his grace.
Can I doubt his love for me,
when I trace that love’s design?
By the cross of Calvary
I am his and he is mine.

4 His forever, only his–
who the Lord and me shall part?
Ah, with what a rest of bliss
Christ can fill the loving heart.
Heav’n and earth may fade and flee,
firstborn light in gloom decline,
but while God and I shall be,
I am his and he is mine.

Bach’s Air on the G String

Today is the anniversary of Johann Sebastian Bach‘s death in 1750, making it his day of commemoration in the Lutheran calendar (for Lutherans who tend a little higher church than I do). As good a reason as any to post some Bach music, as if I needed a reason. My intention was to find some footage of E. Power Biggs playing Bach on the organ, but there don’t seem to be any live performances on YouTube.

However, I found the clip above. It’s Air on the G String, performed on original period instruments by the Early Music Ensemble of a group called Voices of Music. If you go to their YouTube channel, you can contribute to their work if you like.

Somebody also said it was National Chocolate Day. I can get behind that too.

Tomorrow and Sunday, for those in the area, the Vikings and I will be at the Antique Power Show at the Little Log House Museum in Hastings, Minnesota.

Sunday Singing: Oh, Glorious Hope

An arrangement of the shape-note tune for “Oh, Glorious Hope” performed by Timothy Seaman on hammered dulcimer

Today’s hymn is by the great Charles Wesley (1707-1788). It speaks of the life to come in terms of the promised land. I don’t think it’s a popular hymn, and the tune performed in the video above is unfamiliar to me. If you know this one, please tell us of your experience with it.

“The reason why the world does not know us is that bit did not know him. Beloved, we are God’s children now, and what we will be has not yet appeared; but we know that when he appears we shall be like him, because we shall see him as he is. And everyone who thus hopes in him purifies himself as he is pure” (1 John 3:1b-3 ESV).

1 Oh, glorious hope of perfect love!
It lifts me up to things above;
It bears on eagles’ wings.
It gives my ravished soul a taste,
And makes me for some moments feast
With Jesus’ priests and kings.

2 Rejoicing now in earnest hope,
I stand, and from the mountaintop
See all the land below.
Rivers of milk and honey rise,
And all the fruits of paradise
In endless plenty grow.

3 A land of corn, and wine, and oil;
Favored with God’s peculiar smile,
With ev’ry blessing blest;
There dwells the Lord our Righteousness,
And deeps His own in perfect peace,
And everlasting rest.

4 Oh, that I might at once go up;
No more on this side Jordan stop,
But now the land possess;
This moment end my legal years,
Sorrows and sins, and doubts and fears,
A howling wilderness!

‘Jesus, I Long for Thy Blessed Communion’

Music today. I wanted to share the video above, because I’d found it – and found it surprisingly beautiful.

There’s a story involved with the hymn, “Jesus, Din Søte Forening á Smake,” (Jesus, Thy Sweet Communion to Savor), which is called “Jesus, I Long For Thy Blessed Communion” in the English translation.

The story does not concern the writing of the hymn. I know nothing about the author, P. J. Hygom, and a quick web search indicates nobody else does either (I presume he was a Dane). The hymn itself is not one I grew up with. When I finally discovered it as an adult, I thought it rather dull. I never considered it beautiful until I heard Sissel’s rendition above. Now I’ve got it as an earworm.

But even its surprising beauty isn’t the point. My point is its historical significance.

I’ve written before here about the founder of the Lutheran… sect, or whatever you’d call it, in which I was raised. The Haugeans. Hans Nielsen Hauge, a poor farmer’s son, was plowing his father’s field on April 5 1796, singing this hymn for his own edification. Then something happened to him. He wrote in his autobiography:

“Now my mind was so uplifted to God that I became senseless, nor can I explain what happened in my soul, because I was completely outside myself. And the first thing I understood when I regained my senses was a feeling of grief that I had not served above all things this dear, good God, and that I now believed that nothing in this world was of any value. And my soul felt something supernatural, divine and blessed; it was a glory which no tongue can express.” (My translation)

So overwhelmed was Hauge by this experience that he devoted his life to sharing the gospel with his neighbors. This would lead him to prominence in Norway, and also to prison and premature death.

But his movement was a seed planted in the right place at the right time. Not only was there a powerful Christian revival in Norway, but society itself was changed.

Hauge’s followers were often called “the Readers.” That wasn’t a compliment. The term expresses the surprise felt by the upper classes when they saw commoners going around with books. This troubled them. Books gave the lower classes uppity ideas.

To this day, Norwegians are among the most literate people on earth, with a surprising number of newspapers per capita.

A couple of the verses go:

Jesus, I long for Thy blessed communion,

Yearning possesses my heart and my mind.

Break down all barriers that hinder our union.

Draw me to Thee, O Redeemer most kind!

Show me now clearly my need that is crying.

Show the extent of my sin unto me.

That unto sin I may daily be dying,

And in the Spirit live only to Thee.

Mightily strengthen my spirit within me,

That I may learn what Thy Spirit can do;

O take Thou captive each passion and win me,

Lead Thou and guide me my whole journey through!

All that I am and possess I surrender,

If Thou alone in my spirit mayst dwell,

Everything yield Thee, O Savior most tender,

Thou, only Thou, canst my sadness dispel.

Sunday Singing: There Is a Fountain

“There Is a Fountain” performed by Timothy Seaman on hammered dulcimer

“On that day there shall be ja fountain opened for the house of David and the inhabitants of Jerusalem, to cleanse them from sin and uncleanness” (Zech. 13:1 ESV).

This popular hymn, published under the title “Praise for the Fountain Opened,” was written by the gifted and troubled Englishman William Cowper (1731-1800). For the last several years of his life, he worked with John Newton on many hymns and pastoral duties. Newton is likely the reason we have Cowper’s hymns. (Cowper is pronounced “cooper.”)

1 There is a fountain filled with blood,
Drawn from Immanuel’s veins;
And sinners, plunged beneath that flood,
Lose all their guilty stains,
Lose all their guilty stains,
Lose all their guilty stains;
And sinners, plunged beneath that flood,
Lose all their guilty stains.

2 The dying thief rejoiced to see
That fountain in his day;
And there may I, though vile as he,
Wash all my sins away,
Wash all my sins away,
Wash all my sins away;
And there may I, though vile as he,
Wash all my sins away.

3 Dear dying Lamb, Thy precious blood
Shall never lose its power,
Till all the ransomed Church of God
Be saved, to sin no more,
Be saved, to sin no more,
Be saved, to sin no more;
Till all the ransomed Church of God
Be saved, to sin no more.

4 E’er since by faith I saw the stream
Thy flowing wounds supply,
Redeeming love has been my theme,
And shall be till I die:
And shall be till I die,
And shall be till I die;
Redeeming love has been my theme,
And shall be till I die.

5 When this poor lisping, stamm’ring tongue
Lies silent in the grave,
Then in a nobler, sweeter song
I’ll sing Thy pow’r to save:
I’ll sing Thy pow’r to save,
I’ll sing Thy pow’r to save;
Then in a nobler, sweeter song
I’ll sing Thy pow’r to save.

Sunday Singing: Come, Thou Fount of Every Blessing

“Come, Thou Fount of Every Blessing” performed on hammered dulcimer

Today’s hymn is one of my top three favorites. “Come, Thou Fount of Every Blessing” was written by Robert Robinson of Norfolk, England (1735-1790). It’s testimony to God’s sustaining grace has always appealed to me.

Hymnary.org says the tune for this hymn has been ascribed to many different people as well as no one at all. The Trinity Hymnal cites it as the one written or distributed by Asahel Nettleton (1783-1844), an American preacher who left a strong legacy with his publication of Village Hymns.Nettleton’s hymnological work centred in the compiling of his Village Hymns, from which more hymns of the older American writers have passed into English collections than from any other source.”

Another good thing Nettleton did was to oppose Charles Finney in 1827. Bully for him.

1 Come, thou fount of ev’ry blessing,
tune my heart to sing thy grace;
streams of mercy, never ceasing,
call for songs of loudest praise.
Teach me some melodious sonnet,
sung by flaming tongues above;
praise the mount! I’m fixed upon it,
mount of God’s unchanging love.

2 Here I raise my Ebenezer;
hither by thy help I’m come;
and I hope, by thy good pleasure,
safely to arrive at home.
Jesus sought me when a stranger,
wand’ring from the fold of God:
he, to rescue me from danger,
interposed his precious blood.

3 O to grace how great a debtor
daily I’m constrained to be;
let that grace now, like a fetter,
bind my wand’ring heart to thee.
Prone to wander – Lord, I feel it –
prone to leave the God I love;
here’s my heart, O take and seal it,
seal it for thy courts above.

Chronicling my decline

Not having a book to review tonight, busy as I am with non-paying work, I post the video above. Sadly it’s not a live performance video (there doesn’t seem to be one), but I discovered it and thought it rather nice. This is a song I’ve posted before in its original Swedish version, but there seems to be this English version too. As an expert, I pronounce it a successful translation, since with songs, subjective impressions are more important than accuracy. I realize it’s the wrong time of year for a Christmas song, but who knows if I’ll need it at Christmas?

A day in the life of an obscure author:

In accordance with my recently adopted custom of getting up to write in the morning, instead of lying in bed trying to get back to sleep, I rose at 6:30 a.m. to work on The Baldur Game, my work in progress. What I’d done yesterday was to take a block of text I’d written, which I realized was out of historical sequence, and move it back into its proper year. So today I commenced a review of the whole text written thus far, to see if there were any anachronisms left that I need to fix. I think the work is good so far.

At lunch I went to The 50s Grill, one of my favorite local places, and tried something new — the grilled walleye. It was good, as expected, and I topped it off with a piece of their French Silk pie. They do pie extremely well.

This afternoon, I worked on my book narration. This is the cause of considerable fear and trembling for me right now. Friends have generously provided me equipment to begin doing narration on my own. My first project will be The Year of the Warrior. I am confident — nay, a little arrogant — about my ability to do narration with the best of ’em. But the technical aspects — the software and specifications, etc. — scare me to death. (Back in radio broadcast school, I was the best copy reader in my class and the worst engineer.) This delays my progress, but I press on heroically.

Tonight, after I post this, I propose to work on a PowerPoint presentation I’ll be doing later this month in Iowa for the Georg Sverdup Society. Not Vikings this time, but the background of the Lutheran Free Church movement in America.

These things matter in my world.

Oh yes. I’ve committed to attending the Midwest Viking Festival in Green Bay, Wisconsin, Oct. 6 and 7 (used to be in Moorhead, MN). An opportunity to sell books, and my experience is that venues where I have not yet flogged my wares are the most fruitful.

Sunday Singing: God of Our Fathers, Whose Almighty Hand

“God of Our Fathers” sung by the congregation of St. Bartholomew’s Episcopal Church of New York City

Today’s hymn, “God of Our Fathers, Whose Almighty Hand,” was written by New York Episcopalian Daniel C. Roberts (1841-1907) to commemorate the centennial of the Declaration of Independence. It was accepted by an Episcopal hymnal committee and given a fresh tune by organist George W. Warren for the commemoration of the United States Constitution.

1 God of our fathers, Whose almighty hand
Leads forth in beauty all the starry band
Of shining worlds in splendor thro’ the skies,
Our grateful songs before Thy throne arise.

2 Thy love divine hath led us in the past;
In this free land by Thee our lot is cast;
Be Thou our ruler, guardian, guide and stay,
Thy word our law, Thy paths our chosen way.

3 From war’s alarms, from deadly pestilence,
Be Thy strong arm our ever sure defence;
Thy true religion in our hearts increase,
Thy bounteous goodness nourish us in peace.

4 Refresh Thy people on their toilsome way,
Lead us from night to never-ending day;
Fill all our lives with love and grace divine,
And glory, laud and praise be ever Thine.