Heller bombed in the 21st century

Rich Horton at Blue Crab Boulevard links to this story about a woman in Japan who sneaked into a guy’s apartment, made a living space for herself above his closet, and lived there for a year before being discovered.

If that doesn’t get made into a movie (at least for cable) somebody isn’t paying attention.

Phil linked yesterday to a list of “cult books.” When I commented, the subject of Catch-22 came up. Which led me to think about the little I’ve read of Joseph Heller’s work.

It adds up to two things—Catch-22 and his play, “We Bombed In New Haven.”

Catch-22 (as far as I recall, for those of you who’ve had better things to do with your lives than read it) is a surrealist satire on military life in World War II. The central point of the story is that when you go to war, people try to kill you. Therefore you shouldn’t go to war. It’s a pacifist argument without even the nobility of very much concern about the lives of others. The main character is primarily interested in staying alive himself. Continue reading Heller bombed in the 21st century

You Can’t Do That, Dave

Fifty teachers/professors with a bit of time on their hands have decided Stanley Kubrick’s 2001: A Space Odyssey is “the science fiction film with the most realistic vision of the future of mankind.” One professor comments, “It is not beyond the realms of possibility that artificial intelligence could turn on its creators.”

Blade Runner was deemed pretty realistic as well as The Andromeda Strain, and that’s not all.

Barry DiGregorio, research Associate for the Cardiff Centre for Astrobiology, and a member of the International Committee Against Mars Sample Return, said: “I have been campaigning against NASA’s plans to bring back samples from Mars as I believe they could possibly endanger the Earth’s biosphere with microbial contamination from the planet.

“In a worst case scenario this could lead to an Andromeda Strain-type situation. My concerns are based on the Viking biology data that were conducted on Mars in 1976. NASA have always opposed the claim that their data found microbial life on Mars, however, two NASA astrobiologists have publicly stated otherwise and I have worked with them to bring attention to their finds.”

‘The goat cheese is so good’

Forgive me for wasting your time posting news of authors in Atlanta, because this next story has the smell of greater importance. Mary Rigdon has cleared state hurdles for establishing her cheesemaking dairy, Decimal Place Farm, right in the city. Elizabeth Lee reports:

Rigdon makes the cheese on her and husband Ed’s 18-acre Conley farm, tucked away at the back of a subdivision. They purchased the land 13 years ago, moving from a Grant Park house on a tenth of an acre. Decimal Place Farm is a nod to that house, where she lived when she first got interested in raising dairy goats.

Next time you’re in Atlanta, perhaps you can look her up.

“The Baby-Sitters Club” Author at Book Signing

Reporter Jamie Gumbrecht fawns over an appearance in the Atlanta area of author Ann Martin, creator of “The Baby-Sitters Club” and “Main Street” series. Gumbrecht says the characters in the first series are the Hannah Montana of twenty-something girls. She writes:

I came to believe Martin was a literary figment created by the publishing industry to sell books, like Betty Crocker on cookbooks or Carolyn Keene on Nancy Drew mysteries. I continued to read the BSC books until way after it was cool, but I knew the truth: Ann M. Martin, fiction.

Now, she knows the author is actual. (How’s that for word choice?)

In other Atlanta-area news, father of seven Paul Weathington has taken to writing books for his own children. He says, “A lot of people never thought in a million years that I had it in me. But I’ve always had a creative bug; I just didn’t have a forum for it.” He wrote one of the books on several offeratory envelopes during a Sunday morning service. See the books here.

Lists, Cults, and Men

Sherry is talking about book lists again. This time she points out an article on cult books, quoting a description of the difficulty in defining a cult book. I say it’s any book which quotes from, alludes to, or can be even slightly argued to have been influenced by The Hitchhiker’s Guide to the Galaxy. Seriously, can anyone argue with that definition?

Sherry also links to a so-called essential man’s library. Probably worth checking out should you find a spare minute. Just kidding, dudes–I mean, men. That’s a good list. I love those photos.

But speaking of cults, Sherry comments freely on When Men Become Gods by Stephen Singular, a book on Fundamentalist Latter Day Saints and the raid on Yearning for Zion Ranch.

C.S. Lewis, a Writer of Pulp Fiction?

Writer Rod Bennett believes “[C.S.] Lewis was heavily influenced by his many early experiences with ‘trashy’ literature.” He calls him a pulp fiction writer and lays out his case in four posts, quoting from Lewis’ letters where he confesses his enjoyment or exposure to Amazing Stories and Astounding, both pulp sci-fi rags, and many other works considered “trashy” by critics. Not that there’s anything wrong with that, Bennett says. In fact, it was through Narnia that Bennett found interest in Mere Christianity.

[This series is no longer on Bennett’s blog. This is a recycled post from 2006].

If Bennett’s premise raises the eyebrows of any Lewis fans, I think the trouble may be in the words “pulp” and “trashy.” I don’t think Bennett thinks Lewis’ science trilogy is trashy, but influenced by mass market stories of his day which were thought to be trashy by those who claimed to know what good and bad literature should be. But calling Lewis’ stories “pulp” may be the same as calling them “trashy” for some. Pulp fiction is lurid, tantalizing material written for commercial gain or cheap entertainment–nothing of lasting value. Again, I don’t think Bennett is arguing that Narnia and The Space Trilogy are cheap little thrillers, but that may be what comes across in the word “pulp.”

Vivian Edmonds

“The first African-American inducted into the N.C. Journalism Hall of Fame,” Vivan Edmonds, publisher of The Carolina Times, has passed away. Her father started the paper in 1922 and continue to report the news and write his opinions even as a cross burned against him. “You took your life in your hands when you spoke out, when you challenged the power structure,” said a reporter from Raleigh-Durham, N.C. area.

Pratchett is Slowing Down

NY Daily News has this feature on Terry Pratchett, whose Alzheimer’s is worsening. “I used to touch type as fast as any journalist does and my spelling was pretty good. Now I hunt and peg and my spelling is erratic,” he told The Times of London. “I can spell ‘transubstantiation’ and in the next bit I can’t spell ‘color’ because it’s as if bits of the network are switching on and off.”

He says he will to write, just “more carefully.”

An Abel Jones moment

Here’s another little snippet from an Abel Jones mystery by Owen Parry, Rebels of Babylon. I need to set the scene up a little. Jones, a strict Methodist, made a point in the earlier books of saying that he disapproved of novels, since they were made up entirely of lies, and were a frivolous waste of time. But recently he made the discovery of Great Expectations by Charles Dickens, and was completely won over—providing the novel was morally upright, of course.

In Rebels of Babylon he makes the acquaintance once again of Barnaby B. Barnaby, an English “gentleman’s gentleman” who had told him in Call Each River Jordan that he was a great reader—but only of one book. He read The Pickwick Papers again and again, comforted by its predictability.

In this scene, Jones tries to persuade Barnaby to try Great Expectations. (Ever try to recommend a book to a friend who wasn’t interested? I’ll bet you never got quite the response Jones gets):

Mr. Barnaby shook his head, slowly but with decision. “I couldn’t do it, sir. Really, I couldn’t. It’s all too awful and ’orrible. I couldn’t bear to undertake the experience of more suffering. And people always suffers in a novel, sir, if it’s worth the ink and paper…. I’ve even ’ad to give up reading Mr. Pickwick, I ’as. I couldn’t bear it no more, knowing as ’ow all ’is ’appiness is bound to be torn from ’is bosom. Not all Sam Weller’s wits can’t save the poor man, sir. ’E goes to ’is sufferings over and over again. Without end, sir, without end! As if that Charlie Dickens ’as trapped ’im forever in the pages, so ’e can’t never escape…. A writer fellow must be ’orrible wicked, sir, to go killing folks with ink and making everyone suffer for ’is pleasure. And for profit, sir! The scribblers takes money to make the innocent suffer in their books. It just ain’t right to do a thing like that.”

That says it about as clearly as it could be said, I think.

This is the last Abel Jones book published to date, and I wish I could get information on the next. I searched the web, and found an interview with Parry (actually Col. Ralph Peters) in which he projects a series of about twelve books. But where each previous volume ended with the note, “The adventures of Abel Jones will continue in _______________,” this one just says, “The adventures of Abel Jones will continue.” And this one came out in 2005. That’s getting to be a three year hiatus, which is too long for a series, as I can tell you with some authority.

I may have given the impression, in my previous review of Honor’s Kingdom, that these are Christian books. They aren’t. They’re books about a Christian (and sometimes the author gets the theology badly wrong), but the Christian is a likeable and admirable one, which is relatively rare in contemporary fiction.

This book goes deeper than previous episodes into an analysis of Jones’ faith, and the author makes it clear that much of Jones’ rigor rises from some deep, repressed fears. It’s possible future books may cross the line for me, and I’ll feel compelled to give up on the series.

But I’m willing to take that chance with the wicked writer fellow, for now.