I motioned him back and had him get himself a shot glass. I filled it from my bottle. I held my glass up and said, “Drink to me, my friend. Drink to this poisonous bag of meat named McGee. And drink to little broken blondes, and a dead black dog, and a knife in the back of a woman, and a knife in the throat of a friend. Drink to a burned foot, and death at sea, and stinking prisons and obscene gold idols. Drink to loveless love, stolen money and a power of attorney, mi amigo. Drink to lust and crime and terror, the three unholy ultimates, and drink to all the problems which have no solution in this world, and at best a dubious one in the next.”
He beamed without comprehension, and said, “Salud!” We drank and bowed and I filled the glasses again.
I have favorites and less favorites among John D. MacDonald’s Travis McGee series. I would not list A Deadly Shade of Gold as one of my favorites. It’s dark and convoluted, and unfortunately contains several authorial thoughts that annoy me. Still, it’s McGee, and I wouldn’t be without it.
Travis McGee, Florida houseboat-dwelling beach bum and “salvage specialist,” gets a call from his old buddy Sam Taggart, who’s been gone two years. Sam wants to know if Trav still “operates like he used to.” That means recovering stolen property for people and keeping half the value. He invites Trav to his seedy motel room and shows him an ugly golden statuette. There are 23 more like that, he tells Trav. Somebody took them from him and he wants them back.
Trav tells Sam that Nora wants to see him. That takes him aback. Sam was engaged to Nora before he ran off. Sam then says he’s changed his mind. If Nora will take him back, forget the salvage job. He says he’ll just dispose of this statue, and then Trav should bring Nora to see him tomorrow.
But when Trav and Nora show up, Sam is dead – killed with a knife in an ugly way.
Now it’s more than a salvage. It’s personal. Trav makes a trip to New York to talk to dealers and find out who might have owned the collection of gold statuettes. That leads him to a trip to Mexico (Nora comes along), to surveille the home of a reclusive, exiled Cuban government official.
Then things start getting complicated and violent, and it grows difficult to tell the good guys from the bad guys. It will all culminate in a fiery showdown in a billionaire’s home in Beverly Hills.
None of the Travis McGee books are exactly cheery, but A Deadly Shade of Gold is particularly dark. I think the author must have been depressed that year (1965). Aside from people dying in ways they don’t deserve, MacDonald expresses opinions which (in my view) have not largely held up well. He disses religion, and takes an entirely gratuitous swipe at all hunters. He warns of overpopulation. He talks about the dangers of right-wing extremism without even considering (apparently) that there might be an equal and opposite danger on the other side.
However, the story is consistently anti-communist. And a large part of the plot involves attempts by Communist agents to influence American politicians and entertainment people through sexual blackmail. That’s a theme right out of the headlines (or rather, the buried ledes).
If you’ve never read a Travis McGee novel, I wouldn’t recommend A Deadly Shade of Gold for a starter. Otherwise, buy it. Cautions for sex scenes and violence.