I like Mumford & Sons, a British folk rock band with a hard-driving sound that will stomp a foot numb. I haven’t looked them up in a long while, but that cave song of theirs has seeded my ears. I remember it regularly.
Banjo player Winston Marshall posted a few paragraphs today on why he is leaving a group he loves. It boils down to the reaction the band got over one of his tweets. He tried to address it, only to earn more backlash. And though the reaction was both ridiculous and typical of current political foolishness, he felt he needed to step away from the band to cause the others musicians the least damage.
So why leave the band?
On the eve of his leaving to the West, Solzhenitsyn published an essay titled ‘Live Not By Lies’. I have read it many times now since the incident at the start of March. It still profoundly stirs me.
“And he who is not sufficiently courageous to defend his soul — don’t let him be proud of his ‘progressive’ views, and don’t let him boast that he is an academician or a people’s artist, a distinguished figure or a general. Let him say to himself: I am a part of the herd and a coward. It’s all the same to me as long as I’m fed and kept warm.”
I gather the band has talked about it fully. I hope they support Marshall even while letting him leave. For the rest of us, let’s consider ahead of time how to defend our souls when the time comes.
Painting of the Battle of Stiklestad by Peter Nikolai Arbo
I must be working on the novel, because I’m not progressing very fast in my reading of Caimh McDonnell’s latest book (which is great, by the way; it’s not for lack of interest). In case you’re losing sleep over my car repair problems, I learned today that the ETA for the replacement part is now June 30. This was, as you might expect, no surprise to me at all at this point.
What shall I write about? How about something I learned from John Marsden’s Harald Hardrada book (favorably reviewed a few inches down)?
It has to do with King Olaf Haraldsson, Saint Olaf (or Olav) of Norway. He appeared in my latest book, The Elder King, and also has a major role in the one I’m working on, King of Rogaland.
I do not like this man. He emerges as a recognizable character in the sagas, and although those sagas are generally intended to promote his sainthood, the writers often had the insight to “paint him warts and all.” And this was a guy with a lot of warts.
Marsden’s book includes an interesting discussion of the date of the Battle of Stiklestad, where Olaf was killed. (Incidentally, I recently learned that one of my great-grandfathers was born on the island of Ytterøy, which is located in a fjord and almost in walking distance of the battlefield [once you get out of the water]).
There’s an anomaly in the standard accounts of the battle. The very first skaldic poems celebrating it (written by Sigvat the Skald, who also appears in The Elder King), tell how a solar eclipse occurred in the very midst of the battle. The problem is, the traditional date for the battle is July 29, but the eclipse occurred August 31. I’ve always inclined to the view that people remembered the battle and the eclipse as extraordinary events, and eventually conflated them. But Marsden points out that Sigvat (who wasn’t in the battle; he was on a pilgrimage to Rome at the time) would have been well-informed about the battle at a very early date. Also, the time of day given for the eclipse in the sagas is spot on.
Marsden passes on a possible explanation, suggested by “the editor of a long-respected English translation of Olaf the Saint’s saga.” This theory involves an error in interpreting a theoretical lost document (which I always consider a tenuous stratagem for scholars), but it works out quite neatly. If the original text of this X Document said that the battle occurred “1029 years and two-hundred and nine days since Christ’s birth,” and you reckon hundreds in the customary way, figuring January 1 as the first day of the year, you get July 29.
However – the Vikings counted in what are called “long hundreds.” When they said 100, they actually meant 120. All figures in the sagas need to be adjusted for that.
If you convert “1029 years and two-hundred and nine days” to long hundreds, and start your count at December 25 (a common date for figuring New Year’s Day at the time), you get the precise date of August 31.
That’s pretty neat, it seems to me. My plan, if I live so long, is to write a book about Olaf and Stiklestad a couple books from now, as a sort of sequel to Erling’s Saga. I think I’ll use this date for it, because that eclipse is a really cool bit of atmospheric staging.
Nice day, though the coolness of the earlier week (highs in the 70s) has passed like a memory of youth. It got up to 90 degrees today. This is annoying when I drive my loaner car (a Honda Civic), because the driver’s side window won’t roll down partially – it’s full commitment one way or the other. Like all sane vehicle operators, I like to leave the windows cracked about an inch when I park on a hot day, but with this one I can only do one side. You don’t get the cross-ventilation.
And yes, Miss Ingebretsen, my PT Cruiser, still languishes at the transmission shop. They tell me they think they’ve located the cables we need, and might possibly have them tomorrow.
I’ve heard this song before.
Anyway, the Civic gets me around – and with a little more zip than Miss Ingebretsen, I have to admit. Had to go to the dermatologist for an annual check-up this afternoon; I won’t disgust you with details about that. Nothing serious. My flesh is generally uninteresting (as many women have noted over the years), which is what you’d inspect in a man who gets less Ultraviolet than the average Morlock.
I arrived precisely on time, to be confronted with a sign that said “No Admittance Without a Face Mask.” This shouldn’t have surprised me – they’d made it clear when we scheduled the appointment. They get cancer patients with compromised immunity in there. But I hadn’t thought about it. I keep a stock of masks in Miss Ingebretsen for just such emergencies. But of course they’re baking in the transmission shop lot right now. And it never occurred to me to stash any in the Civic.
So I stood outside the clinic door, and called them on my cell phone. When the woman behind the desk answered, I made eye contact and told her, “I’m standing outside the door talking to you. This is embarrassing, but I haven’t got a face mask…”
She waved me in and handed me one from the cache I expected them to have there. No doubt I’m not the first patient in that situation.
What else to say? I’m revising, revising, revising on King of Rogaland. It’s amazing how lame (yet resonant) my Negative Interior Voice’s arguments are – “This is hopeless. You’ll never finish it.” Despite the fact that the thing is essentially written, and I’m just polishing now. Though it’s true the bumps never seem to run out. I’ve still got a lot of loose plot ends to tie up, and some ends are tied to the wrong other ends, and so need to be untied and re-tied somewhere else. This is far from the longest novel I’ve ever written, but it seems to be the most complex. Lots to keep track of.
I think I may not be smart enough to write this book.
But I plan to finish it anyway. When did I ever claim to be smart?
It has been my experience, as a Viking enthusiast, that historical biographies of great Vikings tend to be disappointing. A particularly sore memory is a biography of Canute the Great, some years back, that reduced a life of battle, intrigue, and conquest to the statistical analysis of personal names in old charters. The problem is sources, which in the Early Medieval Period (we used to call it The Dark Ages, precisely because of the scanty written record) tend to be spare even in relatively well-organized countries like France and England. For famous Scandinavians, the most accessible sources are the Icelandic sagas, which historians usually reject wholesale (in spite of the groundbreaking work of Torgrim Titlestad, available in a marvelously translated book called Viking Legacy).
In the case of Norway’s King Harald Hardrada, subject of Harald Hardrada: The Warrior’s Way by John Marsden, the situation is a little better. King Harald Sigurdsson lived his legendary life at the very end of the Viking Age, when things were getting a little better organized. On top of that, he had a wide-ranging career and often left discernable, discoverable tracks in local records.
I’ve often said that if there was ever a real-life Conan the Barbarian, it was Harald Sigurdsson, the tall and mighty half-brother of King Olaf Haraldsson, patron Saint of Norway. Carried wounded from the battlefield of Stiklestad, where Olaf died (Harald was 15 years old), he fled to Russia, where he served Prince Jaroslav as a mercenary. Then on to Constantinople, to join the fabled Varangian Guard, the emperor’s personal corps and bodyguard. After fighting all around the Mediterranean, he was imprisoned and escaped, participated in a rebellion, and personally blinded the deposed emperor. Then, having illegally sent treasure back to Russia for safekeeping for years, he fled the capitol and sailed back to Jaroslav. He married Jaroslav’s daughter, then returned to Norway, where he traded half his treasure to his nephew, Magnus the Good, for half the kingdom. Magnus’s death a few years thereafter left him as sole king. He spent most of his reign fighting wars with Denmark, until in 1066 he turned his eyes to England. In September of that year, he and his army were slaughtered by King Harold Godwinson at Stamford Bridge, after which the weakened English army went on to be beaten by William the Conqueror at Hastings a few weeks later.
That’s some life. It would be hard to make it dull, but there are historians who could do it.
Thankfully, John Marsden is not one of those.
I had trouble putting Harald Hardrada down. I knew the story well, of course, but Marsden does an excellent job of presenting it as a series of puzzles – he assumes the sagas unreliable, but he doesn’t dismiss them out of hand, especially when buttressed by contemporary skaldic poems. Sometimes he actually defends the saga writers against more skeptical historians. The narrative that emerges is worthy of the epic subject.
To top it all off, he even tells the story of Harald’s famous banner, “Land-ravager,” relating a legend I’ve already described on this blog, some time back, that an ancient scrap of silk on the Isle of Skye, known as “The Fairy Flag of Dunvegan,” belonging to the Clan McLeod, may plausibly be “Land-ravager” – there’s even scientific evidence. It’s that kind of touch that makes Marsden’s Harald Hardrada a treat for the Viking buff.
She ticked off each item on her fingers. “You climbed a three-hundred-foot redwood. Got shot at, twice. Totaled my car. Saved my life, at least twice. Fractured your leg, cracked some ribs.” She paused for a moment, and Peter wondered how far she’d get into this. She took a breath. “You also killed at least one man, maybe more, depending on how you see things. You got stuck in the hospital, which made your post-traumatic stress flare up. And now we’re on the run in the middle of the night from whoever is hunting me.”
This one was really good.
Burning Bright, by Nick Petrie, is the second in a series about Peter Ash, a Marine war veteran who came home with PTSD that manifests itself as claustrophobia. He’s basically unable to spend any time indoors, so he’s been living under the sky for months, hiking and camping. In the redwoods of northern California he gets chased up a tree by a grizzly bear. There he unexpectedly encounters a climbing rope, which he follows up into a majestic, old-growth tree. Eventually he finds a platform in the upper branches, where he meets a beautiful young woman, pointing a bow and arrow at him.
Her name is June Cassidy. She’s a journalist, and her scientist mother died recently. Not long after, some men kidnapped her, but she managed to escape them, and now she’s here in a research post a friend built, hiding from the kidnappers, who’ve been trailing her. They are in fact at the bottom of the tree now, setting up a trap for her. Peter offers his considerable skills as a protector, and together they make their way to June’s car, in which they begin a breathless chase headed toward Seattle, and eventually into a confrontation with June’s eccentric father, a kind of a cross between Howard Hughes and Steve Jobs.
The writing in Burning Bright was extremely good. The plotting and the action never let up. What made it even better was that the characters were well-realized, and Peter’s and June’s developing relationship was a lot of fun.
Cautions for language and violence. Possible, hinted leftist opinions may become more apparent in later books (or not). But I highly recommend Burning Bright to anyone who enjoys a good thriller in the Jack Reacher vein.
Jackson Crawford and Simon Roper tackle this question and talk for an hour about languages at a far deeper level than I can follow. Believing our readers will take interest in this, I share it in ignorance.
Oddly enough, I first posted the art above exactly three years ago, on June 18, 2018. It’s the cover for the new paperback edition of The Year of the Warrior. Baen Books still publishes the e-book, but I have their clearance to produce and sell this corporeal version. Various obstacles have arisen since that time to prevent production, but I finally took the bit in my teeth a few weeks back, and arranged with a printer I know to get this thing done.
My plan with this version is to sell it personally, at the Viking events I participate in. If you’re hoping to get it on Amazon, that probably won’t happen, because (I assume) I’d have to ask questions and go through a bunch of red tape to arrange for that. And I’m too old and lazy.
I’m not sure when I’ll actually have them in my possession. The printer sent me the galleys today and told me there’s a problem with the cover. I think I’m going to have to add space at the top and bottom to fill out the cover shape. But I haven’t looked at it yet.
I’m too old and lazy. I’ll get to it over the weekend.
I really like that cover, though. It would have had me wiggling like a fishing worm, back when I was a teenager. Jeremiah Humphries did it, and I think it’s my favorite cover that’s ever been done for one of my books.
Now if I can just find a few more events to flog them at this summer.
It’s always awkward reviewing a book in a genre (or sub-genre) you’re not very familiar with. If you criticize something, you don’t know whether it’s a routine feature of the form or not. If someone were to criticize my Erling books because they include magic, for instance, they’d be kind of missing the point.
Christopher Greyson is the author of the Jack Stratton novels, which I like very much, and he was kind enough to provide a free review copy of One Little Lie, which is a departure for him. It’s a women’s thriller.
Now writing women’s thrillers is a shrewd business move. I haven’t seen the statistics, but judging from the titles I see, women’s thrillers are a growth market. Women, after all, are by far the largest reading demographic. And (here I judge by the scripts I see as a translator) women have an insatiable thirst for stories with strong female lead characters, who overcome danger on their own. No rescue by knights in shining armor allowed. A hunky male love interest is acceptable – even desirable – but he has to be taken out of play in some way so the woman can discover her own strength and triumph independently.
That’s the kind of story One Little Lie is.
Kate Gardner has been a doormat all her life. She gave up her career aspirations when she married Scott Gardner, scion of a wealthy family in a small town. Then he dumped her for his high school sweetheart, manipulating her into accepting minimal child support. She is working as a receptionist, a job she hates, and trying to keep up with caring for her two young children. But lately she’s been troubled by depression and memory problems, and the medications she’s been prescribed haven’t been helping. And now Scott wants full custody of the kids.
As a side gig, she got an assignment from a friend to write a review on a new, sophisticated flying drone that can be controlled from her mobile phone. One night at her son’s football game, she tries the drone out, but then gets distracted. When the battery runs down, the drone homes in on her and lands on her head. When people come to help her, they find the drone, with footage on it showing a man stalking her. When the police come, Kate is embarrassed to admit that she was controlling the drone herself. Everyone assumes it belongs to the stalker. Later, Kate’s best friend and her ex-husband both tell her not to admit the omission to the police. If they catch you in “one little lie,” they won’t believe you. This is hard for Kate, a basically honest person, especially because she’s attracted to Ryan, one of the detectives, who seems to return her interest.
From that point, Kate’s life descends into chaos. She loses her job, her best friend disappears, a slut-shaming campaign is launched against her, and she’s physically attacked in her home. All the while, memory lapses have her wondering if she’s losing her mind. Her wealthy mother-in-law, who claims to be on her side, gives her an ultimatum – she has to learn to stand up for herself. But if she fails, she’ll lose everything.
One Little Lie was an engaging read. I did have problems with some elements in the story, but I’m not in a position to know if these are standard tropes or weaknesses in this particular plot. A book of this kind calls necessarily for a final crisis where the woman is forced to discover her strength all on her own. But it seemed to me the resolution here was kind of contrived, depending too much on sheer coincidence.
Aside from that, it was an enjoyable read. Recommended, especially for female readers. Subtle Christian messages.
No book to review tonight. So, you’re stuck with my deep thoughts. “I got a million of ‘em,” as Jimmy Durante (or somebody) used to say.
Back on Memorial Day I was talking about how young men are (usually) risk-takers. I got to wondering, “What’s the survival value of youthful risk-taking?” Its value would seem to be the opposite of survival.
(I don’t want to get into the Creation vs. Evolution thing here. I think survival value is a real thing, created by God. It’s just the way He designed things to work.)
One would assume that Nature (whether intelligently designed or not) would want young people to stay safe until they grew up. So they’d go on to produce further offspring.
But in fact, Nature drives young men (typically) to go out and try to kill themselves. Drag-racing. Sky diving. Rock climbing. Joining gangs or (sometimes more responsibly) armies. Experimenting with drugs. Asking cheerleaders out on dates.
(I, of course, never did any of these things myself. But there were consequences to playing it safe.)
The point, I think, is that Nature is wise, and under God’s governance. As I’ve mentioned before, I believe that God is a storyteller. His book of Nature is not an equation or formula. It’s partly about science, but it’s also about love and hate and ideals and passions. And one of the things storytelling tells us is that safety is not first. “Who dares wins.” “Faint heart ne’er won fair lady.” “Do not take counsel of your fears.”
Both in the spiritual and the physical worlds, too much caution is fatal, at least in the aggregate. Cowardice would appear to have survival value, but it doesn’t. Cowardly communities do not thrive. Courage kills off some of its acolytes, but those who survive end up running things and making progress.
I think churches often work too hard to produce guys like me. The Kingdom is for risk-takers – “Men of violence take it by force.” (Matthew 11:12) In a feminizing world, we need to provide a place where risks can still be taken, wounds bound up, and locker room speeches delivered. To young men with skinned knees and black eyes.
It’s 1857. Dexter James, an itinerant demonologist, comes to Titusville, Pennsylvania, where he’s sure there must be a lot of demon-possessed people in the backwash of the recent oil rush. He has trouble getting business at first, until he performs a miracle of healing (to his surprise) and becomes a huge success; then he crashes on his own hubris. Meanwhile, he falls in love with a local prostitute, who helps him find his true destiny.
That’s a brief, bare=bomes outline of Stephen Kanicki’s There Are No Saints, which could be classed as Christian fantasy, I suppose, or at any rate religious fantasy. There was a certain amount of creativity in the writing, and the characters showed some genuine depth and development. The ending of the book, I must admit, moved me.
However, I didn’t really like it. The writing style was not outstanding (a number of homophone errors), and the diction was purely 21st Century. No effort was made whatever to make the narrative read like one that could conceivably have been written in the 19th Century.
And speaking of the time setting, it was never explained why Dex had what seemed to be Viagara pills to distribute, or how he knew the 12 Steps of Alcoholics Anonymous almost a century before they were composed. I was looking for some kind of time travel plot element, but there was none.
And, as a doctrinaire Christian, I don’t accept the theology expressed in the book. It’s syncretist, saying that all religions are really the same: all about love. Which means Jesus Christ and His Cross were unnecessary, and it’s all good works.
So, in aggregate, I don’t personally recommend There Are No Saints. But you might find it amusing. Cautions for some foul language.
