Tag Archives: The Year of the Warrior

‘The Mansions of the Lord’

I always post “The Mansions of the Lord” on Memorial Day, because no other song I know expresses it like that one does. It doesn’t work theologically, but even I have to just go with my heart sometimes.

As I wrote in The Year of the Warrior, playing fast and loose with theology in my own right:

“It’s strange to die this way, and me a Christian. If I were heathen yet, I’d know that Odin would welcome me to Valhalla. What welcome has Christ for a warrior, Father?”

I had no quick answer, and Moling must have seen my trouble, because he asked what the boy had said. I told him.

“Tell him I’ve had a dream about Heaven,” said Moling. “The teachers tell us that the Beloved lives outside Time itself. He goes back and forth in it when He wills. And when we go to be with Him, we too will be outside Time.

“It seemed to me in my dream that at the last day the Beloved called together all the great warriors who had been brave and merciful, and who had trusted in His mercy, and He mustered them into a mighty army, and He said to them, ‘Go forth for Me now, My bonny fighters, and range through Time, and wherever there is cruelty and wickedness that makes the weak to suffer, and faithful to doubt My goodness, wherever the children are slain or violated, wherever the women are raped or beaten, wherever the old are threatened and robbed, then take your shining swords and fight that cruelty and wickedness, and protect my poor and weak ones, and do not lay down your weapons or take your rest until all such evil is crushed and defeated, and the right stands victorious in every place and every time. We will not empty Hell even with this, for men love Hell, but I made a sweet song at the beginning, My sons, and though men have sung it foul we will make it sweet again forever.’”

I said these words to Halvard in Norse, and he died smiling.

The Vikings of Hastings

Big weekend. I saw new (old) things, did my Viking shtick, sold books, and exerted myself more than I’m used to these days. Probably good for me, but it made me thoughtful too.

I’m embarrassed, as a native of southeastern Minnesota, to have had to learn this, but there’s a pretty neat museum in the town of Hastings that I’d never heard of before. It’s called the Little Log House Pioneer Village, and one assumes it started modestly and just grew. It features a large collection of historical buildings, from pioneer cabins to hotels and post offices and gas stations. Some of the stuff goes back only to my childhood, but that’s a long time, after all.

The picture above shows you where we were camped (and by our camp, I mean my tent and awning). Looking up the street you can see just a little of the collection of buildings at the museum. The white building dominating the left-hand side is the town hall from Nininger, Minnesota, a storied place in Minnesota history. It was a utopian community, which Ignatius Donnelly (a radical Republican who eventually become a Populist) promoted as a model community of the future. The crash of 1857 doomed it, leaving Donnelly bankrupt.

Donnelly, a Philadelphia native, was Lieutenant Governor of Minnesota from 1860-1863, and also a congressman and a state representative. He ran for Vice President on the People’s Party ticket in 1900. His greatest fame, though, was as a writer, a forerunner to today’s pseudoscience cranks. This was a man born for the cable channels. His book on Atlantis: The Antidiluvian World is still being reprinted, and continues to be studied by ancient mystery geeks. He also wrote a book about the Great Flood, and championed Francis Bacon as the author of Shakespeare’s plays. In addition, he was a pioneer of Science Fiction, writing a future dystopia novel called Caesar’s Column that was a big success in its time.

The Little Log House Museum hosts an Antique Power Show (steam engines, tractors and classic vehicles) every year. I’m told the place is generally packed for the event. They skipped it last year, of course. And the public seems to still be cautious – our crowds this year were only fair. Still, I sold a moderate quantity of books, and had some pleasant interactions with my species in fairly pleasant weather. It was hot, but I enjoyed fair shade under my awning (better the second day, when we moved my tent onto the east-west tree line). This was not my usual group of Vikings, but a couple of the younger members plus a group of very young new recruits. This made me, perforce, the village elder, and occasional dispenser of dad jokes. I let them have the combat shows all to themselves, but lent some of them arms and armor.

These days I feel my age more every time I do one of these events, but in fact I felt less tired the second day than I expected, and I feel less wiped out today than I also expected. My main concern right now is carrying stuff up and down my basement steps, because there’s no room to store my Viking things on the main floor of my house – and let me tell you, Viking things are heavy (as are books). I need to think about cutting back – not on the events I attend, but on the impedimenta I bring along. I expect I’m going to have to downsize my operation to a plain book table in time.

I was happy, through the good efforts of my printer, Elroy Vesta of EJ Enterprises, Fergus Falls, MN, to have the new paper edition of The Year of the Warrior available to hand sell. I meant to get my picture taken with it in costume this weekend, but it slipped my mind. Here’s a more modest picture.

Paper dragon

Oddly enough, I first posted the art above exactly three years ago, on June 18, 2018. It’s the cover for the new paperback edition of The Year of the Warrior. Baen Books still publishes the e-book, but I have their clearance to produce and sell this corporeal version. Various obstacles have arisen since that time to prevent production, but I finally took the bit in my teeth a few weeks back, and arranged with a printer I know to get this thing done.

My plan with this version is to sell it personally, at the Viking events I participate in. If you’re hoping to get it on Amazon, that probably won’t happen, because (I assume) I’d have to ask questions and go through a bunch of red tape to arrange for that. And I’m too old and lazy.

I’m not sure when I’ll actually have them in my possession. The printer sent me the galleys today and told me there’s a problem with the cover. I think I’m going to have to add space at the top and bottom to fill out the cover shape. But I haven’t looked at it yet.

I’m too old and lazy. I’ll get to it over the weekend.

I really like that cover, though. It would have had me wiggling like a fishing worm, back when I was a teenager. Jeremiah Humphries did it, and I think it’s my favorite cover that’s ever been done for one of my books.

Now if I can just find a few more events to flog them at this summer.

Sweet and sour times

As we enjoy the collapse of Western Civilization, there are at least a few consolations to be found in the gradual reduction of lockdown restrictions. In Minnesota, our venerable governor has graciously eliminated occupancy limits in restaurants, and allowed us to go maskless out of doors, as long as we aren’t too friendly about it.

So I went crazy on Saturday and ate at a Chinese buffet for the first time since the Troubles began. Chinese buffets had come to occupy a disproportionate portion of my consciousness, such as it is. Many had already closed even before the pandemic; I feared the lockdown had wiped them out completely. I have an idea the place I went to had been open for a while, actually. But one of my great horrors is having someone tell me, “You’re not allowed in here,” so I waited until I was fairly sure it was OK now. (If you’re in the area and wondering where I went, it was Ocean Buffet in Brooklyn Center. In my experience, the majority of their customers are always Chinese. I tell myself this means something.)

And it was good. Not as good as one imagines after a year of abstinence, but good. I had to wear plastic gloves, provided at the door, at the steaming tables – the cheap kind of gloves made of the same plastic they use for produce bags in the grocery store. Prices have gone up, of course, but that’s a given. I felt a sense of closure. (Or anticlimax. I always get those two confused.)

Reduced restrictions means it looks like there should be some Viking events this summer. I need to take final action on getting my dead tree edition of The Year of the Warrior printed. The printer was going to get back to me, and hasn’t so far. I suppose I’ll have to call him. That book is loooooooong, you know, like something out of 19th Century Russia. It will be expensive to print.

My great fear is that I’ll sink a bunch of my savings into a stock of books, and then the lockdown will return and all my venues will vanish. And I’ll be left with a basement full of stock.

And my basement leaks a little.

Writing pains, prolonged

Demonstration of Proper Writing Position, from Hill’s Manual of Social and Business Forms. Wikimedia Commons.

Nearing the end of my formatting/proofreading of The Year of the Warrior text, in hopeful pursuit of a new paperback edition.

I approached this project with some trepidation. I had fond memories of writing the book, and I didn’t want to be disillusioned by the reality. I had an awkward idea that parts of it must be pretty bad, and I didn’t want to stare into that void.

Overall, I’m pleased. Where the book is good, I think it’s pretty good. Sometimes my prose can soar. I make interesting use of poetry, both original poetry and psalms, and I think those passages function a little like a movie score, raising the emotional level of the whole exercise. I am my own John Williams.

But there are flabby spots. I’m way too preachy toward the beginning of Part 2, The Ghost of the God-Tree. I don’t think I’d make that mistake today – I wrote this more than 20 years ago, and I hope I’ve learned a few things about my craft. I think I won’t be entirely ashamed to sell this book. A little ashamed, yes, but also proud, overall.

Today was a beautiful day in Minneapolis, 70 degrees and sunny, as we all watch reports of the Chauvin trial from the corners of our eyes. We hope for the best, but it’s hard to imagine a scenario that isn’t pretty awful. A Chinese restaurant I patronize quite a lot opened for indoor dining again today, and I was there for lunch. It was nice, but I had a sense, as I sat there among a multi-ethnic crowd, that we were all uneasy.

At times like this, one is tempted to ask, “Does novel writing matter?”

And I answer, “Of course it does.”

I have a delusion that somewhere in Heaven, Erling Skjalgsson is pulling for me. And Father Ailill, or someone like him.

The return of ‘The Year’

I hope I’m not raising cruel hopes among my millions thousands hundreds dozens (!) of longsuffering fans, but I guess I can tell you I’m in the process of trying to produce a new paper version of The Year Of the Warrior. Ori Pomerantz helped me out in the early stages, and now I’m proofreading a file to submit to a printer. (As you may be aware, Baen Books continues to sell the e-version, but our contract gives me the right to produce a tangible book. I note that the cover above was designed back in 2018, so this has been a long time coming.) It’s always a little awkward, when I’m selling books at Viking events, to tell people that the one Erling book I have for sale in dead tree form is Number Two in a series. TYOTW on paper will mean I’ll have books One and Two both (or One, Two and Three if you count TYOTW as a double. Which it is.). I think that’ll go over well.

Assuming there is a Viking Season this summer. If there isn’t, the money I plan to pay a printer will be sunk costs in my basement for a while.

So I’m re-reading The Year Of the Warrior for the first time in… a decade? Two decades? A long time. What do I think of it?

All in all, I’m pleased. There’s some weak spots, some sentences I’d recast or streamline. And the plotting, especially at the beginning, is occasionally forced. But a lot of the prose reads just fine to me, even moving in spots.

There are errors of fact. Some things I got wrong about Viking life, which have been clarified for me in the many years since. I wish I’d known that Erling’s father, according to a saga I’d never seen when I was writing, was killed in a thrall uprising while he was a boy (I spackled that story over in West Oversea). Other errors I won’t mention, because I’ve already repressed them.

I’m not fixing any errors in this version. “What I have written, I have written,” as a not-so-great Roman said. I think I need to own my mistakes along with my successes. It’s all on the record.

I’d forgotten some details. Erling’s shield shows two eagles (I need to mention that again; it’s thematically important). Father Ailill has a box bed in his house.

Anyway, I haven’t gotten an estimate from the printer yet, but I expect it won’t be cheap, especially with that beautiful cover by Jeremiah Humphries. So that’s where my stimulus money is going. Which is too bad, because I just got brake work done on the car…

‘The Year of the Warrior’ Review

Lutheran writer Mary J. Moerbe (who happens to be the daughter of Dr. Gene Edward Veith) has reviewed my novel, The Year of the Warrior at her blog, Meet, Write, & Salutary:

The descriptions hit me very powerfully. I mean, normally we would talk about world-building in a piece of fantasy, but this book may have made me even more engaged into my own world, allowing me to see it through re-opened eyes and a broadened perspective.

Read it all here. Thanks, Mary.

‘The High Costs of Fantasy Sainthood’

It’s always nice — rare as it is — to be cited as an author. Jessica McAdams praises my novel, The Year of the Warrior in an article just published at Tor.com. My book even closes the show:

I love this book for its clear insistence that sainthood requires transformation. In order to follow the call, Aillil must change. He can’t stay the man he is: sort of bad, sort of good, mostly selfish and sorrowing. He has to be courageous—worse yet, he has to be charitable. If there is real evil in the world and real good, he has to pick a side, and then he has to let that choice manifest itself and become real in his own self—living it out in his own inclinations and actions and habits.

And that might be the most costly sacrifice of all.

Read it all here.

The hersir’s new clothes

I mentioned a while back that we’re going to bring out another paperback edition of The Year of the Warrior. Baen Books continues to publish the e-book version, but we’ll be doing it in dead tree. Our talented friend Jeremiah Humphries has come up with a cover I’ve approved, and I’m over the moon with it.

The Year of the Warrior (paper)

We don’t have a definite date for the book release yet, but you can be sure we’ll let you know.

Publishing news

The Year of the Warrior
The beloved old cover.

Had a very nice moment on Facebook today. One of my readers posted a list of novels that affected his life, and The Year of the Warrior was at the top of the list. He said, “Each of these moved me spiritually and intellectually. I connected with the characters and the story surrounding them, and finished the book feeling emotionally deeper in my understanding of the world and others.”

Mark Twain said something along the lines of “I can live a whole month off a good compliment.” I think my food budget should be covered for most of June.

In a related matter, I guess I’ll mention that I’ve decided to bring out paperback versions of some of my novels through Create Space. (Actually Ori Pomerantz is doing the real work.) I’m starting with The Year of the Warrior, because then I’ll be able to sell it along with West Oversea at Viking events and have them in sequence. Hailstone Mountain should come later.

The e-book of TYOTW is published by Baen, but it turns out I have full rights to publish a palpable version. Can’t use Baen’s cover though, so our friend Jeremiah Humphries is working on a new one.

Oh yes, don’t forget that Viking Legacy, the book I translated, is now available!