At sunset Kristin was sitting up on the hill north of the manor.
She had never before seen the sky so red and gold. Above the opposite ridge stretched an enormous cloud; it was shaped like a bird’s wing, glowing from within like iron in the forge, and gleaming brightly like amber. Small golden shreds like feathers tore away and floated into the air. And far below, on the lake at the bottom of the valley, spread a mirror image of the sky and the cloud and the ridge. Down in the depths the radiant blaze was flaring upward, covering everything in sight.
Just a passage from my reading in Sigrid Undset’s Kristin Lavransdatter today. I thought it was rather nice. I’m nearing the end of the second book, having watched Kristin’s half-smart husband gradually weave the rope that will hang him in the end – in terms of his ambitions, at least.
I’ve also, of course, been watching “Vikings: Valhalla.” And simple justice demands that I admit that it surprised me – I like it better than I expected. Though my expectations, as you probably guessed, were pretty low.
But the fact is that the writers and showrunners of “Vikings: Valhalla” seem to have made the decision to pull in their horns a bit. The “Vikings” series, especially in the later seasons, just went loopy. They let their freak flag fly, so to speak, to the point where it almost came loose from the flagpole. They produced the wildest fantasies and impossibilities and anachronisms, pinning them now and then to odd points of history or saga.
“Vikings: Valhalla” seems a little more controlled, at least as far as I’ve watched so far. Time is still compressed, but not as radically as it was in the first series. Instead of making the same man the attacker of both Lindisfarne (793 AD) and Paris (845), this story seems to be concentrating on the stories of Canute the Great, Saint Olaf, Harald Hardrada, and Leif Eriksson. In this series, all those men are involved in Canute’s conquest of England in 1016 – at which time the real-life Leif had already discovered America and had (I believe) settled down as chieftain of the Greenland Colony. And Harald Hardrada was an infant. Still, all these people could have conceivably met each other in real life.
Many of them show up in my Work In Progess, The Baldur Game. I doubt that Erling will show up here, for which I’m grateful.
The most audacious liberty taken is making Jarl Haakon a Strong Black Woman (and, of course, as is the custom in our times, she is the story’s great font of wisdom). Actually, she’s supposed to be Haakon’s widow, Estrid, who took his office over for him (women could not do that in real life – they could inherit a chieftainship, but needed to get a man to exercise it) and uses his name as her last name. The fact that the Vikings didn’t have last names in the sense we understand them seems to be outside the producers’ ken.
But the costumes (though not in the least authentic) are a little less radically imaginative than the ones in the previous series, and the haircuts are generally much better. I’m grateful for that.
As we age, we learn to be grateful for small mercies. And I’ve aged a decade watching these programs.
