There is no lack of British police procedural mystery series out there, so I tried A Deadly Lesson, a Scottish mystery by Paul Gitsham, more or less on a whim. I liked it better than I should have, considering the nature of the product.
Jillian Gwinnett, an instructor and administrator at a
Catholic school, is found strangled to death at her desk. The murder weapon
appears to have been a length of hemp rope. Detective Chief Inspector Warren
Jones is assigned to investigate. He and his assistant begin looking into her
fellow workers and her job history, and find old conflicts involving
educational philosophy and career rivalries. Through systematic investigation,
they identify the culprit at last.
And that’s pretty much it. This was one of the most straightforward
mysteries I’ve read in a long time. There were very few distractions in this
book – either in terms of action scenes or interesting characters. Inspector
Jones, as a person, was almost entirely a closed book. We learned he was
married, and almost nothing more about him. It’s almost mandatory these days
for British detectives to have a slew of eccentricities, but there’s none of
that here. Just a plain mystery, plainly solved.
I didn’t find a lot to love here, but on the other hand, the mystery was interesting in itself, and it kept me reading. So, although I didn’t love A Deadly Lesson, I didn’t dislike it either. Recommended for readers who prefer puzzles to characters. I don’t recall any objectionable elements.
Reading a new Alex Delaware novel by Jonathan Kellerman is like dropping in on an old friend, whose place is comfortable and nobody expects you to dress up or bring a bottle. It’s welcome and easy.
In The Wedding Guest, Detective Milo Sturgis invites his psychologist friend/consultant, Dr. Delaware, to help him interview witnesses at a murder scene. The scene is a former strip club repurposed as a party venue, where a wedding party had been going on. One of the bridesmaids went to use a washroom most of the other guests didn’t know about, and found a dead body inside. A young and beautiful woman dressed in red, drugged and strangled.
The bride’s family are Los Angeles nouveau-riche, beautiful
people with rough edges. The groom’s parents run a veterinary practice and are
more down-to-earth, but they have money too – and access to the drug that
helped kill the victim. The chief problem at first is that the dead girl seems
to be entirely off the grid – no identification, no police record, and nobody
at the wedding will admit to knowing her.
Putting a name on her takes hard work, but when it’s done
there’s still the question of discovering why she was there that night, and who
among those present would have a reason to end her life.
I thought the climax was a little perfunctory, but it was all about the ride anyway. The Wedding Guest could have been three times as long and I’d have enjoyed it all the way through. I particularly liked the non-stereotyped characters. Cautions for language and adult themes. Recommended, as is the entire Alex Delaware series.
An interesting read, which I found, in the end, over the top and under the moral line. But definitely exciting and readable.
Ben Cheetham’sBlood Guilt tells the story of Harlan Miller, an English cop (in London, I assume, though I don’t think it’s ever specified) whose promising career ends when his young son dies in an accident. After that, Harlan slides into depression and alcohol, until one terrible night he kills a man in a bar fight.
Four years later, he’s out of prison. His wife would like to
start over again, but Harlan just can’t find a way to care. His guilt consumes
him.
Then a shocking thing happens. One of the sons of the man he
killed is kidnapped. Ben takes hold of the hope that he can somehow redeem
himself through using his investigative skills to find and rescue the boy. He
has an advantage over the regular police in not being bound by rules of
evidence – or limitations on the use of force.
The premise of Blood Guilt is intriguing, and I think it could have been, not only a good thriller, but an interesting moral experiment. However – for me – it didn’t entirely work on either plane. The action seemed to me excessive and improbable (in one instance, we’re treated to yet another hero who checks himself out of the hospital against doctor’s orders and somehow manages to function in violent action). And the moral elements – though they seemed promising – collapsed entirely at the end, in a climax that satisfied me in no way.
Maybe I’m blinkered by my Christian theology, but this story didn’t work for me. Your mileage may vary. It’s definitely a page-turner, though. Cautions for language and violence.
It’s always nice — rare as it is — to be cited as an author. Jessica McAdams praises my novel, The Year of the Warrior in an article just published at Tor.com. My book even closes the show:
I love this book for its clear insistence that sainthood requires transformation. In order to follow the call, Aillil must change. He can’t stay the man he is: sort of bad, sort of good, mostly selfish and sorrowing. He has to be courageous—worse yet, he has to be charitable. If there is real evil in the world and real good, he has to pick a side, and then he has to let that choice manifest itself and become real in his own self—living it out in his own inclinations and actions and habits.
And that might be the most costly sacrifice of all.
Inspector John Crow is a tall, ungainly man. He never looks like he fits in anywhere, and even less when he’s called in to a small town to take over a murder investigation from the locals. They have a murder case to deal with already – an unusual circumstance – so they’ll have to endure his presence, and that of his assistant, Sergeant Wilson.
In The Woods Murder, by Roy Lewis, a solicitor named Charles Lendon has been found in a forest hut, an iron skewer thrust through his heart. There are many people who might possibly have wanted Lendon dead. For one thing, he was an inveterate womanizer, and made no distinction between married and unmarried women. Also there’s a farmer who blames him for the death of his daughter (this is the previous murder mentioned above). Lendon closed off a lane through his woods which children used to use as a shortcut. With that way blocked, they have to take a longer route now – and the farmer’s daughter was killed along that route.
But there’s more to Lendon than is commonly known. As
Inspector Crow uncovers layers of old secrets and lies, it becomes a
possibility that his death might not have sprung from his sins – but from his (few)
virtues.
The Woods Murder is part of a series of books published back in the late 1960s, and republished now. I thought I might find it more congenial than a lot of politically correct contemporary books. And it was all right, but I must admit I didn’t love it. I guess I’ve gotten used to a more character-driven style of storytelling. Nothing against this book, but it didn’t ring my bell.
I do have to note one remarkable line of prose – not typical of the book as a whole: “…for her mind was patterned with doubt and incomprehension, a cicatriced amorphous mass criss-crossed with questions and uncertainty.”
I’m not sure how any publisher would let a self-indulgent
line like that stand in a popular novel. But I suppose the rules were different
back then.
A “fan-fic” novel, set between the end of the “Endeavour” TV series, and before the beginning of “Morse?” And written by the chairman of the Inspector Morse Society? Available free in e-book form? I was willing to take a chance on that. And all in all, I thought Dead Man’s Walkworked pretty well.
The year is 1971, and Morse is a Detective Sergeant in the
Oxford police. A stamp dealer named Hugo Latimer is found dead next to his
tumbled bicycle, cause of death suspicious. Shortly after, a man named Ridler
is found murdered in a similar manner. Young detective Morse is immediately
suspicious, because the crime scenes are both near the Martyrs’ Memorial in
Oxford, where Protestants Latimer and Ridley were famously burned at the stake.
This is obviously a puzzle meant for him.
Die-hard Morse fans may find non-canonical elements here to
carp at – I myself only noticed a couple homonym problems, like “populous” for “populace,”
to complain of (Morse would have been on those like a terrier on a rat). There’s
romance. There’s an appreciative scene set in the Eagle & Child pub, with (laudatory)
comments on the Inklings. The author sometimes indulges in presenting
travelogues – telling us too much about the histories of places where Morse
visits. There’s a depiction of a Christian family that seemed to me
unsympathetic – but then Morse was an atheist, so what do I expect?
There’s also a boy named Dexter here, who wants to be a
writer – but it can’t be author Colin Dexter, because he was an adult by this
time. I have no idea what that was about.
I found the final solution of the mystery a little disappointing, but all in all I enjoyed reading Dead Man’s Walk quite a lot. I recommend it, especially for fans of the Colin Dexter novels and the famous TV series (plural).
The Inspector Munro series by Pete Brassett is an enjoyable set of stories about an aging police detective in the west of Scotland, and the young female detective he mentors, “Charlie” West. I’ve reviewed the previous books, and here’s the new one, Rancour.
On the Arran islands, a young girl goes climbing on high Goat
Fell on a winter night, and is found the next day frozen to death. When her
companions, who turned back, are asked why they didn’t stop her, they say the
girl was determined.
Soon after, another girl is found dead on the mainland, while
a school friend is found unconscious. All three girls have been drugged.
Suspicions center on an Italian man of questionable morals
and business ethics, who recently moved to the area and has cut a swathe
through the ladies.
But looking into his life, and the girls’, brings up a lot
of other questions, and the investigation grows quite complex. Inspector West
is leading the squad now, since Munro is retired, but he’s keeping his hand in
and gently guiding – while trying to remodel his cottage and decide how to
handle a question of his own health.
It all turned out in ways that surprised me. I enjoyed spending time with my old friends Munro and West, and recommend Rancour, as well as the rest of the series.
We are rushing into the unconsidered embrace of a computerized future that, deep in the core of its design process, hates us. “Engineers at our leading tech firms and universities tend to see human beings as the problem and technology as the solution,” Team Human notes. “When they are not developing interfaces to control us, they are building intelligences to replace us.”
January 25, Deadline.com: EXCLUSIVE:Gregg Hurwitz, author of the best-selling Orphan X series, has inked what’s described as a “significant seven-figure deal” with publisher Minotaur Books for the next three volumes in the series. The next book in the series, Out of the Dark: The Return of Orphan X, hits shelves on Tuesday, Jan. 29.
Dave Lull just sent me the above item, and it pleases me no end, because there can’t be enough Orphan X books for me. No doubt the TV series will ruin the concept, but keep the books coming, Gregg.
And now for our book review:
Wetzel had read somewhere that Hollywood directors liked to hose down streets to make the asphalt sparkle on film. Washington was like that naturally, a black-ice kind of town—lose your focus and you’d slip and break your neck.
Any review of the Orphan X books requires a little
orientation lecture, but that’s OK, because it’s fun to tell.
Evan Smoak is “Orphan X.” As a boy, he was “recruited” from a group home into the super-secret, ultra-deniable US government “Orphan” program. Under this program, smart, athletic kids whom no one would miss were trained to be the world’s most dangerous assassins and covert operatives. But gradually, under the direction of a bureaucrat named Jonathan Bennett, the program lost its focus and become badly corrupted. Jack managed to break free and, subsidized by income streams he can still tap (I never quite followed how that works), he now lives in secret in Los Angeles. His home is a luxury apartment, impenetrably secure, and from it he operates as “The Nowhere Man.” He’s a sort of a hero on call. People he helps refer him to other people who need a hero. One case at a time, Evan attempts to do penance for the sins of his earlier life.
He has one major existential challenge – Jonathan Bennett is
now the president of the United States. And for several years he has been
systematically been killing off the few surviving Orphans. But of all the
Orphans, Evan Smoak is the one he is most determined to eliminate – though Evan
has no idea why.
In Out of the Dark, Evan is busy planning the assassination of the president. A challenge, but he thinks he can carry it off. On top of that, he needs to save an autistic young man who, simply because of his naïve honesty, is targeted for murder – along with his whole family – by one of the most dangerous drug lords in the world.
All the usual pleasures of a great thriller are present in Out of the Dark – rising suspense, heart-pounding danger, lots of high-tech electronics and computer hacking. (Frankly I found some of the action scenes over the top, but I was happy to suspend disbelief.) But what sets the Orphan X books apart is the sharpness of the writing – great characters, crackling dialogue, moments of wit. As well as just good, well-crafted prose. It’s a pleasure to read Gregg Hurwitz.
Highly recommended, with cautions for violence, adult themes,
and mature language.
(Sorry about the internet silence the last couple days. I’ve been down with some kind of stomach bug, and not much use for anything. I think I’m coming back now.)
Here’s an example of a book that had some flaws, but still earned my thumbs up through its various virtues. A Killer’s Mind, by Mike Omer had (in my opinion) some plotting problems, but the characters and the writing carried the project through.
Zoe Bentley is a psychologist who works as an FBI
consultant, mostly profiling. She lives in Virginia, but is sent to Chicago to
help the police with some serial killings. Assigned to accompany her is FBI
agent Tatum Gray, a hunky fellow who immediately rubs her the wrong way.
In Chicago, someone is kidnapping young women, strangling
them to death, and then embalming them and leaving them in posed positions in
quiet spots. Zoe struggles to try to comprehend the mind of such a criminal,
and it leads her to break the rules and earn the anger of the Chicago cops. But
that brings her and Agent Gray closer together as they slowly learn to get
inside this guy’s very twisted head.
What I especially liked about A Killer’s Mind was the characters. Zoe is an interesting main character – no super-cop, she’s a damaged personality with a shocking back story. In social situations she comes off as distant and curt, but she is not actually a cold person. She’s in fact so naturally empathetic that she has to raise emotional barriers to keep her sanity. Also I like stories where a man and woman hate each other at first sight, and then warm to one another. This is that kind of story.
What I had problems with was how Zoe’s character worked into the plot. We’re supposed to believe that an accomplished, adult professional woman would withhold what she believes to be material evidence in an ongoing homicide investigation, because she’s afraid of a repeat of childhood embarrassment. Author Omer works to make this plausible, but I never really bought it.
Still, all in all I liked A Killer’s Mind, and I’m likely to read the next volume in the series.
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