Re-review: ‘The Uncanny,’ by Andrew Klavan

The Uncanny
While reading Andrew Klavan’s autobiographical The Great Good Thing (which I reviewed a couple weeks ago) I was reminded of his novel The Uncanny, which I had enjoyed a great deal, though I understand that opinion isn’t universal. I thought I’d read and review it again, even though I’ve already reviewed it here.

The story is of Richard Storm, a Jewish American movie producer who has made a fortune doing horror films. After hearing shocking medical news, he has traveled to England to see the locations that inspired his love of the horror genre. There, while reading a story called “Black Annie” out loud at a Christmas party, he beholds – and falls in love with – an Englishwoman named Sophia Endering. Then she walks out of the house and out, apparently, of his life. But he will meet her again, as he assists an elderly English woman friend, Harper Albright, in chasing down the origins of the Black Annie story. That story shares elements with other legends and ballads, and inspired Richard’s own movies. The truth of the legend carries a threat with it, that of a monomaniacal cult leader with a macabre plan for the future of humanity.

On a second reading, I can see how some critics might find fault with The Uncanny. When I first read this book, I marveled at how the various story elements clicked together to set up an inexorable climax. But some might find that plot choreography implausible, as depending too much on coincidence. I think the coincidences are just the point. “The Uncanny” of the title is more than a feeling or a setting – it’s a force operating in the world. Klavan wrote the book as he was beginning to recognize the real existence of the supernatural. It may be that people resistant to that idea might find The Uncanny unpalatable.

Anyway, I liked it a lot. Cautions for language and sexual situations.

(As an added note, information Klavan has provided in his blog posts indicates that the Harper Albright character was based on a real woman he knew, who was an aunt of the actress Olivia Wilde.)

Nazi Resort Finally Opens Though Unfinished

Hitler had the vision for a grand seaside resort on Rügen, an island in the Baltic Sea. He spent three years building it but did not complete it before turning his attention to war efforts. For years, Germans have argued about destroying vs. preserving it for history. Now, a design company has developed most of the complex into luxury condos and will preserve a portion of it as a historic memorial.

Metropole’s Manfred Hartwig told the Daily Mail, “The past is the past. Prora may have been built by the Nazis , but it was never used by them or their soldiers. Now the place is so lovely, visitors want to get back to nature and enjoy its beauty.”

NPR explains:

The resort was owned and run by the Nazis’ Kraft Durch Freude or “Strength Through Joy” leisure movement, a state-run organization designed to promote the advantages of National Socialism to the German working class. . . .

[Developer Ulrich] Busch has opened a hotel called Prora Solitaire in one of the buildings, which also includes 150 individually owned condominiums.

Busch says even in its unfinished state, the hotel boasted an 89 percent occupancy rate this past summer. The resort, he says, appeals to Germans curious about the Nazi past and those seeking to vacation closer to home, following recent terrorist attacks elsewhere in Europe.

Big, Beautiful Set of Scripture

http://www.bibledesignblog.com/2016/10/esv-readers-bible-six-volume-set-part-1-beautiful.html

J. Mark Bertrand reviews a new, rather different set of God’s Word for readers. “This is a beautiful concept executed beautifully. It’s one of the best editions I have ever covered at Bible Design Blog.”

Minot Postmortem, Part 2

Aaaand, I can’t make Photobucket work tonight either. Well, my pictures weren’t that great.

I spent a couple hours trying (without success) to plunge out a blockage in my bathtub drain tonight. So I have a plumbing appointment in the morning.

Thank you for your patience.

Can Bible-Centered Preaching Win the Lost?

Pastor Andy Stanley has been making headlines by questioning what he calls “The Bible says” preaching. He says we live in a post-Christian world, and many people have already dismissed the Bible’s authority. How can we reach the lost, he asks, with sermons that appeal to the authority of Scripture if our audience doesn’t already trust that authority?

Reader's eye view

You’d be shocked by how many students and adults in your church view the Bible as a spiritual book that says true things to live by as opposed to an inspired collection of documents documenting events that actually happened. This is why I will continue to insist the foundation of our faith is not an inspired book but the events that inspired the book; events that inspired writers, born along by the Holy Spirit, to document conversations, insights and events—the pivotal event being the resurrection. While it’s true we would not know these events occurred had they not been documented, two other things are equally true. First, they were documented years before there was a Bible (i.e., New Testament bound together with the Jewish Scriptures). Second, it is the events, not the record of the events that birthed the “church.” The Bible did not create Christianity. Christianity is the reason the Bible was created. The reason many Christians struggle with statements like these is they grew up on “The Bible says” preaching. And that’s fine as long as one first believes the Bible is inspired.

Stanley compares this faith in the Bible’s inspiration to Muslims’ faith in the Quran. If you don’t already believe the Quran speaks to your life, why should anyone appeal to it as an authority?

Jared Wilson points out the huge problem with this statement.

There is zero room here for the actual reality of the Bible as God’s living Word. There is zero room here for the supernatural reality that the Bible carries a weight with lost people they don’t often expect it to! But this inadvertent nod to materialism and pragmatism is certainly expected from those with a proven track record of treating the Bible like an instruction manual rather than as the record of the very breath of God.

If preachers are trying to Christianize people into acting like Christians because the Bible says they should, then yeah, they will have problems motivating people to do what they want. But Christianizing people isn’t the gospel. We can’t justify recommendations found in Scripture based on unbiblical worldviews in an effort to make non-believers look like believers. What we can do is tell them about Jesus, to talk about life in the light of Christ, and to marvel at the Son of God in their presence. What we want to do is demonstrate our preeminent love for the Father by how we love our neighbor, all the while speaking of the gospel, which is the power of God for salvation (Romans 1:16).

How is anyone going to believe the Bible if we do not preach the Bible?

Minot Post-Mortem

I am back from Norsk Høstfest in Minot, North Dakota. The nation rejoices.

I have a couple mediocre pictures to share, taken with my Kindle, but Photo Bucket is moving very slowly tonight, so I’ll have to upload them later.

As you know, it’s been two years since I did Høstfest. Things tend to change when you neglect them for 24 months, and there were many changes for the Vikings.

One major change was that they moved us to a different building. That move had benefits and drawbacks, as I see it. The main benefit was increased space. We now share that space with other Viking groups and individuals, but that’s a benefit too (though it might be hard on our pride). There were several vendors, and several craftspeople showing off their skills. So it’s a much more educational event than it used to be. Also the music played in the building (Nordic and Sami) was more evocative than the Country and Western we generally had in our old venue.

The drawback was a certain separation from the mainstream of the festival. People had to pass through two temporary covered walkways to reach us, and there were a lot of people (or so we heard) who gave up on finding us, or never realized we were there at all.

Still, business wasn’t bad, and was quite good on Saturday, the final day. My own book sales were a little disappointing, though. I think I about broke even on the trip.

My most memorable moment came after I realized I had misplaced my cell phone. I went to the lost and found area the following morning and described it to the ladies there. After that they went all Jack Webb on me: “Do you have any idea where you might have lost it, sir?”

I said it might have been in the hallways somewhere. Then one of them went into a closet and came back with my phone. A note had been taped to it saying, “Porta-Potty.”

Then they broke up in laughter. “You’re just having fun with me, aren’t you?” I said. “I’m your morning’s entertainment.” They admitted that it was true. Theirs was a weary job, and they needed to wring from it whatever amusement they could.

I pointed to my security identification badge, which gave my name and (as was the case for all the Vikings) the designation, “Entertainer.”

“Well, that’s what I’m here for,” I said. “Entertainment.”

Jack the Beowulf Singer

Jason Craig and Dave Malloy have written a rock opera based on Beowulf, just what you didn’t know you never wanted. A. M. Juster describes it.

We meet the dimwitted hipster Beowulf and the snarkier Hrothgar, who are backed up by a chorus of four female “warriors” who resemble strapping Cyndi Laupers in football pads and Goth makeup. We hear pulsing but mediocre rock, which at least drowns out such dull refrains as “Hey, it’s that guy,” “It’s my body,” and “That was death and then they died.”

It has a few perks, but Juster was not thrilled by the whole.

On another horrific, somewhat more gruesome, note, Otto Penzler has compiled The Big Book of Jack the Ripper. Steve Donoghue says it’s very good. “This editor is an old, practiced hand at picking these kinds of stories; his anthologies are always masterworks of combining old favorites with carefully chosen new surprises.”

The real payoff of Penzler’s book is its opening section, “The True Story,” and the main reason is clear: the raw events of the true story are more bizarre, more sordid, and more horrifying than any concoction a writer could dream up.

(via Prufrock News)

Scrubbing a Story of Christians

John Mark Reynolds reviews Disney’s new movie, Queen of Katwe, which has many great things going for it, except that the “based on a true story” part can’t find a way to articulate the Christian motives of its characters.

Anybody want to bet whether a Ugandan evangelical ministry ever talks about Jesus? Why is this offensive? . . . Disney shows that it can get Uganda sort-of-right, but Uganda’s pervasive Christianity must be minimized. We should ask: “Why?”

Who Has Authority to Speak on a Subject?

Min Hyoung Song, an English professor at Boston College, focuses much of his time on Chinese-American literature and has written this review of book that contrasts two China-focused authors, one a Pulitzer and Nobel winner, the other struggling for any attention at all. He asks:

What does it mean to be serious? Or, more specifically, how does a subject get to be something (or someone) worth speaking about? Who gets to speak about this subject and be accepted as someone who knows what he or she is talking about? What forms can this authority take, and in what kinds of contexts? Pearl S. Buck’s wild successes and H. T. Tsiang’s wild failures are the two extremes.

Those are good questions for any subject, and the answer seems to have much to do with personal trust and connection. An author or teacher may have good, or what would be fair to call “the right,” answers on a topic but fail to connect with his readers. Without such a connection, no one will trust him to know what he’s talking about. On the other hand, that person who has gained his readers’ trust can be wrong about many things and still be considered an authority. Personal trust is the key. (via ALDaily)