Tag Archives: J.R.R. Tolkien

Death and decline in England

The late queen.

As you’ve no doubt heard by now, Queen Elizabeth II, by the grace of God Queen of England, died today at the age of 96. She was the longest reigning monarch in English history, and the second-longest reigning in any country that we know of. Old and full of days, as the Bible says.

It’s yet another melancholy landmark in the lives of us oldlings. I was alive before Elizabeth reigned, just as I was alive during the Truman administration, but I remember neither. I recall being a child, and never having known a president other than Eisenhower. Today, in my dotage, I have no memory of a world without Queen Elizabeth.

What do I think of monarchy? I’ve flirted with monarchism as a political cause from time to time in my life, but I wouldn’t want it for the US. However, I’m an anglophile and a Norgephile (I don’t think that’s an actual word, but I mean a lover of Norway), and they’re both monarchies.

There’s an old conservative argument that monarchy is a stabilizing institution, one that binds a country to its traditions.

But I’m leery of what the new generation of monarchs will do.

Ah well, it’s all in the hands of God.

Speaking of England, everybody’s talking about the new Rings of Power TV series on Amazon Plus. I’m surprised, honestly, at the number of my Facebook friends who speak highly of it, so far.

Will I watch it? No, I don’t think so.

Here’s why.

I’m willing to watch a Middle Earth movie that’s based directly on a Tolkien story. I’ll give the producers the benefit of the doubt until I learn better (as you may recall, I liked the LOTR trilogy, did not like the Hobbit movies).

But if what I understand is correct, this series is based only on general outlines of events in the Silmarillion. That – in my view – grants the filmmakers too much freedom to pursue their own agendas.

Let’s not forget, Tolkien was a Catholic writer. His whole purpose in creating Middle Earth was to recreate a lost English mythology. Because he believed that mythology prefigured Christian truth (C. S. Lewis was converted on this argument), he believed that a faithful mythology would lead hearts to the Christian faith. He and Lewis invented the concept of “mythopoeia” for that very purpose.

The Amazon Plus series has not been conceived for that purpose. Therefore, in my view, it cannot be faithful to the author’s vision.

I’ll be happy to be proved wrong.

The Tolkien-inspired Artwork of Jay Johnstone Looks Like Religious Iconography

In a two-part interview, T.Q. Kelley talks to artist Jay Johnstone about this Tolkien-inspired artwork, which takes after iconography and illuminated manuscripts.

“This came about because of a very bizarre dream in which I was in a Celtic Scottish church,” Johnstone says. “And I had seen a lot of what I believe to be Christian iconography. But on closer inspection, the iconography had such a connection to Tolkien’s work. So when I saw pictures of Jesus, they were initially presumed to be a Christian icon of Jesus, but I saw it as Aragorn. I looked at Moses and saw Gandalf. There was a great connection between the images that I saw and the beliefs that Tolkien had, and it came to me literally in a dream.”

“Isildur’s Bane” by Jay Johnstone
“Isildur’s Bane” — Artwork by Jay Johnstone

Pursue and purchase Johnstone’s works from his website.

Coming in November: The Fall of NÚMENOR

“HarperCollins is proud to announce the publication in November 2022 of THE FALL OF NÚMENOR by J.R.R. Tolkien, edited by writer and Tolkien expert, Brian Sibley, and illustrated by acclaimed artist, Alan Lee with new pencil drawings and colour paintings.”

The above is from the press release. The Tolkien Society has a few more details. (via @TeawithTolkien)

‘Tolkien and the Great War,’ by John Garth

Left to his own devices, it seems quite likely that Tolkien would never have finished a single book in his life. What he needed were publishers’ deadlines and a keen audience.

…C. S. Lewis stepped into the breach….

I’d heard of John Garth’s book, Tolkien and the Great War, before, and when it came up at a bargain price on Kindle I snapped it up. It kept me engrossed all through.

If you’ve read any biographies of Tolkien, like Humphrey Carpenter’s or Tom Shippey’s, you’re already familiar with the author’s war years, and the fact that they affected his creative work. What John Garth does in this book is to look at the story in detail, collating the biographical facts with the progress of Tolkien’s composition of his poetry and The Book of Lost Tales. A certain amount of guessing and supposition is inevitable, but author Garth avoids over-certainty.

As a student at Oxford, Tolkien bonded with a group of like-minded students with literary aspirations who called themselves the TCBS, the Tea Club and Barrovian Society. Together they worked out literary theories (rejecting modernism) and dreamed of future days when they’d storm the critical barricades and change the world.

The First World War ended all that. On the battlefields of France, in the midst of the mud and the blood and the poison gas, two of them died, and Tolkien and the other surviving TCBSian were never as close again. (We often say that the poor are “cannon fodder,” but that wasn’t true among the English in World War I. “Of every eight men mobilized in Britain during the First World War,” Garth writes, “one was killed. The losses from Tolkien’s team were more than double that… among former public schoolboys across Great Britain – about one in five.”)

As Garth indicates, the very nature of Tolkien’s vision and work was altered by his war experience. What had begun as a scholarly hobby – the creation of a “Gnomish” language – developed into a cycle of stories (The Book of Lost Tales) meant to re-imagine the forgotten myths of ancient England. It was while he was recovering from the Trench Fever that sent him home that Tolkien began to re-cast the story as an epic of an ancient, imagined Middle Earth.

For anyone fascinated with Tolkien’s books, Tolkien and the Great War is a fascinating and engaging read. John Garth is an excellent writer with a real flair for words (he speaks, for instance, of an early parodic poem by Tolkien featuring “boys charging around in names that are much too big for them”). I highly recommend this book.

Tolkien Day

Today is Tolkien Day – the day the Ring of Power was destroyed in the Crack of Doom, according to The Return of the King. It became New Year’s Day for the people of Middle Earth, and it’s no coincidence that it’s the Festival of the Annunciation in the western Christian calendar.

Tolkien was recorded reading excerpts from his work by friend George Sayer in 1952. Somebody has mixed his voice with music and images from the Peter Jackson movie to create this video. Works pretty well, I think. I still get the old thrill when I listen.

This is why I decided I wanted to write epic fantasy nearly 60 years ago, my friends.

Tolkien is reported to have had a speech impediment – he bit through his tongue in his youth and is said to have slurred his speech, and his tendency to talk fast did nothing to help it. But when he was lecturing he sounded like this. Clear-voiced like Theoden.

‘The Sands of Time Are Sinking,’ and a glass is raised

As the new year begins, the great Presbyterian hymn, “The Sands of Time Are Sinking,” has been in my mind. It’s not a hymn I grew up with, but one I learned to appreciate as an adult. It’s about time, and our ultimate hopes as believers. Suitable, I think. The hymnwriter Anne R. Cousin based it on something the Scottish Presbyterian divine Samuel Rutherford said on his deathbed.

I heard somewhere, once, that this was Moody’s favorite hymn, and that they sang it at all his rallies.

Or it may have been Spurgeon. I wasn’t there.

Today, it should be noted, is J. R. R. Tolkien’s birthday. It is the custom for every Tolkien fan to take a moment tonight at 9:00 p.m. local time, stand, raise their beverage of choice, and say, “The Professor!”

I doubt the Professor would have approved of the orange soda I plan to drink, but I do what I can within my personal limitations.

Multiple Abuses over Many Years, Reframing Classics, and Winter Jokes

A line of severe storms with a chance of tornadoes is pressing in on my area of the world. It’s not raining here now, but it likely will by the time I publish this post. The storms have already prevented a roofing project I had planned to participate in this morning, which isn’t good (because that roof isn’t going to patch itself) but may be good for me, because I felt more worn out than usual after a church Christmas dinner last night. I mostly washed dishes, but lifting trays of 25 glasses into a dishwasher is moderate-level lifting and I’m just a puny office worker.

Anyway, nobody cares about that.

In this week’s World Opinion, Hunter Baker urges us to pray for the overturning of Roe and a better understanding of human life.

World Radio has released all four episodes in a long story on the abuse and recovery of the key witness against a wicked Mississippi church leader who abused many children over many years. It’s a story that reveals important truths many of us can use in our own communities. I’ll link to the first episode. You can find the rest by searching the website or your podcast app.

The estate of George Orwell has been looking for someone to write a sequel to 1984, telling the story from Julia’s point of view. Now author Sandra Newman will put it together. The Guardian states, “It is the latest in a series of feminist retellings of classic stories, from Natalie Haynes’s reimagining of the Trojan war A Thousand Ships, and Pat Barker’s The Silence of the Girls, a version of the Iliad from the perspective of Briseis, to Maggie O’Farrell’s Hamnet, which centres on the life of Shakespeare’s wife, and Jeet Thayil’s Names of the Women, which tells the stories of 15 women whose lives overlapped with Jesus.”

Arsenio Orteza writes, “Those seeking proof that everything old is new again need look no further” than a couple new releases from Warner Classics boasting a 3D orchestra and spatial audio. I’ve also heard this year’s shopping trends have Hot Wheels, Barbies, and board games at the top of the list.

Sarah Sanderson read Tolkien’s “Leaf by Niggle recently. “I too find myself living in an age of anxiety. Tolkien worried that the Nazis would drop a bomb on him before his work was done. I ‘doomscroll’ my national, state, and local COVID numbers daily.”

Mary Spencer attempts to find romance in romanticized Midwestern winters. “He looked at her and she blushed. At least, he thought she blushed. It could have been windburn.” [This post is on McSweeney’s, so let me add that I’ve come across hilarious posts on McSweeney’s before and have not linked to them here because at some point they got nasty. This post only veers toward that territory, so I’m sharing it, but you may see what I’m talking about in headlines to other posts.]

Photo: Fairyland Cottages, Detroit Lakes, Minnesota. 1980. John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.

Not alone in my madness

My friend Gene Edward Veith posted today, on his Cranach blog, concerning a theory about Tom Bombadil, which he found at the GameRant website, by a Melissa C. The conclusion: “Tom Bombadil would be the equivalent of Adam.”

Although Dr. Veith is a self-confessed fan of my novels, it seems he doesn’t follow this blog. I advanced this theory sometime in the dear, dead long-ago, in the earlier version of Brandywine Books that was lost when we changed hosts. But I refer to it in this post from last year.

I hasten to clarify that I do not charge Melissa C. with plagiarism. The theory seems fairly obvious to me, for anyone familiar with the Bible.

I simply reserve the right to do a little gloating dance, in the presence of friends.

‘Rings of Love’

The other day somebody on F*cebook shared a fine article on J. R. R. Tolkien from the archives (2002) of Touchstone Magazine. It’s about love and happens to have been written by Dale Nelson, a Tolkien scholar and a close personal friend of mine:

Tolkien told one of his sons about his young love for Edith in a letter, written after her death. “I met the Lúthien Tinúviel of my own personal ‘romance’ with her long dark hair, fair face and starry eyes, and beautiful voice” in 1908, when he was 16 and she was 19. Very soon after they married, he was captivated by his wife’s dancing, for him alone, when he was an army officer on leave from the Great War, in 1917, and they slipped away to “a woodland glade filled with hemlocks” in Yorkshire. And that moment was the origin of the myth of Beren and Lúthien, Tolkien wrote to another of their sons.

Read the whole thing here.

‘The Fall of Arthur,’ by J. R. R. Tolkien

Not long ago I reviewed Beren and Luthien, Christopher Tolkien’s scholarly reconstruction of much-revised textual material left behind by his father, J. R. R. Tolkien. I judged the book a sort of a scholarly exercise.

I’d have to say the same about The Fall of Arthur. Tolkien, always a promoter of Anglo-Saxon literature, wanted to demonstrate what he could do with Anglo-Saxon-style verse (pretty much the same as Old Norse verse), by re-telling the story of King Arthur in that meter. There’s a certain irony in that project, as the real King Arthur (if he ever existed) spent his life fighting the Anglo-Saxons.

Still, to the extent that it was finished, the poem works extremely well. There’s real vigor in alliterative verse, and the way it “sings” is strongly reminiscent of passages in The Lord of the Rings. One sees where Tolkien acquired his highly effective literary style.

Foes before them,
flames behind them
ever east and onward 
eager rode they, 
and folk fled them  as the 
face of God,
till earth was empty, and 
no  eyes saw them, 
and no ears heard them in 
the endless hills,
save bird and beast  bale-
ful haunting 
the lonely lands….

The poem, unfortunately, was left as a fragment, breaking off before it’s properly underway. Arthur is returning from his campaign in Europe, having been warned that Mordred has raised a rebellion in his absence. Much has been made of the fact that Lancelot, who betrayed the king with Guinevere, has not been summoned to help him. No doubt more would have been made of that, and this could have been a pretty rousing work of literature. But as it is, what we have is another interesting scholarly exercise.

There are notes at the end, and a couple essays by Christopher Tolkien. I should have read those, but wasn’t aware of them until just now.