When commenting on a book not easily available to readers in this country (I ordered my copy from England), it’s probably appropriate to call my review a reading report. Posting this does you no particular good, but I’ve spent a couple days reading the book (which I wanted for research on my Work In Progress), and I’m gonna get a review out of it, by thunder.
The Vikings in Britain by Henry Loyn was published back in 1995, which is a while ago, I must admit, especially in a rapidly expanding field of knowledge. No doubt much of the research in the book has been superseded, but in aggregate it seems to give a pretty good overview.
In fact, what The Vikings in Britain appears to be is a textbook, designed as a broad introduction. Just the facts, so to speak (so far as they can be determined). The material is presented through a combination of chronological and geographic perspectives, which seemed to me a little confusing. The book is, apparently, part of a series entailing certain format constraints, including length, so the prose is pretty dense.
My sad final impression after reading is that it wasn’t much fun. That makes it ideal for the textbook market, I suppose, but in my opinion there’s no excuse for a book about Vikings being boring. (Look at Viking Legacy for a sterling example of engaging historiography and [cough] translation.) If you happen on a copy of The Vikings in Britain, and want to mainline a lot of information in a minimal number of reading hours, this book might be right for you.
I may or may not be posting here tomorrow night, contingent on circumstances. I’ll again be in beautiful, scenic Brainerd, Minnesota for the Crow Wing County Viking Festival. Last year’s local news report on the festival is posted about — though reluctantly, as their cameraman completely blew the opportunity to capture the excitement of my presence.
If you’re in the area, here’s the web site. The festival is held at the Crow Wing County fairgrounds and begins 9:30 a.m. Saturday.
The Viking hall at Ravnsborg, Knox City, MO. Photo by me.
It’s been a little while since I reviewed another saga in The Complete Sagas of Icelanders. Tonight’s saga is not a saga at all, but a tale, just two pages long. It’s a sort of parenthetical incident found originally in the Icelandic Morkinskinna saga manuscript. I can’t find any cheap collection you can buy that contains it, so you’ll have to take my word about it. Its title is The Tale of Arnor, the Poet of Earls.
“Earl,” of course, is a translation of “jarl.”
Arnor Jarlaskald is a figure known from the saga histories, and considered one of the great skalds of the 11th Century. This story doesn’t explain his nickname (he deals only with kings here), but we’re told elsewhere that he got it because he spent a lot of time with the jarls of the Orkneys and composed often for them. Otherwise he was a merchant.
This story is set during the time when King Magnus the Good (St. Olaf’s son) ruled jointly with King Harald Hardrada. (Harald had come back from Constantinople dripping with money, intending to depose his nephew Magnus and take over Norway. Intermediaries convinced them to do a deal – half of Harald’s fortune in exchange for half of Magnus’ kingdom. Though their time together wasn’t without tensions, they managed to keep the peace, and when Magnus died, it’s remarkable to note that nobody seems to have suggested that Harald murdered him. That’s the sort of thing Harald easily might have done, after all).
In the tale, Arnor arrives in the town (doesn’t say what town here; no doubt it’s explained in the larger context. Could have been Nidaros (Trondheim), but it might have been Tunsberg), having composed poems in honor of both kings. But he seems to have been told to wait, so he started to work tarring his ship. Then messengers came to summon him to court. He went directly, not even stopping to wash the tar off his hands.
He then goes into the hall, where both kings wait in their high seats. They ask Arnor whose poem he means to recite first. Arnor says he’ll start with Magnus, because “it is said that young men are impatient.”
Arnor begins the poem, and Harald (himself a poet) can’t resist interrupting to complain that it’s mostly about Arnor’s own journeys and dealings with the jarls. Magnus wants to hear more, and then the saga writer gives us excerpts from the original poem. Harald continues butting in with objections, but in the end he appears jealous. After hearing his own poem, he says, “My poem will soon fade away and be forgotten, while the drapa composed about King Magnus will be recited as long as there are people in the North.”
Which is true, because we have Magnus’ poem preserved here, while Harald’s is not.
In the end, Arnor is rewarded by Harald with a gold-inlaid spear, while Magnus gives him a gold ring and, later, a merchant ship and cargo.
This is a snippet, an anecdote without much of a plot. Its significance would seem to be in the insight it gives us into the characters of two very different kings. And probably an old man’s proud reminiscence of the days when he met celebrities.
Irrelevant details like Arnor’s dirty hands give a strong impression of verisimilitude. This sounds very much like a genuine memory, passed down only a few generations before being preserved on parchment.
For those of you who live in the Twin Cities area — or are inclined to travel — I’ll be playing Viking and selling deathless literature at the Nordic Midsummer Fest in Burnsville, Minnesota tomorrow. You can read all about it at this address.
Ancient Twin Cities Scandinavians like me remember a celebration called Norway Day, which used to be held in June in Minnehaha Park. I attended once way back in 1980, and there were thousands of people there, with lots of vendors, speakers, and entertainment. Over the years it diminished, and it had died out even before the Covid lockdowns.
But some people are trying to resurrect it as a big all-Scandinavian festival. The venue has been changed to Buck Hill, which is a suburban ski hill in the winter but does other things in summer. I’ve never been there; interested to see it.
The big musical draw will be the Harp Twins, whose videos you’ve likely seen on YouTube. Turns out they’re Scandinavian. Go figure.
It’s Friday, and I don’t have a book to review. What shall I do, what shall I do?
I note that yesterday was the anniversary of the Viking raid on Lindisfarne, off the coast of Northumbria, in 793. It would have been more appropriate to mention it yesterday, I suppose. The day before would have been even better, so you’d have time to plan your Lindisfarne celebrations. On the other hand, the Gregorian calendar reform of 1582 threw all our calculations off by 10 days anyway, so when we cite ancient dates we’re always approximating.
There’s some controversy among Viking scholars about the Lindisfarne raid. We have a strong movement going to downgrade the importance of the 793 date as the “official” beginning of the Viking Age. The Portland raid in 789 is often advanced as the true beginning — though there are disagreements whether that one should be considered a proper raid at all. Could have been just a harbor-side brawl with an officious customs officer. Some historians have begun pointing to the discovery of a ship burial containing dozens of men’s bodies on an island in Estonia and dated sometime between 700 and 750.
Personally, I’m inclined to continue accepting Lindisfarne and 793. When we consider the Viking Age as a historical period, we’re talking primarily about its impact on Western Europe. 793 was a 9/11 moment in that region, the moment when a previously disregarded threat suddenly became real and serious. The Portland raid didn’t have that effect, but Lindisfarne hit like a bomb. It was the equivalent of a raid on Oxford or Harvard today. It sent a message.
Above, a very nice video, a few years old, describing an exhibition of the famous Lindisfarne Gospels (a treasure the Vikings never got their hands on) in England.
As early as the late seventh century King Ine of Wessex (688-726) was moved to categorize numbers of armed men: ‘We call up to seven men thieves; from seven to thirty-five a band; above that it is an army.’
Anyone interested in the Viking Age is perforce going to be interested in the people we call the Anglo-Saxons. I recall that they intrigued me strangely when I discovered them in an encyclopedia at a very young age, before (as far as I can remember) I even knew about Vikings. The two cultures are sisters after all; many of the Anglo-Saxon tribes were Scandinavian in origin and only a few generations and geographic relocation separated them.
Paul Hill, author of The Anglo-Saxons at War 800-1066, is an accomplished historian and historical popularizer. He has produced here an excellent work targeted at those of us (like historical reenactors) who are interested in looking past generalizations and common assumptions to discover what we are able to know for sure (or can surmise) about warfare in the period. The trick is to separate known fact from guesses, and it seemed to me this book did a pretty good job of that.
The book includes an Introduction (a Survey of the Evidence); and chapters on Warfare, Violence and Society; Military Organization; Strategy and Tactics; Fortifications and Earthworks; Campaigns, Battles and Sieges; and Weapons, Armour and Accessories.
Now and then there are statements that contradict things I’m in the habit of telling people at reenactment events – he isn’t sure that the saex knife was reserved for the use of free men (spears, on the other hand, were, he says). And he doesn’t think the “wings” on a “boar spear” are actually intended to prevent a body from slipping down the shaft. He thinks they’re for parrying, and he probably knows more about it than I do.
General readers looking for a history of warfare in the period should probably find a different book. Certain events and campaigns are described in considerable detail, but they’re examined out of historical sequence. This is a book for enthusiasts interested in the period. Historical reenactors in particular will appreciate it.
I suppose it’s a lack of imagination that drives me more and more to YouTube for videos these days. I could probably think of some contemporary issue to complain about, but… what’s the use? As far as I can tell, we’re dancing on the edge of the volcano. I have lots of opinions, but little cheerful to say.
Anyway, I don’t think I’ve shared this old, old video before. Didn’t actually know it was out there. It’s a video produced by a brewing company (not sure what the connection is), offering footage of my Viking group’s combat activities in several locations on several occasions. This was back when I was new to “live steel” combat. Since then I’ve declined, retired, and sold my mail shirt (you can recognize it at the beginning and end of this video by the red material around the collar, where my padded gambeson protrudes) to a younger man.
Most of the guys in this video, to the best of my knowledge, have retired from the sport, like me. Some are old friends who are no longer friends. One that I know of is dead.
But on the bright side, I finished my translation job — for which I turned in a substantial invoice — and now they want a little more work, on some touching up they’re doing on the script. Happy to oblige, friends. Happy to oblige.
I am a busy man. Busy, busy. Like a bee. Or a beaver. Or some other animal that starts with a “b.” Busy as a butterfly? Busy as a badger? Busy as Behemoth?
Anyway, I’ve got translation work today. Sweet translation work on a project which (as usual) I can’t tell you anything about. I will tell you (because it’s redundant) that it’s in Norwegian and I need to run it through the processors between my ears, extruding in the end an English script of rare beauty and grace.
It’s a good script, too. One I’m happy to be involved with. I will tell you that. I don’t think the lawyers will object.
Also, I’m only about a third of the way through the hypertrophied book I’m reading for review, so there wouldn’t be a review tonight anyway.
Instead, I found the video above. It’s by a guy I know nothing about, and my sharing it implies no endorsement of any kind. But he was at the Avaldsnes Viking Festival last summer when I was. So you can get the flavor of it. He missed a great opportunity, though, in not getting a shot of me in my Viking togs.
I’m just getting going on a reeeeeally long book to review, so I’ll be posting oddments here for a few days. And Friday is a day I often do musical posts.
But I didn’t have this in mind, I swear to you. I was looking for some kind of hymn in Old Norse, and stumbled on this… thing.
I guess it’s kind of amusing. In Simon & Garfunkle style, they tell how the Vikings settled in Britain and assimilated. And they list some of the Viking contributions to British culture. I got a giggle or two out of it.
You’ll notice, if you’ve read my novel The Elder King, that they repeat the story that the nursery rhyme, “London Bridge Is Falling Down” refers to King Olaf Haraldsson (later Saint Olaf) pulling down London Bridge during his time as a mercenary in England. I use that legend in my book, but integrity forced me to confess in the Afterword that there’s no genuine historical basis for it. One translation of Heimskringla includes a skaldic poem with the lines, “London bridge is falling down / Gold is won and bright renown.” But that line was a whimsy of the translator’s. It doesn’t appear that way in the original poem. Scholars are confident that the nursery rhyme commemorates a much later occurrence.
Have a good weekend, if you can handle that disappointment.
Avaldsnes Church on Karmoy island. Picture by me June, 2022.
I know what you’re thinking. You’re thinking this blog hasn’t been providing enough Viking News lately. Why would anyone come to a book blog, except to read about Viking News? Sure, I’ve given you a few saga reviews in recent weeks, but what you want (I have no doubt) is the kind of breaking, “you read it here first” information for which my name is, perhaps not renowned, but definitely -nowned.
Well, I’ve got one today. Not only is it a major archaeological story, but there’s a personal connection to me – which makes all the difference, I know.
The story was announced yesterday, but I waited till an English version appeared today to share it. Because I hate translating for free.
Just over a hundred years ago, the archaeologist Haakon Shetelig was incredibly disappointed when he did not find a Viking ship during an excavation of the Salhushaugen gravemound in Karmøy in Western Norway.
Shetelig had previously excavated a rich Viking ship grave just nearby, where Grønhaugskipet was found, as well as excavated the famous Oseberg ship – the world’s largest and most well-preserved surviving Viking ship – in 1904. At Salshaugen he only found 15 wooden spades and some arrowheads.
“He was incredibly disappointed, and nothing more was done with this mound,” says Håkon Reiersen, an archaeologist at the Museum of Archaeology at the University of Stavanger.
It turns out, however, that Shetelig simply did not dig deep enough.
About a year ago, in June 2022, archaeologists decided to search the area using ground-penetrating radar or georadar – a device that uses radio waves to map out what lies below the surface of the ground.
Now if you’ve been following this blog, you know that I have a personal connection to Karmøy island. My great-grandfather Walker was born there (under another last name, naturally), and baptized at Avaldsnes Church (pictured above). The three mounds described in this article are a short distance north of the church, and I don’t believe I’ve actually ever seen them.
Still, I was at Avaldsnes last June, precisely when they were doing the georadar surveys. That pleases me immensely. I was On the Scene – if clueless as usual.
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