It’s storming along the Old Bog Road in Clifden, Galway, Ireland. A woman has to stop her car before passing over a bridge, because it’s been damaged and there are stones strewn about. As she clears the stones, she sees a woman in a red coat, lying drowned in a ditch. She calls the Garda, who are baffled when they find that the woman has no identification. It’s clearly murder – someone hit her in the head with something hard.
Inspector Mick Hays and Detective Sergeant Maureen Lyons lead the investigation. Gradually they learn that the woman was a Polish “sex worker,” and there are a number of men – some of them influential – who do not wish their relationships with her to be made public.
Murder on the Old Bog Road, by David Pearson, is clearly intended to take advantage of the current popularity of “Celtic” police procedural mysteries. This is a genre I enjoy, when it’s done well. It offers mystery and atmosphere. However, I did not find this book a successful entry in that field.
The writing was pedestrian at best, and sometimes clumsy. The characters seemed shallow to me. The two leads, Hays and Lyons, ease into a sexual relationship in a way that seemed unrealistic – Hays makes inappropriate jokes without Lyons taking any offense, and they are not at all bothered by the professional impropriety of their relationship.
On top of that, author Pearson makes one repeated writing mistake that annoyed me very much (though it could be the editor’s fault). The accepted rule when writing fiction is that if a character gives a long speech, which is broken up by paragraphs, you leave the closing quotation marks off the end of the first paragraph, giving the reader notice that the speech is not finished. If the quotation mark is there at the end, the reader assumes the next paragraph is being spoken by another character.
Pearson breaks this rule all the time, making his dialogue sections extremely hard to follow.
I found Murder on the Old Bog Road unpolished and unsatisfying. Maybe the series will get better, but I won’t be reading the next book for now.
Cautions for mature material.
