Film review: ’13 Hours’

Is it a political movie? Absolutely not.

Does it raise political questions? No way it couldn’t.

13 Hours is a harrowing (144 minutes) film, perhaps (I speak, of course, as someone whose entire battle experience has been with blunt weapons) as realistic a picture of combat as you’re likely to encounter in civilian life. The central character is Jack Silva (John Krasinski), whom we follow as he arrives in Benghazi and gets to know the security team at the “secret” CIA facility. We get a look at what you might call the Warrior Culture, the brotherhood of men who’ve developed a taste for living with danger, doing a job they believe makes a difference. Civilian life seems stale to them.

They’ll get all the action they want on September 11.

There are no speeches about the administration in this movie. When the guys talk, it’s mostly either talking trash – guy talk – or (sometimes in a weary, private moment) meditating on the meaning of it all. The question of where’s the cavalry, and whether the team can hold out long enough to get relief, is discussed in practical, immediate terms. Questions of final responsibility are conspicuous by their absence.

13 Hours is not for the faint of heart. The violence is graphic, the language often foul.

More than anything else, the film is a memorial to the dead. It’s deeply felt, and serious, and well worth your time if you can handle it.

Dana Gioia on the Common Reader

The new poet laureate for California is the former chairman of the National Endowment for the Arts and USC poetry professor Dana Gioia. Micah Mattix asked him a few questions

Writing for “what we used to call the common reader . . . doesn’t mean dumbing things down,” Gioia told me. “It is possible to bring the best of poetry to a broad audience without condescension . . . The common reader is not an idiot. He or she is a lawyer, doctor, farmer, soldier, scientist, minister, civil servant.”

Mattix states, “Gioia’s own poetry ignores the current fashion for obscure, partially fragmented free verse whose allusions and assimilated jargon appeal mostly to academics and other poets.”

For example, here are a few words from “Becoming a Redwood,” a poem that sounds as if it were written by Robert Frost.

Yes, it’s hard to stand still, hour after hour,
fixed as a fencepost, hearing the steers
snort in the dark pasture, smelling the manure.
And paralyzed by the mystery of how a stone
can bear to be a stone, the pain
the grass endures breaking through the earth’s crust.

The father, the son, and the cliff

I came up with a parable today. The only problem is, I don’t know how it ends.

Goes like this.

There was a father and son who lived in a house by a cliff. The father loved his son very much. The day the son was born, he swore to him, “I love you so much, I will never say no to you.”

When the child grew older, he wanted to play outside, and of course his father said yes. “But don’t play too near the cliff,” he said.

But every day the boy played a little closer to the cliff, testing the limits.

“I don’t think you should play so close to the cliff,” the father said.

“Are you saying I can’t play by the cliff?” the son demanded. “Are you saying no to me?”

“No, I’m not saying no,” the father replied hurriedly. “You may play wherever you like.”

After a while, the boy came to his father and said, “I want to play right at the edge of the cliff.”

His father did not say no.

That day the boy slipped, and plunged to his death on the rocks below.

Now here’s where I don’t know where to take the story. I’m not going to tell you what the parable means, because I think you can guess.

What I wonder is, what did the father do then? Did he feel he’d done right, and fate was to blame? Did he blame God? Did he feel he’d failed his son?

I don’t know. I don’t know what he did next.

But if the parable means what I think it means, I guess we’ll find out.

‘Bulldog Drummond,’ by H. C. McNeile

In my ongoing quest to live in the past, turning a blind eye to the harsh truths of the modern world, I’ve been experimenting with reading some of the old classics in the mystery and adventure fields. I’ve long been a fan of John Buchan. I tried E.C. Bentley and Marjorie Allingham, and wasn’t overwhelmed. I thought I’d sample the Bulldog Drummond series, by H. C. (Sapper) McNeile, and I bought this inexpensive Kindle collection.

It’s pretty much what you’d expect. Hugh “Bulldog” Drummond is a big, unhandsome, wealthy Englishman, bored with civilian life after surviving World War I. One day he takes out an ad in the Times, offering to do any job as long as it’s dangerous. He has no objection to breaking the law in a good cause.

One of the numerous replies he receives stands out. A young woman, Phyllis Benton, asks him to investigate the group of men with whom her father has gotten involved. She fears that they’re dangerous, and are getting him into something illegal. Drummond promptly falls in love with the girl, and quickly starts interfering with the criminals (as indeed they prove to be) in various clever and annoying ways. He gradually comes to understand that it is no ordinary crime being planned by this international group, but an act of sabotage on a national scale.

It’s interesting that Drummond falls in love in this, the very first book in the series, and stays with the same girl through all the sequels. In our time that would probably seen as a drawback, limiting the hero’s sexual options. But in 1920, when the book came out, standards were different, and it probably served as a sign that while there would be violence to come, erotic hijinks would not be on the menu.

The book was entertaining in a sort of schoolboy way, but I found it a little naïve. Perhaps my tastes have been corrupted by modern mystery stories, but I like a little more complexity in my heroes. Hugh Drummond talks piffle quite in the same vein as Dorothy Sayers’ Lord Peter Wimsey, but Sayers does it better, and Lord Peter has a deeper heart.

Still, it was a ripping enough yarn for the sort of thing it is. Mindless entertainment, competently delivered. Nothing particularly objectionable on the moral side.

Vanity Fair, From Wicked to Indulgent

Paul Bunyan's Vanity Fair

How did Vanity Fair go from Bunyan’s celebration of debauchery to Condé Nast’s celebration of “all forms of cheerfulness”? A new book explains the transformation. “Together they create the Janus-face of modern capitalism, described by the American sociologist Daniel Bell as ‘puritan by day, hedonist by night.'” (via Prufrock)

Virtually Exploring a Dali Painting

Archaeological Reminiscence of Millet's Angelus, 1935

The Dali Museum has developed a virtual reality presentation of Dali’s Archeological Reminiscence of Millet’s “Angelus” for visitors to explore like a game, taking surrealism to a new technological level. They have also included “some of the recurring motifs from his other paintings in the museum’s permanent collection, including Weaning of Furniture Nutrition (1934), Lobster Telephone (1936) and First Cylindric Chromo-Hologram Portrait of Alice Cooper’s Brain (1973).”

Destroyed: Elijah’s Monastery in Mosul

Dair Mar Elia - Mosul, Iraq

“St. Elijah’s Monastery of Mosul has been completely wiped out,” reports the AP today.

“A big part of tangible history has been destroyed,” said Rev. Manuel Yousif Boji. A Chaldean Catholic pastor in Southfield, Michigan, he remembers attending Mass at St. Elijah’s almost 60 years ago while a seminarian in Mosul.

“These persecutions have happened to our church more than once, but we believe in the power of truth, the power of God,” said Boji. He is part of the Detroit area’s Chaldean community, which became the largest outside Iraq after the sectarian bloodshed that followed the U.S. invasion in 2003. Iraq’s Christian population has dropped from 1.3 million then to 300,000 now, church authorities say.

The ‘Rosinante’ novels, by Alexis A. Gilliland

Long, long ago, when I first began writing short stories (and before I pretty much gave up writing short stories), my one regular market was Amazing Stories Magazine, under the editorship of George Scithers and Darrel Schweitzer. One of the writers who also appeared often in those pages (rather more than I did) was Alexis A. Gilliland. I went on to novelistic obscurity in fantasy, while Gilliland became a prize-winning science fiction author. After several successful novels, he seems to have given it up and turned to cartooning, as best as I can tell from an internet search.

Anyway, our friend Ori Pomerantz sent me Gilliland’s Rosinante trilogy novels, The Revolution From Rosinante, Long Shot For Rosinante, and The Pirates From Rosinante. I’m grateful for his generosity.

Rosinante is a space station built for mining activities on an asteroid. About the time Charles Cantrell, the manager in charge of constructing the station, is completing the project, developments on earth leave him and his workers more or less abandoned. So, unwillingly, he sets up a local government, aided by his chief subordinates, a brilliant Israeli woman and a sentient computer called Skaskash who has an odd predilection for metaphysics. This allows author Gilliland to do some Heinleinian experimentation with questions of government, freedom, and religion.

These books were written in the 1980s, and are set a couple decades from today, so it’s interesting to note how the future has changed. The great environmental disaster affecting space travel here is ozone depletion (remember that?), and the foremost world power challenging the North American Union (the United States is called the “Old Regime” and is gone, and most people claim they don’t miss it) is Japan.

These novels are what’s known as “hard” science fiction. There’s no interstellar travel here, and most problems are solved through the application of scientific principles which seem (to a scientific illiterate like me) highly plausible.

The issue of religion was problematic for me. The great villains of the first two books are a group called “Creationists,” who rose up as a powerful movement and helped to destroy the Old Regime. These people seem to be nominally Christian, but either the author didn’t know any real Creationists, or he made the effort to differentiate his Creationists from the real ones, in order to avoid giving offense. These Creationists seem to have no devotional or church lives, drink immoderately, employ prostitutes, and swear like sailors. Their great cause is preventing genetic manipulation, and they’re willing to abort the children born from such procedures, or even to murder them once born.

The religious problems go even deeper. The declaration is made, as if self-evident, that earth religion could not possibly apply off the planet. Therefore one of the computers invents a new, improved religion which sweeps through the space stations and space vessels.

Well written, for those of you who like this kind of story. Not really my cup of tea. Cautions for adult themes, though not extreme.

The Saga of Tormod

Tormod Torfæus (1636-1719) was accustomed to more comfortable lodgings. An Icelander who had lived many years in Norway, he was an officer of the king and used to being treated with respect. But this old Danish inn offered nothing but cheap beer and food, and a room he had to share. He was bone-tired and wanted his sleep, but another Icelander kept blundering into the room and trying to turn him out of his bed.

The year was 1671. Tormod had sailed home to Iceland to clear up some estate matters following the death of his brother. He decided to return home by way of Copenhagen, but his ship was wrecked near Skagen, though the passengers all survived. They had to make a long foot march to get passage on another ship, and then bad weather forced the new ship to seek harbor on Samsø Island. And that was how Tormod came to be overnighting in this miserable hostelry.

Every time he began to fall asleep, the door would open, and a drunken Icelander, Sigurd, would come barging in and try to push him out of his bed. Then they would fight, and the landlord would come and tell Tormod to go back to bed. Finally Tormod begged the landlady to give him a different room. She complied, and he lay down with some hope of a few hours’ sleep. But he’d grown suspicious of this establishment, and lay his rapier on the table, near at hand. Continue reading The Saga of Tormod

Could Skywalker be an Avenger?

Marvel’s creator Stan Lee says the people behind the Marvel cinematic universe want to make successful movies. If that means they think an ultimate fan-fic mashup like Star Wars and Avengers together will make a great movie, well . . .

“I created the Avengers by taking many of our characters and making a team out of them,” Lee tells The Big Issue. “We can have as many characters join the Avengers as we want to for future movies. That might be fun, all of a sudden Luke Skywalker is an Avenger!”

Heh. I mean, if we’re talking  fan fiction here, why not something like this?

And in news that’s not even remotely possible to be related, superhero sit-coms are coming.

Book Reviews, Creative Culture