Tag Archives: science-fiction

Scalzi and Redshirts

John Scalzi is interesting as someone who has built a writing career in these strange days,” Joseph Bottum explains. “He spent a few years writing movie reviews after college before landing, in 1996, a sweet gig at America Online as editor and in-house writer. Laid off in the meltdown of AOL, he took to writing guidebooks for the money and science fiction blog posts for the fame. Or, at least, the dribs of money and the drabs of fame. The blog, called “Whatever,” proved enjoyable for readers—a few years ago, he issued in book form selections entitled Your Hate Mail Will Be Graded—and it successfully established him as a voice to be reckoned with in the field.”

Scalzi’s most recent novel is called Redshirts: A Novel with Three Codas. It’s a story about a red-shirted crew that discovers it’s dangerous to accompany the senior officers on landing parties.

John C. Wright on the death of freedom in Science Fiction

By way of our friend Anthony Sacramone (I’d link to his blog, but he’s in one of his hiatuses. Hiati?) an excellent article from Intercollegiate Review, “Heinlein, Hugos and Hogwash,” by John C. Wright concerning the sad state of the Science Fiction & Fantasy Writers of America, an organization from which I have also withdrawn:

The purpose of all this hogwash is not to aid the plight of minorities. The purpose is power. The purpose is terror.

One need not ignite a suicide-bomb to enact a reign of terror. One need only have the power to hurt a man’s reputation or income, and be willing to use the power in an arbitrary, treacherous, lunatic, and cruel fashion. For this, the poisonous tongue suffices.

At one time, science fiction was an oasis of intellectual liberty, a place where no idea was sacrosanct and no idea was unwelcome. Now speculative fiction makes speculative thinkers so unwelcome that, after a decade of support, I resigned my membership in SFWA in disgust. SFWA bears no blame for all these witch-hunts, or even most; but SFWA spreads the moral atmosphere congenial to the witch-hunters, hence not congenial to my dues money.

Read it all here.

Is There a Place for "Mature" Christian Fiction?

The Steve Laube Agency has purchased Marcher Lord Press (MLP) (link defunct), “the premier publisher of Science Fiction and Fantasy for the Christian market.” Follow the link for answers to a handful of questions about the acquisition, especially if you didn’t know there was a publisher of SF/F for the Christian market.

Steve Laube has not purchased the MLP imprint Hinterlands, which is defined this way: “to publish science-fiction and fantasy stories with mature content and themes (i.e. PG-13 or R-rated language, sexuality, and violence).” This is the imprint that published A Throne of Bones, which Lars reviewed last year. Apparently, that title raised the ire of a writer’s group that issues a prominent award, which was the motivation for starting the imprint–like zoning a red-light district, I guess.

With the purchase of the press but not the imprint, another publisher could buy Hinterlands or the rights could revert to their authors. Mike Duran asks, does this “signal the end of Christian publishing’s ‘mature-content experiment’?” He suggests that it may be, but two things point away of it:

  1. Vox Day’s A Throne of Bones was the first and most well-received title. The imprint’s chief says he received “astonishingly few” submissions for publication. Does that mean there isn’t much of an audience for this type of work or that too few authors are willing to go that direction?
  2. Duran says Day is something of a lightening rod and some authors have refused to be associated with him. He doesn’t say they are right to shun him, but he does point to evidence that they may be doing it. To that end, he wonders whether “the non-acquisition of Hinterlands is more of a renunciation of Vox Day than a rejection of mature content.”

What do you think? You may already read books with this kind of content anyway. Have you read any of these titles (I’m having trouble identifying them).

Otherworld, by Jared C. Wilson

A UFO craze has hit Trumbull, TX, a little town outside Houston, in Jared C. Wilson’s Otherworld. It starts when Pops Dickey, a transplanted farmer from Wisconsin, discovers one of his cows dead one morning. He calls the local police, who call a local vet because the cow has been slaughtered with little or no blood spilled on the ground. Not the norm for vandalism. The vet labels the killing the work of aliens, and that’s the cue Pops needs to step into the media limelight.

Otherworld by Jared C WilsonAliens had visited Trumbull. They took some cow parts as souvenirs. Pops Dickey will tell you all about it and make up more along the way. Police Captain Graham Lattimer won’t have any of it, and when another cow dies, he wants to resolve the two incidents in entirely human terms.

In Houston, Mike Walsh is a magazine writer, who has been assigned a background story on UFOs with a few details from the Trumbull encounter to make it relevant. As he does his research, he is fed up with the hype and tumble of alien books and TV shows until he meets a philosophy and culture professor, Samuel Bering, who seems to know more than anyone else about alien phenomena. But for all of his knowledge, Bering has neglected wisdom, and now he hopes to gain a secret knowledge that will lift him above everyone in the world.

Alien with beerIn another part of Houston, a troubled young man gives in to the voices in his head and starts killing people, because this isn’t actually a book about visitors from outer space. It’s a book about an ancient evil.

And it’s fun. At one point, Mike Walsh says the events are getting too much like Peretti, which is a great comparison for Otherworld. The pace and plot read like This Present Darkness with an important difference. Jared has chopped up his narrative with short news reports, journal entries, and brief scenes of other characters. It has a TV feel to it, maybe a bit of artificiality, but I wasn’t annoyed by it. It helped the story move quickly.

While the characters aren’t depicted very deeply because of the fast-paced story they are in, they are all well-rounded. For example, the pastor, Steve Woodbridge, isn’t the Bible-quoting pillar of strength nor is he a villain. He’s a burned out, materially successful preacher, who wants to follow the Lord and may not be very good at leading his church. His character arc is beautiful.

Otherworld is a good story without Amish people falling in love or frowning on those who do (as Jared notes on his blog). If you have been a Thinklings.org fan for a few years, you may notice some familiar names for background characters. I don’t doubt that his next novel will be twice as good as this one and the following one twice as good as that.

New and Free Today: Otherworld by Jared C. Wilson

Pastor and author Jared C. Wilson has written a novel of UFO sighting and troubled circumstances on the outskirts of Houston. He actually wrote it several years ago and has only recently gained enough money to bribe a publisher. It is free today for Kindle, so take a look at it. Jared says, “Otherworld is a supernatural thriller in the genre of Christian fiction that does not involve any Amish people.” What more could you ask for?

Mars Hill Audio Podcast

I guess I missed the announcement this summer, because I just learned about Mars Hill Audio’s podcast, Audition. Ken Myers’ most recent recording is dedicated to P.D. James’s ideas on fiction and mystery and her sci-fi novel, The Children of Men. I believe I have heard most of this recording in early editions of the Mars Hill Audio Journal, and here you can listen to it for free.

The previous podcast has many literary subjects too. Taking from the description post, this recording discusses:

  • “how W. H. Auden’s conversion to Christianity affected his poetry”
  • “J. R. R. Tolkien’s view of language, and the dangers of a society that debases language”
  • “how Flannery O’Connor’s fiction reveals her incarnational view of life”
  • “how myth differs from the modern novel, and what is lost when the gods disappear from our stories”
  • “how C. S. Lewis was more open-minded than his Victorian atheistic teachers, and how that open-mindedness left room for Lewis to become a Christian”

Wonderful stuff.