Shirley Jackson’s Last Haunting Novel

Shirley Jackson, whose short story “The Lottery” has been retold too many times, left us a last, remarkable story in We Have Always Lived in the Castle, and David Barnett loves it. “There isn’t a shred of the supernatural in Castle, though it feels like there is.” It feels like it because when one character goes to town, she’s greeted like this:

Merricat, said Connie, would you like a cup of tea?
Oh no, said Merricat, you’ll poison me.
Merricat, said Connie, would you like to go to sleep?
Down in the boneyard ten feet deep!

 

He Sees You When You’re Sleeping

The bundle bounces against Hayk’s back as he dashes behind houses. Barely a mark on the shadows, he slips in through crack and out by door with another name scratched off his list. But what did he care for a list? He’d take anyone.

Whimpering cries tumble from his sack as he hurtles a fence.

“Back to Hayk’s mine!”

Crash!

He breaks against a snarling mastiff with dawn in his eyes, who grabs his leg and flings him into the trees, scattering children across the yard.

With guttural barks, the dog drives them, bruised and wailing, back to their homes.

(This is one of many 100-word stories offered for I Saw Lightening Fall’s Advent Ghosts 2015. Many more stories through the link, including Lars’ story earlier this month, and my past contributions can be found under the content tag “flash fiction.”)

Jesus, Were You Anxious?

I’m encouraged to see two of my Advent-themed posts go up recently on For The Church.

  1. The first asks whether Jesus was chomping at the bit to start his earthly ministry. “I don’t think the Lord has the same concept of time I do. Just look at the incarnation. Christ Jesus did not appear to us like Melchizedek in Genesis, an established priest and king of the city of peace. He didn’t walk out of the desert and begin casting out demons like a fabled dragon slayer. He came to us as an infant. He spent years growing into adulthood, asking questions of his parents, learning his father’s trade skills, and studying at the synagogue.”
  2. The second reflects on a great hymn of the season. “Save us, Lord, and all the nations. By your authority, we live. The doors you open, no one can shut, and the doors you shut, no one can open. Lead us through that door to heaven and bring with us the rebels, strangers, hypocrites, and refugees who have exchanged their lives for yours. Lock up the door to misery, for your name’s sake, so that we may rejoice.”

Despising Victorian Culture

John Singer Sargent - The Rialto, Venice (1911)

Michael Lewis writes about “the irrational hatred of the Victorian era” prevalent not long ago.

To understand how Sargent, one of the most brilliant painters in American history, was once derided as a mere facile courtier now requires an act of historical imagination. For it has been forgotten just how thoroughly Victorian painting had been once banished from the cultural conversation. And not merely painting, but architecture, sculpture, and the decorative arts; all of Victorian culture, in fact. This state of affairs lasted through the heyday of the modern movement, from the end of World War I into the 1960s, and it would not end until a rising generation became curious about Victorian art precisely because it was despised and forbidden…

‘All Lies,’ by Andrew Cunningham

I don’t have a sophisticated grading system for novels, like five stars or three thumbs (or noses) up. I should probably develop one. I generally just group them loosely into three categories: “I hated it and didn’t finish it,” “I liked it enough to finish it, but probably won’t look for another book by the same author,” and “I loved it.”

All Lies sits solidly in the middle category. I was interested enough to finish it, but I wasn’t much impressed with the writing. Author Cunningham has good instincts, I think, but he needs to work on his craftsmanship.

The story is told by the main character, Del Hunnicutt. Del’s first words quote his father’s dying declaration: “I come from a long line of idiots…”

Through the course of the story, Del learns things he never knew about his grandfather, who was idiot enough to get involved in an art heist, and then died in a bomber during World War II. He goes out on a date arranged through a computer matching service, and his match turns out to be a descendent of one of his grandfather’s criminal associates. She manipulated their meeting in order to find out what he knew about the “treasure” the gang was supposed to have left behind, a treasure Del has never heard of.

The next day his date is murdered, but he is soon approached by the woman’s sister, Sabrina, a much more appealing and (seemingly) trustworthy person. Together they set out to get ahold of a lost painting, said to contain the secret to finding the treasure. It turns out they’re not the only people looking for that painting, and things get messy.

As I said, the story was interesting enough to keep me reading, though I thought the writing unpolished. The characters’ actions don’t always seem logical in terms of their personalities. And sometimes the prose was very amateurish: “It was going to be a while before we would be able to accurately describe the uniqueness of what we had just experienced.” Nor did the logic of the story always work, as when we’re told that criminals couldn’t sell certain precious objects they had stolen because nobody had any money in the Great Depression.

But I did finish the book, which is better than a lot of self-published novels do with me. So I give it a moderate recommendation. There weren’t any overly objectionable adult themes.

‘Ashley Bell,’ by Dean Koontz

A relaxing massage, and then chardonnay and a silly-fun session of divination, and the next thing you know, you’ve attracted the attention of an incarnation of Hitler, and you’ve invited occult forces into your life, and you’ve been spared from cancer only so that some lunatic can stab you to death with a thousand pencils.

One of the joys of being a Dean Koontz fan is the many surprises he offers. Not for him the comfortable formulas that endear us to other authors (often providing considerable legitimate pleasures). Koontz keeps trying new things. With the exception of a very few series books, such as the Odd Thomas adventures, Koontz keeps tricking us – except that you can almost count on some kind of supernatural dog somewhere in his recent works.

The heroine of Ashley Bell is not the titular character, but a young California woman named Bibi Blair. Beautiful, a superior surfer, engaged to a military hero, her career goal is to be a famous author, and she’s made fair progress in that direction.

And then one day her arm starts feeling funny, and the doctor informs her she has a rare brain cancer. Inoperable and 100% fatal.

Bibi is a fighter. She refuses to give up. She announces that she will fight this thing and win.

That very night, she has a vision, and is healed.

The next day, to celebrate, her hippie parents give her the gift of a massage and a psychic reading. The psychic tells her her life has been spared for a reason. The reason, she divines, is to save the life of a young girl. The girl’s name is Ashley Bell.

Bibi takes the message seriously. She sets out to find Ashley Bell, and finds herself the target of a sinister cult devoted to human sacrifice.

The story starts strange, and gets stranger and stranger. Then, around the half-way point, Koontz blindsides the reader, and it becomes a very different kind of story. I won’t spoil the twist for you, but it’s pretty neat.

I’m not sure that the ending of Ashley Bell is quite worthy of the skillful storytelling that kept me riveted up to that point. But I’m not sure it’s not, either.

I do know it was like no other book I’ve read, and I wouldn’t have missed it.

Highly recommended. Mild cautions for adult themes.

The CT 2016 Book Awards

Christianity Today has released the results of their annual book awards. Many attractive titles, including this one:

Science Fiction Theology: Beauty and the Transformation of the Sublime by Alan P. R. Gregory (Baylor University Press)

“Our culture is awash in science fiction. From post-apocalyptic young-adult blockbusters to hard sci-fi novels, the genre’s star has never burned more brightly. Science Fiction Theology demonstrates a masterful understanding of what makes it all tick. While the casual fan may find the book’s density off-putting, others will find themselves deeply edified by Gregory’s rigorous tracing of the dialogue between science fiction and Christianity. The dialogue, it turns out, is very lively, even when trafficking in distortions. The chapter on Philip K. Dick, an author criminally ignored by religious readers, is itself worth the price of admission.” —David Zahl, director of Mockingbird Ministries

(via Hunter Baker, who was a judge for these awards)

What Kept Conan Doyle Going?

Before he created the most illustrious residents of Baker Street—whom he nearly called J. Sherrinford Holmes and Ormond Sacker—Arthur Conan Doyle had already written a novel that was lost in the mail, and contributed excellent short fiction to various magazines. “The Captain of the Pole-Star” (1883), set in the Arctic, is one of the most haunting Victorian tales of the supernatural. But the young writer could hardly think of quitting his day job as a doctor in Southsea. A Study in Scarlet was turned down by one publisher after another, until it was finally accepted by Ward, Lock, and Co., who offered to buy the British copyright for a derisory twenty-five pounds.

Michael Dirda describes Conan Doyle’s desire to write better work than his Sherlockian mysteries and what kept him writing them. (via Prufrock)

Free at last! Or next to last.

Today is the day. I was planning to shout “Free at last! Free at last!” Except that I’m not quite free. Last night I finished the final test for my last class in graduate school – ever (I assume). I still have to do the capstone project in the spring, though, so I’m not quite a free man. More like on parole. But the paroled man hears the prison doors clang shut behind him and surveys a frightening world of relative freedom, for which he’s not sure he’s quite ready. I’ll have to re-learn the art of spending a normal evening – or as normal as evenings get when you write novels in your spare time.

My last two classes were a little disappointing, frankly. One was taught by a venerable professor who’s been doing the same thing for years and doesn’t bother to update his material, or the links embedded in his assignments. The other was taught by a man who is, I believe, an authority in his field. Only the discipline he was teaching us (I won’t say which one) is hard – or impossible – to properly teach at a distance. So he does the best he can, grades generously, and more or less herds us through the routine without high expectations.

It was for that second class that I turned in my test last night. It was part multiple choice and part essay. I’m not sure about my answers to the multiple choice questions – the points covered were pretty fine ones. But the essay part – of which I was more frightened – actually went pretty well, I think. Sometimes it pays off to have a writer’s skills. To be able to gather a handful of scattered ideas and citations and organize them into a sort of a coherent whole. When I was done I was surprised how pleased I was with it.

All that remains is the capstone project, which is some kind of research project, subject yet to be determined. Like a thesis, but less. Later this year they’ll abolish the requirement completely, but it seems to be impossible, due to the arcane rules of registration and academic credits, to simply put off my graduation until that time.

But the bottom line is this – I’m done with the hard part. I’ve been looking forward to this day for more than two years. So consider me jubilant. Even though I’m mostly kind of tired.

Recovering a Star Wars Childhood

Star Wars play in the morning lightAndrew Barber says, “I don’t want Jedi; I want my childhood back.”

Thanks to Charles Taylor’s work A Secular Age, I’ve come to believe the most important question about big entertainment is not “what is this movie/videogame/album about?” but “what is it for?” I don’t think we need another article analyzing the nitty-gritty thematic details of Star Wars. It is a simple, well-told tale of good versus evil with memorable characters and mammoth effects.

What I’m interested in is the function of Star Wars. When thousands of fans line up outside of theaters on December 17 to see Star Wars: The Force Awakens (of which I will be one), what will it be for?

His post links to another one, reviewing a presentation of Charles Taylor’s A Secular Age with an application to the Star Wars prequels. What went wrong with those first three episodes added onto the well-loved space epic? Mike Cosper blames secularism.

The original trilogy, in all the ways it left questions open and invited imagination, in the way it used effects in a sparing way, was enchanted. It was an open world with questions to explore and a sense of the unknown. The prequels, then, made the mistake of disenchanting the world. The mysteries all had answers. Even the overwhelming presence of CGI has a “secular age” parallel: the overwhelming culture of production and consumption. When every moment is a visual feast, nothing is worth celebrating.

Book Reviews, Creative Culture