Paris Review: You have said that writing is a hostile act; I have always wanted to ask you why.
Didion: It’s hostile in that you’re trying to make somebody see something the way you see it, trying to impose your idea, your picture. It’s hostile to try to wrench around someone else’s mind that way. Quite often you want to tell somebody your dream, your nightmare. Well, nobody wants to hear about someone else’s dream, good or bad; nobody wants to walk around with it. The writer is always tricking the reader into listening to the dream.
PR: I wonder if your ethic—what you call your “harsh Protestant ethic”—doesn’t close things up for you, doesn’t hinder your struggle to keep all the possibilities open.
Didion: I suppose that’s part of the dynamic. I start a book and I want to make it perfect, want it to turn every color, want it to be the world. Ten pages in, I’ve already blown it, limited it, made it less, marred it. That’s very discouraging. I hate the book at that point. After a while I arrive at an accommodation: Well, it’s not the ideal, it’s not the perfect object I wanted to make, but maybe—if I go ahead and finish it anyway—I can get it right next time. Maybe I can have another chance.
Finally, Deutsch reached a deal with HBO in 1988. The network that put Fraggle Rock on the map was interested in expanding their children’s entertainment brand and ordered a live-action Encyclopedia Brown special that led into a recurring series. Producers filmed the pilot in Provo, Utah, and the episodes were well-received.
Deutsch then did something unexpected. After just six episodes, he insisted on breaking away from the network, which puzzled them. “The idea of a producer taking his show off the air that was successful, that was so good, and so far ahead of its time that it made my career is [mind-boggling],” show co-producer Ned Kandel told The New York Times in 2005.
There’s a lot more drama in the article.
I loved these books when I was a kid. I’m pretty sure I bought them with my own money at the school book fair. I don’t remember which ones.
The Quote Investigator relates this story. “In 1953 an Associated Press reporter described his experiences in Moscow after the death of the Soviet leader Joseph Stalin. The journalist reported the caustic comment of an unnamed Russian:
I saw Muscovites by the countless thousands shuffle through the cold March days and nights, in long lines that stretched for miles into the suburbs, to see the dead body of the grim dictator.
Thomas Kidd, who has written on Patrick Henry and George Whitefield and is writing on Benjamin Franklin, offers this glimpse into the life of one of the lesser known founders of America.
Perhaps the most evangelical of all the Founding Fathers, however, is one whom few Americans recall today: Elias Boudinot. Baptized as an infant in Philadelphia by the great evangelist George Whitefield, Boudinot embraced and defended evangelical principles throughout his prominent career as a Patriot in New Jersey and U.S. government official.
Do you view C.S. Lewis’ The Screwtape Letters as a standalone work? A Pilgrim in Narnia has discovered something that may indicate Lewis intended his collection of demonic letters to be part of a larger fictional context.
The Screwtape Letters begins with a letter of its own. “I have no intention of explaining how the correspondence which I now offer to the public fell into my hands. There are two equal and opposite errors into which our race can fall about the devils.” Your copy of this work attributes this letter to Lewis himself, but one early edition attributes it to someone else, a character from another of Lewis’s works. Brenton Dickieson spells out more details here.
From our Tell Us That Story Again desk come these headlines:
Greatest American Hero is returning to TV under the direction of Rick Famuyiwa, Phil Lord & Chris Miller. Lord and Miller are the men behind The LEGO Movie and several other laudable efforts.
Col. Steve Austin is returning to the screen in 2017 as The Six Billion Dollar Man. There’s a rumor he will have to deal with hundreds of angry cowboys before wrangling thousands of deadly aliens. And there may be ninjas too.
CBS is going to return to classic Star Trek and create new stories with familiar characters. Rumors say a recurring storyline will have the Enterprise crew wrangling a pesky cyborg on Earth.
And believing the public may be tiring of all this new stuff and have a hankering for the return of a classic favorite, the sci-fi/fantasy seriesAmazing Stories has been approved for a return. Furious D spells out how the show might work and some pitfalls to avoid. I’d love to see a series of individual episodes that touch on a larger story, which may eventually take over every episode, but if it’s truly an anthology series with different kinds of stories, then they may want to break it up a good bit.
The papers of the Man in the White Suit, Tom Wolfe, have been acquired by the New York Public Library, making him “officially an Important Writer,” as Oliver Wiseman states. The papers have been made available to the public only recently. (via Prufrock)
Wolfe has not published a memoir or autobiography. In general he leaves himself out of his writing. But the career of Tom Wolfe, as told by Tom Wolfe, is the story of an outsider swimming against the tide, first in non-fiction and then in novels. Things got interesting when a strike knocked out New York’s newspapers in 1963. “You weren’t going to catch me on a picket line,” Wolfe said in an interview several years ago. “So I went to Esquire with a story about custom cars.” That article, his first magazine piece, was originally titled “There Goes (Varoom! Varoom!) That Kandy-Kolored (Thphhhhh!) Tangerine-Flake Streamline Baby (Rahghhh!) Around the Bend! (Brummmmmmmmmmmmmmm) . . .” Tom Wolfe was already Tom Wolfe.
The Millions is launching a new initiative in coordination with National Novel Writing Month (#NaNoWriMo).
We are launching #NaGrafWriMo in recognition of all the writers with jobs and family obligations, and those who just spend an ungodly amount of time on the Internet, who find it hard to read a whole book in a month, much less write one. But we are also embarking on this new program because we have found that, for most writers, it can take more talent, determination, and hard work to write one good paragraph than an entire lousy book.
Here, here to more good paragraphs and fewer lousy books.
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