‘The Mercy of the Night,’ by David Corbett

Simply because it provided me with a novel reading experience, I need to review David Corbett’s The Mercy of the Night. You may or may not want to read it yourself, but if you do, I think you’ll remember it.

Whether that’s a good thing or not, you’ll have to decide for yourself.

The story, set in a bankrupt, economically distressed small city in northern California, focuses on two troubled souls.

One is Jacqui Garza, a young prostitute, recently escaped from a court-ordered halfway house program. Ten years ago, Jacqui was a celebrity. She had been kidnapped by a sexual predator, but managed to get free. Yet in a sense she never got away at all. Now she’s a witness in a murder, sought by the police and the killers both.

The other is Phelan Tierney, a widower and suspended lawyer working as an investigator. He volunteers as a tutor at the halfway house, and is desperately trying to find Jacqui. Among all the girls he tutored, she showed the greatest promise, but also seemed the most lost. He’s become obsessed with her, to the point where it threatens his relationship with his girlfriend.

Though there are those who wish to harm Jacqui, her greatest enemy is herself, her conviction that she deserves nothing good, and will never get anything good.

The Mercy of the Night is a very well-written book, with excellent characters and dialogue (the climax, I think, was a little rote, but not excessively so). But what struck me most in my reading was that I found the book impossible to enjoy. The miasma of failure and doom that hangs over the gray town is palpable in every line. I was certain as I read that this whole thing could only turn out badly.

In fact (small spoiler here), it didn’t end up quite as badly as I feared. But I’m not sure the author intended the book to be as hard to read as it is, from an emotional point of view. I nearly put it down more than once, out of simple dread. (Your mileage, of course, may vary.)

But it’s a well-constructed and well-realized novel. Cautions for violence, moderately explicit sex scenes, and lots of profanity. There seems to be a theological subtext, but it’s postmodernist.

A Literary Guide to MMA Fighting

“Kerry Howley’s debut is a riotously entertaining and piercingly perceptive account of the contrasting lives and dreams of a pair of Iowa-based fighters whose battles in the ‘Octagon’ become the vehicle for a philosophical treatise on the nature of glory.” (via Prufrock)

MMA

What I did on my summer vacation

I’m taking a week of vacation this week. So far I haven’t done much, except get started with my second summer grad school class, about which more anon.

[Isn’t “anon” a wonderful word? Evocative, useful, and likely to get you punched in the face if you ever speak it in real life.]

Anyway, the City of Robbinsdale made a point of messing with my schedule. Last week I got notice that they were going to turn the water off in my neighborhood from 9:00 to 4:00 on Monday, weather permitting, to work on infrastructure, whatever that is. So I planned for the shut-off, and then it rained all day. Thus the great California Emulation was moved to today.

Now I don’t know about you, but I’m reluctant to spend seven hours in a place without a working toilet. So I determined to go somewhere where clean and sober transients are welcome, and toilets are plentiful – America’s most pointless tourist attraction, the Mall of America.

I haven’t used my cane in weeks, but I brought it with me today, knowing I’d be walking more than I have for more than a year. I hobbled around and rested at intervals, and made it through OK.

I hadn’t been to the Mall in years. I was surprised at how boring I found it. Perhaps it’s old age, and being out of touch with the times, but I saw little that didn’t look to me like fashion-driven, disposable gimcrackery. I suppose I felt some kind of Puritan snobbery, a judgmentalism that comes from a place less than virtuous. But I didn’t see the point. Continue reading What I did on my summer vacation

Williams: “Arguably the Finest Afro-American Novelist of His Generation”

The NY Times has a obituary on John A. Williams (1925-2015), whom they called a strong but perpetually underrated novelist. He died July 3 at age 89.

His 1967 bestselling novel The Man Who Cried I Am is about a black novelist in Europe, struggling with the world, his own marriage, and an American friend of his. One Goodreads reviewer says, “This should be much more of an African-American classic than it is. I’d never even heard of it. The writing is excellent, simple but always appropriate, never pat. Although it is a novel about a novelist, and his relationship with another novelist, it never feels overly literary or self-referential.” In the NY Times, Eliot Fremont-Smith said it is “a compelling novel, gracefully written, angry but acute, committed but controlled, obviously timely, but deserving of attention for far more than that.”

His second novel, Night Song, appears to have opened him up for insult. William Grimes says Williams impressed the American Academy of Arts and Letters, which “unanimously recommended him for a fellowship at the American Academy in Rome. In an unprecedented decision, the Rome academy rejected the selection, offering no explanation. Mr. Williams said he believed himself to be the victim of a false rumor that he was about to marry a white woman. He was offered a $2,000 grant instead, which he rejected.”

Williams graduated in 1950 from Syracuse University, where his professors encouraged him to pursuing writing.

“Mr. Williams, whom the critic James L. de Jongh called ‘arguably the finest Afro-American novelist of his generation,’ excelled in describing the inner lives of characters struggling to make sense of their experiences, their personal relationships and their place in a hostile society,” Grimes writes. “His manifest gifts, however, earned him at best a twilight kind of fame — a reputation for being chronically underrated.”

Awake at Night with an Active Mind

Writer and world traveler Karen Emslie writes about waking up in the middle of the night and how it may be a good time for creative play.

March 15, 2011It is true that when I wake at 4am I have a whirring mind. . . . If I write in these small hours, black thoughts become clear and colourful. They form themselves into words and sentences, hook one to the next – like elephants walking trunk to tail. My brain works differently at this time of night; I can only write, I cannot edit. I can only add, I cannot take away. I need my day-brain for finesse. I will work for several hours and then go back to bed. . . .

Indeed, when [Nicholson] Baker was writing what would become A Box of Matches (2003), a novel about a writer who gets up around 4am, lights a fire and writes while his family sleeps, Baker himself practised this ritual, then went back to bed for a second sleep.

‘I found that starting and nurturing this tiny early flame helped me to concentrate,’ Baker told The Paris Review. ‘There’s something simple and pleasantly meditative about building a fire at four in the morning. I started writing disconnected passages, and the writing came easily.’

Dune at 50

Herbert was a quintessential product of the libertarian culture of the Pacific coast, self-reliant and distrustful of centralised authority, yet with a mile-wide streak of utopian futurism and a concomitant willingness to experiment. He was also chronically broke. During the period he wrote Dune, his wife Beverly Ann was the main bread-winner, her own writing career sidelined by a job producing advertising copy for department stores.

… The prevailing publishing wisdom of the time had it that SF readers liked their stories short. Dune (400 pages in its first hardcover edition, almost 900 in the paperback on my desk) was rejected by more than 20 houses before being accepted by Chilton, a Philadelphia operation known for trade and hobby magazines such as Motor Age, Jewelers’ Circular and the no-doubt-diverting Dry Goods Economist.

“By rights,” Hari Kunzru writes, “Dune ought to have become a big movie. An attempt by the visionary Chilean film maker Alejandro Jodorowsky to bring it to the screen became one of the great “what if” stories of SF cinema…. But Jodorowsky’s prog-tastic project was strangled in the crib by risk-averse Hollywood producers.”

But the story actually did make it to the big screen–as the movie Star Wars. “Herbert knew he’d been ripped off, and thought he saw the ideas of other SF writers in Lucas’s money-spinning franchise. He and a number of colleagues formed a joke organisation called the We’re Too Big to Sue George Lucas Society.”

Too Fun to Quibble

Sherlock Holmes on Baker StreetMartin Edwards follows his nose from one clue to another within The Detection Club, a London dinner society of British detective fiction writers such as Agatha Christie, Dorothy Sayers, and R. Austin Freeman.

Edwards crams many facts into this work, but his primary goal is “to refute the charge of ‘cozy’ that has hung over the Golden Age writers since a rebellious Englishman named Raymond Chandler moved to California and took to the pages of the Atlantic Monthly to denounce the whole project of British detective fiction in a famous 1944 essay called ‘The Simple Art of Murder.'”

Joseph Bottum concludes, “Of course, the actual argument of The Golden Age of Murder is almost beside the point. The book is too enjoyable, too enthusiastic, to live or die by the success of its thesis.” (via Prufrock)

The Battle Hymn of the Republic

Charge!

“Mine eyes have seen the glory of the coming of the Lord.”

Or is it something else?

“The Battle Hymn of the Republic” is a wonderfully catchy tune that many have sung on the Fourth and even in church, because it talks about God’s truth marching forward, right? Just like “Onward Christian Soldiers,” isn’t it?

The writer, Julia Ward Howe, was a Unitarian, poet, and active supporter of abolition, women’s rights, prison reform, and education. Her public support of these issues was opposed by her husband, Samuel Gridley Howe, and put a strain on their marriage for years. He wanted her to keep her work domestic. When she published a book of poetry anonymously (but discovered a short time afterward), Samuel felt betrayed.

In November 1861, Samuel and Julia were visiting Union encampments close to Washington, D.C. as part of a presidential commission. Some of the men began singing, and one of their songs was “John Brown’s Body,” a song in praise of the violent abolitionist John Brown.

“John Brown’s body lies a-moldering in the grave
But his soul goes marching on.

“He’s gone to be a soldier in the Army of the Lord,
His soul goes marching on.”

Reverend James Freeman Clarke was touring with the Howes and remarked that while the tune was great, the lyric could be stronger. He suggested Julia write new words to it, and she replied that she had had a similar idea. Continue reading The Battle Hymn of the Republic

How Dante Saved Dreher from Depression


Last year, we wrote about Rod Dreher’s book, How Dante Can Save Your Life,, noting that following your heart will kill you dead and sin is a damaged form of love.

Chris Fabry interviewed Rod about his experience going through depression, attempting to reconcile with his family, and learning more from Dante than his counselor. If you haven’t read his book already, this will give you insight into what you’ll find there.

The Fellowship of the Inklings

The Eagle and Child

“In general, the all-male group shared a longing for that half-imaginary time before man’s alienation from God, nature and self, the time before the chaos and materialism of the post-industrial era had displaced the elegantly organized cosmos of the Middle Ages. In their ­various ways, each hoped to spearhead a rehabilitation, a re-enchantment of our fallen world.” Michael Dirda reflects on The Fellowship: The Literary Lives of the Inklings: J.R.R. Tolkien, C. S. Lewis, Owen Barfield, Charles Williams by Philip Zaleski and Carol Zaleski. He says the book focuses largely on the men’s religious lives and thoughts.

The Fellowship looks to be a great, detailed introduction to Barfield and Williams, two men close to Lewis and Tolkien but unfamiliar to most of their fans.