I understand the old folk music craze is the subject of some current interest, on account of the new Bob Dylan movie. I hear it’s good, and have no plans to see it (despite Dylan/Zimmerman’s Minnesota roots), because Dylan has never done anything for me, personally. (I speak of entertainment, not failed attempts to borrow money. So don’t believe the rumors.)

The focus of the film, I understand, is Dylan’s break from the folk movement when he insisted on using electric guitars, to the horror of Pete Seeger, who operated as a sort of surrogate father and commissar for the Folkies. He was (as the movie does not make clear, I’m told) a fervent Communist and Stalinist. Many conservatives see Dylan’s adoption of electric music as some kind of affirmation of capitalism. Perhaps there’s something in it, though I never quite understood the rationale – you can be sure Dylan will never explain it.

I have always hoped – perhaps naively – that the really big, commercial folk groups of the day operated to some degree outside Seeger’s sphere of influence. Such groups as the Chad Mitchell Trio, the New Christy Minstrels, and the Limeliters.

The Limeliters were my favorite.

What set them apart was the vibrant edge Glenn Yarbrough’s tenor voice brought. After he left the group he had quite a successful solo career, and I was always a fan, though he was never a top seller.

Anyway, I remember the period well, and still like the music better than I like Dylan’s. Above, the Limeliters, in an uncharacteristically Christian moment, do “What Wondrous Love Is This?” and “Old Time Religion.”