Tag Archives: Keith Houghton

‘Before You Leap,’ by Keith Houghton

There’s a literary technique known as the “unreliable narrator.” Often the unreliable narrator is only revealed at the end, when the reader suddenly realizes he’s been lied to, and all sorts of mysteries suddenly become clear – “This character has been messing with us.”

More difficult is the consciously unreliable narrator – a narrator who knows he’s often mistaken or deluded. English author Keith Houghton attempts this difficult transaction – mostly successfully – in an American setting in his novel, Before You Leap.

The book opens with a flash-forward – we see our hero in a high-speed chase with the police, finally cornered at the top of a high bridge, yelling at the old friend who’s led him into this predicament.

Then we go back to the start. Greg Cole is a psychotherapist – a “talk therapist” – working in Bonita Springs, Florida. Like so many psychotherapists – at least in fiction – he has a full load of baggage of his own. Long ago in Michigan, his twin sister was murdered, and he fled to Florida to get away from the memories. He’s dating a woman police detective, separated from her husband, and contemplating taking the relationship to the next level, something that scares him.

Then word comes that the man convicted of his sister’s murder has been exonerated and released. Greg is certain of the man’s guilt – he himself was the star prosecution witness. If he was wrong, he did him a great injustice.

And then his oldest friend shows up unannounced – a man he hasn’t seen for 18 years. The friend tells him he’s in danger, but Greg doesn’t believe him. But then there’s a murder, and Greg becomes a suspect. He starts wondering about his old friend – but he also worries about what he himself may have done – he does have these blackouts from time to time…

Surprise twists are frequent here, and I figured out one of the most important fairly early. On the other hand, another twist I thought I figured out turned out to be no twist at all (that was clearly intentional). The plotting was fairly good.

My main problem with Before You Leap was that I didn’t always sympathize with the hero/narrator. Greg got on my nerves from time to time. I found the whole thing a little frenetic for my taste.

But your mileage may vary. Cautions for what you’d expect.

‘No Coming Back,’ by Keith Houghton

No Coming Back

In the wake of Vidar Sundstøl’s “Minnesota Trilogy” books, which did not send me over the moon, I tried a different mystery novel, also set in Minnesota’s Arrowhead region – No Coming Back, by Keith Houghton.

Alas, I did not love this one either. While Sundstøl’s books are stylish but (in my opinion) perverse, Houghton’s book seemed to me over-beaten and under-baked. Though not without promise.

Jake Olson returns to his (fictional) home town of Harper, Minnesota after nearly 20 years gone. He’s been in prison, convicted as a teenager of killing his girlfriend, Jenna. He didn’t do it. Now (and this is one of the first of many improbabilities that abound in this story) the local newspaper publisher, who has always supported him, hires him to re-investigate the murder and identify the real killer.

On the same day Jake comes home (another improbability), a large tree, a local landmark, is toppled by a storm. Under the roots a skeleton is found. Jake is convinced it’s Jenna’s. Now he’s on a mission, but he has lots of opposition. Jenna’s brother has promised to kill Jake. The local sheriff has always hated him, and is just waiting for an excuse to bust him and send him back to Stillwater on a parole violation.

And there are larger challenges. Everybody in this book – everybody – is lying. Everybody has something to hide.

The whole thing was too much for me. Too many conspiracies, and too complicated. Too many lies. Too much violence for the setting. Too many villains. Toward the end I didn’t even care about Jake, which is a major narrative failure.

I think Keith Houghton shows promise as a novelist. He can turn a good phrase when he’s on his game (though his diction can be sloppy too). But this book was just too convoluted and nihilistic for its own good, in my view.

Cautions for language, violence, and adult situations.