I’ve been a fan of John Sandford’s for a few years now. He writes a gripping, fast-moving story, with interesting characters and lots of verisimilitude. It also doesn’t hurt that he’s a Minnesotan (he’s really the journalist John Camp) and sets most of his stories in our (his and my) state. (I have this odd delusion that places aren’t really important until there are stories about them. The places I enjoy visiting, or want to visit, are generally places where stories I like took place.)
But I’d gotten a little disillusioned with Sandford’s recent work. Lucas Davenport, hero of the Prey series, started out as a fascinating madman, a borderline psychopath cop (who also happened to be a video game millionaire) so passionate about hunting down serial killers that he often crossed the line into “judge, jury and executioner” territory.
The problem was, it was clear Davenport couldn’t go on like that indefinitely. If he kept doing his police work in that manner, eventually he’d either get caught or lose his mind entirely. So Sandford, discovering he had a hit series on his hands, took the rational course of finding Davenport a good woman, getting him married, and settling him down.
The downside of that was that Davenport got a little dull. Sandford appears to have compensated for that by making the crimes more appalling; adding an increased level of horror to his stories. It works to an extent, but I don’t like the series as much as I used to.
So I’m happy to report that Dark of the Moon, starring the spin-off character Virgil Flowers, is much less edgy. Its main appeal comes from fully realized characters and an intriguing mystery. Continue reading Dark of the Moon, by John Sandford →