All posts by Lars Walker

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The Moster Play, and other matters

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I did something today I never do. I quit a book I actually liked. I’ve outgrown the idea that you have to finish every book you start reading. Life’s too short, especially at my age. So if I think a book is badly written, or if it offends me, I’ll just remove its download from my Kindle.

But why would I drop a book whose values please me, and which I find well-written?

Because I’m a wimp. Which will not surprise our regular readers.

I should at least give the author credit. He’s one of my favorites, James Scott Bell. The book is Can’t Stop Me. It’s about an ordinary guy, a lawyer and family man, who is suddenly targeted by an old college acquaintance who seems to have no purpose other than to force himself into his life. The stalker employs innuendo and suggestion to threaten the hero, always keeping within legal limits. The worst thing is, he happens to know the hero’s oldest and darkest secret.

This is an old book of Bell’s which he’s revised slightly for re-release. It shows some signs of being early work, but is overall very well written.

And it gave me the willies. This kind of story – the kind where ordinary people face dangers they’re not prepared for, really bothers me. I suppose it’s because I know I wouldn’t survive ten minutes in such a situation.

A writer ought to have thicker skin.

Anyway, if you’re braver than I am, I recommend it, even though I chickened out a third of the way through.

In other news, I remembered today that I need to renew my passport. I’d put it away with the unpaid bills so I wouldn’t forget it, and got so used to seeing it there that I forgot it. I should have done it earlier – now I’ll be passportless for a short while. Not that I expect to need it. I tend to use a passport one time before it expires. This one I’ll probably never use at all.

But I like to have one. I’m an international man of affairs, after all. I never know when I’m going to be summoned to receive a medal from the king of Norway.

But 130 bucks for a passport? I’m pretty sure my first one, back in the ’80s, cost $40.

Speaking of Norway, I mentioned Mosterøy in Norway in yesterday’s post, and said not to confuse it with Moster on Bomlø. I visited that Moster last summer too. It was the home of the mother of King Haakon the Good (who was related to Erling Skjalgsson’s family). They do a historical play in an amphitheater there every year (video above). My two guides, Tore-Ravn and Einar (the two on the left in the photo below, with the historic Moster Stone), are extras in the play, and take great pride in it.

Religion, Uncategorized

Hodnefjell on Mosteroy

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Tonight’s post is probably of limited interest, but I’m between books again. I found this drone video of Hodnefjell farm on the island of Mosterøy, (not to be confused with Moster on Bomlø, where St. Olaf instituted Christian law in Norway) a place where some of my ancestors on my dad’s side lived. These were the most historically significant ancestors I’ve heard about. I’m sure I’ve written about this before.

According to Sigve Bø, my guide last year, the Hodnefjell family (if I remember correctly) had converted to Moravianism in the early 19th Century, a serious matter in state church Norway. But they heard about the lay evangelist Hans Nielsen Hauge and wrote to him, inviting him to visit them. He came and stayed with them on their farm. They were so impressed with his teaching that they converted back to Lutheranism and became “friends of Hauge.”

They had a neighbor named John Haugvaldstad who also became a Haugean. He disliked farming and left for Stavanger (leaving his incompatible wife, who’d never much liked him either. They lived separate lives but never divorced). There he became a successful businessman and the de facto leader of the Haugeans after Hauge’s imprisonment.

The Haugean circle in Stavanger had much to do with arranging the first organized party of emigrants to leave Norway for America. This group sailed in 1825 on the sloop “Restaurasjon.” The party was made up of Quakers and Haugeans, all looking for greater religious freedom in the US.

Fiction, Reviews

‘The Nice Guy and the Devil,’ by Tom Trott

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If your great complaint about the world of thriller novels is that they all tend to look the same (and it’s often a valid complaint ), Tom Trott’s Cain novels might just be what you’re looking for. I’m not sure The Nice Guy and the Devil was my cup of tea, but it was definitely original.

Harrison Byers (known as “Cain”) is a Canadian, a former CIA operative (not sure how that works). He’s in Nice, France, enjoying the weather, when he notices a small, unprepossessing man asking clumsy questions about his “missing sister.” Cain figures him for an amateur trying to be a private eye. But when he notices the woman the man described sitting alone in a café, he can’t help introducing himself.

They make a date, but the unprepossessing man shows up at Cain’s apartment and commits suicide in front of them. The police come and arrest both him and the woman, and when they’re finally released they spend the night together. She asks him to accompany him to her daughter’s wedding the next day, and he figures why not? Little do they expect that the reception will be attacked by terrorists, one person kidnapped, and several others murdered. Cain sets off in pursuit, soon teaming up with a young Interpol agent who’s the daughter of an old friend.

The most surprising element in the story is Cain himself. He’s not your bog standard thriller hero. He’s middle-aged, bald and overweight (he actually wears a toupee and a girdle). But he still has his shooting skills and his fighting instincts, along with (sometimes insane) nerve. The story is packed with suspense and danger, the big twist at the end comes at you out of left field, and the conclusion is satisfying.

What annoyed me was the author’s habit of not describing characters until they’ve been on stage for a while. This is particularly aggravating when he fails to tell us the character’s race, and then makes race an issue. It’s as if he’s first saying, “Look how colorblind I am,” then turning and saying to the reader, “Why were you so racist as to assume they were white?”

On the other hand, there’s a devout Christian character in the book, and his faith is treated respectfully.

The Nice Guy and the Devil was a very neat thriller, capably plotted and written. I didn’t love it, but it was professionally done.

Reviews

Revisiting ‘Harry O’

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https://youtube.com/watch?v=qP_nvvcdbWk

I should really wait to post this review/appreciation until I’ve had the time to watch the whole series through on YouTube, but I need a topic tonight and I already know what I think. Harry O, starring David Janssen, was one of the best TV PI series of the 1970s, and could have done even better if the network hadn’t clotheslined it.

The series struggled a bit getting launched. The first pilot movie, which you can watch above, was about a grumpy Los Angeles private eye named Harry Orwell (Janssen). He used to be a police detective, but a bullet near the spine put him on the disabled roster, so now he freelances. Only he’s a bit of a misanthrope (though he always seems to have a beautiful girlfriend) and actively discourages business. His injury interferes with his activity at times. He lives in a shack on the ocean, where he’s constantly working on his sailboat, “The Answer,” which is never quite finished (metaphor sighted!). He has a car, but it’s always in the shop and he rides the bus instead – which offers interesting creative opportunities for the writers, as when he loses a “tail” while riding it.

It seems network executives found the first pilot a little dark, so they ordered another one, which was lighter but hardly cheery. But that one was enough to get the series green-lit. (Jody Foster plays a homeless girl in this one.)

As the season begins, we find Harry living on Catalina Island near San Diego. Still in a shack, still working on his boat and riding the bus. His cop buddy is now Lt. Manny Quinlan (Henry Darrow, whom you may remember as Manolito on The High Chapparal). They’re on and off friends, but have each other’s backs when the chips are down.

Then, half-way through the first season, the network decided it was too expensive to shoot on Catalina and moved Harry closer to LA, but in a nearly identical living situation. His police buddy is now Lt. Trench, played by Anthony Zerbe, who won an Emmy as a supporting actor. The two actors’ chemistry was extremely good. Harry’s car was finally liberated from the shop, but it still broke down a lot. The tone was lightened yet again.

In the second season, Harry’s back injury – though never forgotten – became less important. Toward the end, a young actress named Farrah Fawcett-Majors (at the time) showed up as Harry’s stewardess girlfriend. (This attracted my increased interest.)

And then the network decided it wanted to change its entertainment direction. The relatively intelligent Harry O series was cancelled to be replaced by a star vehicle for Farrah – Charlie’s Angels. I’ll confess I was a big fan of the Angels at the time, but today I find I can’t bear to watch it, even when Farrah’s on. Harry O, on the other hand, holds up extremely well.

Private eye shows were a staple of prime-time TV in the 70s. Quinn Martin Productions, especially, ran a content factory that turned them out like sausages. QM did some quality work – he’d produced The Fugitive, which made David Janssen a star. But they also turned out shows like Cannon and Barnaby Jones that were almost indistinguishable in format, and even recycled each others’ scripts from time to time. I came to see the Quinn Martin trademark as a sure sign of phoning it in.

But Harry O was a smart show with good writing, good acting, and atmosphere. I’d put it right up there with a very different show, The Rockford Files. It could have been a classic, given the chance.

David Janssen swore never to do a network series again. He did a miniseries, but never a weekly show.

Fiction, Reviews

‘Murder At the Bridge,’ by Bruce Beckham

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Skelgill reels in and turns his boat. He takes a bearing off Skiddaw Little Man; keeping the false summit dead astern will send him arrowing into Peel Wyke, the tiny hidden wooded inlet that has echoes of the wild oarsmen that once ruled these parts, literally the ‘Wyke-ings’, the Norse ‘baymen’, who left their mark on today’s maps with descriptions that abound, like beck and dale, fell and pike, gill and skel.

The snippet above features one of those not infrequent references to the Vikings of Cumbria that add to the appeal of the Inspector Skelgill books (for me). Skelgill is an odd sort of policeman, operating primarily off his instincts as an outdoorsman and fisherman. In Murder At the Bridge, he actually discovers one clue by following a literal scent in the air, like a bloodhound.

Kyle Betony is an “outcomer” to Cumbria, a brash go-getter who fits in poorly with the other members of the Derwentdale Angler’s Association (of which Inspector Skelgill himself is a low-key member). But he managed to get elected to the board of directors anyway. When his body is found, dressed in evening clothes, floating in the River Ouse, it could mean he accidentally fell from the bridge, but indications on the body, as well as the river currents, suggest foul play. Betony had been attending the annual banquet of the DAA board that night. An old photograph has been stolen from the wall of the inn where the banquet was held. It was a group photo, including the image of a man now a fugitive murderer. Was the man in the photograph the man who was now calling himself Kyle Betony? Or did Betony recognize that man and get murdered for his knowledge?

Murder At the Bridge was largely what I’d call a “shoe leather” mystery. Most of the book is taken up with interviews with various suspects and the comparison of alibis. This lowered the level of suspense until the very end, when things picked up nicely. The conclusion was satisfying, and provided a clearer confirmation of Skelgill’s relationship with his female subordinate, DS Jones, than I think we’ve had before.

Murder At the Bridge was far from my favorite book in the Skelgill series, but it’s worth reading. One nice element is the creative circumlocutions the author employs in order to avoid actual profanity.

Authors, Writing

James Scott Bell’s best writing advice

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Still haven’t finished the book I’m reading for review. This would seem to argue that I’ve been busy and productive, but I don’t feel busy and productive. However, this is irrelevant. I learned long ago that my feelings are of very little practical use.

So, another video tonight. Here’s a short clip from one of my favorite authors, James Scott Bell. He’s talking about a discipline many writers have found valuable — giving yourself a daily quota of words to produce. Like compound interest, this practice yields remarkable results over time.

I have written this way at times in my long life, but it’s been a while. Most of the time, I can write only so much at a sitting. After my small ration of creativity has run out, I end up sitting at the keyboard, frustrated. I am then overcome with guilt and turn to drink and drugs.

Okay, I don’t turn to drink and drugs. But I understand the appeal.

Anyway, I just took up rising early to write, and that’s upped my output considerably. So get off my back, James Scott Bell.

Music, Uncategorized, Writing

Chronicling my decline

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Not having a book to review tonight, busy as I am with non-paying work, I post the video above. Sadly it’s not a live performance video (there doesn’t seem to be one), but I discovered it and thought it rather nice. This is a song I’ve posted before in its original Swedish version, but there seems to be this English version too. As an expert, I pronounce it a successful translation, since with songs, subjective impressions are more important than accuracy. I realize it’s the wrong time of year for a Christmas song, but who knows if I’ll need it at Christmas?

A day in the life of an obscure author:

In accordance with my recently adopted custom of getting up to write in the morning, instead of lying in bed trying to get back to sleep, I rose at 6:30 a.m. to work on The Baldur Game, my work in progress. What I’d done yesterday was to take a block of text I’d written, which I realized was out of historical sequence, and move it back into its proper year. So today I commenced a review of the whole text written thus far, to see if there were any anachronisms left that I need to fix. I think the work is good so far.

At lunch I went to The 50s Grill, one of my favorite local places, and tried something new — the grilled walleye. It was good, as expected, and I topped it off with a piece of their French Silk pie. They do pie extremely well.

This afternoon, I worked on my book narration. This is the cause of considerable fear and trembling for me right now. Friends have generously provided me equipment to begin doing narration on my own. My first project will be The Year of the Warrior. I am confident — nay, a little arrogant — about my ability to do narration with the best of ’em. But the technical aspects — the software and specifications, etc. — scare me to death. (Back in radio broadcast school, I was the best copy reader in my class and the worst engineer.) This delays my progress, but I press on heroically.

Tonight, after I post this, I propose to work on a PowerPoint presentation I’ll be doing later this month in Iowa for the Georg Sverdup Society. Not Vikings this time, but the background of the Lutheran Free Church movement in America.

These things matter in my world.

Oh yes. I’ve committed to attending the Midwest Viking Festival in Green Bay, Wisconsin, Oct. 6 and 7 (used to be in Moorhead, MN). An opportunity to sell books, and my experience is that venues where I have not yet flogged my wares are the most fruitful.

Fiction, Reviews

‘Strait Over Tackle,’ by Colin Conway

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What kept coming to mind as I read Colin Conway’s Strait Over Tackle, first book in his “Flip-flop Detective” series, was the movie “The Big Lebowski.”

I did not like “The Big Lebowski.” I don’t, in general, find slackers amusing.

Sam Strait is a former sheriff’s deputy in the same area (around Spokane, Washington) that is the setting for author Conway’s more serious “The 509” police procedural series. He got kicked off the force on false charges, sued them for damages, and won a cash settlement, which gives him some financial freedom. He lives in the lake cabin he inherited from his grandparents. This allows him to live the life he wants to. He lives by a short set of rules, the first of which is, “Only be where flip-flops can be worn.” That makes him a snowbird. He flies off to warmer climes each fall, taking temporary jobs like dishwashing to eke out his expenses. He’s happy with this life (or claims to be), but it angers his on-off girlfriend, a gorgeous local actress who wants permanence and doesn’t give up easily.

Sam comes home to open up for the spring and finds that somebody has held a party in his house and left it trashed. But it gets worse. He goes down to the lake to look at his boat and finds a young woman’s dead body in it. His call to the police brings Detective Shane McAfee, whom we know from the 509 novels.


When Sam discovers that someone has left a bag of drugs in his refrigerator, he ponders calling McAfee, but decides to go around and ask questions himself. This – as he eventually realizes – is a stupid decision, leading to confrontations, threats, and several fistfights (all of which he loses). But in the end he will identify the murderer.

Generally speaking, slackers make poor heroes for novels. Interesting characters operate from some powerful motivation, which is the main thing slackers generally lack. Sam’s chief motivation is avoidance of intimacy and commitment. His motivations for investigating the murder rather than letting the police do their job are unclear to the reader, and apparently to himself. He seems to have a poor conception of personal safety, which is bad because he keeps getting beat up (even by a woman). This is one of those stories where the hero gets “his bell rung” multiple times, and people even warn him of concussion, but he brushes the suggestion off and appears to suffer no serious trauma (which is implausible).

In the end, I figured out that Strait Over Tackle was intended to be taken as comedy. I guess it had its moments, but it didn’t amuse me a lot.

You might like it better than I did. Especially if you liked “The Big Lebowski.”

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‘Inalienable’ rights

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Look at me, posting my Independence Day contribution on the evening of the Third, so that you can enjoy it on the Fourth itself, which is probably when most of you will read it. All this thinking ahead and considering the customer is foreign to my habits, but I’m sure it’s good for my character, assuming I have any character left at my age.

Above, a cute snippet from the musical “1776,” in which John Adams (“unalienable”) disagrees with Thomas Jefferson (“inalienable”) about the wording of the Declaration. Not included here is Adams’ aside after he pretends to concede the point, that he’ll just fix it with the printer. Which he does. The official text has come down to us saying “unalienable.” And I can’t deny it annoys me a little.

Have an inalienable Independence Day holiday, friends.

Music, Uncategorized

‘The Sons of Liberty’

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Not being in the work force anymore, I’m not current on work schedules. Is this considered a long weekend? The Fourth isn’t till Tuesday, and this is one holiday we still celebrate on the proper date (don’t we?). Anyway, I’m going to do my patriotic music post today, and we’ll see what happens on the holiday itself.

The clip above comes from the miniseries “Johnny Tremain,” which Disney produced way back in the ’50s. A few minor differences may be noted between Disney’s consumer product back then and what they’re doing now. Disney back then produced stuff like this, which reinforced patriotism, social cohesion, and traditional values. All this is deplorable to today’s Disney.

I don’t think I look at the ’50s through rose-colored glasses. The worst period in my life began in that decade, and I developed a deep personal cynicism that makes me fit in pretty well with much of contemporary culture. I know enough history, too, to be aware that the American revolution had its dark side. (I’ll still put it up against the French one any day, though.)

But I learned to be a subversive (at least in secret) in those days too. And today I exercise my subversion by flouting the cherished values of the present establishment. By posting patriotic songs and calling on people to come together around the old verities. Warts and all.

Have a blessed Independence Day.