Category Archives: Poetry

Poetry

Why, Mary, Do You Rejoice in the Prince of Peace?

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Thou Mother of the Prince of Peace,
         Poor, simple, and of low estate!
   That Strife should vanish, Battle cease,
         O why should this thy soul elate?
Sweet Music’s loudest note, the Poet’s story,—
Did’st thou ne’er love to hear of Fame and Glory?

From “A Christmas Carol,” by Samuel Taylor Coleridge

Despite being unqualified to make such a pronouncement, I doubt Coleridge’s “A Christmas Carol” is a very good poem. The verse is clunky, and I worry that the theme boils down to something John Lennon would approve, but perhaps it’s a good theme for this year. Would we rather glory in war or in the Prince of Peace?

Coleridge wrote “A Christmas Carol” in 1799, after he had taken up Unitarianism officially, and it was set to music many years later when the English were reviving the singing of carols. The words do seem to call for a tune with four lines and a couplet in each verse.

“Joy rose within her, like a summer’s morn;
Peace, Peace on Earth! the Prince of Peace is born.”

The world doesn’t understand peace; many believers don’t either. We are too worldly. We don’t follow Christ in making peace as much as possible, and we don’t understand the necessity of being prepared for war. In the poem, the shepherds come to Mary and she rejoices in their tale. Then, the poet steps in to ask her why she should rejoice in the Prince of Peace (note the verse above).

She responds, “War is a ruffian, all with guilt defiled, / That from the aged Father tears his Child!” Strife and Battle break the world and waste everything. “A murderous fiend, by fiends adored, / He kills the Sire and starves the Son.” Yes, yes, but this is personification. War isn’t a person; it’s a description of things people do. We fight each other for power, money, and fame. The Roman founders saw they needed women to be a successful colony, but instead of appealing to their Sabine neighbors, they fought them and took their women. Who taught them to take the path of war instead of the path of peace? No one. It would have been a natural choice for anyone.

I suspect Coleridge was like many who want peace as the absence of war, but the Prince of Peace says he gives a different peace, a peace that follows from seeking the Kingdom of Heaven first. It isn’t one we earn per se. It’s one that follows us, like goodness and mercy. The Lord may put us in a troubled time, and we may even be called to fight for the peace we want to see, but the Lord gives us a peace in knowing his kingdom has no end.

Of the increase of his government and of peace
there will be no end,
on the throne of David and over his kingdom,
to establish it and to uphold it
with justice and with righteousness
from this time forth and forevermore.
The zeal of the LORD of hosts will do this. (Isaiah 9:7 ESV)

“Madonna Nursing the Infant Christ by Jan Provoost Flemish 1520 oil” by mharrsch is licensed under CC BY-NC-SA 2.0.

Blogs, Socials, Fiction, Non-fiction, Poetry, The Press

What Should a Scholar Do When Civilization Topples?

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Clive James’s book of essays called Cultural Amnesia offers a take on a German medieval scholar who wrote influentially on literature and Western civilization. As the Nazi party began to gain power, Ernst Robert Curtius warned of danger to come, but when it did come, Curtius retreated into his scholarly study and said no more. He didn’t directly support the Nazis, but with his silence, one has to wonder where his loyalties settled.

James says many German and French intellectuals prior to WWII wanted to believe they could forge wonderful, cultural bonds high above the dirty politics of their day. He calls this a “wishful, wistful thought.”

Most of our wishful thinking is about what we love. . . . But if we are to learn anything from catastrophe, it is wise to remember what some of the men who shared our passions once forgot. Curtius forgot that continuity is not in itself an inspiration for culture, merely a description of it.

Curtius thought he was doing his humble part to preserve civilization, and it wasn’t worthless work, but the hard chore of cultural preservation was being accomplished by the men in bombers, parachutes, and fatigues. It wasn’t the time to discern the patterns of principles in the past; it was the time to fight for the morals they already had.

Curtius the universal scholar is left looking depressingly restricted, and humanism is left with its besetting weakness on display—the temptation it carries within it to reduce the real world to a fantasy even while presuming to comprehend everything that the world creates.

Clive James, Cultural Amnesia, p. 159

It’s been another week, hasn’t it? Here are some links to consider.

Legacy Press: Are there any good journalists working for the biggest names in news? “These seven failures from the past few weeks should dispel any benefit of the doubt you have left for the corporate media’s honesty.“

Russia: A new book exposes a movement I wish American opinionmakers understood. “Russia is systematically and deliberately instilling in its children hatred, vengefulness, and the desire to kill.“

Poetry: William Cowper said, “Despair made amusements necessary, and I found poetry the most agreeable amusement.”

Dostoevsky: John Stamps praises the Michael R. Katz translation of The Brothers Karamazov, calling it thrilling and lively. Katz doesn’t attempt a literal translation but adapts the work to English ears by simplifying the naming convention, cutting back some repetition, and using footnotes instead of endnotes.

Woodlands: Two forest lovers, ages 10 and 8, “have hiked every trail in the Great Smoky Mountains National Park”—900 miles of hiking.

Photo by David Hawkes on Unsplash

Blogs, Socials, Coffee, Tea, Drinks, Fiction, Poetry

Old Book Love, a Pub Renewed, and More

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Here’s a Thoroughly Professional Video showing a couple of my antique books. They aren’t commercially valuable, but they’re pretty and have the humanistic value of a great books. On the left is the Complete Works of Shakespeare, a Walter J. Black edition, which I think means it’s cheap. I say it’s leather bound, but I’m sure it’s imitation leather. On the right is the Works of Edmund Spenser, an 1895 MacMillan edition.

It’s too bad I don’t have something really nice to show you, but I may record more physical books to better reveal their tangible value, especially if I can up my A/V quality.

Inklings: “The Ellison Institute of Technology (EIT) has purchased the historic Eagle and Child pub on St Giles’ from St John’s College, with plans to refurbish and reopen the space to the public.”

Poetry: From Philip Larkin
“For nations vague as weed,
For nomads among stones,
Small-statured cross-faced tribes
And cobble-close families
In mill-towns on dark mornings
Life is slow dying.”

Horror: Mike Duran has written on horror stories and how they fit with a Christian worldview.

Also, some of the story of the man who portrayed Father Damien Karras in The Exorcist.

(Photo: “The Eagle and Child,” Hofendorf/ Wikimedia Commons CC BY-SA 4.0)

Poetry, Writing

Seeds Among the Ruins and Silence

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The greatest displeasure of the largest number
Is the law of nature. – Pao Chao, “The Ruined City”

Paul J. Pastor writes about The Kalevala, an epic poem written from Karelian and Finnish folklore, focusing on “the great bard Väinämöinen” who chooses to live

on the island with no words
on the mainland with no trees.

After a long while, if I’m reading this correctly, Väinämöinen begins to sing the world into being.

Pastor applies this to our own small creative works. Silence, not just moments of quiet, but true silence that endures beyond our comfort can be “the great and difficult friend of the writer and the artist.”

We are not artistic dynamos. We cannot truly create anything of own mere will. We must rely on the Lord and his revelation, both general and specific. Noise, even a natural and healthy noise of life, can drain us—at least, it does drain me.

And yet what brings Väinämöinen, the bard of bards, into the fullness of his power is precisely that condition of emptiness that so disgusts or unsettles us. It is being in the boring-place, the empty-place, the still-place that something happens to him, something so vast that nature itself unlocks her most intimate secrets.

Photo by jean wimmerlin on Unsplash

The great bard began singing on a rock so bare we would have trouble finding a similar one today, but we may find a deafening silence among ruins, a place where

. . . grains of sand, like startled birds,
are looking for a safe place to settle.
Bushes and creepers, confused and tangled,
seem to know no boundaries.

These verses come from fifth century Chinese poet Pao Chao (or Bān Zhāo). In “The Ruined City,” he describes a vast plain with visible canals and roads cut into it, all leading to crumbled ends and weeds.

The young girls from east and south
Smooth as silk, fragrant as orchids
White as jade with their lips red,
Now lie beneath the dreary stones and barren earth.
The greatest displeasure of the largest number
Is the law of nature.

This too is silence and a little despair; we need more than human hope to endure it. Can we throw seeds into the wind that will sprout in what time the Lord will give them? Kyrie, eleison.

Poetry, Reviews

‘Old Songs,’ by Olga Sedakova

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If you know boldness, you know mercy too, because they are like sisters;
boldness is lighter than all things on earth, but compassion is lighter than anything.

It’s not my custom to review poetry on this blog; I write it poorly and read it with only middling comprehension. But the description I received of Olga Sedakova’s recently released volume, Old Songs, intrigued me enough to accept the offer of a free review copy. As might be expected, the poems baffled me a little, but they nevertheless left an impression. The translation is done by Martha M. F. Kelly, and seems excellent so far as I am able to judge.

Olga Sedakova is a Christian Russian poet, a survivor of the Underground in Soviet times and today a major critic of her country’s war in Ukraine. Old Songs was published only a few weeks ago, and still awaits its first Amazon review.

Speaking from my limited perspective, these poems seemed resolutely Christian in a realistic way. No easy answers. No assumption that rewards will come to us in this world. The poet knows suffering and placidly expects to suffer more. All temporal hopes are likely to fail; we believe anyway.

I felt like a child trying to follow an adult conversation through most of the poems (it’s not a long book), but certain passages definitely resonated. I particularly liked the one I placed at the head of this review. Here’s a couple other good ones;

Ah, I’ve watched people a long, long time, and strange things have I learned: I know that the soul is an infant, an infant until its final hour, 
that it believes absolutely everything, and it sleeps in a den of thieves.
The dead don’t need a thing,
not houses nor dresses nor hearing.
There’s nothing they need from us.
Not a thing, save everything on earth.

Those are good lines. Recommended. I was impressed.

Authors, Fiction, Non-fiction, Poetry

What’s a Bit of Fascism Between Friends?

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Fascism is a 1921 word that came from the Italian name for Mussolini’s anit-communist party, Partito Nazionale Fascista. The word Fascista actually means “political group,” but fascism has come to mean a particularly nasty political group because of its connection to the Mussolini’s policies. They were the Black Shirts, dedicated to what my 1953 Webster’s defines as a “program for setting up a centralized autocratic national regime with severely nationalistic policies, exercising regimentation of industry, commerce, and finance, rigid censorship, and forcible suppression of opposition.”

Curious that today the word seems mostly applied to those who rally for beliefs with which we disagree. No forcible suppression, just public argument, and—boom—you’re a fascist. A whole political party is committed to overregulation of industry and commerce, but no, it’s the homeschool moms who are fascists. Climate change is the reason they want to take away your gas stove, but is that fascism? Stop being silly. It’s only fascism with other people do it.

This word like many others is used without meaning, showing our society to be closer to Orwell’s 1984 doublespeak than anyone wants to believe.

Book Banning: Maybe the problem isn’t that someone complains about a book, but that public schools exist at all. Neal McCluskey writes, “The very idea of ‘neutral’ education—education that favors no idea or worldview—is not itself neutral. Elevating ‘neutrality’ over worldviews that believe that some things are inherently good and others inherently bad, and that children should be taught what those are, is a values‐​driven decision, concluding that neutrality more valuable than teaching some things are right and others wrong.”

Banning Books: The American Library Association asks why they have to hide their efforts to indoctrinate our kids.

In the PEN America report, they state, “Hyperbolic and misleading rhetoric about ‘porn in schools’ and ‘sexually explicit,’ ‘harmful,’ and ‘age inappropriate’ materials led to the removal of thousands of books covering a range of topics and themes for young audiences.”

Author: Anti-racistism author Ibram Kendi has used several million dollars on plans that have not materialized. Now, he’s laying off staff.

But enough of that stuff.

Poetry: This is delightful, the poem, the painting, and the recording of the poet’s voice. “My Wife, Sewing at a Window” by Eithne Longstaff

Comic books: Penguin Classics is publishing a Marvel collection of $45 hardback reproductions of the silver age stories of X-Men, The Avengers, and Fantastic Four. But wait, there’s more! They released three such editions last year: Captain America, Black Panther, and The Amazing Spider-Man. Gosh! Who could’ve thought they’d do something like that?

(Photo: The Donut Hole, La Puente, California. John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.)

Music, Poetry, Uncategorized

Remembering 9/11 and What Little Security We Have Today

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Everyone knows, I hope, that actions speak louder than words, which is a saying my old book of proverbs seems to derive from similar, older maxims such as this one from the French: Le fait juge l’homme or the deed proves the man. (Phrase Finder points to a 1693 sermon for the specific wording.) Words reveal our intentions, how we frame a problem, and if our actions give proof to our words, people believe us. They attest our integrity. If our actions work against our words, then our hearers have every reason to say we’re full hot air.

Politicians have historically low trustworthiness, according to polls, because their job is to overpromise and underdeliver, especially congressmen. They can’t do all they say they will do, because they have to work with a crowd of others who promised to do other things—some of which should not be done. Since Nixon shattered American confidence, the highest average percentage of people “who say they trust the government to do what is right just about always/most of the time,” according to the Pew Research Center, is 54%. That was on October 25, 2001.

On Monday, we will mark the 22nd anniversary of the hijacking of four commercial aircraft in an effort to punish the United States for crimes against Islam. Many politicians and civil servants have learned nothing in that time, judging by their actions. They want to be judged by their words alone, and not all of their words. Only the current ones. Why dig up the past by rehearsing old lies when the current lie is all we need? If they say we’re safe, secure, prepared–that’s all the proof we should need.

This being the third year of the Biden administration, and our country is weaker than we were in 2001. Yes, it’s Biden’s fault, but any of the recent Liberal/Progressive crop would have done the same. Progressivism undermines its own goals. If the optics are good, the goal has been achieved.

They give money to Iran and say it can’t be used for nuclear weapons development, so it’s safe. They open the southern boarder to allow thousands of who knows who to cross every day but claim it’s secure, so no worries. They spend from the FEMA fund on non-emergencies and are caught short when wildfires catch Hawaii responders off-guard. Oh, but the optics were good on that one, so maybe the president can hand out some money, tell a story about almost losing his house and car, and that will smooth over hurt feelings.

If it doesn’t, you can shut up, because Progressives don’t want your words unless you agree with them. Disagreement on some subjects is violence.

If 9/11 were to happen under this administration, they would be give the same speeches they give today about bravery, American unity, and how the president knows from personal experience how hard something like this can be. But nothing responsible would be done.

Subtle Sounds: The Flight 93 National Memorial in Shanksville, Pennsylvania, has a 93-foot tower with forty wind chimes for the forty passengers and crew who died while opposing their hijackers. It’s called the Tower of Voices. The National Park Service has a good description and many photos. This video has captures the sound better than others I’ve found.

Antiquities: In other news, detectorists win again! A Norwegian man named Erlend Bore found a “cache comprised nine gold medallions and gold pearls that once formed an opulent necklace, as well as three gold rings” dating from 500 AD. (via Prufrock)

Poetry: A few thoughts on mirrors, “Witness,/ Mimic, tyrant of the departed years”

Music: And finally, this piece about the resurrection.

(Photo by BEERTA MAINI on Unsplash)

Blogs, Socials, Poetry

A Ruined City in Old England and Some Language

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Lars has been talking about poetry this week, which provoked me to consider it for the Saturday post.

A 700 A.D. Anglo-Saxon poem called “The Ruin” speaks of a city that was gorgeous even when destroyed. 

Well-wrought this wall-stone which fate has broken
The city bursts, the work of giants crumbles.

In this translation by Michael O’Brien, you can see what is and what once was: frost on the stones, brightly color scraps of wood, bath-houses, and attractive homes. It had been a welcoming, beautiful home–a “haven.” Skilled soldiers lived here “proud and wine-flushed.” The baths were obviously luxurious. Only one wall remained standing.

Many men fell in the days of wrath;
Death took all the valor of earth.

Did invaders sack this city? No, it was the curse on all creation that eventually wore it down. One way or another, we all see the day of wrath. How do we live today in the light of what’s to come?

What else can we get into today?

Poetry: David Oates has a few verses on “farthing” and going too far.

Language: “We are lucky that English is our language because it’s better than, say, French for poetry. All those millions of words and all those different ways of saying the same, or similar, things. And new words all the time.” 

Parting Quotes: Here are a couple of statements pulled from Joseph Addison’s 1716 play The Drummer.

“That is well said, John, an honest man, that is not quite sober, has nothing to fear.”

“I should think myself a very bad woman if I had done what I do for a farthing less.”

Photo by K. Mitch Hodge on Unsplash

Non-fiction, Poetry, Publishing

County Highway, a New Magazine Delivered as Newspaper

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When I read on Twitter (X) that novelist and editor Walter Kirn, along with David Samuels, had created “a magazine about America in the form of a 19th century newspaper,” I looked up the website, and when I saw it would be for sale at one of my town’s cute local stores, I decided to check it out.

County Highway is meant to represent the heart of America, a place with natural rhythms, relationships, and grassroots sense. It’s written by “actual human beings,” which is more than some websites can say. “We hope to advance the same relationship to America that Bob Dylan had when he wrote his versions of folk songs” or when Neil Young, Gram Parsons, Mark Twain, and Ralph Ellison wrote of their country.

I enjoy the feel of reading this paper, which cheekily touts itself as “America’s only newspaper” and plans to publish six issues a year for a $50 subscription. Kirn’s front page piece is on his visit to The Miracle of America Museum in Polson, Montana, a place where memorabilia, props, and junk attempt to preserve a moral history. Duncan Moench has a report on artificial intelligence and the imminent threat of corporate technocracy.

I was pulled in by a review of Barbara Kingsolver’s Demon Copperhead (2023 Pulitzer Prize winner for fiction), which says Kingsolver’s skill is clear and subject matter well chosen, but this “protest novel” in the form of Dicken’s David Copperfield is heavy on ranting, light on humanity. Other articles in this first issue include a lengthy piece that circles around Joshua Tree National Park, a front story on an American con man from last century, four pages on music, feature on Robert F. Kennedy Jr.’s falconry hobby, and a full page of legit classifieds: Wyoming cabins, bookstores, alpacas for breeding, and ‘shrooms.

I’ve enjoyed reading some of these, and there are a few more I’d like to get to. There’s a little poetry, a few wisecracks tucked in a small column, and attractive illustrations of a vintage sheen. The articles feel like those I’ve seen online and hoped to get back to, but often don’t. The Internet is ethereal; newspapers sit on the desk.

I may buy the next issue to try to balance what I read in the first, but I’m put off by the feel of the whole. Is it cynical? Maybe too secular? There’s a column about fugitives from someone who speaks positively about the Weather Underground. I believe he says he helped a couple of them back in the day. That’s like longing for time when your granddad would tell stories of fighting alongside Che Guevara. And then there’s this in a joke section: “Drag queen story hour — it’s what my pops used to call church on Sundays.” I don’t know what to do with that. Maybe I should untie my laces. (I wrote about the second issue also.)

Alt Culture: To balance the earthiness of America’s newspaper, let me point you to the new season of Doubletake from World News Group. This is a podcast of long features that can get complicated. Today’s episode is on what some people are doing in the Metaverse and a church trying to reach them.

Poetry: John Barr’s “Season of spores”:

“a bric-a-brac of fluke and ruff,
lavender cap, topiary puff.”

Photo by Wolfgang Frick on Unsplash

Blogs, Socials, Non-fiction, Poetry, Reading

Liberty Is a Growing Hunger, Like a Long Book

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What is liberty? Is it different from freedom?

Do Americans know more than the first verse of “America, the Beautiful,” specifically the second verse with the words:

“America! America!
God mend thine every flaw
Confirm thy soul in self-control
Thy liberty in law!”

In one simple line, we see the law, not as the source of our liberty, but as a tool for protecting it against those who would take it away. But what “it” is remains a question.

It’s that loosely defined something we can’t get enough of.

“More liberty begets desire of more;
The hunger still increases with the store.”

John Dryden

Fred Bauer has a piece on the different views of freedom we’ve had since the colonial days. We had Puritans’ “ordered liberty,” Quakers’ “reciprocal liberty,” Virginians’ “hegemonic liberty,” and Appalachians’ “natural liberty.” These are taken from David Hackett Fischer’s book, Albion’s Seed.

“Ethical concerns,” Bauer writes, “factor into the notion of freedom as ‘elbow room.’ Patrick Henry argued that the centralized Constitution would threaten both ‘the rights of conscience’ and ‘all pretensions to human rights and privileges.’ That ethical strand offers a counterpoint to arguments that American freedom is simply about material prosperity. The genealogy of freedom is more complicated.”

Moving on to the links, we face a new frontier for ethical freedom in the choices we make with our technology. In other words, if we can do it, should we? How is using AI as described below not plagiarism?

To repeat the July 13, 2023, tweet above for preservation, Courtney Milan (@courtneymilan) says, “One of the major reasons I think we need to stand against AI as authors specifically is I suspect a lot of publishing house CEOs are looking at it and thinking ‘you know, why do we pay all these editors anyway?'”

She retweets Maureen Johnson (@maureenjohnson) from earlier that day, who says, “Authors: we need to stand up with the actors. AI is ALREADY HERE in our work. I just spoke to a Very Famous Author who has to remain nameless for legal reasons. They are held up in a contract negotiation because a Major Publisher wants to train AI on their work.”

I’d think training a computer to mimic a popular author’s work would fall within the bounds of plagiarism. If not that, fan fiction.

Running: In Good for a Girl: A Woman Running in a Man’s World, Lauren Fleshman describes what she saw of a sport that interested in recognizing or catering to female athletes as the women they are. Nike, the shoe company, can be especially cruel.

Poetry: “Who Furrows? Who Follows?” by Joshua Alan Sturgill. Here’s the first stanza.

Who furrows? Who follows?
             The owl in the hollow
            The hawk in the meadow
           The jay in the hedgeapple tree
Who follows the farmer who furrows his fields?
Who furrows?  Who follows?
           We three.

Fiction: It may be common for online chat to express a desire for short novels, but do readers want them? Nathan Bransford talks about the dangers of writing shorter works. “When writers are grappling with bloated word counts, physical description tends to be the first to go. Tastes vary, but in my opinion, cutting too much physical description is almost always a mistake. We’re already in a physical description drought, please don’t make it worse!”

Trapped: In other news, 100 people were trapped for hours yesterday in Agatha Christie’s old home by a large tree that had fallen across the only access road. They hung out mostly in the tea room. One witness reported the staff were “doing a great job, they are giving us free tea’s and things. It’s a bit bleak.”

Photo by Priscilla Gyamfi on Unsplash