Category Archives: Fiction

This is not a book review

This is not a book review. It’s a rant about a book; a book you’ll never read because it’s written in Norwegian and is not (as far as I know) available in this country. (If you’re reading this in Europe—never mind. You don’t want to read it either.)

Several copies of this little paperback were sent, for some reason yet unclear, to our Viking group, and distributed, in spite of the fact that only a few of us could read them. I won’t give the title or author, because I don’t want to torpedo somebody who was kind enough to send free books. And I’m about to say some unkind things. Continue reading This is not a book review

The enemy with a thousand faces

If you follow our comments (each to his own taste) you’ll have noted an exchange following Phil’s “Questions” post, in which I talk about my personal emotional problem with shame. It’s an awkward sort of conversation, as I no doubt appear partly self-pitying and partly just perverse, responding to everything with a one-size-fits-all, “That makes me feel ashamed.” Although I can see how it might look as if I was playing a game, let me assure you that I’m dead serious. That’s what it’s like to have a shame problem. Whatever you think about anything, good or bad, helpful or worthless, shame is always there, in some different form. It’s a ubiquitous, protean enemy.

Thinking about it this evening, it occurred to me that that would make a great theme for a fantasy story. I could have a villain who was a shape-changer, who follows the hero wherever he goes, and confronts him again and again in different disguises.

And then I realized, with a shock, that I’d already written that story. My new book (which, in case you’ve forgotten, is called West Oversea) features a villain who’s a shape-changer. He follows Erling Skjalgsson wherever he goes, even in a voyage to North America, and confronts him again and again in a variety of disguises.

I wrote an allegory on my own condition, and didn’t even realize it.

I’ll figure out a way to feel ashamed of that, too….

Art is long and life is fleeting

Andrew Klavan, hereinafter to be known as The Hated Competition (THC), because he has treacherously and spitefully arranged for his new book to come out at about the same time as my new book (called, in case you’ve forgotten, West Oversea), nevertheless has some things to say worth reading in the second half of his interview with John Nolte over at Big Hollywood. In response to a question about how much easier leftists have it in the entertainment world, he replies:

Yes, it is easier for them that way. But it’s harder for them too because they’re talking absolute nonsense and we’re telling the simple truth: that liberty is a great good and worth defending, that right is right and wrong is wrong and moral relativity is merely a form of cowardice, that the individual is more important than the state, that our rights come from our Creator. See, they can attack us, try to silence us, maybe crush us-but they can’t beat us because we’re right and they’re wrong. The truth is not so coincidentally a lot like Jesus, dude. You mock it, you torture it, you kill it-and yet there it stands. I try not to worry about what they “allow,” or what they say is permissable. I try to hitch my wagon to the truth and hold on.

But enough of THC. You want to know the latest news about my book (called, in case you’ve forgotten, West Oversea).

I got a .pdf of what is apparently the final cover tonight. It looks to me as if, after all the sturm und drang, the artist pretty much got everything he wanted. Which is a lesson to us all, I guess.

The book is called, in case you’ve forgotten, West Oversea. I’ll post the art as soon as I’m cleared to do so.

Your dilemma, should you choose to accept it…

Andrew Klavan’s new Young Adult novel, The Last Thing I Remember, will be released by Thomas Nelson on April 28, according to this interview (Part 1) over at Big Hollywood.

This naturally raises an interesting dilemma for you, the discerning but budget-savvy consumer.

Because my novel, West Oversea, is scheduled for release this month, too. (Or in May anyway. June at the latest.)

So where do you spend your hard-earned book-buying dollar?

I’ll make it easy for you. Buy my book. For the following comprehensive, compelling reasons.

1) Andrew Klavan is already famous. I’m still behind Thorstein Veblen in the list of famous people who grew up in Kenyon, Minnesota. And I’m getting old.

2) Klavan is bald. I have a handsome, thick head of healthy gray hair. The implications should be obvious.

3) Klavan’s book will come out in paperback eventually. Mine will be paperback from the git-go.

I rest my case.

Eco-Kiddy Lit

Megan Cox Gurdon writes about eco-propoganda drowning our children.

Contemporary children are so drenched with eco-propaganda that it’s almost a waste of resources. Like acid rain, but more persistent and corrosive, it dribbles down on them all day long. They get it at school, where recycling now competes with tolerance as man’s highest virtue. They get it in peppy “go green” messages online, on television and in magazines. And increasingly, the eco-message is seeping into the pages of novels that don’t, on their face, necessarily seem to be about environmentalism at all. . . .

Thus we have the spectacle of a 12-year-old becoming distraught when her father orders seared tuna at a restaurant (this happened to a friend of mine), on account of over-fishing, or a 6-year-old (son of an acquaintance) panicking at the prospect of even a yogurt container going into the trash: “But I can use it as a toy!”

Oh my soul. For balance sake, I know a child who asked to have a pink pocket knife to go with her pink rifle, so that when she shoots a deer (or whatever animal) she can clean it. She’s a good, little reader too, so no snarking at her. (HT: Loren Eaton)

Berlin Noir, by Philip Kerr

I said a while back that Andrew Klavan had brought the hard-boiled detective novel to a new level in his Bishop/Weiss trilogy, by turning the mystery story into an epic of redemption (or words to that effect).

I have similar praise for Philip Kerr’s Bernie Gunther mysteries. But Kerr transposes the melody to a minor key. His sad, gritty stories achieve the level of cosmic tragedy.

As you may remember from my review of A Quiet Flame, Bernie Gunther is a private investigator (who could have been separated at birth from Philip Marlowe) in Berlin during the 1930s. He constantly attempts to do the same sort of things Marlowe does, but history keeps interfering. Berlin Noir is a one-volume compilation of the first three stories about him. Continue reading Berlin Noir, by Philip Kerr

When the Writer Gets in the Way

Frank links to short story blogger Charles May, who reviews a book by Robert Boswell in a post called, “Robert Boswell, Heyday of the Insensitive Bastards and The Half-Known World.” Charles notes that author Boswell teaches writing and that fact seems to come through in this book of stories.

In the story “A Sketch of Highway on the Nap of a Mountain,” Boswell uses the point of view of a woman who seems to have had a stroke, or maybe she is just a modern Mrs. Malaprop” who makes numerous language errors, such as “I get irrigated with my life,” “He begins happily dissembling our past,” “I’m at the car, divulging a black boom box.”

They are funny, and Boswell seems to be having a great time inventing them, but the story seems to be mainly an excuse for demonstrating his cleverness in inventing them.

School Library Journal Battle of Books

The School Library Journal is talking up sixteen of last year’s best juvenile books in a type of book-on-book row, judged by fifteen authors of such books. I assume all conflicts of interest have been mitigated. Two of the matches have been judged so far. The Journal copied their idea from The Morning News, which has done a book battle for a few years.

Author and book battle judge Roger Sutton notes, “Much as we might wish it, books ain’t basketball. The thing about March Madness, which I only dimly comprehend after watching the last ten minutes of Michigan State over Connecticut, is that everybody is playing the same game. So not so with books, but given that proviso, let’s begin.”

Fair enough.

The Outside Man, by Richard North Patterson

What is it with Southern writers? I’m certain there must be a lot of inkslingers living in trailer parks south of Mason Dixon, banging out slop on second-hand PCs (as I myself did at one time), but again and again you come on these southern authors who display the same kind of technical brilliance combined with lyrical grace, like one antebellum mansion after another along a road in an exclusive neighborhood. Maybe the very experience of speaking with a drawl gives a person time to strategize word choice, while we northerners with our nasal, jackhammer diction just stutter our prose out like salt from a highway department ice control truck.

In any case, Richard North Patterson, whose novels I’ve never tried before, is a darn good wordsmith. The Outside Man is an older novel of his (1981), so I wouldn’t be surprised if the liberal ideas this book suggests have metastasized into something that would give me a stroke if I read a more recent example, but for now I’m highly inclined to try him again.

The Outside Man is narrated by the main character, Adam Shaw, a northerner and a lapsed Catholic who married a rich southern girl and moved to Birmingham, Alabama to join her father’s law firm. He and his father-in-law don’t get along, and he generally feels like an outsider in Birmingham society.

As the book begins he is running an errand for the firm, delivering a document to Lydia Cantwell, the wife of one of their most important clients. Finding the door unlocked, he goes inside and finds her strangled to death. Police suspicion immediately falls on Henry, her husband. Adam is determined to prove him innocent—not only because he’s a client, but because he’s one of the few local people Adam has found to be a true friend.

You’ll have already guessed the general tone of what follows. The veneer of southern aristocratic respectability is found to conceal volcanic passions, poisonous hatreds and hypocrisy. In fact it’s largely a question of discovering which passions, hatreds and hypocrisies are actually relevant, and which don’t apply to the case.

But it’s very well done. Recommended, with the usual cautions for language and adult subject matter.