Category Archives: Fiction

‘The Tale of Frithiof the Bold,’ translated by Magnusson and Morris

Photo credit: Ssolbergj

I usually top a book review with a picture of the book’s cover, but the Kindle version of the book I’m dealing with tonight is a generic free book design. So instead, I present you a picture of the gigantic statue of Frithiof the Bold that overlooks the Sognefjord in Norway. I’ve seen it, but only from a distance, as I cruised in a ship on the fjord. This statue was erected by none other than Kaiser Wilhelm II of Germany, who was a huge fan of Frithiof’s Saga, which I’ll be reviewing tonight. I figured it had been a while since I’d reviewed a saga, and Frithiof’s, though a legendary one, has many points of interest, not least for its reception in fairly modern times. I’ve written about it before, a number of years ago, but I have more to say now. I read The Story of Frithiof the Bold in Eirikr Magnusson’s and William Morris’ classic translation.

Frithiof (or Fridtjof, there are variable spellings) is the son of a minor Viking chieftain. His family lives on one side of the Sognefjord in Norway, while King Beri lives on the other. The king and Frithiof’s father are good friends, but their sons don’t get along. Frithiof is (of course) tall, handsome, strong, and bold – everything a Viking should be. The king’s sons seem capable enough, but Frithiof always outshines them, and they hate him for it. Their sister Ingibiorg, however, likes Frithiof very well, and they make personal vows to each other. At one point, when the king and the brothers are away, Frithiof dallies with Ingibiorg in the god Baldur’s sacred precincts, where such carryings-on are forbidden.

So when King Beri dies, the kings’ sons send Frithiof on a diplomatic mission, to collect tribute in Orkney. While he’s gone, they burn down his farm and marry Ingibiorg off to old King Ring of Ringerike in eastern Norway.

After many adventures, Frithiof comes to serve (under an alias) in King Ring’s court. In that capacity, he becomes the king’s protector. He gets the chance to kill him, but resists the temptation. This leads ultimately to that rarest of elements in a saga – a happy ending.

If you’d lived most anywhere in western Europe in the early to mid-19th Century, you’d have probably been familiar with Frithiof’s Saga. It went viral while most of the sagas were still largely unknown. This was because a Swedish poet, Esaias Tegnér, discovered it and translated it in verse form. His poem was in turn translated into many other languages. Readers responded to its heroic tone, and also to its (apparent) elements of forgiveness and reconciliation. These made it more accessible to the Victorian, Christian reader than such sagas as Njal’s or Egil’s.

My own reading (even in Magnusson’s and Morris’ very Victorian translation) suggests that this interpretation is not entirely correct. Frithiof is admirable, indeed, in not killing the king who had married the girl he loved. But for the saga audience, his virtue lies not so much in forgiveness and finding a peaceful solution (the name Frithiof actually means “peace-thief”), but in his living up to the ethos of his culture, at some personal cost. Frithiof’s enemies are Ingibiorg’s brothers, not King Ring, who has acted honorably throughout. On top of that, he was a good and brave king, deserving of honor. Frithiof has sworn oaths to protect Ring, so protect him he does. His treatment of Ingibiorg’s brothers will be rather different. They’ve treated him treacherously, and can expect little mercy from him.

Reading The Story of Frithiof the Bold from my own perspective, as a lifelong student of Erling Skjalgsson of Sola, I discovered certain parallels to Erling’s own saga, as preserved in Heimskringla. They’re intriguing and (I must admit) a little troubling.

For instance, at one point Frithiof is offered the title of king, but refuses it because none of his ancestors were kings. Erling does that very thing, as you may recall from The Year of the Warrior. (Though Frithiof does accept a kingship at the end of the story.) Also, there’s an objection to Frithiof’s marrying Ingibiorg, because he doesn’t have high enough rank. Similar, again, to Erling’s story. Also, the line from the poem Bjarkamál, “Breast to breast the eagles will claw each other,” is quoted in both tales.

Then we’re told that Frithiof eventually came to rule Hordaland, the homeland of Erling’s own family. I wouldn’t be surprised to learn that Frithiof was one of Erling’s ancestors. It may well be that Snorri had Frithiof in mind when he wrote about Erling.

The Story of Frithiof the Bold is worth reading, though I’m not a great fan of the antique diction Magnusson and Morris employ. (I have to admit, though, that that gimmick allows them to use actual Old Norse words as archaisms from time to time.) Certainly, as in the 19th Century, it remains one of the most accessible saga tales.

‘Shelter from the Storm,’ by Tony Dunbar

I’m also on the waiting list at St. Olaf’s.”

“Saint who? Who the heck is he?”

“I don’t know. It’s a college in Minnesota. One of the boys I met on my trip to France is going there.”

“Minnesota,” he repeated, incredulous. “Please pass me a scone.”

“I’d like to see more of the world,” she said.

The exchange above is from a conversation between Tubby Dubonnet, hero of Shelter from the Storm, fourth book in Tony Dunbar’s Tubby Dubonnet series, and one of his daughters. It’s typical of the droll quality of the dialogue in these books, though I mainly chose it because it’s a rare reference to Minnesota and a Norwegian-American school.

By the way, it’s “St. Olaf,” not “St. Olaf’s.” A typically Catholic mistake.

Anyway, in Shelter From the Storm, a Texas outlaw named LaRue has hired some local criminals in New Orleans to help him crack a bank safe deposit vault during Mardi Gras, when he figures no one will be paying a lot of attention. (He is correct in this.)

What he doesn’t expect is rain – not just ordinary rain, but a torrential monsoon that cancels parades and floods the streets and knocks out power in the city. When things go wrong, LaRue has a tendency to shoot people. One of the people he shoots happens to be a new legal client of Tubby Dubonnet’s, and Tubby takes that seriously. He can’t call the police because the phones are out and they’re kind of busy rescuing people, but he’ll chase the miscreants on his own. Even if it means neglecting the new girlfriend he’s met.

If that seems a little over the top, well, Tubby can surprise you sometimes. He’s a fairly lazy fellow, but he has spirit. These books are rich in quirky characters – a little too quirky for my taste sometimes, though amusing.

As I’ve said before, I don’t love the Tubby Dubonnet books, but I don’t hate them either. I have a fairly low threshold for quirkiness, and New Orleans isn’t really my kind of town.

I must also complain that Shelter from the Storm ended with a sort of a cliff-hanger, which is an offense in my code.

But the books are popular, so what do I know?

‘The Only Death That Matters,’ by Colin Conway

I’ve skipped a few episodes in Colin Conway’s excellent The 509 series of police procedurals. That was because The Only Death That Matters became available free. But they’re stand-alones, so it was all right. I enjoyed this book just as much as its predecessors.

Ray Christy is a police volunteer. He’s 72 and an army vet. Every day he visits his wife, who’s in a care facility for memory loss. His only son became a cop and died in the line of duty; Ray volunteered to help the Spokane police in an effort to understand his son’s commitment. He doesn’t carry a badge or a gun; he does routine work to take pressure off the real cops. It fills his time and gives his days a purpose.

One day he’s called to pick up a “found” item, a woman’s wallet found in a parking lot. On a whim, he decides to take it back to the owner, at the address on the ID. But when he gets there, he learns the woman is dead, drowned in a bathtub. This is a group home for the elderly, and the owner treats him rudely. Surprisingly, that owner is a cop.

Ray is immediately suspicious. He starts doing research on the man and his business dealings. And then everything blows up…

The 509 series, set in eastern Washington state, is a top-rank mystery series, in this reader’s view. Emphasis is heavily on character. The people in the story are faceted and relatable; I wanted to see how things worked out for them. Detectives Quinn and Burkett are here again, welcome like old friends.

The Only Death That Matters is highly recommended.

‘The Bedroom Window Murder,’ by Peter Zander-Howell

The other day I reviewed Machinations of a Murderer, by Peter Zander-Howell, a straight-up serious English police procedural mystery set in the 1940s. I enjoyed it immensely, and straightaway bought the first book in the series, The Bedroom Window Murder.

We meet our hero, Inspector Philip Bryce, as he drives to a country house in Hampshire along with his new partner, Sergeant Haig. In the classic tradition of British fiction, these two Scotland Yard detectives have been dispatched from London to investigate a baffling murder out of town. The justification for this official trip (which I understand never happens in real life), is that the victim, Sir Francis Sherwood, was a friend of their boss.

Sir Francis was found dead at his bedroom window, shot in the head by a .22 bullet. The problem that baffles the police is that there seems to be no one in the world – nobody – who hated Sir Francis. He was famously good to his employees, and as a magistrate he was notoriously lenient in sentencing. Everyone who knew him appears genuinely distraught at his death. A rifle found abandoned on the lawn appears to be the murder weapon, but to whom did it belong?

Solving that problem will involve a process of elimination – excluding the impossible, though (as Bryce emphasizes) identifying the impossible is often harder than Sherlock Holmes stories suggest. It will also give Inspector Bryce the opportunity to meet an attractive, available woman – who is, alas, also a suspect. The final resolution presented a moral problem for this reader, but a twist at the end made even that ambiguous.

I didn’t enjoy The Bedroom Window Murder quite as much as the Machinations book, but that’s because this is a classic country house mystery, and lacks the originality of MoaM. But it’s very good of its kind. It plays no modernist games and is faithful to its time and place.

For me, one educational benefit of this book was learning about a landscaping feature called a “ha-ha,” of which I’d never heard before. It’s a wall behind a recess in the earth, intended to block entry to a flower garden without cutting off the view.

A very good book. I like this series.

‘Cost of Deceit,’ by H. Mitchell Caldwell

A little while back I reviewed Cost of Arrogance, by H. Mitchell Caldwell. I found that novel delightful. It was a legal thriller composed with the authority of actual courtroom experience. Highly educational, and well-written to boot.

Could author Caldwell keep that standard up for a second novel, Cost of Deceit? We shall see.

Our hero, Jake Clearwater, teaches courtroom law at a small California university. Before that he was a successful prosecuting attorney. In the last book he was enticed out of the classroom to work the other side of the street – to defend a client on death row.

Now he gets an invitation to do a prosecution again. Lieutenant Cort, a sheriff’s officer, has been tried once already for the murder of his wife. He is known to be angry and brutal, and confesses to striking his wife at least once. According to the wife’s sister, he explicitly threatened her life. Then she disappeared, and no one has heard from her since. The prosecutors can work out a timeline for how Cort could have killed her. No one questions his capacity to kill her. But no body has been found. It’s notoriously difficult to get a conviction in a murder case in the absence of a corpse, so there was a hung jury. The county has decided to hold another trial, and they want Jake to prosecute. It will be during summer break, so he has time, and he can’t resist the challenge. Also, he watched the trial closely, and he wants to see this guy put away.

Over the course of the trial, Jake will come to care very much about the victim’s family, especially her distraught sister, but even about the hapless stripper Cort wants to use as an alibi. Their lives may be in danger if a way can’t be found to get this very dangerous man out of circulation.

I wish I could say Cost of Deceit was as good as the first book. But alas, no.

The first book did an excellent job of incorporating legal information into a well-realized story. Cost of Deceit is less successful. From time to time I got the feeling I was in the middle of one of those industrial training films, where people ask rote questions in such a way that the instructor can give the right answers at the proper place in the lesson plan. The prose was awkward in places too, this time out.

On the plus side, I was anticipating a big, overblown cinematic finale, but the climax was pretty realistic. I appreciated that.

Informational, but written with less care than the last book. Cautions for the usual stuff.

Snow and hope

Photo by hideobara. Unsplash license.

Disclaimer: You did not mistake the date on your calendar. This is a rare Saturday post by Lars Walker. Due to a certain weirdness in my life right now, I’m posting book reviews every day (two yesterday). What you’re reading now is a personal post, so I’m squeezing it in on the weekend.

March did not go out like a lamb in Minnesota last night. It went out like Mike Tyson, or Chronos the Titan, or a Frost Giant, or any kind of large, brutal mythological creature you might want to imagine. Yesterday the spring melt was well underway. Today it’s underway too, but with a difference. Nearly ten inches of snow fell overnight, even though the temperatures only slipped below freezing for a few hours. We woke to piles – sometimes towers – of thick, heavy white precipitate, already congealing into a dense, waterlogged mass. My neighbor with the snow blower cleared the driveway. But I had to clear the steps, front and back. And that meant hacking through knee-high piles of white stuff that looked like Styrofoam but weighed like sandbags.

But I cleared it out, and didn’t have a heart attack. I went to a restaurant for lunch (went to the farther Applebee’s rather than the closer Applebee’s, because they just closed the closer Applebee’s forever. More fruits of scientific, infallible Progressive governance). It was a strange environment in the parking lot. The sky is clear and the sun shines with full force, producing that wonderful effect (it’s called “apricity”) in which one feels warmer than the actual temperature, due to the intensity of the light. Yet all around us were mountains of snow. Kind of an alien, fantasy world for a day, where the physical laws are different.

Anyway, that’s not what I came to post about. Just thought I’d mention it.

Thursday night I attended a lecture in St. Paul. I don’t generally go out at night anymore; I have gained that wisdom of age that tells me very little good is likely to happen to me after dark in the urban area. But a friend invited me and urged me to come, so I acquiesced. In the end I was glad I did.

The lecture was held at the Cities Church on Summit Avenue, which is the Beacon Hill of St. Paul. It’s where James J. Hill and F. Scott Fitzgerald lived. Where the governor has his mansion. (The roads, by the way, are full of potholes. Even plutocrats can’t get basic services in that city.) The lecture was part of a series sponsored by Bethlehem College and Seminary, a small Baptist school.

The lecturer was one of their professors, Professor Matt Crutchmer, who looked impossibly young to me. He spoke on “Hope Beyond the Walls of the World” in J.R.R. Tolkien’s The Lord of the Rings.

The core of his theme – as I understood it – was the nature of Christian hope, as portrayed by Tolkien. Hope for the Christian, he said, is not attached to any particular thing in this world (I wish I could recall the word he used for this idea, but it’s slipped my mind). Our hope isn’t for a good election result, or a military victory, or for rain or a successful business deal or a stroke of luck. Our hope is a more basic one – like the star Earendil that Sam spied through the clouds on the way to Mordor. Our hope is just there. It’s part of God’s creation and immovable. We may be defeated; we may suffer; we will surely die. That affects our hope not at all. “It’s like in the great stories, Mr. Frodo.” We believe that God shapes all ends, regardless of what we do or what happens to us now. In that lies our peace.

I needed that message just now, for reasons I won’t detail. I was just glad I heard it.

‘Dark Lies,’ by Elliot York

I do love a story of lost love and old mysteries. I found Elliot York’s Dark Lies a fascinating police novel, though not entirely successful.

Logan Cooper is a detective in Santa Cruz, California. He’s a good cop, but he has a tendency to lose control when he faces a particular kind of criminal – the kind who victimizes the innocent. In those cases he tends to black out and use his formidable fists pretty brutally. His superiors have ordered him to see a counselor. They’ve also assigned him to a new female partner, Reggie, and for the moment he’s reserving his judgment on her.

Then he gets called to view a body. A woman has been found in a local lake, drowned in a car with her hand cuffed to the steering wheel. Logan notices a tattoo on her wrist – it’s his own name. He recognizes this woman as Becca, the girl he fell in love with in high school. The girl who, up until today, he understood to have committed suicide more than 20 years ago.

As Logan and Reggie investigate the murder, clues will begin appearing that point to a single suspect – Logan himself. Even he will begin to wonder whether it might be possible that, in one of his blackouts, he might have killed the greatest love of his life.

Sometimes harrowing, Dark Lies kept me fascinated all the way through. Only at the climax did it fall into the pedestrian and predictable (in my opinion). Cautions are in order for foul language and expressions of contempt for religion.

Still, it was 90% a good novel. The follow-up volumes might be good too.

‘Machinations of a Murderer,’ by Peter Zander-Howell

I was surprised to find an authentic, old-fashioned British mystery, set in the 1940s, when I picked up Machinations of a Murderer by Peter Zander-Howell. A very original book, I thought, in an un-original form. It’s a plain, point-by-point police procedural, following first the murderer as he plans and carries out his crime, and then the detectives as they deconstruct his too-clever-by-half alibis.

Dr Robin Whittaker is an Oxford PhD, once a promising scholar. But his weaknesses for alcohol and gambling doomed his academic career, and now he works at a lowly job in a provincial museum. His wife, who has some money of her own, keeps him on a short leash. He chafes at the clean living she forces on him, and decides his only reasonable course is to murder her. Confident in his superior intellect, he’s certain that the alibi he constructs, along with the frames he constructs for hapless alternate suspects, will fool the stupid police, leaving him free to drain the funds he’ll inherit.

It’s not at all certain that even the ordinary police would actually fall for his hubristic scheme, but in the event local detectives are not available, so the police call on Scotland Yard for help. They send Chief Inspector Bryce (himself an Oxford-trained barrister) and his assistant, Sergeant Haig. They quickly recognize the doctor as a wrong ‘un, and put themselves to the task of breaking his rather neat alibi. It would disappoint Whittaker to know that one of the key clues in the case will be uncovered by a young, fairly inexperienced policeman who’s assisting Bryce and Haig.

There are no mysteries here. The reader observes everything as it happens, step by step. The great pleasure of this book (and it was a great pleasure to read) is the moral thrill of watching as a prideful and thoroughly unlikeable criminal slowly weaves for himself the rope of lies that will eventually hang him.

In all of Machinations of a Murderer I detected only one hint of a modern sensibility, and that was an intentional irony. Otherwise the author plays it straight from the 1940s. This absence of wokeness and political correctness was entirely refreshing. Aside from the narrative being fascinating in itself.

I highly recommend Machinations of a Murderer. Thoroughly enjoyable.

Dark, Stirring Sequel in Kotar’s ‘The Curse of the Raven’

Something about the voice enchanted Llun. It awoke forgotten images of sharp mountain peaks and waterfalls at dawn, images associated with a childhood longing that flared in his heart whenever he listened to his mother sing a ballad of Old Vasyllia.

“I will gladly pay the price of my life,” said Llun.

“You do not know what you are saying.”

The Curse of the Raven, the sequel to The Song of the Sirin, appropriately focuses on the oppression suffered by everyone who survived the fall of Vasyllia. Llun the Smith keeps his thoughts to himself, while almost everyone else in the city parrots approved words and tries not to upset the overseers or their enforcers, the “dog-men.” But he couldn’t keep himself from making beautiful things or adding unnecessary ornamentation.

He is pulled into the enemy’s chambers where they imply he would be useful to them for a project they won’t describe. He is fairly certain that any job they give him will be the last one he ever does, but the enemy won’t make a demand, preferring to hint. They give him time to think about it.

I could give you ninety percent of the plot in three more paragraphs, because the story takes only 84 pages. It’s a good side story that allows time to pass while Voran, the hero of the larger story, is doing small things offstage. Another twenty pages are given to the first chapter of book three, The Heart of the World.

In these few pages, we feel the significant dread smothering the kingdom and have an opportunity to wonder if their hope for salvation is in vain. The Russian spirit still comes through in the nature of the oppression and neglect of the people, which keeps this book in the spirit of its predecessor.

I look forward to the next one.

‘The Suit,’ by Colin Conway

Even though Matt was younger, Craig admitted his brother was the smarter one. Now, many years after high school, Matt still read books when no teacher was making him.

Another novel in the 509 series by Colin Conway, which I’m enjoying very much. This is Number Four, and it’s called The Suit.

Times are tough for cocaine dealers in Spokane just now. The cops have shut their supply down, and nerves are frayed. One frustrated junkie, Craig, takes it into his head one day to stick a knife into a random guy walking past, a guy in a suit. But the “suit” surprises him by defending himself quickly and efficiently, leaving Craig with a broken nose. Video of the incident goes viral.

Craig’s brother Matt, meanwhile, is trying to keep his “crew” of coke dealers under control. To focus their attention, he suggests they play a game. It begins with “the knockout game,” a fad from a few years back where street punks punched strangers, trying to knock them out with one blow. But Matt adds a new wrinkle. They pool their money, film each attack, and then award points by vote. The winner takes the pot.

Detectives Quinn Delaney and Marci Burkett are on the case, but it’s a tough one. The attacks are random, scattered all over the city. But once the game finds a focus – once the attackers start targeting “suits,” men in business attire, alone, they begin finding a few leads. Which will lead them to, among other people, the original hero “suit” of the video – a man with secrets.

Another good book in an outstanding series. I personally enjoyed The Suit a little less than the previous books, because it required the reader to spend a lot of time with Matt and his “crew,” who are not pleasant company at all.

I also have to admit – and this will surprise no one who follows these reviews – that I have a little trouble with Detective Marci Burkett. I dislike the cliché of the kick-butt female cop who can beat any man. Marci is definitely one of those – I still insist that size and strength count for something, and such characters often seem to deny the laws of physics.

On the other hand, Marci is a better crafted character than most of her sisters in literature. It’s clear she has anger management issues, that her emotional ducks aren’t all in a row. That helps.

But mostly I put up with her because the books are so good otherwise.

Minor cautions for the usual stuff. Good book.