Greensleeves was all my joy, Greensleeves was my delight, Greensleeves was my heart of gold, and who but Lady Greensleeves
“Greensleeves” is a 400-year-old tune you may know as “What Child Is This?” Ralph Vaughan Williams composed his “Fantasia on Greensleeves,” a marvelous piece made all the more so by starting with this melody.
Many people tell fanciful stories about the origin of this song. Was it written by Henry VIII for Anne Boleyn, who “cast [him] off discourteously” without losing her head for the moment? Was it an old Irish song, as we all know every good song is? Was it first sung by dog-headed men surrounded by rats? The rumors abound. The Early Music Muse drills into this musical history and reveals the truth, as is so often the case, rather boring. In short, a musician wrote a hit tune that many people used for their own songs, and everyone loved it–they still do. It’s the feature song in the K-drama I just blogged about, Mr. Sunshine. While Savina & Drones have a good composition based on Greensleeves, what Vaughan Williams did with it can’t be outdone for sublimity.
I was surprised to find this hymn on YouTube. It’s a classic hymn for the Haugeans (the Lutheran “sect” I grew up in. Though we never actually sang this one much in my church), and it’s sung my none other than the divine Sissel Kyrkjebo. I didn’t even know she’d done it.
The two verses she sings are translated thus:
1 Jesus, I long for Thy blessed communion, Yearning for Thee fills my heart and my mind; Draw me from all that would hinder our union, May I to Thee, my beginning, be joined; Show me more clearly my hopeless condition; Show me the depth of corruption in me, So that my nature may die in contrition, And that my spirit may live unto Thee!
7 Merciful Jesus, now hear how I bind Thee To the sure pledge of Thy covenant word: “Ask, and receive: when ye seek, ye shall find me;” Thus have Thy lips, ever faithful, averred. I with the woman of Canaan unresting, Cry after Thee till my longing is stilled, Till Thou shalt add, my petitions attesting, “Amen, yea, amen: it be as thou wilt!”
Hans Nielsen Hauge, the Norwegian lay revivalist I’ve written about here before, was singing this song as he plowed his father’s field on a day in 1796. Suddenly, he said, he was overwhelmed with the glory of God, and felt himself filled with love for God and all his neighbors, and called to serve them with his whole life. After that he started preaching to small groups — which was illegal. Eventually he would spend ten years in prison for this activity. But by the time he died, he was a national hero, respected by nearly everyone, high and low.
I attended a meeting yesterday where we heard a lecture from a Norwegian scholar, a woman, who’s been studying Hauge’s life and work for years. Her subject was the effect of Hauge’s ministry on public literacy in Norway — because that was one of his many achievements — getting the common people reading (and even writing).
In the midst of this, I came to a new realization about the “liberal” origins of evangelicalism — a subject that fascinates me. As people are no doubt weary of me telling them, early liberalism (late 18th and early 19th Century liberalism) had nothing to do with socialism, or sexual identity, or the size of government. It was simply about whether the common people would be allowed to participate in governing themselves.
I’ll be writing more about this — but probably for the American Spectator Online. Because they pay me, after all.
Above is a traditional Scandinavian hymn by the Danish hymnwriter Hans Adolf Brorson. The music was arranged, I believe, by Edvard Grieg. If you’re patient, you’ll hear the English words.
It’s a hymn about the blessed saints in Heaven, based on a passage from Revelation. It’s particularly suited to All Saints Day, which is today. It was also a favorite of my father’s. Gene Edward Veith, at his Cranach blog, laments how this festival day, devoted to eternal life, has come to be overshadowed by celebrations of death and horror.
After a month which (for me) has been full of genuine death, it’s good to contemplate our eternal hope.
If you listen to classical music radio, you’ve probably have heard of Smetana’s full orchestra piece on a river in his homeland, which the English call The Moldau. In this 2012 video, Valérie Milot interprets this symphonic poem for harp, and the result is magical. I liked the piece well enough before, but this is marvelous.
You could probably tell that my birthday yesterday left me a little melancholy. I pursued music on YouTube to soothe my savage breast, and came on a version of “Les Bicyclettes de Belsize” sung in 1969 by the French singer Mireille Matheiu. I’ve always loved the song, which first appeared in my college years, but I’d never heard this singer before. She’s sort of a successor to Edith Piaf, and her performance kind of blew me away.
According to Wikipedia, Miss Mathieu is a major star in France. She is a devout Roman Catholic (though famously superstitious) and politically conservative. She has, regrettably, ties to Vladimir Putin in recent years.
The song comes from a 1968 short film directed by Douglas Hickox. In spite of the name, it’s an English film, not French. Nor does London’s Belsize Park appear anywhere in it.
In case you’re in the vicinity of Cambridge, Minnesota, I’ll be playing Viking at the Isanti County Fair there tomorrow. The event goes on until Midnight, I guess, but I don’t think I’ll be there that long. I’ll have books to sell and sign.
Unless my car breaks down. Or I have a heart attack. Or fall down a well, or something. You never know.
For your Friday treat, here’s something delightful I think I haven’t posted here before — though what do I know? It’s Sissel singing “Sukiyaki.” A bizarre fusion of cultures here — a Norwegian girl in a folk costume singing a Japanese song in Norwegian. But you can’t deny it works. She was born to sing this song.
I suppose this counts as cultural appropriation, and is therefore evil. But if she sang it in Japanese, that would be cultural appropriation too. In fact, how can you avoid the conclusion that learning any foreign language at all is cultural appropriation? Hey you, liberal, trying to be multicultural by learning Spanish! Who gave you permission to plunder somebody else’s language?
For some reason I’m in the mood for some jingoistic, flag-waving music today. I bet you didn’t even know “The Stars and Stripes Forever” had lyrics. Well, here they are, courtesy of some Barber Shoppers.
When it comes to Memorial Day, I always seem to perambulate back to “The Mansions of the Lord,” because it just gets me right here. This version includes a lot of Ronald Reagan, so if you don’t care for that, there are other blogs in the web. Have a good day.
I want to post a photo from Saturday at Fort Snelling, but that will have to wait because the picture file is taking forever to appear in Dropbox.
I just finished a big translation job, and I have another smaller one I need to get at today. And that’s good. Because I’m a hard-working man with a vibrant life, not a fat old bachelor with odd hobbies, as I might appear to some.
To all survivors of fallen heroes, may the Lord be with you, today and every day.
Websites store cookies to enhance functionality and personalise your experience. You can manage your preferences, but blocking some cookies may impact site performance and services.
Essential cookies enable basic functions and are necessary for the proper function of the website.
Name
Description
Duration
Cookie Preferences
This cookie is used to store the user's cookie consent preferences.
30 days
These cookies are needed for adding comments on this website.
Name
Description
Duration
comment_author
Used to track the user across multiple sessions.
Session
comment_author_email
Used to track the user across multiple sessions.
Session
comment_author_url
Used to track the user across multiple sessions.
Session
These cookies are used for managing login functionality on this website.
Name
Description
Duration
wordpress_logged_in
Used to store logged-in users.
Persistent
wordpress_sec
Used to track the user across multiple sessions.
15 days
wordpress_test_cookie
Used to determine if cookies are enabled.
Session
Statistics cookies collect information anonymously. This information helps us understand how visitors use our website.
Google Analytics is a powerful tool that tracks and analyzes website traffic for informed marketing decisions.
Used to monitor number of Google Analytics server requests
10 minutes
__utmb
Used to distinguish new sessions and visits. This cookie is set when the GA.js javascript library is loaded and there is no existing __utmb cookie. The cookie is updated every time data is sent to the Google Analytics server.
30 minutes after last activity
__utmc
Used only with old Urchin versions of Google Analytics and not with GA.js. Was used to distinguish between new sessions and visits at the end of a session.
End of session (browser)
__utmz
Contains information about the traffic source or campaign that directed user to the website. The cookie is set when the GA.js javascript is loaded and updated when data is sent to the Google Anaytics server
6 months after last activity
__utmv
Contains custom information set by the web developer via the _setCustomVar method in Google Analytics. This cookie is updated every time new data is sent to the Google Analytics server.
2 years after last activity
__utmx
Used to determine whether a user is included in an A / B or Multivariate test.
18 months
_ga
ID used to identify users
2 years
_gali
Used by Google Analytics to determine which links on a page are being clicked
30 seconds
_ga_
ID used to identify users
2 years
_gid
ID used to identify users for 24 hours after last activity
24 hours
_gat
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
_gac_
Contains information related to marketing campaigns of the user. These are shared with Google AdWords / Google Ads when the Google Ads and Google Analytics accounts are linked together.
90 days
Marketing cookies are used to follow visitors to websites. The intention is to show ads that are relevant and engaging to the individual user.
A video-sharing platform for users to upload, view, and share videos across various genres and topics.
Registers a unique ID on mobile devices to enable tracking based on geographical GPS location.
1 day
VISITOR_INFO1_LIVE
Tries to estimate the users' bandwidth on pages with integrated YouTube videos. Also used for marketing
179 days
PREF
This cookie stores your preferences and other information, in particular preferred language, how many search results you wish to be shown on your page, and whether or not you wish to have Google’s SafeSearch filter turned on.
10 years from set/ update
YSC
Registers a unique ID to keep statistics of what videos from YouTube the user has seen.
Session
DEVICE_INFO
Used to detect if the visitor has accepted the marketing category in the cookie banner. This cookie is necessary for GDPR-compliance of the website.
179 days
LOGIN_INFO
This cookie is used to play YouTube videos embedded on the website.