Fiction, Reviews

‘Wrong Place, Wrong Time,’ by W. Glenn Duncan

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I wasn’t impressed enough by the first Rafferty novel, by W. Glenn Duncan, that I read, to plan on reading more. But somehow I am doing so. And I’m enjoying the books, originally published in the 1980s. I actually read the first book, Rafferty’s Rules, and failed to review it recently. But it won me over, especially with a pleasant plot twist at the end.

Wrong Place, Wrong Time is the fourth book in the series. Rafferty (no first name, like Spenser) is a Dallas private eye whose business is somewhat marginal. He’s in no position to turn down fast, honest money, so when a guy comes in identifying himself as a bounty hunter, wanting backup for a quick apprehension job, he agrees. Not long later he sees his client blowing the target away with a shotgun, and then Rafferty is driving for his life as the guy pursues him, to tie up loose ends.

After extricating himself from that problem, Rafferty gets a request for help from a woman in the next office, with whom he’s been carrying on a pleasant flirtation for years through a window. Her grandfather needs protection, she explains. Local kids have been harassing him. She’s afraid they’ll hurt him, but she’s also afraid he’ll hurt them – he’s a tough old guy who’s been around the block.

As Rafferty gets to know old “Thorney,” he comes to respect and admire the guy, who’s not exactly enthusiastic about having a “nursemaid.” And when things escalate to shots fired, Rafferty can’t be sure whether the target is Thorney or himself – could his murderous client be back for another shot at him?

Wrong Place, Wrong Time was good, hard-boiled fun. What intrigues me most – and makes me a bit uncomfortable – is how male-female interactions are handled. Author Duncan gives Rafferty a raffish, flirty attitude, and women generally respond in good humor. The assumption is that, in spite of feminist rhetoric, men and women still like each other.

I’m not sure that’s true anymore in the 2020s. I don’t think you could write that way nowadays.

In any case, Wrong Place, Wrong Time was fun to read, and not very demanding. Mild cautions for language and adult themes.

Non-fiction, Reviews

‘Tolkien and the Great War,’ by John Garth

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Left to his own devices, it seems quite likely that Tolkien would never have finished a single book in his life. What he needed were publishers’ deadlines and a keen audience.

…C. S. Lewis stepped into the breach….

I’d heard of John Garth’s book, Tolkien and the Great War, before, and when it came up at a bargain price on Kindle I snapped it up. It kept me engrossed all through.

If you’ve read any biographies of Tolkien, like Humphrey Carpenter’s or Tom Shippey’s, you’re already familiar with the author’s war years, and the fact that they affected his creative work. What John Garth does in this book is to look at the story in detail, collating the biographical facts with the progress of Tolkien’s composition of his poetry and The Book of Lost Tales. A certain amount of guessing and supposition is inevitable, but author Garth avoids over-certainty.

As a student at Oxford, Tolkien bonded with a group of like-minded students with literary aspirations who called themselves the TCBS, the Tea Club and Barrovian Society. Together they worked out literary theories (rejecting modernism) and dreamed of future days when they’d storm the critical barricades and change the world.

The First World War ended all that. On the battlefields of France, in the midst of the mud and the blood and the poison gas, two of them died, and Tolkien and the other surviving TCBSian were never as close again. (We often say that the poor are “cannon fodder,” but that wasn’t true among the English in World War I. “Of every eight men mobilized in Britain during the First World War,” Garth writes, “one was killed. The losses from Tolkien’s team were more than double that… among former public schoolboys across Great Britain – about one in five.”)

As Garth indicates, the very nature of Tolkien’s vision and work was altered by his war experience. What had begun as a scholarly hobby – the creation of a “Gnomish” language – developed into a cycle of stories (The Book of Lost Tales) meant to re-imagine the forgotten myths of ancient England. It was while he was recovering from the Trench Fever that sent him home that Tolkien began to re-cast the story as an epic of an ancient, imagined Middle Earth.

For anyone fascinated with Tolkien’s books, Tolkien and the Great War is a fascinating and engaging read. John Garth is an excellent writer with a real flair for words (he speaks, for instance, of an early parodic poem by Tolkien featuring “boys charging around in names that are much too big for them”). I highly recommend this book.

Fiction, Reviews

‘One Bad Turn,’ by David J. Gatward

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It was shortly after I started reading David J. Gatward’s latest Inspector Grimm book, One Bad Turn, that I recalled my earlier decision to stop reading the series. The writing’s good, and I like Grimm and his team. But the author’s insistence on bringing God (or spirituality) into the books by way of a lesbian vicar just doesn’t work for me.

Having started the book, though, I figured I might as well carry on. Maybe my perception has been altered by my religious intolerance, but I wasn’t entirely happy with this one.

Harry Grimm, you may recall, is a former paratrooper, facially scarred by an IED. Then he became a policeman in Bristol, but now he has been transferred to bucolic Wensleydale in Yorkshire. In the great tradition of English small-town copper stories, though, the troubles of the big city follow him.

In One Bad Turn, Harry is recalled from holiday when a body is found in a house in a nearby town. Though terribly decomposed, the body shows clear signs of having been subjected to torture. And then a claymore mine concealed with the body explodes, killing two crime scene technicians. The dead woman herself is something of a mystery – beautiful, but not well known to her neighbors. Her identity, it turns out, is a false one, and her means of support unknown. Not long after, another torture murder will be discovered, and another mine will explode.

I felt, personally, that One Bad Turn was kind of predictable. It’s a story we’ve run into before, and is objectively a little far-fetched. It’s not a bad book, but I’m going to try to remember not to buy the next Harry Grimm adventure.

The Press

‘The Northman’ and the Truth

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The American Spectator was kind enough to publish my essay, “The Northman and the Truth,” on Sunday.

I’ve been waiting all my life for a good Viking movie. One with a plot that’s not laughable, with historically authentic costumes and sets. The Northman is that movie at last. I could nitpick about this and that, but by and large they did a good job of delivering a reasonably authentic film that commands respect as a work of art.

Still, it’s not the movie I wanted.

Read it all here.

Music

Sunday Singing: My Worth Is Not in What I Own

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“My Worth Is Not in What I Own” performed by Fernando Ortega & Kristyn Getty

The song today was written in 2014 by modern hymn writers Keith and Kristyn Getty along with Graham Kendrick. If you aren’t familiar with it, it’s one to know with other classics.

I’ll repeat the first two verses here. The rest are on the Getty’s YouTube page.

My worth is not in what I own
Not in the strength of flesh and bone
But in the costly wounds of love
At the cross

My worth is not in skill or name
In win or lose, in pride or shame
But in the blood of Christ that flowed
At the cross

Blogs, Socials, Non-fiction, Religion

What of Our Deeds Will Matter for Long, Statesmen, and Blogroll

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“Death, thou wast once an uncouth hideous thing,
                           Nothing but bones,
      The sad effect of sadder groans:
Thy mouth was open, but thou couldst not sing.”
from “Death” by George Herbert

A handful of life paths — intellectual and artistic work in particular — are about trying to create, as Horace wrote, “a monument more lasting than bronze.” They are a calculated gamble that a life dedicated to the difficult and narrow path will continue after our death, however unrewarding it might have been to experience.

But that we even have Horace’s poetry to read is as much a caprice of fate as a function of his poetic virtue. Some manuscripts survive the collapse of civilization, others do not; it seems unlikely that these survivals and disappearances precisely track merit. We have Horace and we are missing most of Sappho.

It’s Very Unlikely Anyone Will Read This in 200 Years (via Prufrock)

Statesmen: A review of The Statesman as Thinker: Portraits of Greatness, Courage, and Moderation by Daniel J. Mahoney. “The best politician employs the intellectual and moral virtues and ‘all the powers of the soul,’ with proper humility and deference to divine and moral law, to better the community.” Has anyone in this generation or last done this? Have we lost this type of man for a while?

Racism: Albert Camus has something to teach us about anti-racism in his book The Fall. “The Fall operates as a reverse confessional with the priest as the penitent who, rather than seeking absolution, wants only to implicate us in his guilt. With this inverted symbol Camus recognizes that power often wears a priestly frock.”

Abolition of Man: Do you think you understand Lewis’s Abolition of Man? Here’s some help. “Through Ward’s page-by-page, sometimes line-by-line, and occasionally word-by-word exegesis of Abolition, we discover the wide plethora of sources upon which Lewis drew to critique his opponents as well as to appeal to Western and non-Western thinkers who have maintained confidence in reason’s capacity to know moral truth.”

Evil: A review of Sarah Weinman’s Scoundrel: “The moral of this tragic story is that people are often too trusting of criminals professing their innocence, and ignore the reality of human nature: Evil exists. Heinous crimes don’t commit themselves.”

Christian Living: What do believers need today? We need power.

Photo: Brooklyn Hotel, closed. Brooklyn, Iowa. 2003. John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.

Uncategorized

The Norwegian word for ‘overthinking’ is ‘overtenkning’

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No book review tonight. No music either, but I posted the short video above about Stavanger. Because I’m going there this summer, God willing. When I think about actually going, I’m terrified. I’m fairly certain I’ll make enemies wherever I go, not because I mean to, but because I’m socially clueless. So I’m concentrating on the mechanics of planning, and trying not to think about the experience itself.

If that makes any sense.

Part of these mechanics is my ongoing effort to improve my listening comprehension of the language. I’m doing that, as you may recall, through listening to Norwegian radio. And I think I’m making progress, unless I’m deluding myself (there’s some precedent for that). When I listen to the news on the NRK (state radio) channel now, I can sometimes understand about 50% of what’s being said. This is substantial progress, considering the fact that at the beginning I only caught a word or two here or there.

I notice a strange development as I listen. If I listen intently, trying to understand, I tend to lose the thread. If I listen lightly, with half a brain, as you might say, I seem to catch it better. The effort itself seems to be an impediment. Sort of a zen thing, I suppose. Or Jedi. “Do or do not; there is no try.”

I’m trying to remember that.

Fiction, Reviews

‘The Nine Tailors,’ by Dorothy L. Sayers

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“You’ve got too much imagination, Nobby,” said Parker.

“You wait, Charles,” said Lord Peter. “You wait till you get stuck on a ladder in a belfry in the dark. Bells are like cats and mirrors—they’re always queer, and it doesn’t do to think too much about them. Go on, Cranton.”

Dorothy L. Sayers achieved some remarkable things in her classic Lord Peter Wimsey series of mysteries. One of their impressive elements is the way she varies settings, both socially and geographically. I suspect that The Nine Tailors is one of her most beloved books, despite the fact that it spends a lot of time on the arcane English pastime of “change ringing,” in which church bells are rung in varying strings of ever-changing notes. The Nine Tailors combines a kind of epic sweep with profound human tragedy.

It’s Christmas Eve when Lord Peter and his man Bunter, speeding over the East Anglian fen country in his big Daimler car, go into a ditch, bending the axle. They are taken in by the kindly vicar of Fenchurch, a small community nearby. When the vicar announces sadly that they’re going to have to cancel their attempt to set a record ringing “Kent Treble Bob Majors” that night, because one of his ringers has fallen ill, noblesse oblige leaves Lord Peter no choice but to volunteer himself, as he has some experience as a change ringer. This involves nine hours of labor in the church tower when he could use some sleep, but everyone is very grateful. The next day Lord Peter drives away in his repaired car, assuming he’ll never return.

But some months later, the vicar calls and asks his help again. A strange thing has happened. While the sexton was opening a grave to bury a man with his recently deceased wife, a strange body was found in the grave. The face had been bashed in with a shovel and the hands removed, so it’s impossible to identify the man. Lord Peter, always keen for a mystery, quickly shows up and starts investigatin’.

It all seems to have something to do with a scandalous theft that occurred long ago, on the eve of the Great War. A guest at the local nobleman’s wedding had a valuable emerald necklace stolen. It has never been recovered. One of the house servants and an outside accomplice were arrested and sent to prison, shaming his wife, who still lives in the town, remarried after her husband escaped and died in an accident. The accomplice was still alive, though, having recently been released. The body may be his. But if so, who killed him, how did they kill him (there is no visible premortem wound), and why is he wearing French underwear?

Author Sayers turns the pealing of the bells into a kind of chorus that accompanies the drama up to its epic climax in a massive flood on the fens. The Nine Tailors is gripping and haunting. A masterpiece of the genre. Highly recommended.

Fiction, Reviews

‘If I Scream,’ by W. H. Clark

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I was wandering through some of the old reviews on this site, and I found a review of An End to a Silence, by W. H. Clark. I liked the book quite a lot and noted that I wished the sequel were available (it’s intended as a trilogy). I checked again now, and found that the second book, If I Scream, is out, so I bought it. It has most of the virtues of the first book, and engaged me deeply. Except for one thing…

A young woman, pale and emaciated, appears along a Montana highway. A kindly man stops to help her, and seeing her condition and hearing her say something about being held a prisoner, he heads for the police station. But on the way she distracts him, and he smashes into a car in an intersection. They are both rushed to a hospital, where the young woman quickly dies.

This is a case for Ward, the mysterious, taciturn former Texas Ranger, now a Montana policeman. Kidnapping and the abuse of children are things he obsesses about. But his bosses won’t devote a lot of resources to the case, because a serial killer has started working in the area. The murderer kills in various ways, and it’s hard to see what connects the men he’s murdering. So Ward is left to work the case as he can, with the help of a cop named Mallory, a victim of child abuse himself and a pariah on the force because of the things he once did at the bidding of his abuser.

Stories about child abuse chill and fascinate me, and If I Scream did the same. It’s very well-written and bears the marks of deep compassion.

My main complaint is how dark the book is. When you’re writing about as grim and tragic a subject as this, I think it’s a good idea to offer the reader a little hope. There isn’t much hope in If I Scream. It troubles me to think what a serious abuse victim might conclude from reading this story.

I do look forward to the next volume, if there is one (this book came out in 2017). If the final volume appears, I hope it has a more uplifting ending.

Fiction, Reviews

‘Trouble Is My Beat,’ by James Scott Bell

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I’ve become a big fan of James Scott Bell, an excellent mystery-and-thriller writer who also happens to be a Christian. So when I saw he’d published a collection of novellas in hard-boiled style called Trouble Is My Beat, I snapped it up. It was excellent value for money.

Bill “Wild Bill” Armbrewster is a World War I veteran and a successful pulp mystery writer. But it’s hard to make a living doing that, even back in the late 1940s. So he works as a “fixer” for a Hollywood studio. That involves getting stars out of dangerous or illegal situations, avoiding scandal, and sometimes putting the scare on them to keep them on the straight and narrow. It might bring him up against rival studios, or gangsters, or dangerous dames, or the cops. He won’t let himself be intimidated, and he’s a hard man to fool. And at heart he’s a decent guy.

Bill Armbrewster is the kind of simple, old-fashioned hero you don’t run into much anymore, on the page or on the screen. Author Bell does a good job of writing in the hard-boiled voice, though his similes and metaphors aren’t up to Chandler and Hammett’s standards. No effort is made to shock the reader into a raised consciousness. The language is generally mild, and one story involving a Christian evangelist treats him with respect.

There was pretty much nothing I disliked about Trouble Is My Beat. Highly recommended.