Easy to Make Counterfeits of Christ

I’ve been reading C.S. Lewis’s That Hideous Strength with friends over the last few weeks. We came to an appropriately seasonal chapter this week. The plans of both heroes and enemies are being revealed, and the theologically minded villain says, “The Head has sent for you. Do you understand–the Head? You will look upon one who was killed and is still alive. The resurrection of Jesus in the Bible was a symbol: to-night you shall see what it symbolised. This is real Man at last.”

The kingdom of God is of this earth, the man says in another place, and we will bring it about in this generation by pursuing this counterfeit Christ called the Head, the first artificial man.

I won’t reveal the particulars of this grotesque evil, in case you haven’t read this one yet, and it doesn’t matter for my point. This is a creative effort of anti-humanist planners who carry on the tradition of the best eugenicists. They wish to remake man in their own image and call him God Almighty.

The creation of divine counterfeits occurs in every generation. Some of them run like a bad sequel; some make even Christ’s followers comfortable.

In a sermon on the importance of gospel ministers in following Christ’s example, Calvin says, “We need not to have our hearts overcharged and time filled up with worldly affections, cares, and pursuits.”

Of very great importance, in order to do the work that Christ did, is that we take heed that the religion we promote be that same religion that Christ taught and promoted, and not any of its counterfeits and delusive appearances, or anything substituted by the subtle devices of Satan, or vain imaginations of men, in lieu of it. If we are zealous and very diligent to promote religion, but do not take good care to distinguish true from false religion, we shall be in danger of doing much more hurt than good with all our zeal and activity.

edited from “Christ the Example of Ministers,” John 13: 15-16

Calvin apparently thought it easy to raise up ourselves even though we intend to raise up Christ, easy to be conformed to the world and call it conforming to Christ.

And didn’t Christ Jesus say, “See that you are not led astray. For many will come in my name, saying, ‘I am he!’ and, ‘The time is at hand!’ Do not go after them” (Lk 21:8 ESV).

After-lecture report

Last night’s lecture, to the Synnøve-Nordkapp Lodge of Sons of Norway in St. Paul, was memorable enough that I might as well report some of the highlights to you.

I had a quiet day to prepare myself and pack my impedimenta. I have been known to forget to bring important things (such as the books I was planning to sell), so I always worry. I’m happy to say I brought everything I needed.

And that was about the last thing that went right, from a technical perspective.

Synnøve-Nordkapp Lodge had not met for a regular meeting in two years, due to circumstances you’ll easily guess. I arrived at the church where they gather to find some people setting up the meeting space, a large hall (it appeared to be a multi-purpose space used sometimes – perhaps every Sunday – for worship). When I asked about setting up for my PowerPoint presentation I was directed to a gentleman in back, sitting in front of an array of screens and multimedia gear.

I talked to him about my needs, and he explained that the church had changed the setup since the last time he’d used it. He couldn’t figure out a way to get the images on his screens projected onto the big screen in front. He made a call to somebody who was supposed to know, and spent the next hour-and-a-half or so talking to them, with no success.

The meeting began at last, and I grew fairly certain I wouldn’t get the use of the standing equipment. When the president announced me, I asked if I could get a table and some time to set up my own projector (which I’d brought along, being a belt-and-suspenders kind of guy). They happily accommodated me, and I spent a few hectic minutes setting my projector up and connecting it to my laptop.

Nothing. I couldn’t project an image either.

This was beginning to resemble a witch’s curse.

Finally I admitted defeat and delivered my lecture without visual aids. I gave it my all, summoning my considerable reserves of eloquence (or, as the skalds would say, opening my word-hoard). Taken as such, the lecture went very well. The audience was attentive and even laughed in the right places. And I sold a good quantity of books afterward. Got lots of compliments. So it was a good experience in itself. But ah, I regretted the lovely images I hadn’t been able to use.

I decided as I drove home (through hail part of the way; a nasty weather front passed through just then. It was suitable to the general theme of the evening) that my problem had been not trying the projector out with my new laptop ahead of time. I became convinced my new Windows 11 system couldn’t communicate with the old projector. Today I determined to run out to the computer store and buy a new, up-to-date projector.

But I didn’t go for some reason. And after lunch I had an attack of prudence and tried the projector with the laptop again. I discovered I’d used the wrong socket for the connector.

Now that I know the fault was mine, everything makes sense again. All’s for the best in the best of all possible worlds.

Viking stuff

I suppose I should have mentioned yesterday (or before) that I’ll be speaking to the Synnøve-Nordkapp Lodge of the Sons of Norway at Gustavus Adolphus Lutheran Church in St. Paul, this evening at 7:00 p.m. But I doubt very much that it would have made a difference. On the other hand, I’m posting early tonight, so who knows?

Above is an officially released clip of the new Viking movie, “The Northman,” starring Alexander Skarsgård. These guys are supposed to berserkers, who famously went into battle unarmored, so they should not be viewed as representative of how the average Viking went to war.

I’ve read a review, and it sounded promising. This may just be the “good” Viking movie we’ve been waiting for forever.

I have the opportunity to attend a preview one week from tonight, and I plan to attend with some other friends in Viking costume. I’ll let you know what I think.

My prediction: My review will be, essentially: Good flick. Not for kids.

Unscrewing the inscrutable

Photo by Alexander Sinn. Unsplash license.

This post will probably be drivel. Because I’m going to try to talk about things I can’t express. (Doesn’t stop me trying to express them, of course).

To open the proceedings, I’ll talk about my visit to the dentist today. I had a checkup recently, and mentioned to the dentist that I was having trouble with teeth-grinding. He scheduled me for an appointment to get my mouth scanned for an “appliance.”

The appointment was today. I thought it was at 2:00. I got home from the grocery store and realized the time was precisely 2:00. I had missed the appointment. I called to apologize. “We have you down for 3:50,” the receptionist said.

Oh. OK.

So I went in at the hour appointed, and they turned me over to a very pretty young technician. At least she had very pretty eyes. The rest was under a Covid mask. She had me sit in a chair, and then wrestled some kind of scanning wand (about the size of a loaf of bread, or so it felt) into my mouth to scan my bite. It went very slowly. They were having trouble with the scanner today, she explained. At length she called in a slightly senior technician (who also appeared young and pretty), who manhandled the thing for a while, finally pinning it to the mat.

As I sat there having my teeth re-created in digital space, I gave some thought to the wonders of modern science. The amazing things we can do that weren’t even imagined for most of my adult life. And all based on the basic question of logic, “Yes or no? One or not-one?”

I love that thought because it’s utterly consistent with Christian theology. Christian truth is, as Francis Schaefer taught me long ago, “propositional.” A choice is offered. You choose yes or no. Truth and untruth are two different things. Everything else flows from this understanding.

People keep trying to propose some kind of spiritual truth that bypasses binary choices. But they end up saying nothing. Pondering tautologies, imagining them profound. Has anyone ever tried to work out a computing language that manages without the binary? Is such a thing even possible?

I don’t know. I do know that we’re performing miracles with good old true/false.

And this brought to mind a spiritual experience I had this Sunday in church. At communion, which is a good time for spiritual experiences.

As I knelt for communion, I suddenly had – what shall I call it? Not a vision. Nothing as dramatic as that. It was a sort of a thought, except that I couldn’t verbalize it. Still can’t – and I’m considered pretty good at verbalizing stuff.

It was compelling, for just a moment, but afterward, as I walked back to my seat, I tried to put it into words and I realized I couldn’t. It was as if I’d physically touched a truth with my mind, but my mind couldn’t grasp it, and came away with no more than the impression (you might call it a feeling) that I’d encountered a Truth.

It had something to do with eternity. With how it is in eternity with God. That all things are accomplished, that what today we consider incomplete is in fact complete and perfect in God.

That’s not quite it either. But it’s the best I can do.

It gave me a sense of peace and trust. But I can’t explain why.

What I brought home with me was a statement I posted promptly on Facebook:

“There are truths that are beyond reason, not because there’s anything wrong with reason, but because reason’s suspension isn’t tough enough for the terrain up there. For those truths, God has given us wonder.”

Which doesn’t at all explain my “vision” during communion. It just describes how I had to deal with it.

Sunday Singing: Ride On, King Jesus

“Ride On, King Jesus” performed by the youth choir of Washington Ghanaian S.D.A. Church, Columbia, Maryland

Today’s hymn is a spiritual that has been arranged by many musicians since it gained common ground over 150 years ago. The words easily apply to Palm Sunday, as demonstrated by the Scripture read at the beginning of this video.

Ride on, King Jesus, no man can a-hinder me.
no man can a-hinder me.
In that great gettin’ up morning,
fare ye well, fare ye well.

Coming in Humility to Conquer and Blogroll Links

Rejoice greatly, O daughter of Zion!
    Shout aloud, O daughter of Jerusalem!
Behold, your king is coming to you;
    righteous and having salvation is he,
humble and mounted on a donkey,
    on a colt, the foal of a donkey.
 I will cut off the chariot from Ephraim
    and the war horse from Jerusalem;
and the battle bow shall be cut off,
    and he shall speak peace to the nations;
his rule shall be from sea to sea,
    and from the River to the ends of the earth.
As for you also, because of the blood of my covenant with you,
    I will set your prisoners free from the waterless pit.
Return to your stronghold, O prisoners of hope;
    today I declare that I will restore to you double. (Zachariah 9:9-12 ESV)

Our Lord comes in humility and cuts off the warcraft of his enemies. Should that apply directly to our public discourse, to our perception of the culture war?

Bach’s greater Passion has a lot of moving parts: two choirs, four soloists, a narrator, an orchestra, and an organist. And in last week’s performance [2019], there was also the audience, as Saint Thomas participated in the German Lutheran Good Friday tradition of singing congregational chorales surrounding the main musical event. Saint Thomas’s associate organist, Benjamin Sheen, played Bach’s prelude to Johann Böschenstein’s “Da Jesu an dem Kreuze stund” (“When on the cross the Savior hung”), and then the audience was encouraged to sing along in English.

Prayer: Can prayer make your anxiety worse? “My self-centered pity party lamented my situation always instead of rejoicing in the Lord always.”

Jesus: How is Jesus the Bread of Life?

Tapestries: Here is some beautiful tapestry work by Ukrainian artist Olga Pilyugina

Manhood: There’s a new book that claims it’s good to be a man, and it’s isn’t that the world still needs isolated rebels with personal agendas.

Photo: Rube & Sons Shell gas station, Kingston, New York. 1976. John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.

‘Tryggare kan ingen vare’

Let me just say at the outset that this may have been one of the best days of my life. I can’t give you details because that would be betraying a confidence, but a development happened in my life that ought to improve my happiness about 50%.

This development happened, I should tell you, soon after I determined for the first time to pray about it daily. Just sayin’.

I’ve been listening to Norwegian Christian radio on my cell phone, as I’ve told you. And because of that, today I thought I’d post a performance of Carolina Sandell’s famous hymn known in English as “Children of the Heavenly Father.” Very familiar to all us Scandinavians, but I believe it’s known to more benighted groups as well. The rendition above was done by the choir of Bethel College — but it doesn’t tell me whether it’s the Bethel College in Newton, Kansas of our own Bethel College (now University) here in Minneapolis.

I hesitate to mention it, but just as I sat down to post this, my Norwegian station played it. Gave me the shivers.

Have a blessed weekend.

‘Hostile Takeover,’ by Dan Willis

I don’t spend a lot of time in urban fantasy, as you may have noticed. But you may have also noticed that I’ve grown fond of Dan Willis’ Arcane Casebook series, set in the 1930s New York in an alternate universe where the world runs on magic rather than oil and coal, and where it’s possible both to be a magician and a practicing Catholic.

Alex Lockerby is a runewright, who makes his living doing magic through drawing, then burning, complex mystical designs on paper. He started humbly but has now risen in the world, being in business with the richest sorcerer in America, and in a romantic relationship with Sorsha Kincaid, the most powerful sorceress in the country.

But as Hostile Takeover begins, Sorsha is in trouble. Someone has drawn an incredibly complex rune that’s draining her life-force away. What they’re using the energy for is a mystery, but it’s gradually killing Sorsha. If Alex and his mentor Iggy (who is actually Arthur Conan Doyle incognito) can’t unlock the rune and break it, Sorsha will die.

But that’s not all that’s going on. Alex has been approached by a young couple who are being bullied by thugs who want them to sell a historic property they own. Alex promises to figure out what’s going on and stop it. Also, a runewright who held proprietary rights to a rune that gave a technical edge to a radio manufacturing company has died mysteriously. The insurance company suspects he was murdered, but can’t prove it. That’s Alex’s job.

I like these books. I like the characters. The writing’s pretty good, and the world-building fun. I recommend Hostile Takeover, along with the rest of the series. No very objectionable material, not even bad language.

Gjest Baardsen

Nothing to review tonight. I have a sudden break in translation work (it only began this afternoon, and if recent history is any guide it won’t last long. As I fervently hope it won’t).

The video clip above (in Norwegian, but much of it is without dialogue) is from a 1939 Norwegian movie called “Gjest Baardsen.” For some reason it occurred to me to write a little about this character tonight. I am by no means an expert on the man, but I’ve read a little.

Gjest Baardsen (1791-1849) is sometimes called the Robin Hood of Norway. But in fact Jesse James would be a closer historical parallel (though his legend admittedly has a more Robin Hood-ish flavor).

Gjest already had a long rap sheet in 1827 when he was sentenced to life imprisonment in Akershus Fortress in Oslo (a major tourist attraction today for many reasons. I’ve been there, but not as long as Gjest stayed). During this imprisonment he did something visionary and memorable – he wrote his autobiography. In this book he portrayed himself as a clever rogue and a defender of the common folk, stealing from the rich and giving to the poor (as you can see in the clip above). A historian named Erling T. Gjelsvik published a serious biography in 2000. His conclusion was that in real life, Gjest stole from pretty much anybody who didn’t lock up their possessions well.

Not a real surprise.

He was pardoned in 1845, and supported himself until his death in 1849 by selling his books.

As a phenomenon of the 19th Century, however, Gjest is interesting. He was contemporary with my great hero, Hans Nielsen Hauge the lay preacher. Although it would be hard to imagine two characters more different from one another, there are similarities in their cultural impact. Both were common men who became famous through taking advantage of their literacy and the expanding publishing industry. A burgeoning, literate public was hungry for reading matter aimed at them. Those whose hearts were set on higher things read Hauge. The more carnal turned to Gjest Baardsen. And many, no doubt, read both.

Eventually, books like Gjest’s would be parents and grandparents to innumerable paperback novels, tabloid newspapers, blogs, and reality TV. But Gjest was, in one country, a sort of a grubby pioneer.

‘Die for Me,’ by Jack Lynch

Dorothy L. Sayers was one of the founders of the British “Detection Club,” a group of mystery writers. They enforced certain rules on their membership, including one against allowing their detectives to solve crimes through “jiggery-pokery.” Jiggery-pokery included spirits, magic, and psychic powers.

The rules of detective writing have changed since then (like all the rules), so that now and then we do encounter a mystery book where psychic powers play a part. However, it doesn’t work in practice to make those powers too effective. That ruins the whole point of a mystery. When a “real” psychic appears in a mystery, their gift is generally obscure, constituting a puzzle in itself.

That’s the case with Jack Lynch’s Die for Me, another in his Pete Bragg series. San Francisco PI Bragg, who flourished back around the ‘80s, gets a call from Maribeth Robbins, a woman he’s only encountered once before – over the phone. On the very last day of his newspaper career, then-reporter Bragg took a call from a profoundly depressed Maribeth. He realized he was talking to someone suicidal, and stayed on the line with her until she’d calmed down. Then he referred her to counselors. That call, she tells him now, saved her life. Today she’s a psychic, but a low-key one. She avoids publicity and the media.

She’s learned that Bragg has become a private eye, and she wants to talk to him about a vision she’s been having. She sees a rural location where – she is certain – several bodies are buried. These people were recently murdered and one of them, she thinks, is a child.

It’s pretty vague evidence to go on, if it can be called evidence at all. But Bragg teases some further details out of her, and then gets a pilot friend to fly him and a friendly medical examiner to a particular area along the California coast. In Jack London State Park they find a spot that matches the description. And the M.E. notes that the vivid green color of the grass could well be a sign of burials.

They land and examine the place, and immediately call the county sheriff. This is indeed a burial site. Just as Maribeth feared.

The story that follows mixes Bragg’s involvement with the case with his struggles in his relationship with his girlfriend, who’s increasingly distant. In the end he’ll face a showdown with a hostage-taking killer, in the ruins of Jack London’s house.

I don’t believe in ESP. If it exists, I consider it probably demonic. But suspending my disbelief on that point, I very much enjoyed Die for Me. It was an engaging and engrossing story that kept me turning the pages.

One thing that dated it, I thought (and being dated is no drawback in a book for this reader), was the treatment of feminism. Bragg encounters a female police detective back when such creatures were a rarity. He demonstrates his openmindedness in his conversations with her, but those conversations are cringe-inducing by the standards of the 21st Century. I think that’s because back then we thought feminism was really about fairness, not just about finding ways for men always to be in the wrong.

Anyway, Die for Me was a pretty good, old-school mystery, and I enjoyed it. Recommended unless ESP is a deal-breaker for you.

Book Reviews, Creative Culture