Sunday Singing: Be Still, My Soul

“Be Still, My Soul” performed by the Norton Hall Band

Catharina Amalia Dorothea von Schlegel, an 18th century German, wrote the original of this marvelous hymn, “Be Still, My Soul.” The tune is “Finlandia,” originally a tone poem by the brilliant Jean Sibelius of Finland.

1 Be still, my soul: the Lord is on thy side;
Bear patiently the cross of grief or pain;
Leave to thy God to order and provide;
In ev’ry change he faithful will remain.
Be still, my soul: thy best, thy heav’nly Friend
Through thorny ways leads to a joyful end.

Continue reading Sunday Singing: Be Still, My Soul

A Bright Age for Dropouts Drinking Coffee and Reading Defunct Lit-mags

One of my daughters likes spicy food but doesn’t eat it much. She’s willing to try anything hot, and this week it was a dried Carolina Reaper, the world’s hottest pepper. I urged her to prepare for eating it by reading what she could find online, but no, she just scarfed it up and downed a milk shake as a counter measure. She told me she was going to do it but not when she would, so I didn’t know she had until she came to us at 1:30 a.m. to ask for help with sharp stomach pain. She threw up a few minutes later, which I understand is a normal response to eating these peppers.

So what are we linking to today?

Local Coffee: Some poor businessman failed to read the room when launching plans to remodel an Arby’s in Livingston, Montana, into a Starbucks. The community has a number of local coffee shops, like Chadz on N. Main and Eastside Coffee in the historic district, and the Livingston Business Improvement District don’t want Big Coffee to put a squeeze on them.

The Bright Ages: On the latest Prufrock podcast, Micah Mattix talks to the authors of a medieval history that focuses on many of the details we ignore about the Middle Ages. “It was, for the most part, seen as neither a virtue nor a vice that a city or region would contain various people from various places speaking various languages. It was a fact.”

Kudos to Mattix’s revived Prufrock newsletter, which you can subscribe to through the website of Spectator World.

Dropping Out: Hippies and drop outs were afraid, in part, of societal brainwashing and the mind-control everyone was talking about in the 60s. They wanted to know and live their true selves. (via Arts & Letters Daily)

Closing Shop: Literary magazines are being shut down. (Via Arts & Letters Daily)

Racism: A popular anti-racist author claims, “The only remedy to past discrimination is present discrimination. The only remedy to present discrimination is future discrimination.” That’s how you fight bad discrimination, friends. You fight it with your own discrimination.

Photo: Newman’s Drugs, Lake Huntington, New York. 1976. John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.

The Viking Ship Museum

More video tonight. This is an amateur video, but pretty well done, of the Viking Ship Museum in Oslo. I’ve been there, of course, but I’ll probably never see it again. They closed it down recently for a five-year expansion. While they’re at it, they’re also working on stabilizing the old ships (I personally blame their deterioration on a guy I know, whose name I won’t divulge, who once put his hands on the Gokstad ship while the guards weren’t looking). By the time the renovation project is done, I’ll probably be too old to travel over there.

The one with the curly prow and stern is the Oseberg Ship, the oldest of the two. It seems to have been sort of a royal yacht, and two women were found buried in it. One assumes they’re a mistress and her slave, but they still haven’t worked out who’s who.

The one with the plain prow and stern is the Gokstad, which is larger and a genuine fighting ship. A tall man, wounded in the leg, was found buried in it. Among his grave goods was a peacock. That always amused me. A questionable tradition says its occupant was Olaf Gierstad-Elf, an ancestor of Saint Olaf, who plays a small role, as a ghost, in my novel-in-progress.

The forgotten palace

Nothing to review tonight. It’s a rich moment in my reading life – just enjoyed a new Dean Koontz (reviewed the other day), then I revisited Travis McGee (review yesterday) and now I’m on a new Greg Hurwitz Orphan X novel. Times to savor.

The video above is about the church/royal residence at Avaldsnes, on Karmøy island in Norway. I’ve talked about it often before. My great-grandfather was baptized in the church with the tower (though the tower wasn’t there at the time – it had to be restored in the 1920s). I have ancestors in that graveyard.

The first time I visited, in the 1990s, the relative who was showing Dad and me around told us they’d done some archaeological excavation south of the church, and discovered a secret tunnel. They were looking forward to further discoveries.

It wasn’t until 2017 that government funding made serious excavation possible. What the archaeologists discovered amazed them. An entire royal hall had once existed south of the church (as reconstructed in the video).

What amazes me is that we’re dealing with a forgotten palace here. How do you forget a palace? It’s easy to understand how a palace could fall down after a while. But I find it harder to comprehend it being forgotten entirely. Not only was it lost from the written record, but not so much as a legend survived.

Anyway, I think recreations like this are fun. Avaldsnes (under its old name, Augvaldsness) features heavily in the Erling book I’m writing, King of Rogaland. Also in the previous book, The Elder King, come to think of it. But that’s before the stone buildings existed.

‘The Girl in the Plain Brown Wrapper, by John D. MacDonald

I rarely buy the e-book versions of John D. MacDonald’s Travis McGee novels. I just can’t justify paying the prices they ask for books I’ve already got in paperback. But now and then one shows up at a bargain price, and I always snap it up. So it was with The Girl in the Plain Brown Wrapper, one of the most memorable in the series – in a dark way. I got it during a brief sale.

Travis McGee, Florida beach bum, calls himself a “salvage specialist.” That means he recovers things that people have been robbed of, returns them to them, and keeps half the value. But he makes exceptions for friends, and the Pearsons are friends. Years ago he helped them with a boat deal, and then after the husband’s premature death he comforted the widow – in a carnal manner. They’ve kept in touch and he’s very fond of her and her two daughters.

At the start of this book, he comes back from a job to find a letter from the mother, Helena, telling him she’s dying of cancer. She’ll probably be gone by the time he reads this. She asks if he’d see if he can help her older daughter, Maureen, a beautiful woman married to a prosperous land developer. Maureen is suffering from a mysterious malady involving short-term memory loss, and has attempted suicide several times. McGee can’t imagine what he could do to help with a problem like that, but guilt (and the large check enclosed with the letter) motivate him to travel to their central Florida home and check things out.

Some things don’t add up. And then people start physically attacking McGee, which just gets him mad. There’s a lot of rot in this community, it turns out, and McGee is ready to kick it over to see what’s underneath. And – hopefully – save a life or two.

The Girl in the Plain Brown Wrapper is one of the darkest books in the series, and features one of its most shocking climaxes. There’s a lot of sex, but it’s described metaphorically, and quite beautifully. The rough language, as always, is consistent with the times, which means it’s cleaner than you’ll generally find in books written today. The book deals quite heavily with the race issue, in what seems to me fairly prophetic terms, though the scenes were a little awkward to my ear.

When I pick up a John D. MacDonald novel, I have a sense of plain, solid quality, like Shaker furniture. Nothing dazzling (though MacDonald can turn a fine phrase with the best of them), but every part is strong, and the whole thing is assembled with a craftsman’s eye. The books just work. Highly recommended.

Does the Old Man Lose to the Sea?

I read Hemingway’s The Old Man and the Sea with friends last month. It was my first time. We found the essential story of catching a prize-worthy fish fairly gripping. I’ll summarize it quickly with spoilers.

Santiago is a poorer-than-most Cuban fisherman whose sail resembles a flag of defeat. The community has decided he is unlucky for catching nothing over the last 84 days at the start of the novella. But what is he going to do–sit on the beach and starve? With the encouragement of a neighbor boy who is as a grandson to him, he goes into the sea again, intending to go farther than all the other fishermen. He does so and hooks a gorgeous and enormous Marlin that takes him the rest of the story to pull in.

The thousand times that he had proved it meant nothing. Now he was proving it again.

Christians will notice the explicit Christ imagery in the story’s second half. Santiago is wounded with stripes on his back and pain like a nail through the hand. In the final pages, he carries his mast on his shoulder toward his hut and stumbles. He lies in his bed, arms outstretched, palms up. What does this mean, because the old man doesn’t redeem himself or anyone else? Perhaps the old man’s suffering and endurance is meant to be the ultimate a man can give.

His suffering is the cost of pursuing something great. He challenges a noble beast, his equal in some respects, and conquers it. He makes mistakes along the way and considers whether some of them are actual sins (though he claims to disbelieve in sin), but he achieves his goal nonetheless.

Continue reading Does the Old Man Lose to the Sea?

‘Quicksilver,’ by Dean Koontz

To create good fiction, you have to like people enough to want to write about the human condition—but close yourself alone in a room for a large part of your life to get the job done right. It’s as if a wrestler forsook the ring in favor of getting his own head in an armlock and slamming himself into walls for a few hours every day.

Dean Koontz’s umpteenth novel is Quicksilver. I wouldn’t put it on the highest tier of his works, but it’s quality, patented Koontz all the way through, and all the expected pleasures are present.

Quinn Quicksilver is a young man living in Phoenix. He is an orphan, found abandoned as a baby in a basket on a highway median and raised by loving nuns in an orphanage. Now he works as a writer for a small magazine, and is entirely unremarkable – except for a “strange magnetism” that sometimes draws him to locations where he finds valuable things.

So when, one day, he finds a couple of tough guys from a covert government agency sitting on either side of him in a diner, about to abduct him, he manages to escape out the back and successfully get away by car. Following his strange magnetism, he drives to an abandoned farm, where he’s just in time to rescue a kidnapped old man and his granddaughter – the most beautiful girl he’s ever seen. They’re grateful but not surprised by his arrival. They’ve been expecting him, they say. On top of that, they inform him that he’s going to marry the granddaughter. If they survive.

But first, they have a mission to complete. There’s a secret compound in the desert where a reclusive billionaire is running a sex cult. Joined by one further team member and a dog, they set their course to find the billionaire and rescue his victims.

Beautiful prose. Goofy humor. Action with a supernatural element. And the occasional moment of transcendence. That’s what we buy Koontz books for, and it’s all there in Quicksilver.

Also a lesson on theodicy and free will, at no extra charge.

‘The Silent Blade,’ by Blake Banner

I’ve been following, and enjoying, Blake Banner’s Harry Bauer series of action thrillers. The Silent Blade is the sixth in the series. It delivers all the action you could ask for, though it’s probably best not to think about it too much.

Harry Bauer is a covert operative for a shadowy private organization called Cobra. His particular passion is wiping out drug lords. In the last book he got rid of two at once, and now he’s on the run in Trinidad, cut off from his employers, trying to figure out a way to get back to New York without alerting either the law or the cartels.

Then he meets a beautiful woman who works for the CIA, who first helps him and then turns him over to her bosses for “enhanced interrogation.” They want to recruit him, they explain, but first they need to know who he’s been working for. He finally escapes from them and runs to the leader of a Colombian cartel, offering (he claims) to be their source inside the CIA when he goes to work for them. Here he meets another beautiful woman, and fireworks (of a couple kinds) follow.

The action is hot and heavy, the sex pretty much the same (though not too explicit). But I can’t resist noting that the plot doesn’t make a lot of sense. Harry has reached a stage where he seems to just jump into deadly situations without a plan for survival. Are we supposed to think he’s a master strategist, or does he just have a death wish? I have a suspicion we’re not supposed to think that far.

Good of its kind. Cautions for language, violence, and adult situations.

Sunday Singing: O, The Deep, Deep Love of Jesus

“O, The Deep, Deep Love of Jesus”

Englishman Samuel Trevor Francis (1834-1925) gave us this hymn. It’s one of the hymns I feel I’ve always known. The tune is Welsh.

O the deep, deep love of Jesus!
Vast, unmeasured, boundless, free,
rolling as a mighty ocean
in its fullness over me.
Underneath me, all around me,
is the current of thy love;
leading onward, leading homeward,
to thy glorious rest above.

O the deep, deep love of Jesus!
Spread his praise from shore to shore;
how he loveth, ever loveth,
changeth never, nevermore;
how he watches o’er his loved ones,
died to call them all his own;
how for them he intercedeth,
watcheth o’er them from the throne.

O the deep, deep love of Jesus!
Love of ev’ry love the best:
’tis an ocean vast of blessing,
’tis a haven sweet of rest.
O the deep, deep love of Jesus!
‘Tis a heav’n of heav’ns to me;
and it lifts me up to glory,
for it lifts me up to thee.

The God-Man Jesus, Philosophical Deadends, and Social Media

Some people would have us believe that Jesus never claimed to be God, but you cannot read the Gospels thoughtfully and come to that conclusion. Christ Jesus made authoritative claims about Scripture and the people around him. He said, you have heard it said … but I say to you. Well, who is he to be claiming such authority of the text and its traditional interpretation? A crowd took up stones at least twice, because they knew what he was saying. “The Jews answered him, ‘It is not for a good work that we are going to stone you but for blasphemy, because you, being a man, make yourself God'” (John 10:33).

But maybe appealing to the reaction of the crowds is deeper in the weeds than we need to go. Jesus’s teaching ministry was not lightweight moralism that could sound true to anyone. He called for repentance and the coming of the kingdom of God.

“A man who was merely a man and said the sort of things Jesus said would not be a great moral teacher,” C.S. Lewis said in Mere Christianity. “He would either be a lunatic—on a level with the man who says he is a poached egg—or else he would be the Devil of Hell. You can shut Him up for a fool, you can spit at Him and kill Him as a demon; or you can fall at His feet and call Him Lord and God.”

Let me jot down some blogroll links.

Social Media: Chris Martin has been writing a newsletter about social media for a while. Last summer, he wrote, “Social media and the internet are being used to perpetuate sin in ways that some sermon series on ‘technology and the gospel’ isn’t just going to fix.” In November, he said censorship isn’t the big problem with social media among Christians; it’s the way this technology is discipling us.

Martin released a book this month on this topic, called Terms of Service: The Real Cost of Social Media.

Johann Georg Hamann “gives us a way forward from both the deadends of modernism and the deadends of postmodernism.” Hamann calls us ultimately to the Bible.

Trending: Merriam-Webster reports a sharp increase in searches for the definition of infrangible, which means “unbreakable, not able to be separated into parts” or “not to be violated.”

Trueman: “As the medieval world granted tremendous spiritual power to its priesthood and indulged its sins because of that, so we do with our celebrities.”

Photo: Paul’s Market, Franklin, New York. 1976. John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.