‘Harald Hardrada: The Warrior’s Way,’ by John Marsden

It has been my experience, as a Viking enthusiast, that historical biographies of great Vikings tend to be disappointing. A particularly sore memory is a biography of Canute the Great, some years back, that reduced a life of battle, intrigue, and conquest to the statistical analysis of personal names in old charters. The problem is sources, which in the Early Medieval Period (we used to call it The Dark Ages, precisely because of the scanty written record) tend to be spare even in relatively well-organized countries like France and England. For famous Scandinavians, the most accessible sources are the Icelandic sagas, which historians usually reject wholesale (in spite of the groundbreaking work of Torgrim Titlestad, available in a marvelously translated book called Viking Legacy).

In the case of Norway’s King Harald Hardrada, subject of Harald Hardrada: The Warrior’s Way by John Marsden, the situation is a little better. King Harald Sigurdsson lived his legendary life at the very end of the Viking Age, when things were getting a little better organized. On top of that, he had a wide-ranging career and often left discernable, discoverable tracks in local records.

I’ve often said that if there was ever a real-life Conan the Barbarian, it was Harald Sigurdsson, the tall and mighty half-brother of King Olaf Haraldsson, patron Saint of Norway. Carried wounded from the battlefield of Stiklestad, where Olaf died (Harald was 15 years old), he fled to Russia, where he served Prince Jaroslav as a mercenary. Then on to Constantinople, to join the fabled Varangian Guard, the emperor’s personal corps and bodyguard. After fighting all around the Mediterranean, he was imprisoned and escaped, participated in a rebellion, and personally blinded the deposed emperor. Then, having illegally sent treasure back to Russia for safekeeping for years, he fled the capitol and sailed back to Jaroslav. He married Jaroslav’s daughter, then returned to Norway, where he traded half his treasure to his nephew, Magnus the Good, for half the kingdom. Magnus’s death a few years thereafter left him as sole king. He spent most of his reign fighting wars with Denmark, until in 1066 he turned his eyes to England. In September of that year, he and his army were slaughtered by King Harold Godwinson at Stamford Bridge, after which the weakened English army went on to be beaten by William the Conqueror at Hastings a few weeks later.

That’s some life. It would be hard to make it dull, but there are historians who could do it.

Thankfully, John Marsden is not one of those.

I had trouble putting Harald Hardrada down. I knew the story well, of course, but Marsden does an excellent job of presenting it as a series of puzzles – he assumes the sagas unreliable, but he doesn’t dismiss them out of hand, especially when buttressed by contemporary skaldic poems. Sometimes he actually defends the saga writers against more skeptical historians. The narrative that emerges is worthy of the epic subject.

To top it all off, he even tells the story of Harald’s famous banner, “Land-ravager,” relating a legend I’ve already described on this blog, some time back, that an ancient scrap of silk on the Isle of Skye, known as “The Fairy Flag of Dunvegan,” belonging to the Clan McLeod, may plausibly be “Land-ravager” – there’s even scientific evidence. It’s that kind of touch that makes Marsden’s Harald Hardrada a treat for the Viking buff.

Highly recommended.

‘Burning Bright,’ by Nick Petrie

She ticked off each item on her fingers. “You climbed a three-hundred-foot redwood. Got shot at, twice. Totaled my car. Saved my life, at least twice. Fractured your leg, cracked some ribs.” She paused for a moment, and Peter wondered how far she’d get into this. She took a breath. “You also killed at least one man, maybe more, depending on how you see things. You got stuck in the hospital, which made your post-traumatic stress flare up. And now we’re on the run in the middle of the night from whoever is hunting me.”

This one was really good.

Burning Bright, by Nick Petrie, is the second in a series about Peter Ash, a Marine war veteran who came home with PTSD that manifests itself as claustrophobia. He’s basically unable to spend any time indoors, so he’s been living under the sky for months, hiking and camping. In the redwoods of northern California he gets chased up a tree by a grizzly bear. There he unexpectedly encounters a climbing rope, which he follows up into a majestic, old-growth tree. Eventually he finds a platform in the upper branches, where he meets a beautiful young woman, pointing a bow and arrow at him.

Her name is June Cassidy. She’s a journalist, and her scientist mother died recently. Not long after, some men kidnapped her, but she managed to escape them, and now she’s here in a research post a friend built, hiding from the kidnappers, who’ve been trailing her. They are in fact at the bottom of the tree now, setting up a trap for her. Peter offers his considerable skills as a protector, and together they make their way to June’s car, in which they begin a breathless chase headed toward Seattle, and eventually into a confrontation with June’s eccentric father, a kind of a cross between Howard Hughes and Steve Jobs.

The writing in Burning Bright was extremely good. The plotting and the action never let up. What made it even better was that the characters were well-realized, and Peter’s and June’s developing relationship was a lot of fun.

Cautions for language and violence. Possible, hinted leftist opinions may become more apparent in later books (or not). But I highly recommend Burning Bright to anyone who enjoys a good thriller in the Jack Reacher vein.

Could Old English and Old Norse Speakers Understand Each Other?

Jackson Crawford and Simon Roper tackle this question and talk for an hour about languages at a far deeper level than I can follow. Believing our readers will take interest in this, I share it in ignorance.

Paper dragon

Oddly enough, I first posted the art above exactly three years ago, on June 18, 2018. It’s the cover for the new paperback edition of The Year of the Warrior. Baen Books still publishes the e-book, but I have their clearance to produce and sell this corporeal version. Various obstacles have arisen since that time to prevent production, but I finally took the bit in my teeth a few weeks back, and arranged with a printer I know to get this thing done.

My plan with this version is to sell it personally, at the Viking events I participate in. If you’re hoping to get it on Amazon, that probably won’t happen, because (I assume) I’d have to ask questions and go through a bunch of red tape to arrange for that. And I’m too old and lazy.

I’m not sure when I’ll actually have them in my possession. The printer sent me the galleys today and told me there’s a problem with the cover. I think I’m going to have to add space at the top and bottom to fill out the cover shape. But I haven’t looked at it yet.

I’m too old and lazy. I’ll get to it over the weekend.

I really like that cover, though. It would have had me wiggling like a fishing worm, back when I was a teenager. Jeremiah Humphries did it, and I think it’s my favorite cover that’s ever been done for one of my books.

Now if I can just find a few more events to flog them at this summer.

‘One Little Lie,’ by Christopher Greyson

It’s always awkward reviewing a book in a genre (or sub-genre) you’re not very familiar with. If you criticize something, you don’t know whether it’s a routine feature of the form or not. If someone were to criticize my Erling books because they include magic, for instance, they’d be kind of missing the point.

Christopher Greyson is the author of the Jack Stratton novels, which I like very much, and he was kind enough to provide a free review copy of One Little Lie, which is a departure for him. It’s a women’s thriller.

Now writing women’s thrillers is a shrewd business move. I haven’t seen the statistics, but judging from the titles I see, women’s thrillers are a growth market. Women, after all, are by far the largest reading demographic. And (here I judge by the scripts I see as a translator) women have an insatiable thirst for stories with strong female lead characters, who overcome danger on their own. No rescue by knights in shining armor allowed. A hunky male love interest is acceptable – even desirable – but he has to be taken out of play in some way so the woman can discover her own strength and triumph independently.

That’s the kind of story One Little Lie is.

Kate Gardner has been a doormat all her life. She gave up her career aspirations when she married Scott Gardner, scion of a wealthy family in a small town. Then he dumped her for his high school sweetheart, manipulating her into accepting minimal child support. She is working as a receptionist, a job she hates, and trying to keep up with caring for her two young children. But lately she’s been troubled by depression and memory problems, and the medications she’s been prescribed haven’t been helping. And now Scott wants full custody of the kids.

As a side gig, she got an assignment from a friend to write a review on a new, sophisticated flying drone that can be controlled from her mobile phone. One night at her son’s football game, she tries the drone out, but then gets distracted. When the battery runs down, the drone homes in on her and lands on her head. When people come to help her, they find the drone, with footage on it showing a man stalking her. When the police come, Kate is embarrassed to admit that she was controlling the drone herself. Everyone assumes it belongs to the stalker. Later, Kate’s best friend and her ex-husband both tell her not to admit the omission to the police. If they catch you in “one little lie,” they won’t believe you. This is hard for Kate, a basically honest person, especially because she’s attracted to Ryan, one of the detectives, who seems to return her interest.

From that point, Kate’s life descends into chaos.  She loses her job, her best friend disappears, a slut-shaming campaign is launched against her, and she’s physically attacked in her home. All the while, memory lapses have her wondering if she’s losing her mind. Her wealthy mother-in-law, who claims to be on her side, gives her an ultimatum – she has to learn to stand up for herself. But if she fails, she’ll lose everything.

One Little Lie was an engaging read. I did have problems with some elements in the story, but I’m not in a position to know if these are standard tropes or weaknesses in this particular plot. A book of this kind calls necessarily for a final crisis where the woman is forced to discover her strength all on her own. But it seemed to me the resolution here was kind of contrived, depending too much on sheer coincidence.

Aside from that, it was an enjoyable read. Recommended, especially for female readers. Subtle Christian messages.

In praise of virtue I do not possess

Photo credit: Jeff Ochoa@jeffochoa, Unsplash

No book to review tonight. So, you’re stuck with my deep thoughts. “I got a million of ‘em,” as Jimmy Durante (or somebody) used to say.

Back on Memorial Day I was talking about how young men are (usually) risk-takers. I got to wondering, “What’s the survival value of youthful risk-taking?” Its value would seem to be the opposite of survival.

(I don’t want to get into the Creation vs. Evolution thing here. I think survival value is a real thing, created by God. It’s just the way He designed things to work.)

One would assume that Nature (whether intelligently designed or not) would want young people to stay safe until they grew up. So they’d go on to produce further offspring.

But in fact, Nature drives young men (typically) to go out and try to kill themselves. Drag-racing. Sky diving. Rock climbing. Joining gangs or (sometimes more responsibly) armies. Experimenting with drugs. Asking cheerleaders out on dates.

(I, of course, never did any of these things myself. But there were consequences to playing it safe.)

The point, I think, is that Nature is wise, and under God’s governance. As I’ve mentioned before, I believe that God is a storyteller. His book of Nature is not an equation or formula. It’s partly about science, but it’s also about love and hate and ideals and passions. And one of the things storytelling tells us is that safety is not first. “Who dares wins.” “Faint heart ne’er won fair lady.” “Do not take counsel of your fears.”

Both in the spiritual and the physical worlds, too much caution is fatal, at least in the aggregate. Cowardice would appear to have survival value, but it doesn’t. Cowardly communities do not thrive. Courage kills off some of its acolytes, but those who survive end up running things and making progress.

I think churches often work too hard to produce guys like me. The Kingdom is for risk-takers – “Men of violence take it by force.” (Matthew 11:12) In a feminizing world, we need to provide a place where risks can still be taken, wounds bound up, and locker room speeches delivered. To young men with skinned knees and black eyes.

‘There are No Saints,’ by STephen Kanicki

It’s 1857. Dexter James, an itinerant demonologist, comes to Titusville, Pennsylvania, where he’s sure there must be a lot of demon-possessed people in the backwash of the recent oil rush. He has trouble getting business at first, until he performs a miracle of healing (to his surprise) and becomes a huge success; then he crashes on his own hubris. Meanwhile, he falls in love with a local prostitute, who helps him find his true destiny.

That’s a brief, bare=bomes outline of Stephen Kanicki’s There Are No Saints, which could be classed as Christian fantasy, I suppose, or at any rate religious fantasy. There was a certain amount of creativity in the writing, and the characters showed some genuine depth and development. The ending of the book, I must admit, moved me.

However, I didn’t really like it. The writing style was not outstanding (a number of homophone errors), and the diction was purely 21st Century. No effort was made whatever to make the narrative read like one that could conceivably have been written in the 19th Century.

And speaking of the time setting, it was never explained why Dex had what seemed to be Viagara pills to distribute, or how he knew the 12 Steps of Alcoholics Anonymous almost a century before they were composed. I was looking for some kind of time travel plot element, but there was none.

And, as a doctrinaire Christian, I don’t accept the theology expressed in the book. It’s syncretist, saying that all religions are really the same: all about love. Which means Jesus Christ and His Cross were unnecessary, and it’s all good works.

So, in aggregate, I don’t personally recommend There Are No Saints. But you might find it amusing. Cautions for some foul language.

Filtering Images, Videos, not just Websites

This is the kind of tech we’ve been thinking should have been active for years. Justin Taylor says Canopy has “the most effective technology on the planet to block pornography.

Canopy’s CEO says, “One of the big challenges of navigating the digital world is that explicit content no longer is limited to pornography websites. It can appear anywhere and everywhere, which renders many of the traditional safeguards ineffective.”

Canopy, an expansion of an Israeli tech developer, has developed a smart filter that “can detect sexually explicit content in real time and seamlessly remove it.” They also fight sexting by scanning images stored on the filtered device, flagging them, and offering the user to either delete them or send them to their parents for review.

Knots and Crosses by Ian Rankin, Rebus #1

Having read the fourteenth book in Ian Rankin’s John Rebus series, I looked up the first one, published in 1987. It was fairly different overall. I’ll have to read a few more to see whether this one or the other is the anomaly.

In Knots and Crosses, DS John Rebus is pulled away from all of his current cases to join the growing team going after the separate kidnappings of two pre-teen girls. At his first conference, they announce it has become a murder investigation, and they have as many as zero leads. Rebus and a younger officer are assigned to comb the M.O. files for possible leads–the worst mental drudge. The police get nowhere until the murderer finally presses his point, that his main goal is Rebus himself.

Rankin has earned a lot of praise for his use of Edinburgh in these novels. Though Rebus is an officer at the fictional Great London Road police station, other details are well grounded. One of the main ideas you get from this book is that Edinburgh is good city, filled with stone walls and solid people. Kidnapping and murdering random girls couldn’t happen in this city. But Rebus and his fellow officers are dragged into the long shadows of sinful Scottish men.

Knots and Crosses delivers a fairly good original story for the series hero. In A Question of Blood, everyone knows Rebus doesn’t talk about his Army days, but in these pages all of that is spelled out. We also learn Rebus is a Christian, which means something unclear. Maybe he had a churched upbringing (though thinking of his father, I don’t know why they would attend services). He seems to hold to rudimentary Christian tenets and seek hope in a Good News Bible, but his sexual morality is complete mess and he avoids the church as if he has been wounded there. I wonder if we will see more of his faith in other books.

The main thing I disliked about this book is how the perspective jumps between many characters: a few cops, a couple victims, a newspaper man. His editor gets a couple paragraphs. The murderer gets a few lines. I think the ole universal third person may have been a better narrator.

‘Declare,’ by Tim Powers

The cracks and thunders made syllables in the depleted air, but they didn’t seem to be in Arabic. Hale guessed that they were of a language much older, the uncompromised speech of mountain conversing with mountain and lightning and cloud, seeming random only to creatures like himself whose withered verbs and nouns had grown apart from the things they described.

Wow.

To what shall I compare Tim Powers’s novel, Declare? Think of John LeCarre. And cross it with C.S. Lewis’s Space Trilogy, or… pardon my blushes… my own historical fantasy novels.

But really, it’s unlike anything you’ve ever read.

Andrew Hale is an English spy. He was born in Palestine and baptized in the Jordan River. He doesn’t know who his father was, though it’s rumored he was a fallen priest. He does know his mother was a failed nun. As a young boy he was introduced to a tall man named Jimmie Theodora, who swore him into a kind of secret organization – he didn’t understand what it was about. But eventually it led him to recruitment in British intelligence. And he began to glimpse a secret known to few and denied by all – that above the business of fighting the Germans and the Russians, there is a metaphysical war going on. Good vs. evil, principalities and powers of darkness in high places.

In occupied Paris in World War II, Andrew meets and falls in love with a Spanish Communist agent, Elena Ceneza-Bendiga, But their work will keep them apart, as Andrew carries out various assignments taking him to the deserts of Kuwait, to Turkey, Berlin and Moscow. And again and again he will come up against a man whose fate seems entwined with his – the charming, stuttering, utterly treacherous and amoral Kim Philby. The two men’s shared birthright will bring them together in epic confrontations on Mount Ararat and, finally, in Moscow.

This novel, as I mentioned last week, is very, very long. Be prepared to invest time in it. But it’s packed full of historical detail – Powers says in his afterword that all the dates and events (except for the invented supernatural activity) are scrupulously faithful to the documented record. It’s also packed with fascinating fantasy speculation.

The final impact of it all is hard to describe. Almost perception-altering. I highly recommend Declare.