Fiction, Reviews

‘The Long Farewell,’ by Michael Innes

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I knew of Michael Innes (real name J. I. M. Stewart), one of the foremost classic English mystery novelists. I’ve probably read one or two of his stories before, though I don’t remember them. A deal on The Long Farewell persuaded me to buy it. It wasn’t bad, but it shows its age (the book was published in 1958. I suppose I have to agree that that’s a long time ago, though I remember the year well).

Our hero, Sir John Appleby, Commissioner of Scotland Yard, visits his friend Lewis Packford, an amateur scholar of Renaissance literature, while they are both on holiday in Italy. Lewis appears distracted, and makes several references to amazing possible discoveries of literary documents, and also to forgery.

On his return to England, Sir John is shocked to learn that his friend Lewis has shot himself to death at his family estate. He had recently made a sensational announcement about purchasing an old Italian book of stories – with notes in Shakespeare’s own hand in the margins of the Othello story. As if that wasn’t enough, Lewis has been discovered, posthumously, to be a bigamist.

Sir John is suspicious, and heads out to the Packford estate. He finds that Lewis’ brother has kept all the people who were present at the time of the death on site as guests, so Sir John is able to re-interview them all. Slowly he pieces the wicked plot together.

The mystery in The Long Farewell was all right. The characters were all right too. It was the presentation that slowed it down. Author Innes clung to Victorian – or at least Edwardian – literary conventions. The language is flowery, and the characters tend to express themselves in the style of literary essays. The book was a slow read.

There’s nothing really wrong with The Long Farewell, if you like this sort of thing. But if you’re looking for pulse-pounding entertainment, I’d advise you to go elsewhere.

Music

Easter Singing: The Strife Is O’er, the Battle Done

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“The Strife Is Over, the Battle Done” performed by a choir under the direction of Roshni Sharon Rajan

Our Easter hymn is “The Strife Is O’er, the Battle Done,” written by an anonymous Jesuit in the late 17th century and translated into English by the Curate of Ticehurst, East Sussex, Franis Pott in 1861.

“He will swallow up death forever;
and the Lord GOD will wipe away tears from all faces,
and the reproach of his people he will take away from all the earth,
for the LORD has spoken.” (Isaiah 25:8 ESV)

Alleluia, alleluia, alleluia!

1 The strife is o’er, the battle done;
the victory of life is won;
the song of triumph has begun.
Alleluia!

2 The powers of death have done their worst,
but Christ their legions has dispersed.
Let shouts of holy joy outburst.
Alleluia!

3 The three sad days are quickly sped;
he rises glorious from the dead.
All glory to our risen Head.
Alleluia!

4 He closed the yawning gates of hell;
the bars from heaven’s high portals fell.
Let hymns of praise his triumph tell.
Alleluia!

5 Lord, by the stripes which wounded thee,
from death’s dread sting thy servants free,
that we may live and sing to thee.
Alleluia!

Religion

Holy Saturday: ‘There Is No Longer Any Prophet’

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The day between Good Friday and Easter Sunday is an odd, muted day. Between a sober Friday service, in which the Christ candle leaves the sanctuary, and a joyous Sunday service, which, if we could, we would pack with sunlight as dazzling as a Hallelujah, stands a Saturday that feels like any other end of the week. 

On that first Saturday before Easter, I doubt the disciples would find much comfort in the habits of the Sabbath. The light of the world was gone. “O God, why do you cast us off forever? Why does your anger smoke against the sheep of your pasture?” (Psalm 74:1) 

Joseph of Arimathea had put Jesus’s body in his tomb Friday night, and when he woke up on Saturday, he may have wondered how the sun was still allowed rise. How could anything carry on normally with Jesus of Nazareth in the grave? 

We do not see our signs; 
there is no longer any prophet, 
and there is none among us who knows how long. 
How long, O God, is the foe to scoff? 
Is the enemy to revile your name forever? (vv. 9-10) 

Holy Saturday is a good day to ask these questions and to consider the darkness that lingers, the dream that’s deferred, the disappointment that goes unresolved.  

Psalm 74 is a cry to God after the destruction of the temple. “The enemy has destroyed everything in the sanctuary!” (v. 4). That was in the 6th century B.C. Later, in A.D. 33, Jesus had left a similar hole in his disciples’ hearts. He had told the Jews, “Destroy this temple, and in three days I will raise it up,” referring to his body, but no one understood at the time (John 2:19, 21). On that first Saturday, it felt as if the enemy had destroyed everything. 

We live in brighter days comparatively, but it’s still easy to ask the Lord whether he has cast us off when our own bodies fail us or when our communities are threatened. How long will enemies war against us and our neighbors? Does our current pain mean he has rejected us?  

War, crime, and countless inhumanities—no one knows how long they will last. But we do know who has broken them. “Yet God my King is from of old, working salvation in the midst of the earth” (v. 12). 

O God, let us see your salvation at work with the Easter sunrise and every sunrise thereafter. 

(Photo: Sebastian Molina fotografía via Unsplash)

Fiction, Reviews

‘The Case of the Baker Street Irregulars,’ by Anthony Boucher

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I was familiar with Anthony Boucher (real name William Anthony Parker Wright), mainly because he wrote the scripts for the old Sherlock Holmes radio program. He was a prominent writer, editor, and critic in his heyday, working both in mystery and science fiction. Among his mystery heroes was a detective named Fergus O’Breen. But Fergus doesn’t appear in The Case of the Baker Street Irregulars; his sister does.

If you’re a fan (like me) of Sherlock Holmes, you’re probably familiar with two different groups known as the Baker Street Irregulars. The original group showed up occasionally in the Holmes stories, a ragtag gang of London street urchins who ran errands and served as informants for the Great Detective. The second group is an organization of Sherlock Holmes fans, originally organized in 1934 by Christopher Morley. It might be (I’m not sure) the first Fandom group. I’ve occasionally considered joining our local affiliate, which was called (last I heard ) The Norwegian Explorers.

Anthony Boucher was himself a member of the Irregulars, and paid his BSI friends the compliment of making them look like complete horses’ rear ends in his novel, The Case of the Baker Street Irregulars.

This is the scenario – the president of Metropolitan Studios in Hollywood is planning to make a movie based on the Holmes story, “The Adventure of the Speckled Band.” But he made the mistake of hiring Stephen Worth, a drunken, opinionated hard-boiled mystery writer, to do the script. Worth, however, actually hates the Holmes stories, and has been very public about it. The members of the BSI, of course, are outraged – and some of them are quite prominent and influential (membership has included, over the years, Alexander Woollcott, Isaac Asimov, and Franklin Roosevelt). So the studio head invites a group of BSI members to come to Hollywood at his expense and serve as technical advisors. He puts them all up in a large Hollywood house, and the very first night Stephen Worth shows up drunk and unleashes a tirade on them all. Later that night, he is shot to death in his room. Then his body disappears.

What follows is a very strange sequence in which each BSI member has a bizarre, improbable adventure which oddly echoes various elements from Sherlock Holmes stories. They report on these adventures to a gathering of the whole group, in monologues modeled after the ones you find so often in the Doyle stories (and I’ve always found those monologues the most tedious parts. They are no more riveting here). In the end they all gather once more to try to determine the real murderer.

There’s a lot of clever plotting in The Case of the Baker Street Irregulars. But it’s too complicated, too implausible, and too clever by half. Toward the end I stopped caring, but I did finish the book. (I might mention that Boucher was a leftie, and his political sympathies come through here and there.)

The Case of the Baker Street Irregulars is worth reading for its historical significance, but it’s not a great mystery novel. I found myself sympathizing a little with the murdered, hard-boiled Stephen Worth.

Religion

The olive press

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Maundy Thursday – that’s the ancient name the church has given to the Thursday before Good Friday. “Maundy” comes from the Latin word “mandatum,” meaning “command.” That’s a reference to Jesus’ words from John 13:34, during the Last Supper: “A new commandment I give unto you, That ye love one another; as I have loved you, that ye also love one another.” He’d already given the Golden Rule, to treat others the way we’d like them to treat us. This was a “new,” further commandment – to go beyond that rule (which is difficult enough) and love one another (I assume He means primarily other believers, though I’m sure it’s not limited to them), in the way that He has loved us – that is, all the way through suffering and death.

After the Last Supper, they went out to the Mount of Olives, a regular retreat of theirs, where Jesus prayed among the olive trees. The video above, from Our Daily Bread Ministries, explains some of the significance of that location, in relation to the events.

I knew a pastor once who insisted that when Jesus prayed that “this cup” might pass Him by, what He actually meant was that He was afraid His physical body would give out before He’d completed the work of suffering. That He was praying to stay alive until the job was done. The pastor didn’t like the idea, apparently, that Jesus could be afraid of mere physical pain.

That never made sense to me. I believe in the Incarnation – Jesus was true God and true Man. If He didn’t instinctively recoil from the prospect of excruciating suffering, it seems to me He wouldn’t be fully Man – which our creeds affirm that He was. We’re told He was subject to all kinds of temptations just as we are. I assume that one of those temptations must be the temptation to take the easy way out.

Have a blessed Maundy Thursday and Good Friday.

Uncategorized, Writing

Superfluous is suspicious

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Raymond Burr as Perry Mason, and Barbara Hale as Della Street, in Perry Mason.

Just yesterday I was talking to someone about recent reports that the most popular content on video streaming services is old, not new entertainment. This article from Screenrant lists 7 suggested reasons for this phenomenon. All of them may have validity, but I wonder if there might be one more – the fact that the older the show, the less woke it’s likely to be. The less likely it will be to try to stuff some fashionable new moral imperative down the viewer’s throat.

In my own case, I’ve been spending my evenings of late with Amazon Prime, working my way through the Perry Mason series (1957-1966). There’s some irony in this – next to Lawrence Welk, there was no show I hated more than Perry Mason when I was a kid. I found it dull – few fisticuffs or gunfights, and half the show was people blabbing in a courtroom. But my mother loved it. Today, there’s almost nothing on television I enjoy watching more than Perry Mason. I guess that means that – despite all appearances – I may have matured a little.

Something else that’s changed about me is that I’ve become a writer. Therefore, I watch for plot mechanisms. And I’ve noticed something – something that’s probably been obvious to more perceptive viewers for a long time.

I’ve figured out how to guess whodunnit in a lot of the episodes – not all of them, but many.

Watch for the superfluous character.

The thing to bear in mind is that – especially in television – especially in the old days – budgets were tight. The revision process in script development often involved finding ways to cut locations (if you can find a way to repeat shooting locations and sets you can save a lot of money) and cut characters (speaking actors are an expense. Make two characters into one whenever you can.)

So if you’re watching an episode of an old series like Perry Mason (or Murder She Wrote, or Columbo, etc.), and you notice a character who has lines (not a non-speaking extra) but seems to be there for no other reason than to make conversation, they’re not there by accident. If you can think of no other reason for the producers to pay them, they’re probably the murderer.

This goes double if the superfluous character is a familiar actor whom you’re used to seeing in bigger roles.

Written fiction is easier. You can deploy a cast of thousands at no additional cost.

Fiction, Reviews

‘The First Death of Winter,’ by Kevin Wignall

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The Senior Year Hiking Club of the exclusive Altdorf residential high school in Switzerland is on a mountain trek when a blizzard blows up. The teacher in charge makes the calculated decision –the right one, as it turns out – to return to the hotel at the cable car station rather than proceeding to their planned base camp. When they get back to the hotel, all the other tourists on the mountain have departed, and the weather makes it impossible to send another car down. But the night caretaker, a young American named Matty Burkhalter, opens the hotel for them so they can wait the storm out.

But that night, one of the students, a young woman, is stabbed to death. It’s The First Death of Winter. Matty Burkhalter finds himself responsible for preserving the evidence and (on the telephoned instructions of the police) interviewing the surviving students, now all suspects. Everybody has secrets, but Matty has a secret of his own – he’s wanted for murder in the US, and the less attention he gets from the police, the happier he’ll be.

Kevin Wignall is a reliable writer. Thrillers are his usual genre, but this one is more of a mystery, with echoes of Agatha Christie. He’s not the fanciest prose stylist out there, but his work is professional. The First Death of Winter was a low-key, satisfying mystery story. There’s a Christian character featured, who’s a little weird but sympathetic overall.

Recommended.

Fiction, Reviews

‘A Long Time Dead,’ by J. M. Dalgliesh

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The other day I reviewed a book by William MacIlvanney, considered a founder of the Scottish “Tartan Noir” school of detective fiction. I disagreed with some of the attitudes he expressed, but was highly impressed with his writing. Now I’ve read a book by one of MacIlvanney’s successors, J. M. Dalgliesh – A Long Time Dead. The writing was good in general (though a misplaced modifier sneaked past the editors), but the world view here was even less to my taste.

Duncan McAdam grew up on the Isle of Skye, but fled family tensions as soon as he could. Now he’s a police detective in Glasgow, but he’s unpopular both with his colleagues and his bosses. When they get a call that a young woman’s body has been found on Skye, buried and preserved in peat, they send Duncan off to investigate. He has no wish to go – his mother has dementia and is confined to a home there, and he doesn’t get along well with his sister. But go he must.

The dead girl has been easily identified – she is Isla Matheson, who vanished about twenty years ago and was assumed to have been a runaway. Her body shows no sign of violence. And she seems to have been a popular girl – no motive for her murder is apparent. Duncan’s investigation will delve deeply into the dark side of island life, uncovering secrets  that, like the body, have been long concealed.

J. M. Dalgliesh is a good writer. He paints his characters well and crafts effective dialogue. I quite enjoyed reading A Long Time Dead – right up until the solution appeared.

Discussing that solution involves dropping a spoiler into this review – I’ll try to conceal it, but it won’t be hard to guess. The murderer’s identity and the motive hinge, as in so many modern stories, on the guilt of the one subculture in our society that it’s still OK to stigmatize. Crazy nonconformists who haven’t evolved with the times, who don’t even merit sympathy. Know what I mean?

Anyway, A Long Time Dead was a pretty good mystery, but I’m done with J. M. Dalgliesh.

Music

Sunday Singing: O Love, How Deep, How Broad, How High!

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Our Palm Sunday hymn this year is “O Love, How Deep, How Broad, How High!” attributed to the great German scholar Thomas à Kempis (1380-1471). Originally in Latin, Benjamin Webb (1819-1885) was the first to translate it into English as a hymn. The tune is a traditional ballad from the 15th century known as Deo Gracias or the Agincourt Hymn.

“It will be counted to us who believe in him who raised from the dead Jesus our Lord, who was delivered up for our trespasses and raised for our justification.” (Romans 4:24–25 ESV)

1 Oh, love, how deep, how broad, how high,
Beyond all thought and fantasy,
That God, the Son of God, should take
Our mortal form for mortals’ sake!

2 He sent no angel to our race,
Of higher or of lower place,
But wore the robe of human frame,
And to this world himself he came.

3 For us baptized, for us he bore
His holy fast and hungered sore;
For us temptation sharp he knew;
For us the tempter overthrew.

4 For us he prayed; for us he taught;
For us his daily works he wrought,
By words and signs and actions thus
Still seeking not himself but us.

5 For us by wickedness betrayed,
For us, in crown of thorns arrayed,
He bore the shameful cross and death;
For us he gave his dying breath.

6 For us he rose from death again;
For us he went on high to reign;
For us he sent his Spirit here
To guide, to strengthen, and to cheer.

7 All glory to our Lord and God
For love so deep, so high, so broad;
The Trinity whom we adore
Forever and forevermore.

Blogs, Socials, Fiction

The Progressive Era Didn’t End Well and Alban Buns

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Last week, I told I was almost done with Mark Twain’s A Connecticut Yankee in King Arthur’s Court and couldn’t talk about it in full yet. Now that I’ve finished it, I can say I appreciate it overall and it won’t make any list of recommended reading from me. It was a little long-winded, unevenly humorous, and the point driven home at the end is an ugly one.

Twain’s Yankee engineer is an ideal man, in a sense, and very lucky. He applies knowledge to a variety of fortunate occurrences and builds a brilliant reputation for himself. He quickly earns the loyalty of people who pull him through other scrapes, even to when he takes full credit for all actions afterward. He can practically create the entire nineteenth century in Medieval England on his own. And at the height of it, when Camelot falls apart as it does in the historic legend, he says, now we must push to destroy the Catholic Church and the order of chivalry. The final chapters depict this push with horrific bloodshed that could be taken as comic if there weren’t so many bodies on the ground.

Aside: I was offended by Merlin’s stunt at the very end, because when has he demonstrated any skill of this kind before? Is or is he not a charlatan?

What should readers take away from this application of Progressive ideals on the medieval world? Does the Yankee triumph? Does he accomplish his goals?

A Connecticut Yankee was published in 1889, the end of a pretty good decade in the United States. That was before the Spanish-American War for Cuban independence, the Philippine-American War against Filippino independence, the Russo-Japanese War in which the US worked for a balance of powers, and conflicts over the building of the Panama Canal. Theodore Roosevelt was a player in all of these. After these came World War I and the Bolshevik Revolution, so one would understand if viewers came away with the impression that the great Progressive Era ushered mankind into the position he’s always wanted–to play God. If the Yankee’s ideas would not be accepted by rubes too thick to see the wisdom of them, then the rubes could die, and should die to out of the way of progress, and would die in front of the Yankee’s superior technology.

Twain was a member of the Anti-Imperialist League that opposed the U.S. war effort against the Philippines and various conflicts that gave a sense of an expanding American empire. Twain may have asked, if we were a free nation, why would we fight to subjugate other nations? Which is the very thing the Connecticut Yankee attempts in the end. He presses his ideals into tryanny and in a manner of speaking murders everyone. Maybe that was Twain’s point.

Anyway, let me share a few links before I let you go for the day.

More on Connecticut Yankee: James Turner has a long piece on Medievelists.net. “A Connecticut Yankee in King Arthur’s Court found some of its greatest and most engaged champions with Soviet artists, perhaps unsurprisingly when you consider the novel two-pronged critique of both the inherent corruption and excesses of aristocratic society and its cautious approach to the cold heart and supposedly self-defeating exploitation of workers under the capitalist system.”

Recommended changes: Agrarian author Wendell Berry offers revisions to the Marvel cinematic universe in this piece by Jeff King. “The villains have just not been believable. Why a squinting, purple monster looking to eliminate half of life in the universe when the strip mining industry is right there?”

Hot Cross Buns: Alban Buns (the precursor to our Hot Cross Buns) were first baked in 1361 and given to the poor on Good Friday. This and more history of one of my favorite rolls from Richard Baxter.

Role Models: With Purim starting, Mijal Bitton suggests American Jews look to Esther as a role model. “Esther symbolizes the way too many Jews feel today — confronted by rising hatred against their Judaism.”

Good Fun: A little love for Don Quixote. “Cervantes is ingenious.”