I came to this lost letter between two tempters late this season. Justin Wainscott found it somewhere and offers it to us for the useful instruction it has. The senior tempter advises his pupil not to try to turn his charge against Christmas all together, but to weakness his reflection on any of the details.
Keep him distracted as much as possible. “Keep him overly committed to all sorts of things (yes, even good things). Make sure he goes to every party and feels obligated to go out and purchase a gift for each one. Make sure he attends concerts and dinners and charity events. If his calendar isn’t full, you’ve failed.”
Failing that, keep him sentimental. “By all means, let him sing and be merry. Hell knows we have made good use of those kinds of things just as much as we have misery and gloom.”
Failing that, he has one more suggestion, all of which make for good advice for the coming year.
The Sussex Carol from last year’s Baylor University Christmas concert, a great use of highland bagpipes. Heard on today’s episode of The World and Everything in It.
The economy of Portsmouth was propped up on freight shipping, mountains of it. There was no new construction but this part of town looked healthy. Like, we have enough money but we don’t want nice things because sailors might break them. (Aces Full)
Jason Bourne for fans of John Eldridge.
That’s my current thumbnail description of Alan Lee’s Mack
August books, my current semi-guilty obsession.
Mack, as I’ve mentioned, is a big, strong, intrepid Christian private eye in Roanoke, Virginia, the single father of an infant. I’m reading his books so fast (in spite of recent resolutions to spend less on books) that I’m going to review two at once tonight.
Flawed Players has Mack hired by a local academic, who faces a prison sentence for stealing stuff from the neighbors in his tony neighborhood. All the stuff was found in his office closet, and he swears he has no idea how it got there. His argument is weakened, however, by the fact that he’s a classic absent-minded professor, and could conceivably have done it and forgotten. However, it’s hard to figure a motive for the crime.
On a closer, more personal level, someone close to Mack has
been murdered. He discovers that the organized crime figures whose noses he’s
been tweaking know how to hold a grudge.
In Aces Full, Mack is hired to find evidence to mitigate the sentence of a confessed murderer named Grady Huff. Grady is rich, entitled, and the biggest ass Mack has ever met. But his lawyer thinks there’s something more beyond his story that he killed his house cleaner purely on a whim.
Meanwhile, Mack is learning more about the woman he loves,
the incandescent “Ronnie” Summers. She has dark secrets, and deep obligations
to some very bad people. Mack conceives a plan to set her free, centered on an
epic underworld poker game, which will take a dramatic and unexpected turn.
I’ve described this series as a Christian one, but I’m
ambivalent about using that term. It’s Christian in the sense that the hero is
a Christian, trying to live a Christian life. But he’s not the kind of
Christian you’d expect – his best friend is a corrupt US Marshal, and another friend
is the local cocaine distributor – who also goes to his church.
I’m reminded in one sense of the minor controversy that
exists around Veggie Tales. The Veggie Tales videos are clever and entertaining
productions promoting Christian values. But, as some have noted, they’re not
Christian in the sense of sharing the gospel. They’re all Law.
In the same way, a reader of the Mack August books might
come away thinking that Christianity is just a set of rules to live by – and most
of us wouldn’t stand up as well as Mack does to the extreme temptations he
faces. Even his cocaine-merchant friend has asked him whether he’s shared the
Good News with Ronnie (who would appear to need it desperately), but Mack never
gets around to it.
So I’m still not sure what to say about these books from a
theological perspective.
But I sure am having fun reading them. (In spite of some
homophone problems in spelling.)
Recommended, with cautions for adult themes, violence, and
language.
How many Christmas songs do we play that don’t have anything to do with Christmas? “Baby, It’s Cold Outside” (with a new cute video from Idina Menzel and Michael Bublé) is a winter song, not a Christmas song, but then “Silver Bells” is a Christmas song, and it has very little to do with it.
“My Favorite Things,” “It’s a Marshmallow World,” “Let It Snow,” “Winter Wonderland,” “Frosty the Snowman”? Not Christmas songs. How did “My Favorite Things” get on the seasonal playlist anyway?
Maybe the same way a movie set in December with Christmas trees, perhaps with a Christmas party, gets labeled as a Christmas movie. Is Die Hard a Christmas movie or a movie set near Christmas? Is Home Alone one? (BTW, the score from Home Alone has good Christmas music. “Star of Bethlehem” is marvelous.)
Dixie-Ann Bell writes, “5 Reasons Little Women is a Great Christmas Movie” She enthuses over the theme, and oh my word! I tucked the main theme from this Thomas Newman score into my head years ago and forgot where I’d heard it. I don’t remember where I thought it was from; I think I ruled out Emma and Sense and Sensibility.
Scrooge did not recognize the fog surrounding him. J. G. Duesing writes,
When Scrooge is first greeted by the caroling of “God rest ye merry, gentlemen,” he responds such that “the singer fled in terror, leaving the keyhole to the fog.” Dickens’s fog is not dismal or dark, Chesterton says, but rather something that draws in and, in the case of Scrooge, corners. Fog “makes the world small …”
I am now officially obsessed with Alan Lee’s Mack August mysteries. Expect the reviews to come fast and thick for a few days.
Mack, as I’ve told you previously, is a big, strong
Christian private eye in Roanoke, Virginia. He’s not a model evangelical – he drinks
a little, and uses bad language now and then. And occasionally he fornicates,
though he always resists it and has not consummated his passion for “Ronnie”
Summers, the girl he loves. Unfortunately she’s engaged to another man (the
marriage was arranged by her father, who happens to be a local drug lord).
Mack knows there will be trouble at the beginning of The Desecration of All Saints, when two vestrymen from the big Episcopal church in town come to hire him. They want him to investigate their pastor, a celebrity preacher named Louis Lindsey. One of his subordinates has complained that Lindsey has been making homosexual advances. They are sure the accusation is groundless, but they want Mack to look into it, just to vindicate their pastor.
As he investigates, Mack discovers that there’s good
evidence the accusations are true.
Even worse, a local boy has been kidnapped, and Mack begins
to suspect that Lindsey is the one who took him. And is likely to kill him, if
he can’t be stopped.
Funny, engaging, and sometimes inspirational, I enjoyed The Desecration of All Saints. The book (which is marketed as a stand-alone, not part of the series, for some obscure reason) has flaws. Part of the fun of Mack’s character is his self-deprecatory humor, often framed in elevated vocabulary. But (in this book more than the others I’ve read) he uses the words wrong occasionally. He also falls victim to homophone confusion. This one needed a better proofreader.
The Desecration of All Saints also deal with a touchy subject – homosexuality. As Mack expresses his views, he’s more easygoing about it than I am, falling into the “we’re all sinners, gayness is no big deal” school. However, he also seems to suggest that lack of father figures is a contributing factor to homosexuality, so he’s not entirely in the “enlightened” camp.
I might also mention that if you like sexy books – as opposed to dirty books – you can hardly look for hotter stuff than the Mack August series. Unlike most fictional private eyes, Mack tries to shun fornication, which means that in the scenes where “Ronnie” comes on to him, the sexual tension is off the charts. There’s nothing so erotic as chastity, and that’s proven here.
Recommended, with cautions for language and subject matter.
Michael Francke made a new for himself as a clear-headed director of New Mexico’s Department of Corrections. The governor of Oregon appeared to have wanted his clear thinking for his state’s department of correction when he offered him the position in 1987, but as the excellent podcast Murder in Oregon reports, nothing was it appeared in the Beaver State.
The day before Francke was scheduled to present evidence of corruption within his department and his recommendations for resolving it, he was murdered in the parking lot of his government office. Exactly what happened on January 17, 1989, remains a mystery. What’s known is that he was stabbed in the chest and bled out on the steps of an unused office doorway.
A guard says he saw two men standing by Francke’s car, and when the left each other, one of them ran across the parking lot, the other walked back toward the office in no particular rush. The guard did not stick by that testimony in trial, but why he changed his mind is only one of a thousand odd details about the Francke’s murder and the sorry investigation that followed it.
Listen the podcast trailer here or through your podcast app, and you’ll hear a bit of their great storytelling. A columnist who has written about this story for years is one of the show’s producers, so we get full accounts of the events in 1989 in light of evidence hidden from the public or ignored by authorities at the time.
Every episode is engaging, unlike some true crime; the most recent one, number nine, exposed the horrific, manipulative nature of one of the suspected officials. Considering they convicted an innocent man, put him away for almost 30 years, and avoided prosecution themselves, I’d say they got away with it, even if it catching up to the living next year.
“It’s reverse sexism to pretend girls are never girls and never experience distress. That creates faulty and impossible standards, like magazine covers.”
Pending surprises, I’m pretty much all in on Alan Lee’s Mack August detective series now. And for some of you, that will be a sign of reprobation in me. Because these novels have Christian themes, but they are morally complex and there’s a limited amount of full-blown profanity and obscenity. I don’t think I’d have the nerve to write books like these. But I’m enjoying and appreciating them.
Mackenzie August is a private eye in Roanoke, Virginia. He’s a former cop and underground cage fighter, also a former youth pastor and English teacher. He goes to church and reads the Bible, but is a work in progress, wrestling with how to be a Christian.
In August Origins, the county sheriff comes to Mack’s office, along with a local policeman, to request his help. A new drug boss has moved into town, and the street gangs have adopted a practice imported from California – each new member must “make his bones” by killing an innocent teenaged girl. Three have died so far. They want Mack to go to work temporarily as a high school teacher, to try to figure out who’s running the gangs.
Mack is always up for a challenge. He likes teaching and is
good at it. He cares about the kids and tries to help them. But he observes
some hinky stuff going on – and then the word spreads among the student population
that Mr. August is a nark. His life and those of some of his students will
depend on his identifying the drug bosses, and putting a stop to them.
Also he meets a girl who fascinates him – Veronica “Ronnie”
Summers, local lawyer and part-time bartender. She’s all he’s ever wanted, but
if he wants to be with her, he’ll have to make a moral compromise he’s not
willing to make.
There are some shocking elements in August Origins, and the resolution is not very neat at all. But the effect is more realistic than what you’ll generally find in Christian fiction, and that particular story line is not finished yet.
Not for the squeamish, or those offended by profanity. But I rate August Origins very highly.
“I don’t know. I don’t go to church, I don’t have any religious friends, I don’t like the christian radio stations, I drink, I don’t feel like baptists would like me anymore than I like them. I read but cannot understand the Old Testament. Sometimes,” I said, and paused. “Sometimes I don’t even think God likes me very much, though I know that’s not true. Whatever that is, that’s what I am.”
Now here’s an intriguing book, part of an intriguing series. A Christian mystery series, which many Christians will hate. The Last Teacher is a sort of prequel to the Mack August series by Alan Lee.
Mackenzie August is a former cop and former underground cage fighter. Also a former youth pastor. A single father. Now he’s taken a job as a middle school teacher in the small town of South Hill, Virginia. Just trying to figure out where he belongs in the world, and puzzling over God’s will. He’s pretty sure that will does not include a relationship with the hot teacher who starts throwing herself at him from the day he arrives.
Shortly thereafter, he discovers the body of a fellow
teacher, shot to death in the school yard. Mack isn’t sure whether he’ll make a
good teacher, but he’s a good detective. He’ll need to be, especially when
another teacher is murdered in the same way. Mack begins to realize that
someone is fixating on him, killing the people around him out of some kind of
twisted obsession. That’s personal enough, but when his baby son gets
kidnapped, it becomes a matter of life and death.
Alan Lee is a very brave writer, braver than I am, for good
or ill. He grapples head-on with one of the major challenges facing Christian fiction
writers today: the problem of realistic language. The time has passed when you could
get away with having worldly and depraved characters confine themselves to expletives
like “gosh” and “darn.” The audience expects people to talk the way they would
in real life. That means using language most of us don’t want to spread around.
Author Lee uses that language. The book isn’t full of
profanity or obscenity, but it’s there. It will shock and offend many Christian
readers. But it’s possible that Lee isn’t writing for the healthy, but for the
sick, who are in need of a physician, as the Gospel says.
One of the many things I liked about The Last Teacher was Mack’s voice as narrator. He speaks in the tradition of Philip Marlowe, that tough guy/erudite voice with just a hint of self-mockery. Alan Lee writes this kind of stuff very well indeed. I laughed often as I read. Another trope in detective stories is gorgeous women throwing themselves at the hero. That’s present in these books too, with the novelty of the hero resisting those women.
I found the final resolution a little implausible, but that
may just be due to personal prejudices.
If you’re morally offended by bad language in Christian
stories, stay away from the Mack August books. But if you’re open to it, there’s
a good time reading to be had here.
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