John Murdock talks about beautiful, but problematic the movie Silence is. It isn’t a success story. The power of believing doesn’t end the war. It ends on a note that will need explanation for many viewers.
In an age of ISIS brutality, its themes are sadly relevant today, and it opens a window on a period in church history of which too few are aware. It is not a perfect picture, but those who proclaim it a masterpiece have reason to do so.
If you’ve followed my reviews of Ben Aaronovitch’s Rivers of London series of comic-mystery fantasies, you know that Detective Constable Peter Grant works for “the Folly,” a secret division of the London Metropolitan Police. The Folly’s brief is to deal with supernatural, magical crime. Peter is still learning his magical craft under Inspector Nightingale, an eccentric officer over a century old. The “Rivers” of the series title refer to several women who are in actuality the local goddesses of London’s various rivers, the daughters of “Mother Thames.”
In this installment, The Hanging Tree, a young socialite is found dead of a drug overdose in an upscale apartment building. The investigation turns up connections to certain members of Mother Thames’ family, and so the Folly is called in. Their inquiries uncover drug dealing among members of the semi-magical “demimonde,” and the trail leads to the Faceless Man, a magical supervillain Peter and Nightingale have been hunting for some time. It all culminates in a magical showdown in which a great deal of real estate gets trashed.
As always, the writing is excellent (although I’m annoyed by Peter’s narratorial tendency to use the construction, “me and x did so and so”), and the story combines excitement and wit.
However, I think this will be the last Rivers of London book for me. The series bears a resemblance to the revived Doctor Who TV series (for which author Aaronovitch has been a writer), including its ideological themes. Each book works more LGBTQ (etc.) characters in. I suppose the idea is to acclimate the reader to such things, in a frog-in-the-kettle manner. However (as you probably know), the frog in the kettle is an urban myth. Real frogs in real life stay until the water gets uncomfortable, and then jump out.
Which I’m doing now.
theconversation.com had an article on bookplates yesterday.
Edwardian readers were expected to share books from their own library with others, and so very special attention was paid to the plate design, to indicate the type of person that the owner was. While the wealthy were able to afford privately commissioned plates by famous artists, the average Edwardian depended on stationers or booksellers for mass-produced plates, or something from a pattern book. For the bibliophile, choosing a bookplate was a delicate process and the purchase commanded quite a price, varying from £2 to £50 – roughly £220-£5,500 today.
I’ve got some bookplates around here somewhere – in my old desk, I think. I used to have a store where I could pick them up, and I had a favored design – an etching of a full-face lion who reminded me of Aslan. It was an Antioch design, but I don’t find it at Bookplate Ink, which claims to have the largest online supply of Antioch plates.
Some years ago somebody gave me one of those embossers with Ex Libris and my name on it, so I mostly gave up bookplates. And of late I’ve bought most of my books in electronic form.
Hey — there’s a business opportunity! Bookplates for ebooks!
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The great Dave Lull sends a link to an interview with Anne Kennedy on The Eric Metaxas Show. Anne is the author of the devotional book Nailed It, which I reviewed here.
And our friend Ori Pomerantz recommends this link to the Federalist, where John Ehrett imagines the “hot takes” (a new term to me, I’ll admit) that might have been published if C.S. Lewis’ Narnia books had been published today.
Reason: “Narnia Doesn’t Need Kings”
In “Prince Caspian,” the Telmarines were on the cusp of transforming Narnia into a successfully modern state that would’ve created job opportunities for everyone. Aslan’s violent return destroyed valuable capital and plunged the regime back into a preindustrial dark age. The GDP losses are incalculable. For shame, Aslan.
In celebration of its 25th birthday, Mall of America is holding a contest to choose that wonderfully creative soul who will spend five days “deeply immersed in the Mall atmosphere while writing on-the-fly impressions in their own words.”
Dude, is this not a call for a writers riot? Several writers should immerse themselves in this mall, if not one of the many malls across America, to write “impressions” of what they see. Nothing could possibly go wrong with that. Don’t let a good challenge go ignored. Post your short impressions here.
Micah Mattax says, “For some reason, my on-the-fly impressions of malls always come out Ecclesiastes, so I won’t be applying. Still, that $400 food court gift card is pretty tempting.”
You bet it is. What are your impressions of a food court feast? What snatches of conversation do you hear as you walk? Is there a spiritual dimension to riding an escalator? America needs to know.
Sometimes there’s nothing much really wrong with a book except that it annoys me. That was my problem with Dead Wood, the first volume of the Grosse Pointe Pulp series, by Dan Ames.
The hero, John Rockne, was once a Grosse Pointe policeman – very briefly. Then one night he made a well-meaning decision that cost a man his life, and him his career. Today he’s a private investigator in the upscale Detroit suburb. He’s married and a father.
He gets a visit from a retired Country music star. The man’s daughter, a brilliant guitar maker, has been brutally murdered. The police blame a junkie who broke into her workshop, but the old man is sure it was his daughter’s boyfriend, whom he never liked.
John’s investigation leads him into the world of music recording, where the daggers in the back are not always metaphorical. He also comes face to face with a very old enemy.
This synopsis makes the story sound fairly grim, but in fact the tone is relatively light – which was one of the problems for me. John Rockne (who has a Norwegian name but never mentions being Norwegian, only one of the things I didn’t like about him) is a wiseacre. Now wiseacrey is a cherished tradition among hard-boiled private eyes. But you’ve got to earn the right to it, and John doesn’t (in my opinion). He’s not really hard-boiled. In fact, he’s kind of a wimp, constantly nagged by his wife and his older sister. He doesn’t show much sign of fighting ability – but nevertheless manages to survive, apparently mostly by luck, even when set upon by a pair of bodybuilders. In a related issue, he suffers from Fictional Transitory Injury Syndrome, the condition common to TV and movie heroes, where a guy suffers fairly serious injuries one day, and then seems entirely untroubled by them the day after.
On the plus side, I thought the prose wasn’t bad, and the ending of the book was quite affecting.
But, although this is a three-book set, I didn’t like Dead Wood enough to read the follow-up books. At least for now. Your mileage may deviate.
Cautions for language.
Rachel Griffin flies again (on a broom) in the third entry in the Unexpected Enlightenment series by L. Jagi Lamplighter: Rachel and the Many-Splendored Dreamland.
If you’ve missed my reviews of the first two books, Rachel is a freshman at Roanoke Academy of the Sorcerous Arts, an institution invisible to the Unwary (non-magical) World. Similarities to the Harry Potter books are obvious, but there are important differences too. The chief one is that the Unwary World of these books is different from ours in important ways.
Rachel has only been in school a short time, but has already been through a series of perilous adventures. This time out, she and her friends (who include a princess and a dragon-slaying orphan boy) are refining techniques for traveling in dreams. One of their friends has the ability to enter the dream world and move through other people’s dreams, which allows them to travel anywhere that someone is dreaming of, so long as they keep holding hands. As before, Rachel acquires knowledge that permits her to help thwart the plans of demonic forces – though she never gets credit.
A highlight of this book is a daring visit to the Ghost’s Ball at Halloween, where Rachel and her boyfriend meet various ghosts, some pathetic, some evil, some quite nice – and are able to do favors for a few of them.
As with the previous two installments, the whole thing ends in a rousing sorcerous battle scene, well worth the cost of admission.
I’m enjoying the Rachel Griffin books quite a lot, and look forward to the release of the next one. I was particularly pleased to see that Christian themes are beginning to come into focus.
Recommended.
In St. Petersburg, Russia, publisher Alfaret has opened a Gothic-style library that is more a book-themed experience than a place to read or check out books. In fact, I don’t think you can check out anything from Book Cappela‘s over 5,000 edition collection.
What you can do is pay about £100 for a four-hour visit to study the collection or buy an annual card, making you a “Book Apostle,” for £3,209. Life-long members are also available.
For these prices, you can review Alfaret’s collection of Russian and international masterpieces in leather chairs under the kind gaze of the apostles.
“Book Capella is not a library in the traditional sense, and it is not a museum, although elements of the museum are presented. It’s also not the bookstore, although you can buy our books here. [It] is a new way for people to communicate with rare books,” Irina Khoteshova, the project director, told the Guardian.
A character I had to read a lot about in the previous couple years was Melvil Dewey (a spelling reformer, he reformed his own first name), the father of modern librarianship and inventor of the Dewey Decimal System. He was a crank generally, but he left his mark.
Atlas Obscura today has an article about another of Dewey’s projects — he didn’t invent it, but he promoted it heavily. “Library hand” was a form of handwriting librarians were expected to master before typewriters became ubiquitous.
Influenced by Edison and honed via experimenting on patient, hand-sore librarians, library hand focused on uniformity rather than beauty. “The handwriting of the old-fashioned writing master is quite as illegible as that of the most illiterate boor,” read a New York State Library School handbook. “Take great pains to have all writing uniform in size, blackness of lines, slant, spacing and forms of letters,” wrote Dewey in 1887. And if librarians thought they could get away with just any black ink, they could think again real fast. “Inks called black vary much in color,” scoffed the New York State Library School handwriting guide.
My MLIS training was deficient. They didn’t teach us a thing about this.