Mary Tyler Moore (1936-2017)

Mary Tyler Moore

Years ago, a friend of mine told me he’d met Mary Tyler Moore in connection with his business. I realized at that point that that was pretty much my personal definition of Making It In Life – getting to meet Mary Tyler Moore. I never did, of course.

I remember when the Mary Tyler Moore Show began. I was away at college, and I’d read in the paper that she was doing a situation comedy set in Minneapolis. “Well that’s bound to bomb,” I said. “Nothing set in Minnesota ever succeeds. Look at the Twins.”

Not for the first time, I was spectacularly wrong. The Mary Tyler Moore Show was a monster hit, back in the days when the whole country watched just three networks. It was a new thing – a character-driven comedy, the harbinger of a series of great shows that followed, two with Bob Newhart, Cheers, Taxi, WKRP in Cincinnati, etc. I don’t think they do such shows anymore.

In the Twin Cities, we can’t help but think of her as one of our own. She put us on the map, in a new cultural way. There’s a statue of her throwing her tam in the air on the Nicollet Mall (though I believe they moved it recently, and I don’t know if it’s been returned to the spot. I don’t get to the Mall much anymore. It’s pretty Mary Tyler Moribund).

She got her big break with The Dick Van Dyke Show. According to the story, the project began as a vehicle for Carl Reiner, who played the TV writer husband living in New Rochelle, NY. But the pilot failed, and Reiner was humble enough to accept audience feedback that said they just didn’t like him in the role. So they cast a rising young comic named Dick Van Dyke in his place. As they searched for an actress to play the wife, producer Danny Thomas remembered a girl he’d auditioned as his daughter on his own show. She was great, but he thought nobody would ever believe a girl with such a tiny little nose could be his daughter (Sherry Jackson got the part). They auditioned Mary, and the rest is legend.

She had a copyright on “adorable.” In the years since her two big series, she was active in a number of causes, including campaigning for fetal stem cell research (she was a diabetic). She also did the pro-suicide play “Whose Life Is It, Anyway?” on Broadway.

But pretty girls get a break with me. And nobody was prettier than her. Few brought more joy through their work either. RIP.

He done her wrong, but not that way

Atlas Obscura is fascinating blog. Recently they examined the common belief that old silent movies used to show women put in peril by being tied to railroad tracks by villains. Turns out it never happened — except in parody.

This sort of train-based peril became a regular element of the melodramas as a cheap and easy way to create suspense. Moving into the early-20th century, and the silent film era, many films took their cues from those same 19th-century stage dramas. One of the more famous examples of this type of story was the serial The Perils of Pauline, which saw the titular heroine encounter all kinds of scoundrels and villains each week, who would put her in life-threatening danger—although it is important to note that she was never tied to the railroad tracks. This sort of overblown adventure tale became a well-known story type in its time, but that melodramatic style also inspired some comedies, which spoofed some of the more overused elements of the genre.

Read it all here.

How Victorian Literature Inspired African-American Writers

Despite many arguments to the contrary, many writers and literary advocates have yearned for unique voices within single cultural traditions. In the early days of this country, we wanted to forge distinct American literature that was not dependent on our British roots or British authors. We continue that yearning in all artforms today. You’ll remember that one of the strength’s of the Netflix original Luke Cage is how culturally black it is.

In his fascinating and original new book, Reaping Something New: African American Transformations of Victorian Literature, Daniel Hack provocatively joins the contrarian chorus by examining the relationship between one of the most marginalized literary traditions and one of the most dominant. He has found that a wide range of the most important 19th-century African-American writers drew from and engaged with writers of equal importance to the Victorian literary tradition.

While it may be natural to want one’s own voice in art, many of us may unrealistically define that uniqueness. We may chafe at anything at smacks of dependency while ignoring the relationships and influences we cannot avoid. Nothing, after all, is truly original. (via Prufrock)

Landmarks and visions

Landmark Center
The Landmark Center in St. Paul. Photo 2005 by Mulad.

The old US post office, custom house, and court house in St. Paul, built in 1902 and home to much graft and corruption in its time, is now called Landmark Center. They’re a little more tolerant of architectural treasures in that city than in Minneapolis, so it was saved from the wrecking ball and now exists as a cultural center. Once a month they host events for various ethnic groups. This month (yesterday) it was the Danes, and we Vikings were asked to man a table for the event. Three of us showed up. We had a pretty good time.

Lots of visitors, and lots of questions, many from children, which is always nice. I was able to explain how people got the idea that Viking helmets had horns, and how chain mail was made. Sold a couple books and several bits of leather work.

One of the best parts was that we were right next to the aebelskiver stand. Aebelskivers are Danish pancakes, formed by secret and occult methods into spheres. They’re generally served with powdered sugar and strawberry preserves. Delightful.

I also had the pleasure, over the weekend, of receiving another tip from Dave Lull. He remembered that I’m fond of the late D. Keith Mano, and he alerted me to a reprint of one of Mano’s old columns over at the National Review. They’re going to be publishing a series of them over the next few weeks. This one concerns a series of visions of the Virgin Mary in Bayside, Queens, New York back in 1975. Mano describes his “investigation” in bemused and gentle terms.

The church of St. Robert Bellarmine—now half school, half gym—stands two blocks up. There used to be a statue on the corner: large copy of those Virgins in telephone booths that wait outside Catholic houses. Veronica had her first visions here. But, as crowds grew, an unsympathetic Mother Church had the statue sledgehammered away. So much for mariolatry. You can still see the pedestal stump, cordoned off by wooden snow fencing.

It occurred to me to do a web search on Dave Lull. Turns out he’s not merely a reader of this blog, which would be enough to adorn the fame of any man. He’s a librarian (thus one of nature’s noblemen) and a facilitator of blogs. Blogless himself, he sends tips like this to a number of book bloggers.

I am honored to be among that number.

Roots in the Mali Empire

One of the things I appreciate about the history books we’ve used with our children is their scope. They are world history books and cover more than Western civilization. As a result, we’ve learned about African kingdoms, the ebb and flow of Japanese and Chinese empires, and a bit about missionary efforts along the way. I wouldn’t be surprised if my children knew something about Sundiata Keita and the Mali Empire, one of the greatest kingdoms of ancient Africa.

Philip Perry has a piece on how a Magna Carta-like document may predate the Magna Carta in the oral history of  the Mali Empire of 1200-1600 AD, thus making the concept of human rights initially an African idea. Not that the “Manden Charter” was the inspiration for the Magna Carta, but it’s interesting that a similar idea emerged in this other context, showing perhaps the innate longing of the human heart.

I bring this up today because Alex Haley’s Roots points back to the people who lived in this part of the world, as Perry notes. The original mini-series based on that book aired today in 1977. Haley called his book a mixture of facts and fiction, but he may have claimed more facts than he should have.

Denying Christ, with a smile

A while back I wrote a post in which I predicted, somewhat audaciously, that the mainline Protestant churches will eventually convert en masse to Islam, since social pressure will be great, and their current beliefs about Jesus aren’t really that different from those of Muslims.

An intelligent commenter who called him/herself “MainlineProtestantWhoLovesJesus” objected that I was caricaturing the mainline churches, and oversimplifying.

In rebuttal, I offer the video at this link (I can’t find a way to embed it).

If you don’t care to click the link, let me summarize. This is a video produced officially by the very liberal United Church of Christ. In it, three smiling clergypeople — a UCC minister, a rabbi, and an imam — switch their vestments. Then they preach in the others’ houses of worship. Their sermons are exactly the same. All the listeners are pleased.

The video ends with the message, “The things that unite us are greater than the things that divide us.”

They do not note (or do not care) that the major thing that divides us from Muslims and Jews is Jesus Christ, risen Savior and Lord.

The inescapable message is that to them, Jesus Christ is a secondary “thing.”

That is plain apostasy.

Now explain to me how a church that believes this way will never convert to Islam.

Extinction is relative

Yesterday I ran across some remarks by philosopher of science Michael Hanby that contrast the understanding we discern in Shakespeare with the attitudes common on university campuses today.

Hanby says, “Your final philosophical options come down to two. Either there is a word, or a logos, at the foundation of reality, so that reality is inherently intelligible and meaningful, and therefore there are natures, forms, that persist in spite of the flux of history and time; or, reality is fundamentally meaningless, and meaning is kind of an epiphenomenal construct superimposed upon it.”

To take a familiar example of the second alternative mentioned by Hanby: In today’s colleges of education, constructionism is common. Colleges of education may require that all faculty teach according to constructionism. Constructionism holds that the world is meaningless except insofar as human beings make/devise/construct meaning. Before the appearance of human beings like ourselves, there was no meaning. Today it is obvious, constructionism says, that humans do make meanings. However, the meanings that they make can’t be confirmed by an appeal to objective, perennial truth because there never was such a thing.

The passage above comes from a short article written by the English professor friend I mentioned yesterday. I won’t print his name here because he has to live and work in the academic world, but I quote him with his permission.

I think I might have given an unfair impression in what I wrote about relativists yesterday. I may have suggested that I thought that such people cannot love. That is, of course, unfair. They are our fellow human beings; they have the same passions as the rest of us. They love their lovers and their children and their families. They thrill to great music and literature. They grieve over disappointed hopes, and over the deaths of friends and loved ones.

Their problem (it seems to me) is that they don’t know what to do with those passions. Look at what my friend wrote above. The relativist thinks that his love for people or things is something he himself created, somewhat arbitrarily. He feels that such feelings are right, but he can’t give a reason why they are better than feelings of hate, other than that they have social utility. But who is to say that social utility itself is good? Continue reading Extinction is relative

The lonely relativist

That which was from the beginning, which we have heard, which we have seen with our eyes, which we looked upon and have touched with our hands, concerning the word of life— the life was made manifest, and we have seen it, and testify to it and proclaim to you the eternal life, which was with the Father and was made manifest to us— that which we have seen and heard we proclaim also to you, so that you too may have fellowship with us; and indeed our fellowship is with the Father and with his Son Jesus Christ. And we are writing these things so that our joy may be complete. (1 John 1:1-4, ESV)

The moment someone says, “The Lord said to me…” or “The Lord moved me to…” do this or that, a great skepticism descends upon my spirit. For that reason, the fact that I feel that God told me to post something on this blog tonight suggests to me that I’m probably deeply wrong in some way. But let’s run with it and see how it goes.

Last night’s post was OK as far as it went, but I felt that I hadn’t been clear enough on the reasons for my Second Refusal – the refusal to adopt a relativistic world view. And I’m reading a very long book right now, so I won’t have a review to do for a few days. So I thought I’d say more about relativism, and why it’s so deadly.

And then I opened my Bible for devotions this morning, and there was the passage I’ve transcribed above. And I thought, “This is exactly what I want to write about.”

And then I got an email from a friend who teaches at a state university, discussing “constructionism,” the relativistic literary-critical theory that reigns supreme at most institutions of higher learning today. And I thought, “This is exactly what I want to write about.”

So I thought maybe I ought to write about it. Could be mistaken.

The problem with relativism (by which I mean the dogmatic belief that everything is relative. Some things really are relative, of course), as I see it, is that it’s essentially solipsistic. The postmodern relativist is not sure that anything exists, except himself (and he’s not entirely sure of that). Continue reading The lonely relativist

“All I Need Is Everything”

Calm down. Be still.
We’ve got plenty of time to kill.
No hand writing on the wall:
just the voice that’s in us all.
And you’re whispering to me,
time to get up off my hands and knees,
’cause if I beg for it, it won’t come.
I find nothing but table crumbs.
My hands are empty. God, I’ve been naive.

Two rejections

I seem to have stirred up a very small tempest with my review yesterday. The author of the book I reviewed (who seems to be a splendid guy) linked to my review on Facebook, and his fans went into a minuscule feeding frenzy. A couple of them even commented here. One concluded that because I believe that “truth is one,” I must be opposed to freedom of religion. This is a common misconception, especially among liberals. They assume that, like them, we on our side wish to criminalize all ideas we disagree with.

Easy mistake to make, in the hall of mirrors that is the modern world.

I wanted to re-state and elaborate on what I wrote last night. I have two arguments, each of which involves a Great Rejection.

I reject the idea of connecting religious truth to race or ethnicity in any way (except for the special calling of the Jews, a unique case and not exactly a privilege). If truth is different depending on the color of your skin, then the races will never be reconciled, because people of one race are essentially different – at their very core – from people of all other races. If truth depends on race, segregated churches are a good thing.

Christianity has rejected this idea from its very beginnings (read Acts 10).

It would seem to follow from this argument that I’m accusing my opponents of being racists. I actually think that very unlikely. They are almost certainly not racists. They are either a) unthinking, or b) relativist.

Most modern people don’t actually think their ideas through. They absorb, from TV, movies, and web sites, what the culture tells them to think, and they think that (to the extent that they think at all). Especially if it feels good. The idea of ethnic religion – when applied to minorities – feels broadminded and multicultural. So they adopt it, without worrying about the implications.

Others consider the issue of truth irrelevant. They believe that there are many truths. Your truth may not be my truth, and therefore black or red truth can be different from white truth. Everybody’s truth is equally good. And if the truths contradict one another, well, you just say that because you’re Eurocentric (“white truth” is considered slightly less true than the others).

I have always rejected the view that ultimate truth is relative. I will continue to reject it, God willing, until the day I die.

Book Reviews, Creative Culture