Tag Archives: Joseph Shaylor

On Bookselling and Encouraging a Desire for Books

In his book on the bookselling business, Joseph Shaylor notes Dr. Johnson’s recommendation for sharing sales revenue among all participants in the year 1776, saying “the country bookseller selling a book published at twenty shillings” should retain 3 shillings 6 pence from the sale. No less than that is possible, the good doctor writes, because booksellers operate on paper-thin margins (ba-dum-ching). Writing in 1911, Shaylor notes the same was true during his career and makes this important business principle:

All retail establishments exist either to create a want or to supply one. This applies equally to a bookseller — either he must help to educate the public to be lovers of books, or he must simply exist to supply such books as an educated public requires. The former is to be desired, and the greater the inducements held out to encourage men and women of intellectual aptitude to be distributors of books the better it will be both for themselves and for the trade they represent.

— Shaylor, The Fascination of Books with Other Papers on Books & Bookselling

Perhaps even more than publishers, booksellers need to cultivate a market both of readers and people who appreciate owning books themselves. In that vein, David Kern, proprietor of Goldberry Books in Concord, NC, reviews The Bookshop: A History of the American Bookstore. “As recently as 1993, 13,499 independently run bookshops were open across the country,” and yet historian Evan Friss states, “Americans have never really been readers.”

Last week for National Read-A-Book Day, a Philadelphia Barnes and Noble invited two dozen authors “to come down to the store, sit in the leather chair in the window display outfitted with a side table and lamp, and silently read a favorite book.” The store manager said her staff thought it a crazy idea, but the authors loved it.

Of course, all bookshops should be as attractive and picturesque as we imagine ourselves to be. Scrivener’s Books & Bookbinding in Buxton, Derbyshire fits the bill. Liv Clarke visited the other day and called it magical. The shop boasts five floors of books with a cellar housing “the smallest Victorian Museum in Buxton . . . found next to the buildings’ original stove.”

The Rise of Christmas Books in Britain

Giving books at Christmas has been a long tradition with readers. In the early 19th century, plenty of books sold in the weeks preceding Christmas, but none of them were published for the season. Often people bought attractively bound collections of essays, poems, or classic novels that they knew they would enjoy.

In one of his books on the industry, publisher Joseph Shaylor writes, “Between 1820 and 1830 there came into existence a series of Annuals which caused quite a revolution in the sale of books for Christmas.” British bookman Rudolf Ackermann came up with the idea, publishing Forget-Me-Not: A Christmas and New Years Present for 1823. They were published every year through 1848, having a circulation of 18,000 at the height of its popularity.

Cover of 1823 annual, titled "Forget Me Not"

Another publisher released Friendship’s Offering in 1824, which found its way to America some years later as knockoff copies. Apparently, many volumes were hacked this way in America, even lesser works rebound and distributed under new popular titles (which sounds like clickbait to me). Friendship’s Offering may have published some higher quality literature than most. For example, Thomas Babbington Macaulay’s poem “The Armada” was printed in the 1833 edition. It ran until 1844.

Engraver Charles Heath launched multiple annuals, “such as the Picturesque Annual, in a guinea volume which contained engravings from the best landscape painters of the day,” and The Book of Beauty, edited by Marguerite Gardiner, Countess of Blessington and Irish novelist in her own right. Her social influence drew attention from many literary stars and would-be stars, including Disreali.

“The rise of the Annuals appears to have diffused a fashion for artistic and elegant pursuits, and helped to evolve a taste for literature and the fine arts. They were the principal publications of the year, and much time and consideration were given to their production.”

Booksellers have tried to inspire an Easter season of book-giving to no avail.

All right. What else we got?

Literary Translation: Joel Miller talks to Russian translator Lisa C. Hayden about the art of moving a novel into another language.

When it comes to translation choices, there’s not always a “right” choice, just the choice that seems best. How does literary intuition play into your work?

I rely a lot on intuition. It particularly kicks in when I’m reading the manuscript out loud. I’m listening for lots of things but particularly want to feel that there’s an ease to the reading and a rhythm to the writing. I know when they feel right but rarely know how to explain why they feel right.

Secular Morals: Seth Mandel writes the former director of Human Rights Watch “is what you’d get if Soviet ‘whataboutism’ were a person, a golem manifested by the chantings of Oberlin freshmen. . . . HRW and Amnesty International both had no idea how to handle a post-9/11 world because terrorism didn’t really fit into their worldview.”

Writing: “True ease in writing comes from art, not chance,
As those move easiest who have learned to dance.”

Books: “Books are men of higher stature, And the only men that peak aloud for future times to hear.” – Elizabeth B. Browning, “Lady Geraldine’s Courtship”