All posts by Lars Walker

Fall down. Go, Boomer.

Photo credit: Arnaud Steckle. Unsplash license.

I don’t talk about politics much anymore on this blog – times have changed. Blogs are no longer a big thing for political discussion (nor for discussing books, come to think of it, but I think they’re better suited to books). The more immediate, shorter-form media like X are bigger today – though I can’t honestly say the level of discourse has improved.

But that’s beside my point. My point is that I want to touch on politics today – but not, I hope, in an inflammatory manner.

Though what I’m saying might work out more offensive (for some) than the kind of plain insult you see on X or Facebook.

Here’s what I have in mind. It’s no surprise, I imagine, that I’m pleased by the results of the recent presidential election.

But it’s not so much because I’m over the moon about the man we elected.

It’s about the fact that – it seems to me – we may be seeing at last the beginning of the end of Boomer ascendency.

I’ll grant that Donald J. Trump is a Boomer himself. (I’ll even grant, for the sake of argument, that I’m a Boomer too.)

But the leadership team he’s bringing in seems to be mostly younger people. Millennials and Gen X and… I forget what they call them all. They’re all whippersnappers to me.

I put much hope in whippersnappers these days.

The new leadership team that’s coming in never put flowers in their hair and went to San Francisco. They never dreamed of Woodstock. They never tuned in, turned on and dropped out.

In my opinion, we’ve had plenty of that.

The Greatest Generation raised us. They’d been through the Great Depression and World War II. They’d been deprived. They’d suffered. They’d tightened belts and watered down the soup through many long years.

After the War, they came home and vowed to give their kids everything they never had.

We got spoiled.

As we Boomers grew up, we were told over and over (I was there, I remember) that we were the smartest, best-educated generation the world had ever seen. We would change the world.

And boy, did we change the world.

We turned it into a hellscape. We started one war after another. We fostered radicalism and terrorism. We did our best to eradicate classical wisdom and undermine liberal democracy.

I think we’ve changed the world enough.

Maybe the kids can salvage something from the wreck.

Good luck, kids. I’m praying for you.

‘Kristin Lavransdatter: The Cross,’ by Sigrid Undset

Surely she had never asked God for anything except that He should let her have her will. And every time she had been granted what she asked for—for the most part. Now here she sat with a contrite heart—not because she had sinned against God but because she was unhappy that she had been allowed to follow her will to the road’s end.

So it is done at last. I have completed yet another reading of Sigrid Undset’s Kristin Lavransdatter – volume 3, The Cross. Tiina Nunnaly’s translation this time.

It’s a little like completing a long mountain hike, I guess. There’s more than one point where you pause along the path and think about how far you have to go, and sometimes you do get tired. Yet that’s just part of the experience, what you go through to enjoy the clear air and the spectacular views.

In case you’re not familiar with the story, the Kristin Lavransdatter trilogy begins with our young heroine, the beautiful daughter of doting parents in 14th Century Norway, rejecting the dull young man they betrothed her to, and running off with a handsome, dashing knight.

In the following two books, she has to live with the consequences. Erlend, her husband, is not a prudent man. He leaves the management of their farm to others (often to Kristin herself) to involve himself in political intrigues, which in the end lose him his ancestral estate. In this book, they have retired to Kristin’s home farm, where Erlend is resented by the neighbors. Sigrid’s chief concern is transferred to their seven sons, and she learns the torments that accompany parenthood. Meanwhile, the Hound of Heaven is always pursuing her.

There’s exquisite irony in watching Sigrid, as she passes through the stages of life, first inspired by romantic ballads, then compared to a ballad, and finally seeing her son inspire a ballad of his own through his misguided actions.

Read Kristin Lavransdatter, and you’ll come to know Kristin better than you know a lot of your friends and family. In a sense, the trilogy is a soap opera – but it’s what soap operas aspire to be; a deep, unwavering examination of the human soul in its glory and its weakness. The scenery descriptions are vivid and immersive. It’s also a paeon to the grace of God.

Not light reading, but highly recommended.

Gazing into the creative abyss

Should I share negative thoughts about my own books on this blog? Is it acceptable to indulge in self-criticism, or should the tone be relentlessly rah-rah and self-promotional?

Oh heck, that ship sailed long ago.

I’m working on formatting The Ghost of the God-Tree, the second part of The Year of the Warrior, for paperback. I’m not saying it’s bad. It’s got some strong stuff in it.

But I think it’s among my weakest books. There are lots of things I’d change, if I didn’t feel obligated to keep the editions relatively uniform.

And I’m pretty sure why.

I am very grateful to Baen Books, and to Jim Baen the maverick publisher, who gave me what little legitimacy in the industry I possess.

But Jim had a system. A program for his authors. And into that program I did not fit well.

Jim felt that nothing contributed more to an author’s success than having a bunch of books with his name on them all together on the shelves in the bookstores. This worked for him again and again. He knew his business. In order to achieve that shelf-space goal, he wanted several books from his new authors, quick. That’s why I got a three-book deal.

The problem is, I’m not a fast writer. I’ll admit that some of my languid output is due to laziness and inattention. Fair enough, mea culpa. But regardless of that, it just takes me a while, and many drafts, to produce decent prose. It took me years to produce Erling’s Word, the first part of the book. The Ghost of the God-Tree was written in haste, and suffers from my parental neglect.

On the other hand, judging by history, I’m probably being a little over-critical here.

And there are parts I like. I enjoyed the section where Ailill (Aillil) and Asta go to Thor’s country and meet the god himself. I thought that was kind of fun.

Pump up your pumpkin pie

Every few years, I like to perform the public service of providing my mother’s pumpkin pie recipe, which is now known in the family as “my” pumpkin pie recipe. But I don’t mind taking false credit, since I’m pretty sure Mom got it from somebody else in the first place.

I took time from my busy work schedule and madcap whirl of social obligations this morning to make pies for our family gathering tomorrow, at an undisclosed location. The picture above is not those pies; it’s a picture I took of a long-departed pie pair from a bygone year. But they are enough, they will suffice; I did not make any notable innovations.

The thing about this recipe – WHICH IS REALLY SIMPLE – is that it produces a more nuanced pie. There are people out there, I understand, who like the traditional pies with their in-your-face, extreme, street-level pumpkin spice flavor. If you’re one of those, God bless you. Enjoy your gustatory shock.

But if you like things a little more gentle, here’s what you do:

  1. Follow all the instructions on the can of pumpkin pie filling. All brands work equally well, in my experience.
  2. Instead of the two eggs called for in the recipe, make it seven (7). YES! SEVEN EGGS! DEFY CONVENTION!
  3. Pour the resulting mixture into two (2) deep dish pie crusts.
  4. Bake as instructed.

What you get is two (2) delicately flavored, custardy pies.

Enjoy.

And if you think of it, pray for whatever long-dead lady in Kenyon, Minnesota Mom lifted this recipe from.

The Year of the Paperback

My writing time lately – as I guess I’ve already told you – is devoted to getting my books, previously only available in e-book form, into paperback on Amazon. All my Erling books have been done now, except for two. One is The Baldur Game, the last, still waiting for its cover art. The other is The Year of the Warrior. TYOTW is still published electronically by Baen Books (my toehold on legitimacy). And I’ve also been having the book printed privately (with Baen’s agreement) for hand sale at Viking events and lectures. But I’ve decided it’ll be a better deal – and cheaper – to get it done by Amazon like the others.

No doubt there will be last-minute technical problems explaining the dual publication to the Amazon people. But I’ll cross that cognitive bridge when I get to it.

So here I am, reading the book pretty much for the first time in a quarter of a century.

Am I a great writer? One likes to think so. I like to imagine I’ll be discovered by posterity, even posthumously.

Some parts I like very much. I think that when I’m on my game I’m very good. I think I do a good job at high dramatic scenes – I actually sometimes give myself the shivers, which is a little like tickling yourself.

And sometimes I do dialogue pretty well. When I’m not being preachy – though I’m not as preachy as I feared. Most of the time.

Plotting is my weakness, as far as I can tell. Sometimes I think my plot points are kind of contrived.

And I made one large historical error – I had Erling hold his local Thing at his own farm, which (I’ve learned since) was never done. Things were always held at a distance from the chieftain’s home, to prevent undue influence on his part (which in fact occurs in the scene as I wrote it).

Nothing to be done about that now. Another discussion point for future Walker scholars.

Greetings, fans of the future. I greet you from Eternity.

My musical sins

I have been, for the last couple weeks, a very dull boy (that’s what the journalists call a “dog bites man story”). My life has consisted of translating, reading, and some noodling on the internet for a break now and then. OK, I do sleep. I go to the gym 3 or 4 times a week, and I get up early to work on my novel-formatting 6 days a week. But basically, not much variety.

This morning I was looking for my Amazon Fire tablet. Couldn’t find it anywhere. I was going out to lunch (Perkins) and I wanted to read while eating, as is my wont. Well, I also have a Kindle reader, which I keep for emergencies (and for the inevitable day when the Fire burns out, because they never last long), so I pulled my book (the third volume of Kristin Lavransdatter by Sigrid Undset) up on the Kindle. But I stopped at the gym on the way to Perkins, to see if I’d left the Fire there. They didn’t have it.

Long story short, at the restaurant I came up with a vague memory of putting the Fire down among the junk on the dining room table this morning. And behold, when I got home, there it sat, like a friend left off the guest list.

Which provoked thoughts about growing old and forgetful.

So let’s suppress that thought. How about an excursion into my murky past? I mentioned my college musical group a while back and somebody (I don’t think there was more than one) asked how our music could be heard. I answered – with some relief – that our stuff has been mercifully lost in the detritus of the analogue recording age.

And then one of my old friends posted the YouTube video above. Somebody – for some reason – has acquired our two albums and posted one song from each. The other one is disqualified for my purposes because I neither wrote it nor sing in it.

The song I posted above, “Elizabeth to Me,” is not characteristic of our output, being not religious, but a plain love song. The melody was written by my friend Chuck Pedersen. He asked me to give it lyrics. He wanted to have it addressed to his girlfriend Beth (who later joined the group and, even later, married him). The lead vocalist on this recording is yours truly. I don’t like it much – my voice seems to me uneven and weak. However, the song as a whole is, I think, not much worse than a lot of songs that became big hits in those fuzzy-minded days.

Anyway, you wanted one of our songs; here it is. You asked for it, as the judge said to the man sentenced to hang for attempted suicide.

‘The Eviction of Hope,’ ed. by Colin Conway

I have enjoyed Colin Conway’s 509 series, detective novels set in the Spokane, Washington area. When the story collection, The Eviction of Hope, showed up, I realized I hadn’t read one of the books in a while, so I got this one.

The concept (based on a real-world situation) is that “The Hope,” a residential hotel, once a grand place but now home to transients and drug addicts, is being sold for gentrification. That means the residents, some of them hard-luck civilians, others low-level criminals, are being thrown out onto the streets. Author Conway gathered a group of established crime writers to imagine some of the stories of those dispossessed people.

I am of two minds about the stories in this book. They are well-written. Several of them grabbed me.

However, most of them are downers. One, in particular, involves a Christian woman who disappoints us morally.

All in all, The Eviction of Hope was depressing but well done.

Cautions for language and mature situations.

A fjord cloned?

I offer the two pictures above for your perusal and ponderation.

The top one is one of my favorite personal snaps, which I used as my desktop wallpaper for many years. It’s from my first Norway cruise (2001, I think). As I recall, I took it from the aft deck, on the Aurlandsfjord, at breakfast on my birthday, which is in July.

The second picture is one I generated the other day using my bete noir, Artificial Intelligence. My new laptop includes the Paint app, which has a brand new AI feature. I tried a few experiments with it in odd moments, and one time I asked it to show me a Norwegian fjord.

It gave me three options, of which the one above was one. I thought it looked familiar.

I wonder if the gnomes of the interwebs incorporated my image into their “fjord” database.

Of course, how many possible combinations of mountains and water can there be? My photo pleased me because it was sort of an ideal of a fjord. The resemblance therefore, could easily be coincidental.

[Not only do I hate AI, but I fear it. I cannot bring myself to openly accuse it of plagiarism. What grim vengeance might it take?]

As an aside, I might mention that my attempt to restore curly single quotation marks, in the draft of The Year of the Warrior that I’m preparing for Amazon paperback, was wholly successful. It worked. It worked at once. It worked better than I dared hope.

Scary.

Kings and curly quotes

I forgot to show you a picture of the new, fully realized, paperback version of King of Rogaland. So here it is. That’s a pretty good cover, I think.

I also think I told you I’m working on an Amazon edition of The Year of the Warrior in paperback. At the risk of sounding self-satisfied, I’m actually kind of impressed with it. It’s a good story – grabs the reader and keeps the action going. I’m not sure I’ve improved a whole lot as a writer in the 25-plus years since the thing was published.

I was taken aback to discover that the final draft I’m working with – as well as the privately printed version I’ve been handselling for a few years – features “dumb quotes” rather than “smart quotes.” You probably know what that means – smart quotes are the curly ones, curving forward and backward, that you find in printed material, which MS Word usually creates for you automatically. Somehow (I think it must have been during the text’s brief sojourn as a Google Doc) it lost its smarts. And I’m embarrassed to offer the book to the Amazon public in such a state. It would be a blow to my aforementioned self-satisfaction.

So I did a web search and found a method for converting them back. To my astonishment, it worked. Now I’m trying to figure out how to do the one-slash quotation marks and apostrophes.

I’ll probably mess it up. I need to save backup draft.

I’m hoping I can handle the stress.

‘The Arctic Convoy’

I tell you, you turn your back for a minute and the parade passes you by. Case in point: the movie The Arctic Convoy, which apparently came out in July with my even noticing.

This film holds a unique place in my heart, as it was the first film script I ever worked on as a translator. (Looks like it may also be the last one to actually be released.) I had responded to an inquiry for translators in a Facebook group, and a chunk of The Arctic Convoy (then simply entitled Convoy, obviously an unhappy name choice for the American market) came to my email box.

I did my usual magic, and my boss seemed pleased with my work. So I was allowed to join the pool of subcontractors.

As I recall, my boss had another employee serving as a sort of vice-boss, and that employee critiqued my next submission. She wasn’t happy with my work. She told me the kind of “dynamic equivalence” I do (trying to produce equivalent idioms in natural English) wasn’t the right idea. What they wanted, she said, was a flat, literal translation. Basically AI stuff. This was disappointing, as I genuinely enjoy freer translation work, but I needed the money and complied.

The next critique I received, after I’d done another chunk, was from the main boss. Pay no attention to what the sub-boss says, she told me. Do that thing you did the first time. And I was happy, and our relationship flourished, with some ups and downs, until Artificial Intelligence Conquered the Earth.

Anyway, critical reviews of the movie haven’t been fervid, but it looks pretty exciting to me, and I know the story is strong. If you saw the miniseries The War Sailor (which I also worked on), this deals with the same topic, but concentrated on a single voyage.