Category Archives: Publishing

Start the presses! ‘King of Rogaland’ in paper!

The hits just keep on coming – as many people must have said in the radio business, but I don’t think I ever did, back when I was in the game.

I am forging my way through my Viking books, and can herewith announce that the paperback version of King of Rogaland is now obtainable from Amazon.com. This completes the whole set (sort of, details below), except for the final book, The Baldur Game, which still awaits its cover art.

And then there are the first two books, which present complications of their own.

West Oversea, Book 3 of the series, is in an odd limbo at this juncture. Nordskog, its publisher, is – sadly – going out of business. They have kindly returned all rights to me, and are selling me their entire stock of paperbacks at a steep discount. That’s about 20 cartons at last count. I’ll have my little house packed with them, I guess, which is (I think) the final stage of deterioration in a self-published author’s life cycle. I’m working now at formatting the book for an Amazon version of my own. I think selling this stock of Nordskog paperbacks through Amazon would create a distribution challenge for which I’m not equipped. So I’ll just create a fresh one, and sell my Nordskog volumes at Viking events. I expect they should last me another 40 years or so.

And then there’s The Year of the Warrior. I’m currently getting the paper version printed by a private printer, but I’m going to try to get that one out through Amazon too. I think it’ll be cheaper, but the juxtaposition of Baen’s electronic version with my paperback will, I have no doubt, raise unanticipated problems.

We suffer for our art in many ways. This is not one of the worst. Yet.

Hobgoblins of my mind

Avaldsnes Church (my photo). The dark shape toward the left end of the nave is the last remaining standing stone. They call it “The Virgin Mary’s Sewing Needle.”

Tonight’s topic is one I’ve been thinking about ever since I began formatting my novels for paperback. The fact that I’ve forgotten about this topic every evening when the time came to compose a post probably says something about me personally – specifically about my reluctance to admit my mistakes.

Because my mistakes are my topic.

Specifically, my inconsistencies.

In my books.

Emerson (who knew something of suffering, since his parents named him Ralph Waldo) famously said, “A foolish consistency is the hobgoblin of little minds.” This has given great comfort, over a couple centuries, to many people looking for excuses.

Which brings us to me.

One thing (one of many) that has bedeviled me over the years, as I’ve worked on my Erling Saga, was a sneaking suspicion that I was describing things differently in different books. I have avoided this problem by assiduously refraining from re-reading them. But the process of formatting for paperback has forced me to read each of them, and I’ve discovered that my fears were justified.

Shall I share some of the inconsistencies? Will that depress others as much as it depresses me?

Be strong, and read on if you dare.

The character of King Olaf’s marshal, Bjorn (the sagas do not give us his father’s name; I had to make one  up for him), is described as dark-haired on his first appearance. In King of Rogaland he is suddenly fair-haired and bald.

Closer to my heart are the standing stones at Augvaldsness (Avaldsnes) on Kormt (Karmøy) island. This, as I’ve explained more often than you care to recall, is the location of my great-grandfather’s home church. Only one of those standing stones still stands today, but originally there was an array of five. In one of the Erling books (I think it was The Elder King, but I’m already not sure) I said only two of those stones were standing at the time, and the others were just stumps. But in King of Rogaland, based on a reconstruction of the Viking Age farm from Norway, I put all five up again, adding a lame excuse that Ailill’s memory is vague, and he thinks the magic of the place has affected his perception.

And now I have to live with it.

Well, if Conan Doyle could live with forgetting where Dr. Watson got his wound in Afghanistan, I can probably live with these things. It’ll give future Walker scholars something to debate. Or laugh about.

The ‘Mountain’ in my hand

The package arrived yesterday. At last, after many a year, I can hold a paper version of Hailstone Mountain in my tremblous hand.

The book is thinner than I expected. I suppose that’s because of the 6”x9” format – more words per page. I’m used to thinking in terms of what’s called “mass market paperbacks,” the roughly pocket-sized books you generally see on racks in stores (or used to). For some reason, we self-publishers seem to gravitate toward a larger size. Perhaps we’re compensating.

Maybe the cream paper that I didn’t select would have been a little thicker, too.

In any case, my books are my children, and I’ve known this one only electronically up to now. Like having a kid whose mother took custody and then moved to California – you only know him through Zoom calls. Now at last he’s made his way to my doorstep. He needs money, of course.

I wonder how I should deal with selling these things at Viking events, as one by one they get instantiated in the physical universe. My bestseller at events is Viking Legacy. After that, it’s The Year of the Warrior (the paper version I have printed, not yet available on Amazon). West Oversea comes in third. This one follows in the sequence. I figure demand for each successive book should be smaller than for the previous one. I anticipate carrying a couple cartons of the later books of the saga with me to events, but I don’t imagine I’ll have to stock as many of those. It’s already a lot of cartons to lug around.

At the festival in Green Bay, I was signing somebody’s book and they complimented my handwriting. This surprised me. I’ve always considered my handwriting awful, for the practical reason that it’s hard to read. My writing may possess a certain grace of form, but it’s not pragmatically effective.

I wish my art to be useful as well as aesthetic. But not enough to write slower.

‘Hailstone Mountain’ in Paperback

This is to announce the momentous (or mountainous) news that my novel Hailstone Mountain is at last available in corporeal, paperback form.

I’m working at getting all my books incarnated, but this is a start.

How now, Minot?

It seems a little silly to promote my upcoming appearance at Norsk Høstfest in Minot, North Dakota (video above). It is a long way away for most people (even me, come to think of it), and most of those who attend make special arrangements ahead of time for travel and accommodations. However, I think it might be easier to get in now than it has been in the past – Covid did a number on the event, and they’re trying to rebuild.

So if you happen to make it there, I’ll be in the Viking Village, more or less east of the main entrance, with books to sell. Also, at 2:45 pm each day, I’m scheduled to be interviewed about my fascinating work on the Familie Fjord stage at the south end of the mezzanine.

I’ve never done that before. My renown is spreading, obviously.

I’m still trying to get Hailstone Mountain set up for paperback release on Amazon. Currently I’m having trouble with the cover art, with which Phil Wade is trying to help me. With great patience, I might add. I’m sure he has more pressing things to do.

I just reached page 100 in the book I’m translating. That puts me right on schedule in my working plan. I shall savor the moment, and celebrate by putting in more work.

Have a great weekend!

Publishing, translation, and travel update

So what’s going on, you’re no doubt asking. Any progress on The Baldur Game? How’s the translation coming? How do you justify your barren existence?

The Baldur Game is essentially ready for publication. I don’t think I’ll even give it another read-through. A man has to say “enough” at some point.

The hang-up remains the cover. It is being delayed due to circumstances I don’t know, but am confident are good and sufficient. No doubt it’s God’s will that we have a pre-Christmas release. Or a post-Christmas release.

So what am I doing with my famous writing time? I’m preparing my first Amazon paperback edition.

I chose Hailstone Mountain for this experiment. It would be good to do The Year of the Warrior, but there are certain technical problems with that book that I’ll feel more comfortable confronting once I’ve done a simpler book first. A paperback TYOTW does exist; I’m having it printed privately and I lug it around to Viking events and hand-sell it. But I’ll want to get it on Amazon eventually. Sooner rather than later, I hope.

Then there’s West Oversea, the second (or technically third) book in the series. That work has been published both as an e-book and as a paperback by Nordskog Publishing of Ventura, California. But I recently got word that Nordskog is going out of business. The publication rights will revert to me, and I’ve made a deal to buy their entire stock of the paperback. These I plan to hand-sell at Viking events, as I have been doing. But there will need to be an Amazon paperback too – perhaps with a new cover. Can’t get at that until everything’s nailed down with Nordskog.

That leaves Hailstone Mountain. That one belongs to me alone, and has been published for Kindle since 2013. I’m now working the manuscript over to fit Amazon’s requirements, and I’m nearing the end of those revisions. I may manage to make it available on Amazon before the end of the month (barring glitches, which are always possible. Even likely) except…

I’ll be out of town most of next week. Off to Høstfest in Minot, North Dakota, as I have done for so many years. Four days of living like a Viking – except for minor technicalities like modern plumbing, sleeping in a host’s bed, and fast food. Stop in and see me if you’re in the Minot area. It’s convenient to… Devil’s Lake, North Dakota, I guess.

The following weekend I’ll be (God willing) at the Midwest Viking Festival in Green Bay, Wisconsin. Which is entirely unreasonable in terms of miles driven for a man of my age, I think, but my book sales were really good last year, and they’ve invited me to be more heavily involved in the program. Which is flattering, because this involves high-level reenactors and genuine scholars.

I won’t get a break the weekend after that, either, as I have a meeting to attend on Saturday in northwestern Minnesota. Which will seem like a short drive after the others. Also, thank goodness, I’ll get to wear modern clothes. (You’d think Viking clothes would be comfortable, but I find they get old pretty fast.)

As for the translation job, I’m feeling good about it. My plan requires me to do 100 pages-plus each month for the next five months. I’m up to about page 85 now, and I’ve still got a few days to fill up my measure for September, even with time off for festivals and frivolity. It’s looking okay.

(Note to potential house robbers – my renter is at home pretty much perpetually now. My place will not be empty, and the booby traps will be set.)

Digital Lending Library in Trouble with Publishers

The Internet Archive may have lost its struggle with publishing companies over the “Fair Use” legality of its Open Library service. It argues that by purchasing print copies of books, it could legally digitize them and lend them on a one-to-one basis to readers around the world just like a regular library.

This week, the Second Circuit Court of Appeals affirmed a lower court ruling against The Internet Archive, saying its practice of controlled digital lending does not fall under an application of the Fair Use of copyrighted materials, according to Publishers Weekly.

“We conclude that IA’s use of the Works is not transformative,” the decision states. “Instead, IA’s digital books serve the same exact purpose as the originals: making authors’ works available to read.” The practice effectively substitutes the original work, which specifically runs contrary to the intent of Fair Use.

I can’t judge whether this is an appropriate application of the law, but it doesn’t look wrong from what I’ve read. The Internet has gotten out of hand in various ways. Maybe Open Library’s concept doesn’t work, but a tweaked version of it would.

In other news of publisher lawsuits, six of the big publishers along with the Author’s Guild are challenging Florida’s new law that requires schools to remove books with inappropriate sexual content. The suit specifically claims the term “pornographic” is undefined and takes no consideration of a book’s context.

Janie B. Cheaney gives a broad view of this and similar efforts to, as the Florida bill put it, “discontinue the use of any material the [district school] board does not allow a parent to read out loud.”

Scopes Monkey Trial: Historian Thomas Kidd reviews a new book on the Scopes Trial and doesn’t recommend it. “Author Brenda Wineapple calls America a ‘secular country founded on the freedom to worship.’ But various Christian demagogues in American history have tried to force people to worship God in a narrow-minded way, she warns.”

Reading: Brad East in “The Reading Lives of Pastors”— “It is a difficult lesson to accept, but learning and goodness are not synonymous or coterminous. . . . Ordinary experience is a trustworthy teacher: Are the holiest people you know the smartest, the best educated, the most widely read?”

Ye Old Shoppe: Here’s a little bit on old business cards and store signage.

(Illustration by Microsoft Bing’s Image Creator)

Klavan on how to start a writing career

I’m worthless to you tonight. No book to review, and no thought in my head worth sharing.

You’ll have to settle for some guy named Klavan, who’s supposed to be a novelist. I know it’s a disappointment when you came for Lars Walker, but life is hard and this will make you stronger.

Light Verse, Music & Silence, and Saturday Links

I’ve got a busy day today, so let me start by sharing a little light verse.

You live a few days then you die
And sometimes you ask yourself why.
What could bring relief?
The next season’s release.
Go watch and the time will fly by.

They’re calling to all of the sheep
To occupy Ivy League Street
Don’t think of the issues
Just bring down your tissues
And cry, yell, scream, chant, and repeat.

What else can I share with you?

Music: “Both noise and total silence destroy all possibility of mutual understanding, because they destroy both speaking and hearing.”

Scotland: From the land of the free and the home of the brave comes this tale of Black Agnes, who held Castle Dunbar against the English for several months in 1338, saying among other things”

‘Of  Scotland’s King I haud my house,
He pays me meat and fee,
And I will keep my gude auld house,
While my house will keep me.’

A New Review: John Wilson imagines a Christian review periodical and what it’s pushback would sound like: “We’re beset on every hand by attacks on our core convictions, by enemies of our faith, and you are whining about book reviews?”

Publishing: More on the book business and where the money goes.

Of publishers it may be said that like the English as a race they are incapable of philosophy. They deal in particulars and adhere easily to Sydney Smith’s dictum that one should take short views, hope for the best, and trust God.

William Jovanovich, Now, Barabbas

Photo: John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division

We Are the Best Obv. and Some Links

I’ve been reading Mark Twain’s 1889 novel A Connecticut Yankee in King Arthur’s Court and have not finished it, but I wanted to share some thoughts today. Blogging is designed for that, updates along the way.

The point almost from the beginning is that this engineer from 19th century America is an intellectual paragon among sixth century rubes. Their superstition and gullibility make them victims of every charlatan (usually of a religious or magical flavor) who comes into town. Hank the Yankee sees through all of them and will deliver them from all bondage, if he can devise a way to do it. I’m near the end of the book, and though luck has saved his neck many times, his progressive prowess has prepared him for that salvation just as often.

His progressive acumen is as good as magic, because Hank’s been able to create a telephone and telegraph network, school system, railroads, various consumer goods, and many kinds of explosives. He intends to create a thriving democracy in Camelot, if not all of England, and I’m wondering if that’s where Twain will leave it–19th century America triumphing overall. We see a little tension in the story here and there, because Hank is not brilliant and has been successful largely by force of plot and luck. So, I’ve wondered if the satire will turn back on him, and the story will end with everything crashing around him. Will the 19th century man be shown to be the greatest product of society, the pinnacle of the evolutionary process, the smartest and the best of all, or will his Social Darwinian hubris trip him up? I may find out later today.

What can I share with you today?

First, let me apologize for missing the Sunday Singing post last week. Circumstances disrupted by routine and by Sunday afternoon, I decided not to post it. I’ll get one up tomorrow, if I don’t fall a roof in the morning.

Boycotts: The SXSW festival in Austin, Texas, has the U.S. Army and defense contractors as sponsors and participants for years, but this year, helping Israel defend itself against the neighboring monsters is too much for some.

Publishing: A new publishing house formed by three experienced executives intends to forego advances and offer “authors a high percentage of a book’s profits—a model used by some other types of hybrid publishers.”

Food: What is corned beef? It’s an innovation of Irish-Americans who lived near Jewish Americans and took a shine to this kind of meat in Jewish delis.

Poetry: “Trash” by Lowell Jaeger.
“… in the old days there was no such thing as trash”

And slightly related to trash, this post on road kill and opossums.

Photo: Bomber gas station, Milwaukie, Oregon. John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.