Category Archives: Blogs, Socials

But How Are You Really? Well, Journalism Is Dead

This week, I had one of those frequently repeated conversations about what we mean when we greet others with “Hello” and “How are you?” An earnest person might think it’s dishonest to ask someone how they are doing without expecting an answer and may feel a burden to share transparently when others ask them. You may have heard someone argue that Christians shouldn’t say they are fine when they aren’t fine; they shouldn’t paint on a smile when they’re going through a hard time.

But honesty doesn’t require complete transparency. That would expose us all to the fixers, who don’t know when to listen and when to advise. Greeting one another with a word or phrase is essentially verbal acknowledgement. We see and maybe recognize each other. We ask each other how’s the day or the doing or life at large as a way of well wishing. If we’re close to each other, we’ll want more than that, but even then, it may not be the time for it.

We can thank Thomas Edison for popularizing the word hello as a good way to answer the phone. Alexander Graham Bell (why do we give his full name so often? why not Alex Bell or Alexander G. Bell?) wanted us to us say ahoy, as if we were called out to someone in the distance. Prior to the phone, hello was a common word of surprise, which I suppose is the reason Bertie Wooster and co. say, “What ho!” regularly. The Online Etymology Dictionary says there are records from 1849 that show hello, the house as “the usual greeting upon approaching a habitation” in the American west.

Yes, yes, I suppose we should get on to other things, shouldn’t we?

Vocabulary: Here’s a good word for everyday use.

via Cian McCarthy/Twitter

Journalism: News outlets aren’t dead, but their owners may be trying to kill them. Ted Gioia has a compelling piece on news sites that wanted our clicks so bad they killed themselves, and now big news outlets appear to want to die the same way. “The company tried to maximize clicks with shallow gimmicks, when it should have been worrying about the articles themselves.”

Conservatism: A right-wing movement wants a big reset. John Ehrett says critics label it different things, but vitalism is a good name for it. “In place of Ronald Reagan’s famous ‘three-legged stool’—free-market economics, military interventionism, and religious conservatism—the new vitalists would burn the place down altogether, and host a festival around the pyre.”

Bruce Springsteen: “He paints his masterpiece of America as a brand and what it does to people. To me, Nebraska is an album-length description of how America has struggled to find its soul, has never had much of an identity beyond the brand that’s been sold over and over again to people living here. But lives are lived behind the brand, and Springsteen is unearthing them, exposing them to the light.” That storytelling was formed by a love of Flannery O’Connor.

Photo by Eugene Zhyvchik on Unsplash

What Is the Essence of Story?

The essence of a story is conflict. We may think the essence as theme and remember some stories for a moment of discovery or clarity that moves us, but that moment must come through conflict to carry meaning.

In a 1959 text called Understanding Fiction, Cleanth Brooks and Robert Penn Warren write, “A story is a movement through complexity to unity, through complication to simplicity, through confusion to order.” Both adventures and mysteries follow this path. You begin with many questions and maybe competing statements of fact. The confusion may be as simple as being lost, and finding the way out takes a lot of problem solving. When order or simplicity is found, when the events finally make some sense, then you have a story.

There are many types of conflict, Brooks and Warren note, but an account of “purely physical conflict” can’t be called fiction. Motives and ideas are necessary. We need characters, not just actors. A writer needs to “investigate motives” and “imply sympathy or antipathy” for the characters involved. Dr. Jones wants to preserve the ark or save Marion and himself. Belloq wants to use the ark to conquer the world. (And there are layers of conflict despite what fan critics have said.)

In another Saturday post, I said games and sports could hit the points of story, and I think motives and character is what I was talking about. The conflict is there, and if you impute evil intent onto the other team, you’ve got something that smells like a story.

What else have we got?

Book Banning: The ALA asks us to believe “2,571 unique titles were targeted for censorship” in mostly “school libraries, classroom libraries, or school curricula” in 2022. That’s a 38 percent increase over 2021. Though you may suspect the ALA of cooking the books to raise this number, a glance at the top 13 most challenged books shows “claimed to be sexually explicit” on every title. Why are any of these recommended in schools?

Faithfulness: A new book tells the stories of Lutherans under Stalin.

But the Communist Party sought also to erase Christian ethics. “Love your neighbor” violated the Marxist principle of “class struggle.” Thus, pastors could be charged with “preaching class peace.” Lutherans had an extensive network to help the poor and the disabled, but this was held to compete with the state and to keep the deprived “in thrall to their exploiters.” Consequently, the church was defined as an enemy of the state. One of the Lutheran bishops summed up the goal: “Everything that is connected to the Christian faith or reminds one of it must disappear from the life of the people and its individual citizens.”

Ukraine: “[Victoria] Amelina is one of Ukraine’s most celebrated young literary figures and a common presence at literary festivals both in Ukraine and abroad.” Now, she researches war crimes, starting with what happened to children’s literature writer Volodymyr Vakulenko.

Reader Reviews: A writer gets angry that ARC readers aren’t leaving reviews.

Grassroots Hatred: Will anti-Semitism ever die?

Denials, the Digital, and the Awesome

I’m trying to decide if the apostle Peter is a good example of saying the quiet part aloud. When someone notes that an activist or someone has said the quiet part out loud, they mean this person has admitted to principles or goals his people usually leave unsaid or even deny. And Peter is famous for speaking his mind.

On Good Friday, we remember that Peter told Jesus he would die before he denied Christ. “Peter said to him, ‘Even if I must die with you, I will not deny you!’ And all the disciples said the same” (Mt. 26:35 ESV). But he did deny the Lord, and I assume the others did too by running away.

When Jesus filled the fishermen’s nets to overflowing, Peter said, “Depart from me, for I am a sinful man, O Lord” (Lk 5:8 ESV), saying immediately what the others may think later, that they were unworthy to stand so close to a holy man. Many years later, Paul had to rebuke Peter for holding Gentile believers to an unholy standard, implying they should maintain Jewish habits in order to be right with Christ (Gal. 2:11-14).

With these and other examples, Peter shows himself to be a great example of a Christian who can’t keep his act together, who lives in continual repentance for not living what he actually believes. In this way, perhaps it’s right to say he says quiet things aloud, and by doing so, he helps us recognize or reject what he says. We can say we do believe that and it’s wrong, or we do believe that and it clashes with other professed beliefs.

Or perhaps we deny that we will ever reject Christ, and then we hear ourselves rejecting him. Don’t let that be your final word. Christ’s work on the cross is enough to flood your entire life and raise you to a new life with him.

As for other things:

Internet: How is the Internet shaping us? How has it formed our habits and changed our values? Digital Liturgies: Rediscovering Christian Wisdom in an Online Age (via Keith Plummer)

Social Media: “The thought of those in our ministries being drawn away by a stranger through a screen is gut-wrenching.” But influencers don’t have the physical proximity we do. (via Keith Plummer)

Gospel: “The one thing the gospel never does is nothing.”

Sci-fi: Why do some space movies achieve awesome grandeur and others do not? ‘2001: A Space Odyssey’ and the elusiveness of awe

And as meditation on the grief of Holy Saturday, here’s a Chopin prelude.

Khatia Buniatishvili performs Chopin’s Prelude in E minor Op. 28, no. 4

Conforming to a Hot Topic World

Many weeks ago, I was in a small group that considered how we might tell we were conforming to the world (Romans 12:2). I suggested one way would be to notice where and how we self-censor, which is a touchy subject for the 21st century social media user.

On one hand, social media encourages us to say outrageous things and to share our opinion on every topic we can articulate into at least a gif. And Christians may recognize this danger and their own ignorance and regularly avoid hosing down the Internet. That’s good.

On the other hand, social media has enabled small groups of people to pose as massive mobs to shout down, dox, and ruin the lives of anyone they target, so we may avoid commenting on select hot button topics to avoid getting caught by such a mob. That’s the self-censoring I’m talking about. It makes me uneasy to talk about it even now.

I’ve argued with myself over whether I should state one of my opinions, well-founded and potentially life-changing as they usually are. I wonder if I shouldn’t stick to posts on books and writing in order to stay in my lane, as it were. But sometimes I just retweet a link or someone else’s opinion because it’s important and I want to amplify the reach. If I hold back because the topic is too hot, is that conforming to the world?

Here’s a troubling video on the censoring publishers are doing to select authors poke the bear by not conforming to unspoken expectations.

Also, a woman with experience in college diversity efforts couldn’t overcome the mindset of her own office. “Orthodoxy superseded all else: collegiality, professionalism, the truth.”

A proper feature: Esquire magazine has published its own feature of author Brandon Sanderson, and with over 5,000 words, it’s what you’d expect from a feature article. It’s good and interesting, pulls in some relevant criticism, and remains positive overall.

More sensitive: New Agatha Christie novels have been submitted to sensitivity readers and thus altered for modern, ahem, sensibilities. The copyright holder, Agatha Christie Limited, has the author’s great grandson at the helm and, I suppose, responsible for this.

Publishing among friends: Publisher Richard Charkin has written about his years in the British book business. “In fact, agent-editor ‘negotiations’ makes it sound more adversarial than it actually was. Editors and agents were usually friends, and had often worked together previously. All too often this led to an unhelpful tendency among some editors to see “management” as the enemy, and they would readily side with their authors and agents against the company that employed them.”

Life Builds Its Own Fences, and Fond Memories of Louis Armstrong

A few months ago, I watched August Wilson’s Fences on Amazon. The play was first produced in 1985 and won a Pulitzer and a Tony in 1987. When the play returned in 2010, it won another Tony along with awards for the main actors. I watched the 2016 movie adaptation, directed by and starring Denzel Washington along with Viola Davis and Stephen McKinley Henderson. They were compelling and marvelous.

It’s a moving drama about a man, Troy, who was something of a star in baseball’s negro leagues and now works in Pittsburgh as a garbage man. His wife, Rose, asks him to put up a fence around their back lot, and he is a common-sense man who will do a job right, if he doesn’t talk it to death first. The story spans a couple decades, I think, and the fence is incomplete for the majority. It’s a metaphor for the boundaries Rose wants to protect their family and the boundaries Troy wants to exceed as a man who has done something with his life.

I don’t know what viewers of the trailer think of these lines, but coming as they do with the full weight of the story, they had me bawling.

Troy: It’s not easy for me to admit that I’ve been standing in the same place for eighteen years!

Rose: Well, I’ve been standing with you! I gave eighteen years of my life to stand in the same spot as you!

Troy had chosen his ego over his wife. He framed his choices as his ambition struggling against life and society. She framed them as betrayal. Many men take the same stand while making the different choices. That’s what mid-life crises are about. It’s a story that resonates.

Banned Books: It doesn’t resonate with everyone equally, though. In 2020, a mother had good reasons for complaining about her 14-year-old-son being required to read Fences in class as the only black student in eighth grade. She got a little too upset about it, but I think school officials proved to be the thin-skinned ones. They expelled him.

Thriller Writing: Here’s a cool discussion from 1958 between authors Ian Fleming and Raymond Chandler to honor the latter’s 70th birthday. Near the beginning, Fleming notes that he writes thrillers and Chandler does not.

Fleming: I don’t call yours thrillers. Yours are novels.
Chandler: A lot of people call them thrillers.
Fleming: I know. I think it’s wrong.

Memories: What brought life back to tired guitarist Doc Watson? The memory of a tube radio and listening to Louis Armstrong.

New from Bill Watterson: In case you missed the news two weeks ago, the beloved cartoonist Bill Watterson is releasing a new book — The Mysteries, a vibrantly illustrated “fable for grown-ups.”

“From Bill Watterson, bestselling creator of the beloved comic strip Calvin and Hobbes, and John Kascht, one of America’s most renowned caricaturists, comes a mysterious and beautifully illustrated fable about what lies beyond human understanding.”

Photo: Paul’s Market, Franklin, New York. 1976. John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.

The conservative resistance to Hitler

My friend Gene Edward Veith has a review up at the Acton Institute. He reports on the book, White Knights in the Black Orchestra, by Tom Dunkel. Although the book is not primarily an examination of conservatives in wartime Germany, it does make it plain that the conservative conspiracy to kill Hitler was much bigger than Dietrich Bonhoeffer and his circle, and that German conservatives constituted a major, and serious, challenge to the Third Reich. He writes.

My impression had always been that Bonhoeffer was caught up in a quixotic and poorly planned attempt by a small group of German aristocrats and military officers at the very end of the war, and that his role was minimal, basically that of a courier. But Dunkel shows that the Black Orchestra conspiracy began in the earliest days of Hitler’s regime, that it penetrated to the highest levels of the German war machine, and that it carried out many anti-Nazi missions, some of which had an impact on the outcome of the war…..

Meanwhile, Dietrich Bonhoeffer was battling the so-called German Christians, who wished to Nazify the Protestant state church by turning Christianity into a cultural religion (as liberal theologians were already doing) and expunging its “Jewish elements” to the point of removing the Old Testament from the Bible altogether. (This, too, was made feasible by piggybacking on the work of generations of liberal Bible scholars who had succeeded in undermining biblical authority within the state church.)….

That National Socialism is thought of today as an extreme kind of conservatism is one of the biggest victories of Marxist propaganda. This book shows that Hitler and his followers were radical revolutionaries, who sought to liquidate—not conserve—the traditional Western values of faith, morality, and freedom.

Dunkel does not play up the conservative and Christian angle as such, beyond saying that the conspirators “tended to be politically conservative to the bone” and describing the key figures as devout Christians.

Read the whole thing here.

One War Began a Year Ago, And Bots Are on the Way

The Brandywine Tradition: “A Wolf Had Not Been Seen at Salem for Thirty Years,” an illustration by Howard Pyle for Harper’s Monthly, 1909.

Ukraine: February 24, 2022, was the day Russia invaded Ukraine. Yesterday, Polish Prime Minister Mateusz Morawiecki five lessons Western countries should take into the coming years.

The distance from Kiev must not be used to appease our conscience. I am sometimes afraid that the West is indeed populated by many for whom having a lunch in a favourite caffe or watching a Netflix series is more important than the lives and deaths of thousands of Ukrainians. We can all see the war happening. No one will be able to claim that they did not know about the genocide in Bucha. We are all watching the atrocities being committed by the Russian army. This is why we must not be indifferent. Russia’s imperial plans go beyond Ukraine. This war concerns us all.

Art-Intel: Lincoln Michel notes ChatGPT doesn’t have to generate good writing to cause problems for writers. The sci-fi/fantasy magazine Clarkesworld stopped taking submissions this week after receiving a glut of AI-written submissions. They shared a graph on Twitter of the number of users they’ve banned from submitting since 2019. Just eyeballing it, they seem to have averaged only a handful per month. This month, they banned over 500.

Art-Intel: Amazon is selling AI-written shlock on its Kindle store, books that may or may not acknowledge ChatGPT as an author. Reuters describes one YouTuber who is selling his e-book for $1. “In the video, White says anyone with the wherewithal and time could create 300 such books a year, all using AI.”

In completely unrelated news, the U.S. Copyright Office has decided it won’t copyright AI-generated images. “To justify the decision, the Copyright Office cites previous cases where people weren’t able to copyright words or songs that listed “non-human spiritual beings” or the Holy Spirit as the author — as well as the infamous incident where a selfie was taken by a monkey.”

Publishing: Roald Dahl’s publisher has announced it will also publish the author’s original text in a new Classic Collection after publishing its bowdlerized one (HT to Lars for reminding me of the word “bowdlerized”).

Reading: Is it better to have a reading plan, like the great classics starting with Homer, or to read as chance would have it? “My reading has always been happily chaotic, governed more by whim than central planning.”

Southern Hospitality and Artificial Translation

Recently I had a conversation about something related to Southern culture, and a friend originally from another state asked me to define Southern hospitality. Having lived in the South my whole life, I was disappointed I couldn’t say more than I did. I have actually read a bit about manners and what it means to be Southern. I still know a thing or two about the history of the English language in the South, but I couldn’t define this hospitality thing.

It would be easy, if you took a superficial route. You could say Southern hospitality is fried chicken, corn bread, and iced tea, but that isn’t essentially different than, say, krauts and beer or hot dish and dinner rolls. (What do Midwesterners drink with a casserole? I always drink water, but I know I’m supposed to be drinking tea.)

Southern Living lists six qualities of Southern hospitality in this article from earlier this year: politeness, good home cooking, kindness, helpfulness, charm, and charity. I’m going to call this a puff piece (and maybe the whole magazine is too). This is the kind of thing we say about ourselves no matter who we are. Dang! If we ain’t the best, you know it? But if these are true as Southern characteristics, not Christian characteristics, then it demonstrates that Christ still haunts the South.

That’s part of what I said to my friend. I have a hard time distinguishing Christian hospitality from Southern or Yankee or any other kind of hospitality you might define. The differences seem only superficial b/c the virtue is found in Christ.

And maybe Southern hospitality is what it is because we’ve had the best branding.

In other news, Artificial Intelligence already works on video captioning and language translation. Now, a Japanese student of the Korean language has won translation award by editing an AI translation of a webtoon. She doesn’t know Korean enough to translate the work herself, but using AI and research tools, she got through it well enough to win Rookie of the Year from LTI Korea.

Kim Wook-dong, emeritus professor of English Literature and Linguistics at Sogang University, told The Korea Herald that AI can translate technical writing “almost perfectly,” but is has “limits in capturing the subtle emotions, connotations and nuances in literary translations. It can help and serve as an assistant to translators but AI cannot replace humans in literary translation. I doubt it ever will.” [via The Literary Saloon]

Normal Living, Extraordinary Prose: “Clean-shaved and conservatively dressed, with no oddities of posture or gait, he should have merged imperceptibly into a street crowd. But he didn’t. He stuck out, for reasons almost impossible to capture and fix in words. The best one can say is that he stood and walked and talked like other men, only more so. He was conspicuously normal.” 

This description from H.L. Mencken reminds me of H. Matisse in Ray Bradbury’s story about “a terrifyingly ordinary man.”

Poetry: The great Dana Gioia has a new collection of poems called Meet Me at the Lighthouse.

Photo by Sunira Moses on Unsplash

Games Tell Stories Too, Some Author’s Birthday, and Who Needs Editors?

Games can hit all the marks of story, even when it isn’t a storytelling game. The basic conflict between sporting teams can feel like a good story without the themes and only light characterizations. A good ball game can be more epic than the average thriller.

History-based board games can give you the feel of playing within a historic novel. I enjoyed putting several hours into Avalon Hill’s Kingmaker, an old game set in England during the War of Roses. The pathos you feel in a game like that could be a spark of humanity or megalomania.

I’m thinking about this because on Thursday I finished playing for the second time Legend of Zelda: Breath of the Wild. It’s a compelling, open world adventure that gets close to having an epic feel, but doesn’t have the depth of character for that. The gameplay is a ton of fun. The environment and main characters are marvelous. It’s comparable to your favorite light-weight fantasy novel with that immersive quality of moving the story forward by your own efforts.

But enough about me. What else do we have?

Translation: A plug for the English translation of a couple more authors.

Political Divide: “Stories are critical starting points for civility. If we understand one another, we are more likely to see each other as fellow human beings and fellow citizens rather than opponents or even worse, enemies. If we know each other’s stories we are more likely to trust one another.” (via RealClearBooks)

Happy Birthday: Charles Dickens (1812-1870) has a Toronto-based fan club that has been celebrating his birthday (February 7) since 1905. They also hold a Dickens-themed Christmas tea. “This is not a scholarly society.” (via ArtsJournal)

Video: How would each of the Southern states prepare a meal for you?

Editors: Do copy editors crush young words beneath plodding feet? “One man’s infelicity is another man’s favored choice of expression. And there’s neither romance nor adventure without some inconsistency.”

Image by Edwin Francisco from Pixabay

Dean Koontz interview

Our friend Dave Lull kindly shared this link, where the Lit Hub blog interviews him (about half an hour) about his latest novel, The House At the End of the World. Contrary to the title, he doesn’t actually explain how to sell 500 million books. I would have noticed.

I didn’t like the book as well as I hoped to, but I concur that the very important themes the author talks about here are highlighted in it.