Wrote a sizeable chunk of text for the next Erling book last night, and today I’ve been working on what I think might be a clever piece for The American Spectator Online. Which left me little mental capacity for fresh ideas for posts. You know me well enough to guess what that means, especially during Advent: Sissel with a Christmas song:
This is one of Sissel’s most popular Christmas numbers, original a Danish song, done here in a concert in Iceland. The title means, “My heart always lingers,” and if you’re interested in an English translation, a kind soul in Norway has provided us with one here.
I note that the translator, judging by the coat of arms on his profile, seems to come from the island of Karmoy, my ancestral home.
Apologies for not posting last night. I had a technical problem with Word Press, which has now been solved. Or worked around, anyway.
I can only post in haste just now; a big translation job fluttered in, to dominate my time for a few days. So, music.
The other day I reviewed the movie,Fisherman’s Friends, about the famed sea shanty group from Cornwall. The clip above is the real group (not the guys in the movie), singing a song that’s also in the film, John Kanaka.
No doubt the lyrics conceal some obscene meaning of which I am unaware. If so, don’t tell me about it. If I’m corrupting you, I’d rather not know about it.
For many years, I’ve declared Bill Forsyth’s Local Hero my favorite movie. There are other films I enjoy very much, and sometimes my moods change, but I tend to return in the end to Local Hero for its scenic Scottish setting, understated humor, gorgeous music, and fish out of water point of view.
Thanks to recommendations, I’ve found a movie that belongs next to Local Hero on the conceptual shelf. Fisherman’s Friends, a popular romantic comedy that a number of you have probably already seen. Still, a movie isn’t really complete until I’ve passed judgment on it, right?
The story is a highly fictionalized account of the rise of Fisherman’s Friends, an all-male folk singing group from Port Isaac, Cornwall that specializes in sea shanties (my kind of music, by the way).
As the film tells it, the story begins with a group of London music producer buddies who travel to Cornwall, where one of them is being married. They happen to hear this local shanty group, and our hero Danny Anderson (Daniel Mays) is challenged by his boss to sign the group to a recording contract. He’s not aware it’s all a gag, and when his buddies leave him high and dry in the town, he sets about getting the fishermen’s agreement – which is hard, because they cherish a dearly bought mistrust of outsiders. By the time Danny learns he’s been made a fool of, he has come to value the fishermen’s trust and is falling for a local girl, so he sets about making the big deal on his own.
The rest of the story is pretty much what you’d expect, and you’d be disappointed if it weren’t. It’s well done, and funny, and moving, and I’m pretty sure you’ll like it.
I saw a whole lot of references to Local Hero in this production – I can’t document it, but I strongly suspect they used it for a model – and they couldn’t have made a better choice.
When I’ve talked with people who don’t like Local Hero, I’ve often gotten the comment that they don’t like the ending. They find it a downer. I think at this point the difference may be one of experience. The ending of Local Hero is how things tend to end in my life; there’s a kind of sad comfort for me in it, a feeling that I’m not alone because Peter Riegert’s character is in the same place.
Most viewers will certainly prefer the very different ending of Fisherman’s Friends.
Roughly 3 days’ work, but I have finished my translation job and sent it winging off to Norway. I have the satisfaction of a job well done, plus the pleasure of a rare November day with sunshine and temperatures near 70. I did a couple hours of my work out on the porch, enjoying the remission.
For reasons I won’t bore you with, I happened to listen to an old musical cassette from long, long ago (still listenable). It was an album of a Norwegian folk group called Vandrerne (the Wanderers). They did a mixture of Norwegian folk songs, original music, retro popular songs, and Celtic folk. The number embedded below, “Den Fineste Jinta” (The Finest Girl), is an adaptation of a well-known Irish song, “Black Velvet Band.” It roughly follows the plot of the Irish song — the young man meets a bewitching young girl who wears her hair “tied up in a black velvet band.” She entices him into a scheme to steal jewelry. He is arrested and ends up being transported to Van Diemen’s Land (Tasmania). Norwegian criminals didn’t generally get transported, so this guy’s fate is different. But I don’t understand the dialect well enough to tell you what it is.
I’m going to have to give you a little bit of Sissel tonight, and then I’ll be gone for a couple days. I have to go out of town tomorrow to do a lecture, and today I got a (relatively) big translating job I have to finish before I leave. So I must post and run.
The song is a Norwegian classic. The tune is by the violinist Ole Bull, a world celebrity in his time. The words are by Jorgen Moe. The title is “The Seter Girl’s Sunday.” A seter was a mountain pasture, where livestock were kept over the summer, so they could graze there and take pressure off the home meadows. Servant girls would be sent up with the animals, and would commonly spend long periods of time up there, sometimes in relative solitude.
The girl in the song is watching the sun, knowing that when it reaches a certain point above the mountains, the folks at home will be hearing the church bells and heading to church. It’s an important social time in a country community, and she is lonely.
Martin Molin, member of Swedish band Wintergatan, and his marble machine
A Swedish engineer and musician created this marble-driven music box a few years ago. I believe this is an early version or model, and Martin has since moved on to a larger, more complex marble machine.
Today I offer you this classic to set up the Irish-American song that mocks it. Mick Moloney says all the lads and lasses are singing, humming, or whistling “Daisy Bell,” and it’s driving him batty. No doubt that’s a short trip.
I wasn’t finding what I wanted from a barbershop quartet today, but I did come across this recording from the 2013 Fischoff National Chamber Music Competition. It’s saxophone quartet playing “Memory” from a set written by Marcelo Zarvos for a string quartet. Here you see soprano, alto, tenor, and baritone saxophones played at a breathless pace by the Kenari Quartet of Indiana University, Bloomington.
I think I said something about being one of the busy people during the lockdown days. Yesterday was one of those days. You could say I was longing for a little patch of heaven way out west, but you and I both know owning an acre or more of land on the frontier wouldn’t be an easy life. Maybe rewarding, maybe fortune building, but it would be a hard, daily life of somewhat undefined chores and taking risks you hope will pay off.
Websites store cookies to enhance functionality and personalise your experience. You can manage your preferences, but blocking some cookies may impact site performance and services.
Essential cookies enable basic functions and are necessary for the proper function of the website.
Name
Description
Duration
Cookie Preferences
This cookie is used to store the user's cookie consent preferences.
30 days
These cookies are needed for adding comments on this website.
Name
Description
Duration
comment_author
Used to track the user across multiple sessions.
Session
comment_author_email
Used to track the user across multiple sessions.
Session
comment_author_url
Used to track the user across multiple sessions.
Session
These cookies are used for managing login functionality on this website.
Name
Description
Duration
wordpress_logged_in
Used to store logged-in users.
Persistent
wordpress_sec
Used to track the user across multiple sessions.
15 days
wordpress_test_cookie
Used to determine if cookies are enabled.
Session
Statistics cookies collect information anonymously. This information helps us understand how visitors use our website.
Google Analytics is a powerful tool that tracks and analyzes website traffic for informed marketing decisions.
Used to monitor number of Google Analytics server requests
10 minutes
__utmb
Used to distinguish new sessions and visits. This cookie is set when the GA.js javascript library is loaded and there is no existing __utmb cookie. The cookie is updated every time data is sent to the Google Analytics server.
30 minutes after last activity
__utmc
Used only with old Urchin versions of Google Analytics and not with GA.js. Was used to distinguish between new sessions and visits at the end of a session.
End of session (browser)
__utmz
Contains information about the traffic source or campaign that directed user to the website. The cookie is set when the GA.js javascript is loaded and updated when data is sent to the Google Anaytics server
6 months after last activity
__utmv
Contains custom information set by the web developer via the _setCustomVar method in Google Analytics. This cookie is updated every time new data is sent to the Google Analytics server.
2 years after last activity
__utmx
Used to determine whether a user is included in an A / B or Multivariate test.
18 months
_ga
ID used to identify users
2 years
_gali
Used by Google Analytics to determine which links on a page are being clicked
30 seconds
_ga_
ID used to identify users
2 years
_gid
ID used to identify users for 24 hours after last activity
24 hours
_gat
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
_gac_
Contains information related to marketing campaigns of the user. These are shared with Google AdWords / Google Ads when the Google Ads and Google Analytics accounts are linked together.
90 days
Marketing cookies are used to follow visitors to websites. The intention is to show ads that are relevant and engaging to the individual user.
A video-sharing platform for users to upload, view, and share videos across various genres and topics.
Registers a unique ID on mobile devices to enable tracking based on geographical GPS location.
1 day
VISITOR_INFO1_LIVE
Tries to estimate the users' bandwidth on pages with integrated YouTube videos. Also used for marketing
179 days
PREF
This cookie stores your preferences and other information, in particular preferred language, how many search results you wish to be shown on your page, and whether or not you wish to have Google’s SafeSearch filter turned on.
10 years from set/ update
YSC
Registers a unique ID to keep statistics of what videos from YouTube the user has seen.
Session
DEVICE_INFO
Used to detect if the visitor has accepted the marketing category in the cookie banner. This cookie is necessary for GDPR-compliance of the website.
179 days
LOGIN_INFO
This cookie is used to play YouTube videos embedded on the website.