I should have noted the Feast of Saint Olaf (Olav) of Norway yesterday. Or even better, the day before, so you’d be prepared to attend mass, as I’m sure you would have wished. Yesterday was Olaf’s feast day in the church calendar, July 29. However (as I mentioned in a book review a while back) I’ve been won over to the revisionist figure of August 31 for the actual date of Olaf’s death. So today will do.
Besides, I’m not all that fond of Olaf. Or of Olav, either.
The short video above invites you to visit the site of the battle, Stiklestad, near Trondheim (I had ancestors from nearby). However, just now you can’t go to Norway unless you’re willing to submit to a couple weeks’ quarantine. So I don’t really recommend it. The video suffers from the presence of short-haired Vikings, a current plague in the reenactment world. Also, I don’t think the scene of the battle was wooded. (You can’t actually stand where the battle occurred anymore, due to slippage of terrain a long time ago.) But the production values aren’t bad.
Tomorrow is my birthday (won’t tell you which one). And Sunday is a family reunion.
I’ll post on Monday, if I survive and avoid arrest.
“The Last Judgment,” from The Small Passion, by Albrecht Durer, ca. 1510. Metropolitan Museum of Art, via Wikimedia Commons.
I had a theological idea the other day. It gave me great enjoyment when it occurred to me, but it also worried me. In 2,000 years of church history, I can’t be the first person to think about this, but I’ve never heard it discussed in these terms. Probably because the idea is fraught with danger. And I do care about orthodoxy.
One of the things that troubles me, in my long sleepless nights, is the thought of all the “wasted” people who’ve ever lived. Not wasted in the modern sense of being destroyed by alcohol or drugs. Wasted in the older sense – people simply thrown away. Discarded. The Gospel teaches us that there is nothing more precious than a human soul (think of the parable of the Lost Sheep). But uncounted millions of people have been born into slavery or peonage, worked without respite all their short lives, and then left to die… or killed. Like animals. Also, so many have died young, with no chance to live. Not to mention those aborted.
“What will the Lord do with such people at the Last Judgment?” I’ve often wondered.
And then I remembered an important Christian doctrine. It’s even in our creeds. The Resurrection of the Body. When I was a kid I thought that meant Christ’s resurrection, but it doesn’t. It refers to the resurrection of our bodies, the bodies of every human being who’s ever lived.
At the Last Judgment, every human who ever lived will get their bodies back.
And a picture came into my mind, of a great throng of those “wasted” children, crowded around the throne of Christ, who will do the judging according to Scripture.
I remembered that in the Old Testament, judgment doesn’t always mean condemnation. It also means the place where the poor can get justice against their oppressors.
And then the picture of Jesus surrounded by little children gave me a strong sense of peace.
I can’t make a doctrine out of it. It would be wrong to do that. Universalism must be resisted at all points.
But there was something else in her gaze, something that I have never been able to identify, which left me unsettled then, and still to this day. A look that has haunted my worst nightmares and darkest hours. Almost as if God himself had peered through a crack in the brittle shell of my mortality to pass his judgment upon me ahead of the grave.
It’s not often I encounter a book that’s not only different from what I expected it to be, but wonderfully different. I expected Peter May’s Runaway to be yet another Baby Boomer paeon to the “glories” of the Swinging 60s. It is no such thing. Far from it.
Jack Mackay is a resident of Edinburgh, a man dwindling into old age. He has been edged out of his house by his daughter’s family and installed in a nursing home. He’s consumed with regrets over an unsuccessful life, over sins committed, dreams unfulfilled, and opportunities thrown away.
Then he’s summoned by an old friend, Maurice Cohen, who was lead singer of the band they were in together in their teens. In 1965, aged 17, they “ran away” to London, to be rock stars like the Beatles. Instead they experienced violence, victimization, and a peripheral connection with a famous celebrity murder.
Maurie is in the terminal stages of cancer now; not much time left. He shows Jack a newspaper story, telling how the man accused of the celebrity murder, who disappeared at the time, has now been found murdered. Maurie says the man was not guilty. He himself knows who did it, and they have an obligation to go to London and set things right.
It sounds insane, but Maurie doesn’t have much time left, and Jack feels a personal debt. They collect Dave, one of the other surviving band members, and dragoon Jack’s couch potato grandson, Ricky, into driving them. They set off on a ridiculous, ill-planned pilgrimage, retracing the route of their ridiculous, ill-planned “escape” 50 years before. Along the way we follow two parallel accounts – Jack’s own first-person memoir of the original trip, and a third-person account of their present 2015 journey. We will learn the source of Jack’s guilt, and the secret Maurie has been hoarding all these years, leading up to an explosive conclusion.
I have no idea what Peter May believes. I suspect that, like most sensible modern people, he probably wouldn’t care much for my beliefs. But I have to say that I have rarely encountered a better description of sin and guilt – from the human point of view – than I found in Runaway. It amazed and moved me.
This is no CBA novel. Cautions for very adult themes. But I highly recommend Runaway to adult readers.
I could tell just by looking at their faces that they were awed by the genius of my writing. At least, I could tell they were pretending to be awed by the genius of my writing – and really, this was Hollywood, so what was the difference? In this town, to be admired and to be in a position where people had to pretend to admire you were pretty much the same thing. In fact, the latter might’ve been a little tastier than the former, when you came right down to it.
I’d been waiting for the third and final volume of Andrew Klavan’s Another World fantasy series, but somehow I missed its release. I have remedied that omission now.
The Emperor’s Sword opens on a world in some ways far weirder than the fantasy world to and from which its hero has been shuttling. That weird world is Hollywood. Austin Lively has made it to the big time. He’s sold a screenplay to a major studio, he goes to the best parties, and he’s being hailed as an “important new talent.” He has an expensive car, an expensive home, and his pick of eager starlets to share his bed. However, like Hamlet, he has dreams, dreams that remind him of places and adventures he just can’t remember and doesn’t want to believe in.
But when his neglected girlfriend Jane is framed for murder, the memories come back in a storm. He has an unfinished job to do in the Other Kingdom, and he can’t save Jane unless he completes that job. He returns to the Other Kingdom, only to find it’s too late. The Emperor to whom he was to bring a message is dead. And Austin now needs to fight a duel he can’t win to save innocent people from death.
Fortunately, in the Other Kingdom, death sometimes works differently than it does here.
Nobody, but nobody, knows how to build plot tension like Andrew Klavan. The Emperor’s Sword puts you on a roller coaster like those old movie serials tried to, but failed. The roller coaster works here. The reader accompanies the hero from the depths of despair to the peaks of triumph and back, with barely a moment to catch his breath.
There’s also a lot of (no doubt semi-autobiographical) realism about Hollywood, and how truly evil and soul-destroying the industry and its culture can be. I do not recommend this book for younger readers, because there’s some very sordid stuff going on here. It pleases me, on the other hand, that top-grade fantasy is being written for an adult audience.
I’m a harsh critic of fantasy – I compare everything to a) Tolkien, or b) the things I imagine my own work to be. In terms of fantastic imagination, I wouldn’t say this book climbs the heights. Some of it seems kind of boiler-plate medieval to me. But in terms of storytelling and plotting – mixed in an uplifting way with brutal spiritual honesty – it would be hard to do better. Highly recommended for adults.
Big weekend. I saw new (old) things, did my Viking shtick, sold books, and exerted myself more than I’m used to these days. Probably good for me, but it made me thoughtful too.
I’m embarrassed, as a native of southeastern Minnesota, to have had to learn this, but there’s a pretty neat museum in the town of Hastings that I’d never heard of before. It’s called the Little Log House Pioneer Village, and one assumes it started modestly and just grew. It features a large collection of historical buildings, from pioneer cabins to hotels and post offices and gas stations. Some of the stuff goes back only to my childhood, but that’s a long time, after all.
The picture above shows you where we were camped (and by our camp, I mean my tent and awning). Looking up the street you can see just a little of the collection of buildings at the museum. The white building dominating the left-hand side is the town hall from Nininger, Minnesota, a storied place in Minnesota history. It was a utopian community, which Ignatius Donnelly (a radical Republican who eventually become a Populist) promoted as a model community of the future. The crash of 1857 doomed it, leaving Donnelly bankrupt.
Donnelly, a Philadelphia native, was Lieutenant Governor of Minnesota from 1860-1863, and also a congressman and a state representative. He ran for Vice President on the People’s Party ticket in 1900. His greatest fame, though, was as a writer, a forerunner to today’s pseudoscience cranks. This was a man born for the cable channels. His book on Atlantis: The Antidiluvian World is still being reprinted, and continues to be studied by ancient mystery geeks. He also wrote a book about the Great Flood, and championed Francis Bacon as the author of Shakespeare’s plays. In addition, he was a pioneer of Science Fiction, writing a future dystopia novel called Caesar’s Column that was a big success in its time.
The Little Log House Museum hosts an Antique Power Show (steam engines, tractors and classic vehicles) every year. I’m told the place is generally packed for the event. They skipped it last year, of course. And the public seems to still be cautious – our crowds this year were only fair. Still, I sold a moderate quantity of books, and had some pleasant interactions with my species in fairly pleasant weather. It was hot, but I enjoyed fair shade under my awning (better the second day, when we moved my tent onto the east-west tree line). This was not my usual group of Vikings, but a couple of the younger members plus a group of very young new recruits. This made me, perforce, the village elder, and occasional dispenser of dad jokes. I let them have the combat shows all to themselves, but lent some of them arms and armor.
These days I feel my age more every time I do one of these events, but in fact I felt less tired the second day than I expected, and I feel less wiped out today than I also expected. My main concern right now is carrying stuff up and down my basement steps, because there’s no room to store my Viking things on the main floor of my house – and let me tell you, Viking things are heavy (as are books). I need to think about cutting back – not on the events I attend, but on the impedimenta I bring along. I expect I’m going to have to downsize my operation to a plain book table in time.
I was happy, through the good efforts of my printer, Elroy Vesta of EJ Enterprises, Fergus Falls, MN, to have the new paper edition of The Year of the Warrior available to hand sell. I meant to get my picture taken with it in costume this weekend, but it slipped my mind. Here’s a more modest picture.
When she first heard that Pearl Harbor had been attacked, sixteen-year-old Elaine R. Engelson of Brooklyn was “amazed and ashamed” of her “weakness in facing a world crisis.” She wrote to the New York Times the next day that although she, like many others, had “felt the inevitability of war” for some time, “the thought of it actually having come upon us was sudden.” The horrifying events in Hawaii suddenly changed the rhythms of the teenager’s life. She had grown accustomed to countless airplanes flying overhead, but on December 8, the sound of an approaching plane produced a new sense of dread. Although “the world has not yet come to an end by any means,” she had the ominous feeling that “we are on the brink of a precipice overhanging a world of complete darkness.” What was at stake, she said, was something she and many Americans had not fully appreciated until then: “We are fighting to save the world from a fate worse than death.” For a stunned nation, it seemed impossible that the U.S. Pacific Fleet had been caught so unaware. Over twenty-four hundred Americans had died, and the navy had lost eight battleships…. Along with shock and anger came another reaction, shared by millions on both coasts. People wondered if Pearl Harbor was just a prelude to something far worse. In a Gallup poll taken shortly after December 7, 60 percent responded that it was “very likely” or “fairly likely” that the West Coast would be attacked in the next few weeks.
The template of the English police procedural novel seems to be fairly well established. There’s an experienced senior officer – perhaps a bit crusty – and a diverse team of younger detectives with more or less to learn. In my experience, one can usually expect good team rapport and friendly teasing. That pattern gets varied a little in A Poison Tree, first in a series about DCI Will Blake, who commands a squad in England’s Wirral district (outside Liverpool).
Blake (don’t mention the poet William Blake to him) has recently returned to work after upheaval in his family and the loss of his wife. (Right now one of his major concerns is his mother’s cat, which he has inherited and which seems to hate him.) His investigative team has not yet gelled; there’s tension between them and they’re not entirely confident about their boss yet. One particular problem is the obligatory homosexual on the team – much is made of the subtle hazing he receives – but on the other hand, there’s a suggestion he’s a bit of a prat for being so touchy about the matter.
When a beautiful teenaged girl is found murdered in a park, the major clue seems to be that someone took away the shoes she was wearing, vintage shoes she found at a charity shop. Then it turns out the shoes have a history – they belonged to a young girl who was similarly murdered decades ago – the shoes first disappeared at that time. Clues lead back to the story of a local celebrity, a rich girl who operated as a sort of Nancy Drew, “helping” the police to solve crimes.
The plot of A Poison Tree is complex and convoluted. I must admit I lost track of the characters, contemporary and historical, who figured in the story. The final solution was tragic, almost in the Greek sense, and possibly a little over the top.
I finished the book, but I’m not sure I can recommend it wholeheartedly. It was kind of hard to follow. I did like Blake, though.
Today is one of my industrious days. A little translation work came in. Proofreading, actually, which is fairly easy and I believe I do it well. It doesn’t pay much because it goes fast and this employer pays by the hour. But it’s income. And not devoid of fun.
The project – which I won’t give you a hint about, not even the format – is one we’ve been working on, off and on, for years now. I recall remembering it recently, and thinking, “Well, that one must have died in production.” But here it is again.
The wheels of cinema grind slowly.
Not long ago I saw a news item that announced they were starting production on the very first project I ever worked on. I’d long written it off as a sad casualty – I’d really liked it and wanted to see it made. And behold, it’s getting done, at last.
Makes me feel better about the rate my novels are coming out.
I expect I’ll be able to post something tomorrow, but if I don’t show up, remember I’ll be at the Little Log House Antique Power event in Hastings, Minnesota on Saturday and Sunday. God willing.
At last I found a lawn guy. I chose the guy who put up a flyer at my church, rather than any of the hard-sell sharks who went all feeding-frenzy on me after I waded into the Home Advisor waters. I may be sorry I made the choice one day, but at the moment I’m pleased with my sales resistance.
No word on the car yet, of course. I have a Viking event this weekend (the link to the Little Log House Antique Power Show is here, if you’re going to be near Hastings, Minnesota), and I’ve been forced to beg a ride from a fellow Viking who can accommodate all my stuff in his vehicle. I’ll owe him a favor now… heaven knows what might be asked of me one day. (I draw the line at felony-level violence.) I hope to have the new paper edition of The Year of the Warrior to sell at this event, and that kind of excites me.
I’m almost surprised to say it, but the new novel, King of Rogaland, is coming together, I think. Now that I’m starting to get the various plot threads tied up properly, I like what I’m seeing. I’ve got ongoing themes happening here; a uniformity of effect (I hope). One oddity of this book (for me) is that it includes more embedded stories than my previous books. By that I mean a character in my story sitting down and telling a story of his own. These interpolated tales, in general (I think), also advance the unified theme. Another oddity is that there are no major battles (hypocritical of me, I suppose, as I’ve criticized Stephen Lawhead for lacking the nerve to write battles). But the final confrontation is – I think – dramatic enough to have a similar artistic effect.
I read a quotation recently that impressed me. I don’t recall the source, or the exact words. But the gist of it was, “The better you get as a writer, the harder writing will be for you, because your critical standards will be raised.” So just go ahead and do it – if you’re having this problem, you’re probably a better writer than you think.
As far as pure entertainment goes, you can hardly do better than Nick Petrie’s bombastic Peter Ash thriller series. These books are extreme in every way. Nevertheless, speaking for myself, I’m growing a teeny bit uncomfortable with them.
Peter Ash is, if you remember, a Marine combat veteran who came home with a peculiar form of PTSD. He is claustrophobic, and mostly stays out of doors. Over the course of his adventures he’s acquired a fortune in “found” money, a faithful friend who is a former Milwaukee gangster, and a feisty journalist girlfriend. Tear It Down finds him trying to settle down with the girlfriend, June. He’s exerting himself to make it work, but June can tell it takes an effort. So when her friend Wanda calls from Memphis, saying people are harassing her, she tells Peter to scoot – go help Wanda. Work it out of his system.
Wanda is a photographer who suffers from PTSD of her own. She’s been photographing war zones, and is now taking pictures of urban gangs. She doesn’t know why somebody drove a pickup truck through the front wall of her house, though. It seems both extreme, and an odd way to make a statement, when they could just shoot her.
Peter has barely arrived when he’s confronted by a kid with a gun, who wants to hijack his camper truck. Peter could take the gun away, but he instinctively likes the boy, and gives the truck up rather than hurt him. Later he learns that the boy is a gifted musician in big trouble – Peter would like to help him, if he could only find him. And he’d also like his truck back.
Solving these problems will involve bringing in his dangerous friend Lewis from Milwaukee, and chasing down a couple of desperate rednecks with their sights on a historical treasure. These guys are crazy, and not above turning a machine gun on innocent bystanders.
It speaks well of author Petrie that he wants to do good as well as entertain with Tear It Down. He tries to confront issues of race and social oppression in a positive (and hopeful) way. And that was part of my problem. I found his solutions a little glib, and not much more plausible than the book’s over-the-top plot.
Also, I’m getting a little tired of Peter’s girlfriend, June. She seems to be a good person, and is good for Peter. But we are informed that a foul mouth is one of her “virtues.” I’ve gotten accustomed to profanity in books, but treating it as a positive good is kind of extreme for this small-town boy.
I don’t know. I may go back to the Peter Ash books after a while. They’re engaging and entertaining. But I’m going to cool it on them for now.
Websites store cookies to enhance functionality and personalise your experience. You can manage your preferences, but blocking some cookies may impact site performance and services.
Essential cookies enable basic functions and are necessary for the proper function of the website.
Name
Description
Duration
Cookie Preferences
This cookie is used to store the user's cookie consent preferences.
30 days
These cookies are needed for adding comments on this website.
Name
Description
Duration
comment_author
Used to track the user across multiple sessions.
Session
comment_author_email
Used to track the user across multiple sessions.
Session
comment_author_url
Used to track the user across multiple sessions.
Session
These cookies are used for managing login functionality on this website.
Name
Description
Duration
wordpress_logged_in
Used to store logged-in users.
Persistent
wordpress_sec
Used to track the user across multiple sessions.
15 days
wordpress_test_cookie
Used to determine if cookies are enabled.
Session
Statistics cookies collect information anonymously. This information helps us understand how visitors use our website.
Google Analytics is a powerful tool that tracks and analyzes website traffic for informed marketing decisions.
Used to monitor number of Google Analytics server requests
10 minutes
__utmb
Used to distinguish new sessions and visits. This cookie is set when the GA.js javascript library is loaded and there is no existing __utmb cookie. The cookie is updated every time data is sent to the Google Analytics server.
30 minutes after last activity
__utmc
Used only with old Urchin versions of Google Analytics and not with GA.js. Was used to distinguish between new sessions and visits at the end of a session.
End of session (browser)
__utmz
Contains information about the traffic source or campaign that directed user to the website. The cookie is set when the GA.js javascript is loaded and updated when data is sent to the Google Anaytics server
6 months after last activity
__utmv
Contains custom information set by the web developer via the _setCustomVar method in Google Analytics. This cookie is updated every time new data is sent to the Google Analytics server.
2 years after last activity
__utmx
Used to determine whether a user is included in an A / B or Multivariate test.
18 months
_ga
ID used to identify users
2 years
_gali
Used by Google Analytics to determine which links on a page are being clicked
30 seconds
_ga_
ID used to identify users
2 years
_gid
ID used to identify users for 24 hours after last activity
24 hours
_gat
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
_gac_
Contains information related to marketing campaigns of the user. These are shared with Google AdWords / Google Ads when the Google Ads and Google Analytics accounts are linked together.
90 days
Marketing cookies are used to follow visitors to websites. The intention is to show ads that are relevant and engaging to the individual user.
A video-sharing platform for users to upload, view, and share videos across various genres and topics.
Registers a unique ID on mobile devices to enable tracking based on geographical GPS location.
1 day
VISITOR_INFO1_LIVE
Tries to estimate the users' bandwidth on pages with integrated YouTube videos. Also used for marketing
179 days
PREF
This cookie stores your preferences and other information, in particular preferred language, how many search results you wish to be shown on your page, and whether or not you wish to have Google’s SafeSearch filter turned on.
10 years from set/ update
YSC
Registers a unique ID to keep statistics of what videos from YouTube the user has seen.
Session
DEVICE_INFO
Used to detect if the visitor has accepted the marketing category in the cookie banner. This cookie is necessary for GDPR-compliance of the website.
179 days
LOGIN_INFO
This cookie is used to play YouTube videos embedded on the website.