‘Mountain Greenery’

I have nothing to review today. That leaves me with no alternative to writing about stuff I’ve been thinking about – and that, as you know, can get weird.

Tonight’s subject, to take an example at random, is “broken rhyme.” You can find several examples of broken rhyme in the song, “Mountain Greenery,” by Rodgers and Hart, embedded above (the song was debuted on Broadway by the actor Sterling Holloway, who would live long enough to be the original voice of Winnie the Pooh in the Disney cartoons). A meme is going around Basefook where somebody asks to quote the greatest line from any song, ever. I haven’t responded to it yet, but when I do it’ll be:

We could get no keener re- 
ception in a beanery 
Bless our mountain greenery home!

That, my friends, is broken rhyme. At first I thought it was “enjambment,” and I prepared a long disquisition on that subject for this post, but then I found out enjambment is something else, so I cut that part. All in all, probably for the best.

Lorenz Hart was known for using broken rhyme in his songs. Cole Porter employs it in his song, “I Get a Kick Out of You,” where you have the lines (in the original, unexpurgated version):

Some get a kick from cocaine
I'm sure that if
I took even one sniff
That would bore me terrif-
Ically, too
Yet, I get a kick out of you

I’ve always been fascinated by broken rhyme. Love those word tricks in verse. It’s one of the reasons contemporary popular music leaves me cold. Today’s lyrics are generally simplistic, intended to be yelled. That’s why I like the old songs. There’s a station in St. Cloud, Minnesota (Uptown 1010, Ring-a-Ding Radio) that I make a point of listening to, every time I drive north on I-94. All oldies, with an emphasis on Sinatra and the crooners. Songs with lyrics worth paying attention to.

I could move on to the subject of Contemporary Christian Worship Music, but I think you can guess my opinion on that.

‘Righteous Prey,’ by John Sandford

Four cars were parked in a line, with two side-by-side overhead doors: a gunmetal gray Lexus SUV, a red Ferrari, a black Mercedes SUV, and a reddish-orange Porsche Carrera Turbo. A group of cops were discussing whether the Ferrari and the Porsche should be seized as evidence, and if so, who’d get to drive them to the impound lot.

I’ve been a big fan of John Sandford’s exciting and amusing “Prey” series for a good percentage of its long history (the hero, Lucas Davenport, would be retired and out of action long ago in real life, but fiction permits active employment for the life of the author [at least]). Today, hero Lucas Davenport, long with the Minnesota Bureau of Criminal Apprehension, is sort of a freelance US Marshal. He gets to work on only the jobs that interest him, due to his immense personal wealth and Washington connections. In Righteous Prey, he teams up (again) with his buddy Virgil Flowers, who’s still in the BCA, to deal with a domestic murder ring.

One thing I’ve always appreciated in the series is the author’s ability to set aside his personal politics (which I’m pretty sure must be far to the left of mine) and present fairly balanced pictures of conservatives and liberals. And he’s generally avoided controversial subjects.

This book is less evenhanded, though I’m sure he made an effort.

What’s happening here is that a group of anonymous individuals, all of them Bitcoin billionaires, have formed a group called “the Five.” Their purpose is to kill “a**holes” (hereinafter to be called “targets” in this review). People they consider evil, who do only harm to the world, and who are personally hateful. Each of them will kill one of the five targets, after which they will distribute a news release, and then make a generous donation to some charitable organization whose work counteracts whatever harm they think the target has done.

When one target is murdered in Minneapolis, Lucas and Virgil get involved. They’ll be traveling around the country playing catch-up with these billionaire killers, and it will all culminate in a running fight in Long Island, New York.

Generally, Sandford is as evenhanded as usual. He does one thing that’s uncharacteristic, though, if my recollection of the previous books is correct. He throws in a message this time – the evils of bump stocks.

Now, I’ll confess I’m pretty ignorant about bump stocks. No personal experience. The sources I’ve read have generally defended them, saying they really don’t translate into anything drastically new and lethal. But the way Sandford describes them, they turn an AR rifle into the equivalent of a tommy gun, spraying death all around, turning a lone gunman into a one-man commando team against whom the police are helpless.

I don’t know. I’m skeptical.

Other points of interest – Virgil is now writing a novel, and he complains that he “only” expects an advance of $2,500.00 or so. This proves John Sandford lives in a different universe than the one I’m in.

I believe I read he no longer lives in Minneapolis. One piece of evidence for that development is that he thinks the Bakers Square in Highland Park is still open. Sadly, it closed down forever, early in the Lockdown.

There’s a vile conservative talk show host in the story, who may be very loosely based on the late Rush Limbaugh. However, he’s such a caricature that I found it hard take offense. Liberals, no doubt, will think the portrait spot on.

On the plus side, there’s a Travis McGee reference.

Recommended, except that strong gun rights activists probably won’t like it. Cautions for foul language and violence.

‘Dave Barry Is Not Taking This Sitting Down,’ by Dave Barry

I picked up another Dave Barry book, offered at a bargain price. Short review: I enjoyed Dave Barry Is Not Taking This Sitting Down. I had a suspicion it would be funny, and it was. (The title, by the way, refers to a couple essays on modern, low-flow toilets.)

It was odd that, though this book only came out around the turn of the millennium (which doesn’t seem that long ago to me at my age), it describes a palpably different world. This was before 9/11. Before Covid-19 and the Lockdown. Many of the everyday annoyances that Barry jokes about here seem to come from a long-ago, golden age when you could be annoyed when little things went sour, because they usually went okay. Most of the time.

Memories, memories.

Here’s a few excerpts:

So your school is having a science fair! Great! The science fair has long been a favorite educational tool in the American school system, and for a good reason: Your teachers hate you.

**

The reason Congress did not get around to ordering an audit any sooner is that it has been extremely busy with its primary functions, which are (1) spending money; (2) declaring National Cottage Cheese Appreciation Week, and (3) authorizing the IRS to hammer taxpayers for inadequate record-keeping.

**

Q. When should I arrive at the airport?

A. You should arrive two hours before your scheduled departure time, so that you will be among the first to know that your flight has been delayed due to mechanical problems.

**

The most stressful part [of registering for a baby shower] is picking out the stroller. Today’s baby stroller is an extremely high-tech piece of equipment, comparable in complexity to the B-1 bomber, but more expensive.

Recommended.

Sunday Singing: Come, Christians, Join to Sing

“Come, Christians, join to sing” sung by a congregation at St. Olaf’s College for the graduate conducting recital of Michael Devine

This classic hymn was written by English Moravian minister Christian H. Bateman (1813-1889) and is sung to a traditional Spanish melody, arranged by American Benjamin Carr. Carr studied music under Charles Wesley and Samuel Arnold.

1 Come, Christians, join to sing
Alleluia! Amen!
loud praise to Christ our King;
Alleluia! Amen!
let all, with heart and voice,
before his throne rejoice;
praise is his gracious choice:
Alleluia! Amen!

2 Come, lift your hearts on high,
Alleluia! Amen!
let praises fill the sky;
Alleluia! Amen!
he is our guide and friend,
to us he’ll condescend;
his love shall never end:
Alleluia! Amen!

3 Praise yet our Christ again;
Alleluia! Amen!
life shall not end the strain;
Alleluia! Amen!
on heaven’s blissful shore,
his goodness we’ll adore,
singing forevermore,
“Alleluia! Amen!”

Where Do You Want to Read?

Comfortable chair with plenty of light and books

Reading: Where do you like to read? A hammock, a couch, an overstuffed chair? At a desk, on a bench, or while walking somewhere? The chair in the photo above would suit me well for firmness and lighting.

I feel I can’t read in half of my house without falling asleep, and while it would be easy to blame my age now, I don’t think that has been the reason for my fatigue or maybe mental laziness before now. I am a poor, distracted, uncompelled reader for the most part. No one will learn of my literary habits in the coming years and find in them a pattern to follow.

Historic Novels: Some books are not comfort reads. Gina Dalfonzo says she had trouble sleeping after reading The Marriage Portrait by Maggie O’Farrell. It’s a novel about Lucrezia de’ Medici, the wife of Alfonso II d’Este, Duke of Ferrara, who died at age 16, and is remembered mainly as the subject of Robert Browning’s, “My Last Duchess.”

That’s my last Duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now; Fra Pandolf’s hands
Worked busily a day, and there she stands.

Saith the Duke with every indication that he suspected his Duchess of infidelity or perhaps, more vaguely, unworthiness.

Jotting Notes: Patrick Kurp has a few small notes in his Bible of 60 years. They don’t reveal much.

What is she holding? The woman in this 1860s painting by Ferdinand Georg Waldmüller has all the appearances of holding a smartphone.

Nobel Prize: French author Annie Ernaux has been awarded the Nobel Prize for Literature.

Photo by Nick Hillier on Unsplash

The Future Library

The Future Library. Photo credit: traveldailymedia.com

I read every issue of “Viking,” the magazine of the Sons of Norway fraternal organization, of which I’ve been a humble member for longer than I care to contemplate. Often it contains interesting articles. Occasionally there’s even a picture of me, standing on the edge of some SON lodge activity, oblivious. And sometimes it gives me reason to laugh – though rarely on purpose.

The current, October, issue of “Viking” gave me a chuckle. Its cover article is called “Norway’s Secret Library,” and it describes a project called “The Future Library” (Framtidsbiblioteket) in Oslo.

The whole operation is complex and grandiose, but I’ll try to get the gist of it down here – if I can grasp it myself. It started with a Scottish artist named Katie Paterson. She came up with the idea for a library that would contain books by prominent writers that neither she nor anybody alive would ever live to read… for some reason.

A grove of 1,000 spruce trees were planted in a forest in Oslo in 2014. In 2114, those trees will be cut down and turned into paper, on which will be printed books written specially for the project by famous contemporary authors who participate by invitation. (Margaret Atwood got the first invitation. Imagine my surprise.) The Future Library itself has (if I understand the article correctly) been built from the trees initially felled to clear the area for this project. And I guess the building is going to just sit there for the next century, waiting like a time capsule.

You realize what’s happening here, don’t you? Mortality is catching up with my generation. Boomers. And they’re remembering how they treated the authors of the past. How they called for all the classics to be thrown out and burned, to make way for the Now, the With It, the Relevant. (“Hey hey, ho ho, Western Civ has got to go!”)

And they’re terrified future generations will treat them the way they treated the classics.

So they’re building themselves a pyramid. “I am Ozymandias, king of kings. Look on my works ye mighty, and despair.” (Shelley wrote that, as you’ll know if you were educated before the Revolution.)

If these authors truly believed they’d produced literature for the ages, they’d trust posterity to recognize their achievement.

The Victorians admired Lord Bulwyer-Lytton, and considered Arthur Conan Doyle an insignificant scribbler of low-brow popular fiction. Today we laugh at Bulwer-Lytton, and scholarly works are devoted to Doyle.

That’s what I’m counting on for my own books. Posthumous posterity.

Or maybe a certificate of completion in Heaven.

YouTube film review: ‘Darker Than Amber’

As I read John D. MacDonald’s A Deadly Shade of Gold, which I reviewed yesterday, I was reminded of the 1970 film production of another Travis McGee book, Darker Than Amber. I found that it was on YouTube (in a somewhat muddy recording), and figured I’d watch it. I’d seen it before, on television sometime in the ‘70s, I think. I remembered I liked it. I wondered how it held up.

The answer is, not very well. In my opinion, it should have been called Darker Than Camembert, because there’s a whole lot of cheese goin’ on here.

The movie plot follows the book fairly closely, I’ll give it that. Travis McGee (played by Rod Taylor) is fishing with his friend Meyer (Theodore Bickel) when a girl (Suzy Kendall) drops off a nearby bridge with a weight tied to her ankles (if I recall right, it was a concrete block in the book; here it’s a bodybuilder’s weight). This is the sort of thing that happens to McGee all the time, of course, and he is quickly overboard, diving to free the girl and bring her back to the surface alive. She turns out to be named Vangie, and she’s pretty messed up. She ignores Travis’ safety warnings, and is soon in trouble again. Which puts McGee on a collision course with Terry (the great heavy William Smith in his best paranoid mode), a bodybuilder (probably on too many steroids) who has been working a badger game with Vangie. The film culminates in a brutal fight between McGee and Terry on a cruise ship. (According to Smith’s own statement, Taylor hit him in earnest and he hit back, so the fight you see is genuine. Taylor broke three of Smith’s ribs, while Smith broke Taylor’s nose. Or so the story goes. I can’t imagine hitting William Smith at all, let alone hard enough for him to notice.)

John D. MacDonald hated this movie, and never tired of saying so. He felt that its emphasis was on violence rather than human beings and feelings.

What didn’t I like? For one thing, Rod Taylor wasn’t the right physical type for McGee (Robert Culp, who was also considered for the role, would have been closer to MacDonald’s descriptions). And we see little of the thoughtful McGee in this script, which concentrates on action. Miss Agnes, McGee’s Rolls Royce pickup, is here approximated by an RR with a sort of camper rear-end, clearly built over an intact vehicle.

But the worst part was the whole aesthetic of the thing, I think. 1960s styles, colors, camera angles, music. And to top it all, a particular makeup appliance worn by Smith at the end just looks silly.

Still, if you’d like to see a Travis McGee story on film, you can find it on YouTube. The only other attempt was a TV pilot called Travis McGee, which couldn’t be saved even by the deathless Sam Elliot in the lead. Among its sins – McGee wears a mustache, his houseboat has become a sailboat, and the whole setting has been moved to California.

I didn’t embed the film in this post, because I suspect there may be copyright problems and the whole thing’s likely to be pulled any day now. Cautions for violence and brief nudity.

‘A Deadly Shade of Gold,’ by John D. MacDonald

I motioned him back and had him get himself a shot glass. I filled it from my bottle. I held my glass up and said, “Drink to me, my friend. Drink to this poisonous bag of meat named McGee. And drink to little broken blondes, and a dead black dog, and a knife in the back of a woman, and a knife in the throat of a friend. Drink to a burned foot, and death at sea, and stinking prisons and obscene gold idols. Drink to loveless love, stolen money and a power of attorney, mi amigo. Drink to lust and crime and terror, the three unholy ultimates, and drink to all the problems which have no solution in this world, and at best a dubious one in the next.”

He beamed without comprehension, and said, “Salud!” We drank and bowed and I filled the glasses again.

I have favorites and less favorites among John D. MacDonald’s Travis McGee series. I would not list A Deadly Shade of Gold as one of my favorites. It’s dark and convoluted, and unfortunately contains several authorial thoughts that annoy me. Still, it’s McGee, and I wouldn’t be without it.

Travis McGee, Florida houseboat-dwelling beach bum and “salvage specialist,” gets a call from his old buddy Sam Taggart, who’s been gone two years. Sam wants to know if Trav still “operates like he used to.” That means recovering stolen property for people and keeping half the value. He invites Trav to his seedy motel room and shows him an ugly golden statuette. There are 23 more like that, he tells Trav. Somebody took them from him and he wants them back.

Trav tells Sam that Nora wants to see him. That takes him aback. Sam was engaged to Nora before he ran off. Sam then says he’s changed his mind. If Nora will take him back, forget the salvage job. He says he’ll just dispose of this statue, and then Trav should bring Nora to see him tomorrow.

But when Trav and Nora show up, Sam is dead – killed with a knife in an ugly way.

Now it’s more than a salvage. It’s personal. Trav makes a trip to New York to talk to dealers and find out who might have owned the collection of gold statuettes. That leads him to a trip to Mexico (Nora comes along), to surveille the home of a reclusive, exiled Cuban government official.

Then things start getting complicated and violent, and it grows difficult to tell the good guys from the bad guys. It will all culminate in a fiery showdown in a billionaire’s home in Beverly Hills.

None of the Travis McGee books are exactly cheery, but A Deadly Shade of Gold is particularly dark. I think the author must have been depressed that year (1965). Aside from people dying in ways they don’t deserve, MacDonald expresses opinions which (in my view) have not largely held up well. He disses religion, and takes an entirely gratuitous swipe at all hunters. He warns of overpopulation. He talks about the dangers of right-wing extremism without even considering (apparently) that there might be an equal and opposite danger on the other side.

However, the story is consistently anti-communist. And a large part of the plot involves attempts by Communist agents to influence American politicians and entertainment people through sexual blackmail. That’s a theme right out of the headlines (or rather, the buried ledes).

If you’ve never read a Travis McGee novel, I wouldn’t recommend A Deadly Shade of Gold for a starter. Otherwise, buy it. Cautions for sex scenes and violence.

‘Sam Keaton Wild West Mysteries Omnibus,’ by Sigmund Brouwer

I enjoyed Sigmund Brouwer’s Christian-oriented Nick Barrett mystery novel, Out of the Shadows. I didn’t enjoy the sequel, Crown of Thorns, quite as much, so I won’t review it here (it dealt with racial issues, and was as awkward as such stories generally are).

But when I saw Brouwer had written a series of Western stories, I thought, hey. I’ve been meaning to read more Westerns. I’ll give it a try. I bought the Sam Keaton Wild West Mysteries Omnibus. There was much to enjoy there, but in the end it didn’t work for me.

Sam Keaton (an alias) was once a bounty hunter. Now he’s a cowboy, trying to live a peaceable life and avoid an old wanted poster. One day in Laramie, Wyoming he comes upon a big man trying to kick a little Indian to death in an alley. He’s no great lover of Indians, but the injustice of the thing rankles him, so he tries to stop it. The big man goes for his gun, and the next thing he knows the man is dead, and Sam is on the run again. Oddly enough, the Indian follows right at his heels.

The “irksome Injun,” as he calls him, turns out to be a sort of emissary, delivering messages periodically from a mysterious woman named Rebecca Montcalm. The messages give Sam instructions, with a promise of gold.

The story was interesting, but it seemed a little contrived to me. Improbable situations staged to orchestrate plot points. Insufficient credibility.

But my big problem was what I saw as major factual errors. This especially applied in the area of Colt’s handguns, about which the author knows far less than he thinks. He overestimates the ubiquity of the brass cartridge in 1871. He thinks gunfighters fanned their pistols (though in the second book he describes fanning in a way that makes me wonder what he’s talking about). He thinks you can unload a Colt by holding it upside down and shaking it.

But worst of all, he says really mean things about Wild Bill Hickok. I consider Wild Bill one of my pards, and I don’t cotton to that kind o’ talk.

So I didn’t finish the second book.

I will try the next Nick Barret book though, if I see it. Because the author is clearly learning his craft.

Minot after-report

Me and Erik and Alex at Hostfest.

Thank you for your patience while I was out of town. I know it was a trial for you, and I appreciate the strength of character you exhibited.

This year’s Norsk Høstfest in Minot featured an element of suspense. It’s been two years since the festival has actually been held, due to circumstances you’re all familiar with. It’s under new management now, and much smaller than it’s been in the past. Everyone wondered how it would go.

Rather to my surprise, it went pretty well. At least as far as I could tell. Our Viking Village was in a different location this year, a building that’s kind of out of the way. Also, a display of RVs on sale was parked in front of us.

Nevertheless, the festival people found ways to direct people out to us, and I did good business. Sold all the books I brought. I also passed my Viking mail shirt and fighting sword on to the younger generation (for money). That was a bit of a wrench, like a guy selling his motorcycle at last. But I did it. It was time.

Saw lots of people; talked to some of them, mostly about my books. We were fed at the festival, and housed in a hotel (those who didn’t camp in their Viking tents), and paid pretty decent mileage. Chances are, those expenses will be the final straw that puts the festival in the red and ends it for good and all, but at least I got mine.

Special thanks are due to the guy with the ABC Seamless siding display, who gave us all complimentary fly swatters, enabling us to fight back against that particular plague. It made all the difference.

Dannr, the blacksmith.
The bowyer.
The bead maker.
The couple with the Norwegian Forest Cats.