Tag Archives: Sissel Kyrkjebo

‘Auld Lang Syne’

It’s almost New Year’s Eve, and I think I’ll alter my usual habit of posting holiday stuff on the holiday itself (which means most readers don’t find it until too late). Instead I’ll post this New Year’s song today. It’s Sissel Kyrkjebø, Charles Aznavour, and Placido Domingo doing Auld Lang Syne. Not as much Sissel as I might wish, but the other version I considered was in Norwegian. I figured you’d understand this one better.

“Auld Lang Syne” means “old long since,” or “old times.” If you’re a close reader, you may have noticed that I tend to use “long since” instead of “long ago” in my Erling books. It’s one of the archaisms I employ (lightly, I hope) to add a feeling of the past to the prose.

I bear an irrational grudge against Robert Burns, as you may recall. But according to Wikipedia, he seems to have adapted Auld Lang Syne from an old Scottish folk song. The melody is beautiful too.

A happy and blessed New Year to you, from the worldwide empire of Brandywine Books. I have some hopes for 2022. A book to release, a long trip I just might take, “tomorrow when the world is free,” as another old song goes.

I picked up a shovel in my garage today. Used it to clear some snow from in front of the door. I looked at the thing, an old sand shovel, and remembered how it had been around forever on the farm where I grew up. My dad gave it to me once, long ago, for my first car. “You should always carry a shovel in your car in the winter,” he said. Which is prudent advice in Minnesota. (Especially when you drive a Gremlin, which was what I did at the time.) I got to thinking how old that shovel is. I know it goes back to my dad’s time. Very likely my grandfather’s. Possibly even my great-grandfather’s. The rusty old thing is likely over a hundred years old.

Time passes, but we survive, so long as the Lord wills.

‘In the Bleak Midwinter’

Not a bad lillejulaften (little Christmas Eve, as they call it in Norway). No great accomplishments chalked up, but I got a couple things done that I’d been putting off. Faced a minor appliance crisis – I learned it was a false alarm, though the diagnosis cost me a little. Still, I was expecting much worse. And I got paid for some translation, which always brightens a day.

“In the Bleak Midwinter” came to mind for a song tonight. Sissel sings, of course. Based on a poem by Christina Rossetti, it’s bald-faced anglicization of the Christmas story. Whether Jesus was born on December 25 or not (I like to think He was, just to annoy people) it certainly wasn’t in a snow-covered landscape. But our Christmas celebration isn’t only about the first Christmas (though it must be about that primarily). It’s also about the long tradition of commemoration we enjoy in the Christian tradition. Legends included. And in a tertiary way, about the traditions of our own tribes, whatever they may be. My tribe is Scandinavian, and we make kind of a big thing out of Christmas (for reasons I discuss in my novel Troll Valley).

Tomorrow I’ll bake pumpkin pies. No holiday is guaranteed, but this Christmas looks to beat last year’s all hollow, at least for this jolly old elf.

Hope it’s the same for you.

‘Hark! the Herald Angels Sing’

I come before you tonight a beleaguered man. Not unhappily beleaguered. I have paying work to do, and that’s always cause for rejoicing. But I’m looking at a big job here – bigger than I expected. What I’ve got is a full-length feature film to translate. I haven’t done a lot of those, and I’ve never done one all by myself before. (I’ve done a whole miniseries, but that’s different.)

A full film script, in case you’re interested, runs a little under 100 pages in this case. My rough reckoning is that I can translate two pages per hour. So we’re talking about better than a week’s work here, figuring eight hours to the day. And then I’ll have to proofread and polish.

Money in my pocket. Merry Christmas.

In lieu of a book review or anything interesting to say, I post the one, the only Sissel Kyrkjebø above, singing “Hark! The Herald Angels Sing.” She’s accompanied by a heretic choir and orchestra, but on the other hand they use the old “Born to raise the sons of earth” line, unaltered by political correctness. That does my heart good.

Also, it’s gorgeous.

‘Mary’s Boy Child’

I think I’m actually in denial about Christmas this year. I need to get started with my cards and newsletters, and I need to get my tree up. I used to get right on those things the day after Thanksgiving, but this year it seems like a lot of work.

Still, it’s not too early to post a Sissel Christmas song. This is the young Sissel, way back in 1987, on Norwegian TV but singing in English for your convenience. I don’t think I’ve heard anyone do this song better.

My cold lingers, which it would be surprising if it didn’t, because it’s only been a few days. I have an idea this one will hang on, though. Had to do my annual eye appointment this morning. I arrived at the usual place, and behold, it was deserted. Lots of room in the inn.

I had a vague memory that they’d announced they’d moved. Again. This clinic changes venues more often than Nathan Detroit’s crap game in Guys ‘n Dolls. Thanks to the miracles of modern technology, though, I was able to find the right location on my cell phone, and I still had time to make the appointment.

The new place is a medical complex. With signs for various clinics and services. But none for my ophthalmologist.

The address was right. I double-checked. I got out of my car and went to investigate.

By the door, one of those three-foot stand-up yellow plastic signs, saying my eye clinic was inside.

This seems to me a rather cruel thing, to have a vision clinic with no visible sign. Like playing blind man’s bluff with an actual blind man.

But I did get in. Verdict: My eyesight has deteriorated slightly, but only slightly. My cataracts (every old person has them) have advanced marginally, but not enough to call for Steps to Be Taken yet.

Also finished my translation job and submitted it.

I am tired now. Wake me Monday morning.

Sissel sings Grieg

I’m up against it tonight. A meeting to attend tonight, a meeting to attend tomorrow, and a fairly large translation job to do whenever I can squeeze it in.

Above, the divine Sissel, doing “Solveig’s Song” by Edvard Grieg, from his music for Ibsen’s “Peer Gynt.”

She’s wearing the Bergen folk costume.

‘Auld Lang Syne,’ with Sissel

What shall we say about the year that is passing? If you’re reading this, you and I are survivors. Our Lord bids us live in hope. Sufficient unto the year is the evil thereof.

Blessings to you and your family, from the highly trained professionals at Brandywine Books.

‘Glade Jul/Silent Night’

It’s a Christmas miracle... sort of. You know how the movie “White Christmas” goes, when they’re all in the ski lodge, hoping/praying for snow so they can save the business, and they get a big snowfall on Christmas Eve? That happened here, in the magic wonderland of Minnesota. We’d gotten some snow early this winter, but a long stretch of warm temperatures and dry weather left all nature naked and ashamed. But last night the blizzard came in pure Hollywood style, depositing 8 or 9 inches, I guess. Today you could film a Hallmark special here. Something for the kids, anyway. If they have to remember a premature year without the grandparents, they’ll at least have memories of sliding and snowballs. And, of course, of delayed presents because the Post Office is backed up like the Donner Party.

As you no doubt deduced, the video above is the one and only Sissel, singing “Glade Jul,” which is the Norwegian version of Silent Night. Pretty much the same idea in the lyrics, except that we replaced the words for “Silent Night” with ones for “Happy Christmas.” Because we could.

And Glade Jul to you, too.

‘Det Lyser i Stille Grender’

I’m pretty sure I’ve posted this number by Sissel here before (though not this performance, which conveniently includes subtitles). But it’s high on my list of Norwegian Christmas songs that deserve to be known outside the neighborhood.

According to this Norwegian account, the lyrics come from a poem by Jakob Sande. It was first published in 1931, but the author didn’t think much of it. When Lars Soraas, who was putting a Christmas songbook together in 1948, asked him for permission to use it, Sande had forgotten about it completely. Since then it’s become his best-known work.

‘Mitt Hjerte Altid Vanker’

Wrote a sizeable chunk of text for the next Erling book last night, and today I’ve been working on what I think might be a clever piece for The American Spectator Online. Which left me little mental capacity for fresh ideas for posts. You know me well enough to guess what that means, especially during Advent: Sissel with a Christmas song:

This is one of Sissel’s most popular Christmas numbers, original a Danish song, done here in a concert in Iceland. The title means, “My heart always lingers,” and if you’re interested in an English translation, a kind soul in Norway has provided us with one here.

I note that the translator, judging by the coat of arms on his profile, seems to come from the island of Karmoy, my ancestral home.

Sissel, and a short break

https://youtube.com/watch?v=hijYMFrLYRw

I’m going to have to give you a little bit of Sissel tonight, and then I’ll be gone for a couple days. I have to go out of town tomorrow to do a lecture, and today I got a (relatively) big translating job I have to finish before I leave. So I must post and run.

The song is a Norwegian classic. The tune is by the violinist Ole Bull, a world celebrity in his time. The words are by Jorgen Moe. The title is “The Seter Girl’s Sunday.” A seter was a mountain pasture, where livestock were kept over the summer, so they could graze there and take pressure off the home meadows. Servant girls would be sent up with the animals, and would commonly spend long periods of time up there, sometimes in relative solitude.

The girl in the song is watching the sun, knowing that when it reaches a certain point above the mountains, the folks at home will be hearing the church bells and heading to church. It’s an important social time in a country community, and she is lonely.

Kind of like someone under lockdown.