Alex Malarkey was publicized as The Boy Who Came Back from Heaven in a book written by his father with him as co-author. In 2015 Alex denounced the story, and the books were pulled from stores. Last April he sued Tyndale House for defamation and deceptive trade practices among other things for a total of seven complaints. A judge dismissed five of the complaints. Now Alex’s attorney has filed three more complaints: appropriation, publicity given to private life, and financial exploitation of a person with a disability.
John Ronald Reuel Tolkien was born on this day in 1892 in Bloemfontein, South Africa. Here’s a recording of an interview from the 1960s. I think you can identify the slight slur in his speech, caused by an early tongue injury. By all accounts, it did not affect his lecturing voice, but it did make him hard to understand, sometimes, in conversation.
Conner nodded, pleased by my response. I love him. He breaks my heart and brings me joy in equal measure and at exactly the same time. Twenty-six months old. Two months older than Tara. I watch his development with awe and a longing that could heat a furnace.
Harlan Coben has a winning formula for turning out thrillers that grab the reader. He starts with love – love for lovers, for spouses, and (especially) love for one’s children. Then he asks, “What do we fear the most for these people?” Then he takes that fear and distills it, producing at the end of the coils a spirit that burns like carbolic acid. And he applies that spirit to some innocent, fairly decent protagonist.
That, my friends, is how story-building works.
No Second Chance stars Dr. Marc Seidman, plastic surgeon, who wakes up in a hospital room to learn he’s been in a coma for weeks. He was shot in his own home, and barely survived. His wife, also shot, did not survive.
And his infant daughter Tara vanished like smoke
The police have no leads. Their best theory is that Marc
himself engineered his wife’s murder, but that theory makes no sense, and they
know it.
Then a ransom note comes to Marc’s wealthy father-in-law. He
and Marc agree to involve the police, but they will regret it, because the cops
get spotted, the kidnappers get away with the money, and Tara remains lost.
The next time a demand comes, eighteen months later, they leave
the cops out. But Marc instead brings in someone from his past, a former FBI
agent he dated in college and nearly married. Working with an old lover can be
a complication in any endeavor – but this time it might blow up in all their
faces.
I like most of Harlan Coben’s books, and I liked No Second Chance more than most. The plot is very complex, but it’s revealed in layers, which kept this old man from getting confused (I like that). There were also some intriguing side characters, like a former child actress turned stone-cold-hitwoman, and a mullet-wearing, NRA-member, redneck who turns out to be good friend to have in a corner (this book is a few years old. I wonder if Coben would have the nerve to include such a character in a novel today).
When, as often happened, one of the raiders lost his mount, he would proceed, running on his own feet, being careful not to set too fast a pace for the ponies.
Recently I saw an old Audie Murphy movie which, even within the canon of Audie Murphy’s ouvre, was fairly non-memorable. Walk the Proud Land was an attempt on Murphy’s part to broaden his range through playing, not a gunfighter, but a man of peace. That man, a genuine historical character, was John P. Clum. The movie failed at the box office in its time, but it succeeded in piquing my interest in a man I’d wondered about before. I knew John Clum as editor of the Tombstone Epitaph, mayor of Tombstone, and a staunch friend of Wyatt Earp. I’d also read he was a devout Christian. I’d been mostly unaware of his exemplary career as an Indian agent.
John P. Clum was a Dutch Reformed boy from a farm in New York
state. Intending to enter the ministry, he attended Rutgers University, but had
to drop out due to lack of funds. His education did earn him a job as a weather
observer for the US Army Signal Corps in Santa Fe, New Mexico, however. This
led, through a college connection, to his appointment as Indian Agent at the
San Carlos Reservation in Arizona.
Clum was 22 years old when he arrived at San Carlos, not entirely sure what he’d find. In general, he was pleasantly surprised. He found the Apaches, by and large, decent (by their lights) and hard-working people, scrupulously honest, and historically eager to be friends with Americans (it was the Mexicans they hated). John Clum, Apache Agent, and It All Happened in Tombstone (a compilation of two books) begins with a narrative of United States relations with the Apaches, and it’s a sad and painful story. For every American willing to treat the Apaches decently, there seem to have been ten who, motivated by greed or bigotry, lied to them, cheated them, or killed them like animals.
Clum set about earning the Apaches’ trust, helping the
decent ones and punishing the (minority
of) bad actors. In time he was able to set up a working self-government system.
He was particularly proud of his efficient Apache police force, which operated
with distinction and crowned its achievements with the capture of Geronimo (the
only time – as Clum takes pains to point out – when he was captured without
voluntarily surrendering).
In time, however, bureaucratic interference and changed Indian policies left Clum with no alternative, in his own mind, to resigning his post and leaving the reservation. The later history of his Apache friends is sad to read.
There is considerable pride in Clum’s account, along with
great contempt for narrowminded and bigoted Americans who spoiled what might
have been an exemplary peace. The only character Clum seems to hate more than
these bureaucrats is the “bad Apache” Geronimo, whom he describes as a liar, a
master manipulator, and a merciless killer. He is particularly offended that his
friends ended up sharing Geronimo’s fate of exile and imprisonment, without the
advantages that Geronimo enjoyed – celebrity status and income from souvenir
sales.
The later part of his book is Clum’s own account of his career as mayor and editor in Tombstone, during the fabled days of the Earp-Clanton feud. He is staunch in his support of Wyatt Earp (who would seem, on the face of it, an odd friend for a good Dutch Reformed boy), and (regrettably) his account varies not at all from the well-known (and much-questioned) version told by Stuart N. Lake in Wyatt Earp, Frontier Marshal. What will be fresh for most western buffs is Clum’s own account of what he believed to be an assassination attempt against himself on a stage coach run, when he ended up leaving the stage and proceeding on foot, to be less of a target.
The book John Clum, Apache Agent was not written by Clum himself, but was edited by his son Woodworth Clum, from his father’s unpublished papers and reminiscences. The prose is not bad – generally avoiding the excesses of Victorian baroque. The main problem with this electronic edition is that it was obviously produced through OCR transcription, so there is the occasional misread word – as well as entire lines of text getting lost now and then. But it wasn’t enough to spoil the story as a whole.
If you’re interested in the Old West, John Clum, Indian Agent, and It All Happened in Tombstone makes interesting reading. I suspect Clum left out some of the juiciest – and/or most appalling – details, so the book is suitable for most readers.
This is something of a commonplace post for the year ahead with quotations taken from my withdrawn library book of quotations, that wealth of knowledge and marginalia about which the impoverish youths of the world have not a clue. Happy New Year.
For the life to come, I sleep out the thought of it. – Autolycus in Shakespeare’s The Winter’s Tale
Life is as tedious as a twice-told tale Vexing the dull ear of a drowsy man. – Lewis in Shakespeare’s King John
When the tree is fallen, all go with their hatchets.
I have learned thy arts, and now Can disdain as much as thou. – Thomas Carew, “Disdain Returned”
On finding a wife:
Choose a wife rather by your ear than your eye.
Choose your wife as you wish your children to be.
Choose a good mother’s daughter, though her father were the devil. (The latter two come from Gaelic proverbs.)
Who riseth from a feast With that keen appetite that he sits down? Where is the horse that doth untread again His tedious measures with the unbated fire That he did pace them first? All things that are, Are with more spirit chased than enjoy’d. – Gratiano in Shakespeare’s The Merchant of Venice
Turn your tongue seven times before talking. (Originally French)
What is new is seldom true; what is true is seldom new. (Originally German)
What do you know? I found a video of Sissel singing “Auld Lang Syne” that I hadn’t seen/heard before. I would have preferred they not just repeat one verse twice, but the music is lovely.
Reading left to right: Placido Domingo, Sissel Kyrkjebo, and the late Charles Aznavour. From 1994.
We watched Avengers: Infinity War today (it appeared on Netflix last week). I don’t want to recap the plot and offer a bunch of spoilers. What’s the point of that? Three quarters of those who want to see it have already seen it. I’d just like to take a moment for a few thoughts.
I still like comic book movies, but nonstop fantasy fighting gets old. Watch theIp Man movies about the founder of Wing Chun and something of a superhero in his own right for several good, made-for-movie fights. The second season of Iron Fist had good fights too.
The more power you give someone, the more difficult it is to watch him fight. Frank: “I can stop any attack with a mere thought.” Bubba: “And I’m going to shoot you in the head!” Frank: “Ha ha! You’ll never get –” [BANG] Budda: “Didn’t see that coming, didya punk!” [Spoiler] Did we see Thanos beat up the Hulk at the beginning? How is he breaking a sweat with these other guys? I hear that answer from the back. Convenience is correct.
[Spoiler] I haven’t read many comic books, and I know there are some bad ones out there, even among the good heroes. Still I am glad to learn the plot of Avengers: Infinity War doesn’t come from the comics. The story of Thanos and his quest to save the universe from itself begins in the books at the place the movie ends, not after a massive failed attempt to stop him but after his success quest to obtain all six infinity stones without the Avengers knowing about it. That’s a lot better than the story we’re given in this movie because of one overused formula.
At the very beginning we see a character say he has one of the great-and-powerful stones and he would give it up to save the life of someone else. That formula is used twice more and a third time in reverse. Did we focus group other rationales to advance the plot and them all unbelievable? That gets as old as the hour-long battles and is probably the weakest part of this movie.
The last thing I’ll say is long movies like this make me want to take a hike in the real world. I’m not sure my new shoes are the right thing for hiking though. Maybe I could find alternatives.
As you know (always a dangerous phrase in a story, but this
is real life, where you can get away with lots of nonsense), I am currently a
free-lance translator. I work from home, setting my own hours – something less
ideal than it sounds. I either work quite long hours, or sit around worrying
about not working.
But that’s beside the point. The point is that I work in a manner pleasing to myself – usually in sweat clothes on my sofa (sometimes, for exercise, in an easy chair), with the TV on. I have a current TV routine. The H & I Network runs mystery marathons in nine-hour blocks, five days a week. Thursday is Monk Day. Nonstop Tony Shalhoub as an obsessive-compulsive police consultant, whose frailty enables him to see things others miss, even as he barely functions as an adult.
This is a character I identify with.
But that’s not exactly my point either.
I’ve had multiple opportunities to view the two-part pilot episode, and the plotting impresses me a lot. I think it’s a very good example of exemplary character plotting.
We have our “hero,” Adrian Monk, who is afraid, essentially, of everything. He has a long list of phobias, but chief among them is his fear of dirt and germs. He keeps his personal space immaculate and meticulously organized, and can’t even shake hands without wiping down immediately with a towelette. He has a nurse/personal assistant who serves as his mediator with the world. Her name is Sharona (she is replaced in the third season, but that doesn’t matter here), and she’s more or less his opposite – she’s an earthy New Jersey girl with a blousy style and considerable street smarts. They annoy each other immensely, but each also provides the other with things they need. In spite of themselves, they care for one another – non-romantically.
So in the pilot episodes, the writers set up a perfectly splendid dilemma for Monk. Sharona is kidnapped by a murderer, who drags her off as a hostage – into the sewers of San Francisco.
This constitutes an existential crisis for Monk. His whole life (and his survival, in his own mind) depends on keeping clean. But now he has to climb down into a sewer, where he must encounter sewage, or possibly lose Sharona.
This is splendid character plotting. Monk’s choice is not only agonizing (in a comic way), but it’s germane to the character established in the story. He is tested at his weakest point. He’s forced to leave his comfort zone, to do what he believes he can’t do. His choice to follow into the sewer (you knew he’d do that, didn’t you?) is in actuality an act of faith.
Dramatically, it’s far superior to the more famous “Sophie’s
Choice.” Sophie’s choice achieved drama purely through its extremity, but
revealed nothing about her character and taught her (and the reader) nothing but
despair. The author who counsels despair is like the debater who ends the
argument with a punch in the face. It’s effective, but nothing is learned.
I think I’m caught up on Chris Collett’s Inspector Mariner police procedural series now. All the books to this point have been titled (or re-titled; at least some were originally published under different titles) with names including the word “Lies.” Now they’ve come out with a new book that breaks the pattern –A Good Death is the eighth book in the series.
I found this one a tad stressful, because it dealt with
religious people more than earlier books. One Christian and one Muslim family
are involved and – predictably, in our times – the Muslims appear somewhat more
admirable than the Christians. Though the author doesn’t take a hatchet to either
side. Inspector Mariner makes a dismissive comment about “God-botherers” and
one point, but that’s consistent with his established character. He doesn’t “get”
religion – like most Caucasian Europeans.
A Good Death involves the investigations of three separate deaths. There’s the death in a house fire of an elderly Muslim patriarch – quickly identified as arson. This is complicated by the discovery of a second body in the ashes of the same fire.
Then there’s the disappearance of a wealthy young man, just
before his wedding date. I figured out, if not the culprit, at least the motive
(kind of), quite early on. However, oddly enough, I deduced it from the wrong
piece of evidence. (Am I brilliant, or what?)
The Inspector Mariner mystery series is a solid one. A Good Death was not my favorite of these books, but in spite of my comments on the handling of religion, it was not offensive. Recommended, with the customary cautions.
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