Religion

It’s all music

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I may be achieving a breakthrough. Or possibly I’m losing my mind. Or it could be the new medication I just started taking…

I got up this morning to put in my two hours of writing (okay, it’s more like an hour and a half when I deduct bathroom and tea-making time). Then I went to the gym, as usual. And while I was driving there, I had this epiphany. It rose, I’m pretty sure, partly from the lingering effects of reading Bill Bryson’s A Short History of Nearly Everything. And from Mark Helprin’s Paris In the Present Tense, which I’m re-reading. It’s a novel about a musician, with all kinds of metaphysical implications.

Anyway, it occurred to me that (as best I understand physics, which is probably not as well as I think) the universe is made up of atoms, which are made up of particles and charges and empty space and stuff. Every solid thing is actually just energy in motion. What makes things exist is movement and attraction and repulsion and waves and so on.

In other words, the universe is music.

Which works just fine with my theology. The Bible says that God said, “Let there be light.” The light – energy – was spoken by God. Light is energy in a pattern. That’s pretty much like music.

Tolkien used this metaphor in The Silmarillion.

After I thought, “The Fall introduced discord into the music,” I found myself shouting out loud (in my car): “CHRIST RESOLVED THE CHORD!”

Well, it seemed profound to me at the time.

Of course I used this space not long ago to explicate a theory that the universe is a Story.

So which is it, Walker?

Maybe the universe is a ballad. No metaphor is every perfect.

Above, a little music from that most theological of composers, the Lutheran J. S. Bach.

Fiction

Mary Is Truly Wonderful in George’s Life

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Clare Coffey talks about the annual criticism people shovel at one of the best Christmas movies of all time, Frank Capra’s It’s a Wonderful Life. She said she could dismiss most of it as small-minded or stuck in its own bitter slough from which no reply could deliver. But one criticism, that of Mary’s role, seemed to stick. Why did Mary need George to save her from a single life? She was a vibrant young woman in her own right. If George hadn’t been around, she would have chosen another path for herself.

But after seeing the film on the big screen, Coffey noticed something that changed her mind.

The scenario that the counterfactual world presents us is explicitly foreshadowed by Mary’s playful, obviously ridiculous rejoinder, “to keep from being an old maid.” Once I realized this, it became my interpretive key to the problematic later scene.

From the beginning, it is Mary who chooses George, not the other way around. 

Music, Religion

Sankta Lucia and Christian beauty

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It’s been a few years, I think, since I’ve mentioned the Sankta Lucia celebration. “Sankta Lucia” is Saint Lucy of Syracuse, a virgin martyr of the early church. A Sicilian legend says that once when there was famine, ships appeared in the Syracuse harbor on St. Lucia’s Day, loaded with grain. Thus there came to be a tradition of eating whole grains on December 13. Somehow this tradition evolved in Scandinavia (especially in Sweden) into eating a particular kind of bun on that day. The girls of a household would rise early, prepare the buns, and then march in procession, led by one girl portraying Lucia, wearing a crown of candles (Lucia means light, after all), and wearing a red sash to symbolize martyrdom. They would sing a version of the Italian Santa Lucia song (as above) and serve the buns for breakfast, to general celebration.

It’s a lovely tradition (I’ve observed recreations a few times) and seems to be gaining in popularity even in these secular times.

One thing I love about it is the fact that it’s a revival of tradition. In spite of the growing hostility to Christianity in our culture, genuine beauty still appeals. That’s worth remembering, even if we Protestants are forced to do some borrowing from the Catholics (that’s less a problem for me as a Lutheran than for some). But maybe we need to question the emphasis on stark simplicity in our worship. We seem to have won the argument over pomp and ceremony so well that many churches have proceeded to embrace pure ugliness. And ugliness ages poorly.

I’ve been thinking about art recently, for reasons I won’t go into here. It seems to me that – though there are many ways to divide up the world – one way we can categorize people today is by whether they are pro-beauty or anti-beauty. As far as I can observe, the Progressive movement has turned aggressively anti-beauty. Our side isn’t necessarily pro-beauty, but I think we ought to make that an issue.

Because I think beauty will win, hands down.

Fiction, Reviews

‘The Case of the Terrified Typist,’ by Erle Stanley Gardner

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Like every child of the 50s, I know Perry Mason in the form of Raymond Burr on TV. (I hated the show when my mother watched it, but now I find it quite delightful in reruns.) And I’ve read a couple of PM short stories over the years. But I’d never read a Perry Mason novel before. Critics indicate that Erle Stanley Gardner, the author, was not big on characterization, which usually means a book won’t be my kind of thing.

But I got a deal on The Case of the Terrified Typist and I tried it anyway. And you know what? I now know why the Perry Mason series was so popular. Gardner knew how to spin a tale.

Trial attorney Perry Mason has a big document that needs retyping, and his secretary Della Street is having trouble finding a competent typist. She calls an agency, but they can’t promise much. Then a woman shows up in their office and, asked if she’s the typist, she says yes. She turns out to be a whiz at it, and gets a lot of work done very quickly, very accurately. Then she disappears as mysteriously as she appeared.

When Perry and Della learn that the police are in the building, looking for a woman who robbed a diamond import business, they do a search and find a clump of chewing gun attached to the bottom of the typist’s desk. Inside that clump are valuable diamonds.

That’s the neat hook that opens The Case of the Terrified Typist. As the story proceeds, Perry will be hired to represent one of the diamond company’s employees against charges of murdering a diamond smuggler. Surprisingly, Hamilton Burger, the district attorney, chooses to bring murder charges without a body being found.

The whole story was complex, but it was also lively and suspenseful. I had a good time reading it. It made few demands and entertained me thoroughly. I just might read more Perry Mason.

Fiction, Reviews

‘The Mysteries,’ by Graham Wilson

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Here’s the scenario: Jim, an Australian man, purchases a very old house in an out-of-the-way corner of Sidney. While doing renovations, he notices a basement concealed and sealed off beneath the floor of one room. He assumes this feature might have historical significance, so he notifies the government, which sends an assessor, a young woman, to look at it. To his astonishment, Jim discovers that this woman is his long-lost daughter, with whom his wife ran off long ago. Though he searched for them, he never found them, until now.

On top of that, they soon realize that the house he has purchased was built by an ancestor neither of them ever guessed they had.

If all this sounds a little far-fetched, I entirely agree. But it’s a tribute to the storytelling skills of Graham Wilson, author of The Mysteries, that I was entirely swept up in the book and overlooked its gross improbabilities.

We learn about Jim’s life and his struggles to rise from poverty. We learn of his ancestor Michael, who built the house – how he was transported as a convict from Ireland, served his time at hard labor, and built a semi-legal fortune along with his stone house. As his descendants discover his story, the reader learns it too.

I thought the story slowed somewhat toward the end, and perhaps too many details about Michael’s life come to light. But I read The Mysteries all the way through, and quite enjoyed it.

There were orthographic errors – word confusions, and sometimes quotation marks missing at the start of a paragraph. But I’ve seen far worse.

Sexual morality here is conventional contemporary, and attitudes toward Christianity tend to be critical, though few in number. Still, the storytelling was top-notch, and the book had undeniable charm. I do recommend it.

Music

Advent Singing: O Come, All Ye Faithful

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O Come, All Ye Faithful, performed by Luther Vandross

This is one of the best Christmas songs ever and worthy of singing year-round. “O Come, All Ye Faithful,” was written in Latin as Adeste Fideles by English Catholic musician John Francis Wade (1712-1786) and translated by Anglican convert to Catholicism Frederick Oakeley (1802-1880).

This song has been recorded so often you may already have a favorite rendition, but I offer these two performances to you for your edification.

“And the shepherds returned, glorifying and praising God for all they had heard and seen, as it had been told them” (Luke 2:20 ESV).

O Come, All Ye Faithful, performed by Voctave

1 O come, all ye faithful, joyful and triumphant,
O come ye, O come ye to Bethlehem!
Come, and behold Him, born the King of angels!

Refrain:
O come, let us adore Him;
O come, let us adore Him;
O come, let us adore Him, Christ, the Lord!

2 God of God, Light of Light,
lo, He abhors not the virgin’s womb;
very God, begotten not created; [Refrain]

3 Sing, choirs of angels; sing in exultation;
sing, all ye citizens of heav’n above!
Glory to God, all glory in the highest![Refrain]

4 Yea, Lord, we greet Thee, born this happy morning;
Jesus, to Thee be all glory giv’n!
Word of the Father, now in flesh appearing! [Refrain]

Blogs, Socials, Non-fiction

The Office Above the Man, Justice, and Gingerbread

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I was thinking about the Roman Republic and Empire lately, and, no, it wasn’t a leftover from the Tik-Tok curiosity the other week. It was for my job, working on a humanities course. The text described how Romans formed their government initially with two political bodies, one restricted to families with old Roman blood, the other for plebians. The plebians pushed for political opportunity and got laws in place that allowed them to stand for election to important offices. This was an important shift from appointing a man of good standing from within the ruling class to establishing an office with legal responsibilities for anyone who holds it. It elevated the law above the man.

Liberty within the law is an important democratic principle. If a governor is just the man in power, he rules in his own interest, and if he’s wise, he will build up the whole region, but if he’s interested only in his own leisure, he will consume what he can for as long as he can at the expense of the people. But if the governor is an office with legal responsibilities and accountabilities, then whoever is put in the office has a public role to fulfill. He is a public servant.

This idea is being threatened by those who wish to redefine us into categories with rights and privileges inherent to those categories. They are working on us to view each other as types, some with innate goodness, some with innate justification, and some with innate wickedness who can do no good apart from submission. It undermines our liberty within the law and argues for those with the right blood lines to take control.

On this subject, I heard a good conversation this week on Cairn University’s defragmenting podcast with the author of Reforming Criminal Justice. Attorney Matthew T. Martens explains how politics has divided terms and concepts incorrectly, and how justice is a matter of Christian love. As host Dr. Keith Plummer puts it, there’s something in this book to ruffle everyone’s feathers, but it sounds like a well-composed argument for respecting our fellow citizens within the responsibilities of the law. Look into the book here.

What else do we have today?

Farming: Here’s an outside list I think you’ll find interesting: 22 Books about Farming, Food and Agricultural Innovations

Ministry: The Gospel Coalition 2023 Book Awards has some good titles, including an encouraging book on “’dechurching,’ why they’re leaving, and how we might thoughtfully engage them.” The media paints its own picture of people leaving the church; the truth is far more complicated and hopeful.

For comparison, look over the 2023 books selected by For the Church.

Gingerbread: The OED offers an interesting etymology of the word “gingerbread,” which is a seasonal food I enjoy year-round.

  • In the 13th century, gingerbread was preserved ginger, spelled as “gingebrad” or “gynbred.”
  • By 1450, the word was recorded as meaning the “cake, pudding, or biscuit” we know of today, though ginger isn’t a key ingredient, if included at all.
  • In the 17th century, it began to be used as slang for money. “Without commission: why, it would never grieve me, If I had got this Ginger-bread” (1625).
  • There’s also an obsolete use from 1664 meaning “superficially attractive,” whether that’s a person, word, or action.

Photo: Socks the Cat Standing Next to the Gingerbread Replica of the White House: 12/05/1993 (The U.S. National Archives, Public Domain)

Writing

A skald’s reward

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Egil Skallagrimsson, from a 17th Century Icelandic manuscript.

Egil sat down and put his shield at his feet. He was wearing a helmet and laid his sword across his knees, and now and again he would draw it half-way out of the scabbard, then thrust it back in. He sat upright, but with his head bowed low…. He wrinkled one eyebrow right down onto his cheek and raised the other up to the roots of his hair…. He refused to drink even when served, but just raised and lowered his eyebrows in turn.

King Athelstan was sitting in the high seat, with his sword laid across his knees too. And after they had been sitting there like that for a while, the king unsheathed his sword, took a fine, large ring from his arm and slipped it over the point of the sword, then stood up and handed it over the fire to Egil. Egil stood up, drew his sword and walked out onto the floor. He put his sword through the ring and pulled it towards him, then went back to his place. The king sat down in his high seat. When Egil sat down, he drew the ring onto his arm, and his brow went back to normal. He put down his sword and helmet and took the drinking horn that was served to him, and finished it. Then he spoke a verse….

The passage above comes from the Saga of Egil Skallagrimsson (from The Complete Sagas of Icelanders). It’s a rather famous scene, in which we get to observe some of the nuances of the ancient poet-king dynamic. Egil is considered the greatest poet (skald) in the world, and he’s well aware of it. Even at the court of Athelstan the Great of England, one of a skald’s A-list gigs, he feels entitled to a certain level of appreciation. At this point he doesn’t feel he’s been getting it, and his passive-aggressive show produces a mollifying response from the great king. Egil is a prima donna, and prima donnas must have their due.

All of this is only vaguely connected with my theme tonight, but it came to my mind as an illustration. My own case is that I don’t feel unrewarded. I feel rewarded in the very best way.

It came to me during my morning writing session today. There are few satisfactions in life to match that of reading something you’ve composed and being able to say, “You know, that’s pretty good. That’s what I’d like to read in a book myself.”

And I thought, what rewards do I have as a author? There’s the pleasure of seeing my work published (though I have to admit there’s less satisfaction in viewing an e-book than in holding a genuine printed volume. But I’ve had that pleasure too). There’s money – though my books have brought little of that. There’s fame – which has eluded me thus far. Has the king withheld my gold ring?

No, I realized. The work itself is my best reward. I know I’m writing this book for myself when I was twelve years old, desperately longing for a good Viking novel to read. And I think I’m getting the job done. No amount of money could buy that satisfaction.

Don’t get me wrong. I’ll take money and fame if they’re offered. But in a pinch this is enough.

Fiction, Reviews

‘Traitors Gate,’ by Jeffrey Archer

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I got a deal offer on Jeffrey Archer’s latest novel, Traitors Gate. I figured that since I’d never read any of his books, I might as well give one a chance.

Verdict: I can understand why Archer is a popular author. But Traitors Gate never really gripped me.

William Warwick is a high-ranking officer with the London police force. Among his duties is serving as part of the security detail that transports the Crown Jewels from the Tower of London to Buckingham Palace on state occasions. Another member of the detail is Ross Hogan, his best friend. A further thing they share is a common enemy – a high society con man named Miles Faulkner. Warwick and Hogan have stopped Faulkner’s schemes before, and early in this story they foil him in an attempted art theft. Faulkner vows revenge and hits on a plan to steal the Crown Jewels – not to sell them, but simply to publicly humiliate Warwick and Hogan, and ruin their careers.

Traitors Gate was technically impeccable. It delivered the kind of thriller excitement advertised on the cover. But for this reader, it all seemed pretty superficial. I didn’t really believe in the characters, and it all seemed kind of overprocessed, like white bread.

This book is part of an ongoing series. One challenge series authors always face is whether to describe characters who’ve been described in previous volumes. It’s always been my practice to assume the reader has started with this book, and provide new descriptions. It doesn’t take long, and it’s not hard to make it natural. But Archer doesn’t bother with that. Only new characters get descriptions, and even attributes like racial identity – not entirely irrelevant to this story – may be withheld until half-way through the book.

So, I’d say all in all Traitors Gate is a good airport book, one that will keep you entertained and not bother you at all with any deeper themes or moral challenges.

Uncategorized

‘There’s Something In the Barn’

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A Facebook friend alerted me to the movie trailer above. “There’s Something In the Barn.” It’s not one I worked on, nor have heard of it before. Not my kind of thing, really, but some of you might find it amusing. As I’ve often mentioned, I just don’t get horror. I think this springs from being a coward. It takes a braver person than I to enjoy being scared. Let alone to laugh about it.

The take on the “barn elf” here is an interesting one. One would never actually call them barn elves in Norway, I’m pretty sure. As mentioned in my novels, the Hidden Folk don’t like to be called by name. You call them the Good Neighbors, or the Little Old Men, or something like that. And, as the movie emphasizes, offending them is nothing to be undertaken lightly.

It’s basically a reversal on the sweet – but overly sentimental – picture offered in the classic commercial below, released by the Tine Dairy Products Company back in 2017:

You can make a good Christian argument that the horror version is more appropriate. The church traditionally has considered the Hidden Folk to be demons (probably).

There’s a theory that all horror is conservative. I’m not sure that’s true, but I think you can make a good case that Horror as a genre is conservative in its essence, if not in all its instantiations. (Instantiations is a lovely word I learned in Library School).

Got my tree decorated today. And I found a section in The Baldur Game that I think I’ll have to cut, or at least reduce to its bare bones. Like a victim in a horror story.