Authors, Blogs, Socials, Poetry, Reading

Amelina: ‘My Heroes Will Not Stop Dying’

Leave a comment

Ukrainian novelist, activist, and winner of the Joseph Conrad Literary Award for 2021 Victoria Amelina was in Kramatorsk, a city in the Donetsk region of Ukraine. She was “with a delegation of Colombian writers and journalists on June 27 when Russian forces fired two Iskander missiles at the city, hitting a popular restaurant downtown,” The Kyiv Independent reports.

The IT professional-turned writer, 37, had lived in the States for a few years before returning to Ukraine to research war crimes.

In September 2022, “Amelina went to the liberated village of Kapytolivka in Kharkiv Oblast and found the diary of her colleague, the children’s book author Volodymyr Vakulenklo, along with his father,” The Kyiv Independent reports.

“Vakulenko had buried the diary under a cherry tree in his yard before he was abducted by Russian occupation forces that March. The diary is now kept in the Kharkiv Literary Museum for posterity.”

In this 2020 interview with PEN Ukraine, Amelina offers this optimism (which I’ve had to translate via Google): To write Home for Home, I quit my favorite job, ruined the career I had built since I was seventeen. It was painful, and I’m still not sure if I did the right thing – I gained a lot, but I also sacrificed a lot.

“I would not advise making decisions motivated by something external. There must be an inner readiness to live by texts, to turn oneself into texts, to write even when no one reads. No publisher can refuse this. If literature is your way of interacting with the world, miracles will happen.”

She also lists the New Testament among the books that have influenced her the most. “It seems that in the near future my heroes will not stop dying for others, but this is not about death, but about resurrection.”

Here are some other things to read.

Poetry: Last year, Steve Moyer wrote about Ukrainian poetry having depicted the corruption of war for decades. “Many of the poets writing today in Ukraine, however, compose in free verse, relying more on repetition, word play, juxtaposition of images, and rhetorical devices than on traditional forms and meter to convey the harsh reality they’re witnessing. Images such as rotting fruit occur and recur. Debris lying in snow and crumbling bridges make their appearances.”

Reading: Do you write in your books? President John Adams did, and Joel Miller offers five reasons for doing it too.

“When I was working on my Paul Revere book, I remember hesitating over Charles Ferris Gettemy’s biography, The True Story of Paul Revere. The book was over a hundred years old. I can’t write in it, can I? It felt like some sort of aesthetic crime. But then, no. I need to keep track of ideas and details. Why did I have it to begin with? To use. Once I ditched my reservations, the payoff was immeasurable.”

Reading: Chekhov said, “I divide all works into two categories: those I like and those I don’t. I have no other criterion.” Yes, but maybe there are other legitimate categories.

Photo: Sigurdur Fjalar Jonsson/Unsplash

Fiction, Reviews

‘Murder At the Bridge,’ by Bruce Beckham

Leave a comment

Skelgill reels in and turns his boat. He takes a bearing off Skiddaw Little Man; keeping the false summit dead astern will send him arrowing into Peel Wyke, the tiny hidden wooded inlet that has echoes of the wild oarsmen that once ruled these parts, literally the ‘Wyke-ings’, the Norse ‘baymen’, who left their mark on today’s maps with descriptions that abound, like beck and dale, fell and pike, gill and skel.

The snippet above features one of those not infrequent references to the Vikings of Cumbria that add to the appeal of the Inspector Skelgill books (for me). Skelgill is an odd sort of policeman, operating primarily off his instincts as an outdoorsman and fisherman. In Murder At the Bridge, he actually discovers one clue by following a literal scent in the air, like a bloodhound.

Kyle Betony is an “outcomer” to Cumbria, a brash go-getter who fits in poorly with the other members of the Derwentdale Angler’s Association (of which Inspector Skelgill himself is a low-key member). But he managed to get elected to the board of directors anyway. When his body is found, dressed in evening clothes, floating in the River Ouse, it could mean he accidentally fell from the bridge, but indications on the body, as well as the river currents, suggest foul play. Betony had been attending the annual banquet of the DAA board that night. An old photograph has been stolen from the wall of the inn where the banquet was held. It was a group photo, including the image of a man now a fugitive murderer. Was the man in the photograph the man who was now calling himself Kyle Betony? Or did Betony recognize that man and get murdered for his knowledge?

Murder At the Bridge was largely what I’d call a “shoe leather” mystery. Most of the book is taken up with interviews with various suspects and the comparison of alibis. This lowered the level of suspense until the very end, when things picked up nicely. The conclusion was satisfying, and provided a clearer confirmation of Skelgill’s relationship with his female subordinate, DS Jones, than I think we’ve had before.

Murder At the Bridge was far from my favorite book in the Skelgill series, but it’s worth reading. One nice element is the creative circumlocutions the author employs in order to avoid actual profanity.

Non-fiction, Religion

Ham Wasn’t Cursed, Nor Are All the Generations That Follow Him

1 Comment

One of the books I’ve been reading this year is Carl F. Ellis Jr.’s Free at Last?: The Gospel in the African American Experience. It’s good history of African American movements and an exposition of the goals and promises they have held over the years. It’s a wealth of information and trivia that would make a great text for a semester course. The trivia mostly comes within the sixty-page glossary of people, places, and terms that may have been referred to in main text.

One of the terms explained in this glossary is the myth of the “curse of Ham.” It’s an idea I’ve known about for years, but I can’t remember how I first heard it. It came up several weeks ago on Twitter by one of those accounts that reads like a gateway drug to radicalization. It’s based on a few verses in Genesis 9, which read: “And Noah awoke from his wine, and knew what his younger son had done unto him. And he said, Cursed be Canaan; a servant of servants shall he be unto his brethren” (Gen. 9:24-25 KJV).

It’s a weird passage because of the unclear reason Noah is provoked to curse his grandson and bless two of his three sons. But you see when reading these two verses that Ham is not the one cursed. It’s Canaan, his son. The narrative at this point emphasizes Ham being Canaan’s father, and in the next chapter it spells out the Canaanite peoples and some of the cities they founded, including Sodom and Gomorrah. It’s easy to see the setup for the wrath God would pour on them when bringing Israel back to the promised land.

But the myth is that Noah’s curse was on the father, Ham, touching every one of his descendants in every generation. Ellis says those who paint Christianity as a white man’s religion use this as a proof. Some of them argue it’s a good reason for African Americans to convert to Islam, but aside from this being a foolish interpretation of Genesis, it comes from a ninth-century Muslim apologist.

Ham the son of Noah was a white man, with a handsome face and figure, and the Almighty God changed his color and the color of his descendants in response to his father’s curse. He went away, followed by his sons, and they settled by the shore, where God increased and multiplied them. They were the blacks . . .

Ibn Qutaybah, Kitāb al-maʿārif, p. 26

That, friends, is not Biblical theology. It misreads the written word of God and imagines an explanation to fit some human conclusion. If Christian orthodoxy is anything, it’s bound to God’s word (let the reader understand). Ellis adds that this idea was used to justify slavery within White Christianity-ism (an idolatrous civil religion that uses the language and forms of Christianity for its own ends).

Authors, Writing

James Scott Bell’s best writing advice

Leave a comment

Still haven’t finished the book I’m reading for review. This would seem to argue that I’ve been busy and productive, but I don’t feel busy and productive. However, this is irrelevant. I learned long ago that my feelings are of very little practical use.

So, another video tonight. Here’s a short clip from one of my favorite authors, James Scott Bell. He’s talking about a discipline many writers have found valuable — giving yourself a daily quota of words to produce. Like compound interest, this practice yields remarkable results over time.

I have written this way at times in my long life, but it’s been a while. Most of the time, I can write only so much at a sitting. After my small ration of creativity has run out, I end up sitting at the keyboard, frustrated. I am then overcome with guilt and turn to drink and drugs.

Okay, I don’t turn to drink and drugs. But I understand the appeal.

Anyway, I just took up rising early to write, and that’s upped my output considerably. So get off my back, James Scott Bell.

Music, Uncategorized, Writing

Chronicling my decline

Leave a comment

Not having a book to review tonight, busy as I am with non-paying work, I post the video above. Sadly it’s not a live performance video (there doesn’t seem to be one), but I discovered it and thought it rather nice. This is a song I’ve posted before in its original Swedish version, but there seems to be this English version too. As an expert, I pronounce it a successful translation, since with songs, subjective impressions are more important than accuracy. I realize it’s the wrong time of year for a Christmas song, but who knows if I’ll need it at Christmas?

A day in the life of an obscure author:

In accordance with my recently adopted custom of getting up to write in the morning, instead of lying in bed trying to get back to sleep, I rose at 6:30 a.m. to work on The Baldur Game, my work in progress. What I’d done yesterday was to take a block of text I’d written, which I realized was out of historical sequence, and move it back into its proper year. So today I commenced a review of the whole text written thus far, to see if there were any anachronisms left that I need to fix. I think the work is good so far.

At lunch I went to The 50s Grill, one of my favorite local places, and tried something new — the grilled walleye. It was good, as expected, and I topped it off with a piece of their French Silk pie. They do pie extremely well.

This afternoon, I worked on my book narration. This is the cause of considerable fear and trembling for me right now. Friends have generously provided me equipment to begin doing narration on my own. My first project will be The Year of the Warrior. I am confident — nay, a little arrogant — about my ability to do narration with the best of ’em. But the technical aspects — the software and specifications, etc. — scare me to death. (Back in radio broadcast school, I was the best copy reader in my class and the worst engineer.) This delays my progress, but I press on heroically.

Tonight, after I post this, I propose to work on a PowerPoint presentation I’ll be doing later this month in Iowa for the Georg Sverdup Society. Not Vikings this time, but the background of the Lutheran Free Church movement in America.

These things matter in my world.

Oh yes. I’ve committed to attending the Midwest Viking Festival in Green Bay, Wisconsin, Oct. 6 and 7 (used to be in Moorhead, MN). An opportunity to sell books, and my experience is that venues where I have not yet flogged my wares are the most fruitful.

Fiction, Reviews

‘Strait Over Tackle,’ by Colin Conway

Leave a comment

What kept coming to mind as I read Colin Conway’s Strait Over Tackle, first book in his “Flip-flop Detective” series, was the movie “The Big Lebowski.”

I did not like “The Big Lebowski.” I don’t, in general, find slackers amusing.

Sam Strait is a former sheriff’s deputy in the same area (around Spokane, Washington) that is the setting for author Conway’s more serious “The 509” police procedural series. He got kicked off the force on false charges, sued them for damages, and won a cash settlement, which gives him some financial freedom. He lives in the lake cabin he inherited from his grandparents. This allows him to live the life he wants to. He lives by a short set of rules, the first of which is, “Only be where flip-flops can be worn.” That makes him a snowbird. He flies off to warmer climes each fall, taking temporary jobs like dishwashing to eke out his expenses. He’s happy with this life (or claims to be), but it angers his on-off girlfriend, a gorgeous local actress who wants permanence and doesn’t give up easily.

Sam comes home to open up for the spring and finds that somebody has held a party in his house and left it trashed. But it gets worse. He goes down to the lake to look at his boat and finds a young woman’s dead body in it. His call to the police brings Detective Shane McAfee, whom we know from the 509 novels.


When Sam discovers that someone has left a bag of drugs in his refrigerator, he ponders calling McAfee, but decides to go around and ask questions himself. This – as he eventually realizes – is a stupid decision, leading to confrontations, threats, and several fistfights (all of which he loses). But in the end he will identify the murderer.

Generally speaking, slackers make poor heroes for novels. Interesting characters operate from some powerful motivation, which is the main thing slackers generally lack. Sam’s chief motivation is avoidance of intimacy and commitment. His motivations for investigating the murder rather than letting the police do their job are unclear to the reader, and apparently to himself. He seems to have a poor conception of personal safety, which is bad because he keeps getting beat up (even by a woman). This is one of those stories where the hero gets “his bell rung” multiple times, and people even warn him of concussion, but he brushes the suggestion off and appears to suffer no serious trauma (which is implausible).

In the end, I figured out that Strait Over Tackle was intended to be taken as comedy. I guess it had its moments, but it didn’t amuse me a lot.

You might like it better than I did. Especially if you liked “The Big Lebowski.”

Uncategorized

‘Inalienable’ rights

Leave a comment

Look at me, posting my Independence Day contribution on the evening of the Third, so that you can enjoy it on the Fourth itself, which is probably when most of you will read it. All this thinking ahead and considering the customer is foreign to my habits, but I’m sure it’s good for my character, assuming I have any character left at my age.

Above, a cute snippet from the musical “1776,” in which John Adams (“unalienable”) disagrees with Thomas Jefferson (“inalienable”) about the wording of the Declaration. Not included here is Adams’ aside after he pretends to concede the point, that he’ll just fix it with the printer. Which he does. The official text has come down to us saying “unalienable.” And I can’t deny it annoys me a little.

Have an inalienable Independence Day holiday, friends.

Authors

Hawthorne on Having a Government Job

Leave a comment

In The Custom House essay that precedes The Scarlet Letter, Nathaniel Hawthorne chafes at his inability to write and laments the dulling effects of his day job.

Suffice it here to say that a Custom–House officer of long continuance can hardly be a very praiseworthy or respectable personage, for many reasons; one of them, the tenure by which he holds his situation, and another, the very nature of his business, which—though, I trust, an honest one—is of such a sort that he does not share in the united effort of mankind.

An effect—which I believe to be observable, more or less, in every individual who has occupied the position—is, that while he leans on the mighty arm of the Republic, his own proper strength, departs from him. He loses, in an extent proportioned to the weakness or force of his original nature, the capability of self–support.

. . .

Why should he toil and moil, and be at so much trouble to pick himself up out of the mud, when, in a little while hence, the strong arm of his Uncle will raise and support him? Why should he work for his living here, or go to dig gold in California, when he is so soon to be made happy, at monthly intervals, with a little pile of glittering coin out of his Uncle’s pocket? It is sadly curious to observe how slight a taste of office suffices to infect a poor fellow with this singular disease. Uncle Sam’s gold—meaning no disrespect to the worthy old gentleman—has, in this respect, a quality of enchantment like that of the devil’s wages. Whoever touches it should look well to himself, or he may find the bargain to go hard against him, involving, if not his soul, yet many of its better attributes; its sturdy force, its courage and constancy, its truth, its self–reliance, and all that gives the emphasis to manly character.

Even with this, he didn’t quit his day job. He was fired.

What do you think? Does a regular paycheck pull a man away from self-reliance, or this just the way creative types talk when they can’t sell something?

Music

Sunday Singing: God of Our Fathers, Whose Almighty Hand

Leave a comment
“God of Our Fathers” sung by the congregation of St. Bartholomew’s Episcopal Church of New York City

Today’s hymn, “God of Our Fathers, Whose Almighty Hand,” was written by New York Episcopalian Daniel C. Roberts (1841-1907) to commemorate the centennial of the Declaration of Independence. It was accepted by an Episcopal hymnal committee and given a fresh tune by organist George W. Warren for the commemoration of the United States Constitution.

1 God of our fathers, Whose almighty hand
Leads forth in beauty all the starry band
Of shining worlds in splendor thro’ the skies,
Our grateful songs before Thy throne arise.

2 Thy love divine hath led us in the past;
In this free land by Thee our lot is cast;
Be Thou our ruler, guardian, guide and stay,
Thy word our law, Thy paths our chosen way.

3 From war’s alarms, from deadly pestilence,
Be Thy strong arm our ever sure defence;
Thy true religion in our hearts increase,
Thy bounteous goodness nourish us in peace.

4 Refresh Thy people on their toilsome way,
Lead us from night to never-ending day;
Fill all our lives with love and grace divine,
And glory, laud and praise be ever Thine.

Blogs, Socials, Fiction

No Fear of Sleep, the Internet Gone to Pot, and Hollywood Noir

Leave a comment

Lee Yong-ju’s 2021 film Seo Bok is a standard sci-fi thriller about a cloned man with telekinesis. It opens with an ex-secret service agent, Min Gi Heon, being offered an outside job, one that’s dangerous enough to require deniability if it goes wrong. He’s asked to deliver an asset, and when he arrives at the lab to pick it up, he learns the asset is a young man, Seo Bok, whom the scientists introduce as undying. He is a lab-created human being who will not die if properly cared for. They say his cells are the key to healing many, if not every, human disease. Not only that, his brain waves are off the charts, enabling him to push and guide material around him. But, what could go wrong with that, eh?

I could tell you more of the plot, but I bring up this movie because of a couple minutes that appear right before the final act.

At one point, Seo Bok reveals he doesn’t need to sleep. Later, when exploring part of his backstory, he and Gi Heon go to a Christian mausoleum. With several crosses on the walls and light shining through stained glass, Seo Bok asks, “Do you believe dying is really like sleep?”

“Maybe,” Gi Heon replies.

“Then how come people aren’t afraid of falling asleep? It’s like dying a little while.”

“Because they’ll wake up the next day.”

“How do they know that?”

“They just believe it. They believe they will wake up in the morning.”

In the context of the story, that dialogue had me wondering if this was the seed for the whole. The scientists think they’ve created a cure for disease and even natural death in one man, and in the mausoleum another man suggests we can wake up after death if we put our faith in the cross. It’s subtle but stands out as the moral of the film.

Let’s move on.

Internet: 30 Signs You Are Living in an Information Crap-pocalypse. Here are the first two.

  1. “Create a society that rewards influencers more than truth-tellers—and turn every digital platform, large or small, into a boosting pad for these influencers.
  2. “Make plagiarism, cheating, and deception totally acceptable, so nobody gets fired from a media job, even for the most egregious violations of journalistic ethics.”

Also from the signs above, over 33% of people hired to train AI for better, more truthful output are using AI software to do the training faster, folding in errors that will be baked in if they aren’t removed soon enough.

Democracy: “This spring marks the 30th anniversary of the paperback release of Francis Fukuyama’s controversial book, The End of History and the Last Man.” How has his argument that democracy had and would continue to win over world civilizations panned out?

Hollywood: Brian Patrick Eha recommends the work of Alfred Hayes. “Money promises to give substance, in Hayes’s novels, to those without it; for those with it, though, material wealth proves unsatisfying, even oddly insubstantial. The vast sums that flow from the movie business have a ‘phantasmal quality.’ . . . Laboring for America’s dream machine, his men and women are made to bear, in the end, too much reality.”

(Photo by Hammad Siddiqui on Unsplash)

Book Reviews, Creative Culture