Music

‘My Grandfather’s Clock’

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It’s more than a week since my landmark birthday (which will remain terra incognito, because I’m not telling you the number), and this morning I finally hit on the song I wanted to post to mark the occasion. On the day itself, I was looking for something traditional, but relating to the passage of time and the brief span of our lives. I ended up posting a Sissel song, because I couldn’t find what I wanted. But now I know just the piece, and I’ve posted it above. It’s called “My Grandfather’s Clock.” You may have heard it, at least if you’re old. I’ve been familiar with it all my life, but had no idea it was as old as it is.

“My Grandfather’s Clock” was published I 1876, the year of the American Centennial, Custer’s Last Stand, and Wild Bill Hickok’s murder in Deadwood. Its composer was Henry Clay Work (1832-1884), a prominent songwriter of the day, especially remembered for his Civil War songs.

He was born in Middletown, Connecticut, into a strongly Abolitionist family, participants in the Underground Railroad. He became a printer, and worked at that trade in Chicago, while also writing songs for minstrel shows.

The Civil War brought him his greatest success. He wrote “Marching Through Georgia,” which you’ve probably heard if you have any interest in the war at all. He also wrote a song called “Kingdom Coming,” which is less well remembered as such, but you’ve probably heard the melody, a standard upbeat number often used in political campaigns to this day.

His star waned during Reconstruction, though he turned his attention to the next big moral crusade, Prohibition. But his sentimental song, “My Grandfather’s Clock” was a big hit, and is still heard today here and there.

Give it a listen. It still works, in its way, if you’re able to relax your sophistication.

Fiction, Reviews

‘It Dies With You,” by Scott Blackburn

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It appears that when we read It Dies With You, by Scott Blackburn, we are dealing with an author’s first novel. That does affect my evaluation – new authors get some slack from me, especially when they show promise. Which is certainly true in this case.

Hudson Miller is a boxer, temporarily suspended from the sport, surviving on bouncer gigs. He hasn’t talked to his father for years, so when he misses a couple of his calls, he doesn’t return them. Not long after, he learns his father has been murdered, shot to death in the office of his auto salvage yard.

To his astonishment, Hudson soon learns that the old man left him some rental properties and the salvage yard itself. He figures he might as well learn what he can about the yard before he sells it off, so he travels the short distance to his home town, and moves into one of the rental houses. His guide to the world of auto salvage is Charlie, an old curmudgeon who worked for his father. Hudson is not greatly concerned about his father’s murder, as he seems to have been trafficking illegal guns.

Then Charlie digs up a crushed car, buried behind the shop, and finds a human body in it. The body proves to be that of a young, missing Hispanic man. Soon the young man’s feisty teenaged sister shows up, asking embarrassing questions, determined to find her brother’s murderer, because the cops aren’t doing anything. And Hudson and Charlie are shamed into helping her – in part just to protect her.

I quite liked It Dies With You at the beginning – partly because I’ve become such a timid reader. Author Blackburn provided good writing, interesting characters, and good dialogue, without a lot of dramatic tension, and if the mystery of Hudson’s father’s murder didn’t carry a lot of weight, that suited me fine. But once the teenaged girl appeared, the story (in my opinion) went downhill. She was such a stereotypical “spunky girl,” and so prickly about her ethnicity, that I had trouble liking her, or believing in her. The final scene where the mystery is revealed was theatrical and implausible, and the murderer’s identity no great surprise.

On the other hand, the Christians (except for the Baptist pastor) are treated pretty respectfully.

So, my final judgment is that It Dies With You was, it’s an imperfect book by an author who shows promise. You might enjoy it.

Fiction, Reviews

‘Tricky Business,’ by Dave Barry

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When I saw a deal for a comedy mystery written by Dave Barry, I figured it was worth a try. Who doesn’t enjoy Dave Barry, in moderation? In my innocence, I imagined something like an updated Wodehouse story, maybe with dirty words.

And I won’t say Tricky Business wasn’t quite funny – in places. But mainly what I found myself reading was a gritty crime story, with plenty of killing and torture, plus a lot of potty jokes.

It’s a little difficult to identify the main character in the complicated plot, but I guess it would be Wally Hartley, an otherwise unemployed guitarist in a gig band, currently living in his mother’s house. His band plays regularly on the Extravaganza of the Seas, a sleazy cruise ship that does the popular three-mile run from Miami into international waters, for legal gambling. Then there are Arnold and Phil, a pair of bickering buddies from a retirement home. They take the short cruise just to ease the boredom of their lives. There’s Fay, a struggling single mother working as a cocktail waitress. And there’s Lou, a mobster who’s on board to oversee the drug smuggling that is the ship’s real reason for operation.

They’re all a little concerned this time out, because a hurricane is blowing up, and the authorities are telling everyone to stay at home. But somebody insists that the Extravaganza has to sail tonight.

I laughed more than once reading Tricky Business, but I was a little embarrassed to do so. I’m extremely uncomfortable with very black humor, where real cruelty is juxtaposed with buffoonery. I read the book all the way through, but honestly I couldn’t wait for it to be over.

It did come out all right in the end; I feel obligated to admit that.

Bookselling, Publishing

Paper Troll

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HOT TIP: Hurry out and buy paper manufacturing stocks now! Because my acclaimed novel, Troll Valley, was released today in paperback, and surely those presses will be running till their gears smoke, turning out copies for a hungry public.

[NOTE: This is the paperback version I’m talking about. The audiobook, about which I’ve written so much, is still in the pipeline. The instructions at Amazon ACX say the approval process may take as long as ten days – but a look around in online forums tells me six weeks isn’t uncommon, and it can take months. So your patience is appreciated.]

I’m planning to accompany the audiobook release, if I’m still alive when it happens, with a five-minute video short, to promote it. I’m intrigued by these short videos I see all over (on Facebook and YouTube; I do not visit Tiktok). Just as I taught myself book recording on Audible, I’m now teaching myself video editing. The result, when I have accomplished it, will be posted here.

In personal news, I got word of a recent death that made me thoughtful. It was that of a man who had been one of my schoolteachers. He never liked me, and at one point he singled me out for a humiliating punishment, in front of my classmates.

I forgave him, formally in my heart, years ago. As a matter of spiritual obligation. But I couldn’t help recalling one of C. S. Lewis’ letters (or it might have been a journal entry, but I think it was a letter, perhaps to his brother). He wrote it as a young man, recalling the sadistic, insane headmaster he had endured at one of the boarding schools he attended as a boy. But now he was a young man, and enjoying life and freedom, while his old tormenter was long dead “and in hell.” (This, I should mention, was before his conversion). I must admit that I had anticipated this teacher’s death with… what shall I call it? Interest. But he lived quite a long life. I may not outlast him by much.

Loni Anderson died too. She was a native of St. Paul, and a lot of people around here (not me, I must admit) remembered some local commercials she did here (as a brunette) before she upped stakes for Hollywood.

Like most people, I remember her best for the brilliant comedy series, “WKRP In Cincinnati.” I remember my astonishment as I found myself increasingly drawn to her as the series went on. I was always a firm Jan Smithers supporter – her character, Bailey Quarters, was the girl of my dreams – drop dead gorgeous, but so insecure I could imagine her going out with a dork like me. But Anderson’s brainy glamor grew on me, in spite of myself.

I’m already on record as being in favor of commercialized glamor. Loni Anderson carried it off well. R.I.P.

Fiction, Reviews

‘Envy the Night,’ by Michael Koryta

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“Thank you,” she said. “And I’m sorry. I’m so sorry.”

There was a beat of silence, and then Frank said, “You know what he does. You know what he is. So how the h*ll do you love him so clean?”

“Hon,” she said, “whoever said anything about it being clean?”

Frank Temple III, hero of Envy the Night, by Michael Koryta, is the son of a former hero, a decorated US marshal who disgraced himself and his family when he was revealed to have become a killer-for-hire. He killed himself, leaving his son – who had adored him, and whom he had trained in the martial arts – disillusioned and rootless in the world.

Frank III kept possession of the cabin in the north woods of Wisconsin that held some of his favorite memories of his dad, though he never visits. His father’s old friend Ezra also maintains the nearby island cabin belonging to Devin Matteson, the colleague who corrupted and betrayed Frank’s father. They left Devin alone, but they have an agreement – if Devin ever tries to come back, they’ll kill him.

Now Frank has gotten the word – Devin is on his way. So Frank is headed to Wisconsin, to a showdown with Devin, and with the truth of his father’s life and death, and to his own destiny.

You want to learn how to write mystery thrillers? Read Michael Koryta. Reading Envy the Night, I marveled at the way every story element – prose, characters, dialogue, plot – all worked together to produce a perfect payoff. I find no fault with this book (except for Koryta’s idiosyncratic approach to paragraphing, which seems to be a lost cause).

Highly recommended.

Music, Poetry

‘Solveig’s Song’

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It’s Friday and I have neither a book to review nor a useful thought in my head. Therefore, I shall post a Sissel song.

(And there was great rejoicing.)

Yesterday, I might mention, was my birthday – and one of the big milestone ones. I won’t say which one, of course. Suffice it to say that I’ve outlived 3 of my grandparents, and one of my parents. The meditations this fact arouses in me are not, generally, comforting.

I pondered what kind of song would be suitable to commemorate my oldness and fullness of days. Nothing really commended itself, so I finally figured, well, just post a Sissel piece. What haven’t I done yet?

And I realized I’d never posted “Solveig’s Song.”

(I think. Checking would be too much trouble.)

Even if you’re not Norwegian (unlikely as that is), you’ve probably heard this melody somewhere before. It’s one of the classics from Edvard Grieg – part of the incidental music he wrote for Henrik Ibsen’s controversial, experimental play, “Peer Gynt.”

I will confess – I’ve never read “Peer Gynt.” It appeals to me more than most of Ibsen’s works (I’m not a fan), but from all I hear, it’s a “challenging” and obscure work, about a man who seems to be – like Ibsen himself – obstinately difficult and antisocial. He kidnaps a bride from her wedding, abandons her, and then is joined by Solveig (the Solveig of the song), the daughter of Haugean pietists (my people). He runs away from her too, in order to spend his life in foreign parts, seeking wealth, which he loses in the end. In the last act, he returns to Solveig, who has remained faithful to him, and tells him that he has committed no sin. Then she (probably) dies (the script isn’t clear).

Anyway, “Solveig’s Song” is a solo earlier in the play, in which Solveig expresses her faithful (I might say stupid) love. I suppose Solveig is meant to represent the mercy of God in some way, though (lumpkin that I am) I don’t really see it.

But Sissel sure sings it beautifully.

Have a good weekend.

Religion, Uncategorized

In defense of young men

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Photo credit: Drew Dizzy Graham. Unsplash license.

Should I comment on the Sydney Sweeney controversy? Let’s see – I’m an aging, lifelong celibate male with a shyness disorder. Obviously well qualified to opine on issues of sexuality.

First of all, I shall declare myself entirely on the side of American Eagle. I salute a return to traditional, sex-exploiting advertising. People (even women) like to look at beautiful women, and beautiful women sell product. I’ve missed that crass commercialism. Not only is it good for business, it makes the world (I think) a happier place.

Many Christians, I’ve noticed, strongly disagree. They caution against the display of sexiness, arguing that it incites men to lust in their hearts.

I’ve agonized over that issue all my life. Now that it’s pretty much an academic one for me, I want to say this publicly (many will disagree, I’m sure): When Jesus said that lust in a man’s heart was equivalent to adultery, I don’t think simply seeing an attractive woman and being sexually interested, was what he had in mind. I think Jesus was speaking in hyperbolic terms here, to demonstrate to us our complete inability to be clean before God. He certainly wanted us to curb our lust, but I don’t think He intended to demand asexuality of men, except for when they’re alone with their wives. (I think the sin is in actually contemplating an adulterous act.)

I’ve spent a lot of time lately with my novel Troll Valley. The audiobook version is being evaluated by the Amazon ACX people, and I’m almost ready to release a paperback version too. This is my most autobiographical book, despite the fact that almost none of the events in it bear any relation to my own experience. It’s autobiographical in terms of the Haugean, pietist community in which I grew up. I hope the book expresses, to some extent, how much I appreciate that heritage, but also the problems I discern in it.

One of those problems, I think, is the guilt it lays on boys and young men, the impression conveyed that just being a functioning male is somehow a shameful thing. Sadly, that view of manhood finds support in our time among the feminists, who say the same sort of thing, even more emphatically.

I have never solved the problem of “lusting in the heart” in my own life. In my youth, as an interested non-player, I was an outlier – a weirdo. But in more recent times – to my horror – I see young men rising around me everywhere who seem just like me. Sometimes they’re called Incels. Basement dwellers. There are probably other nicknames for them I haven’t heard yet, but they all describe much the same thing – unfinished young men who are too terrified to find a mate in a world that seems determined to portray them as subhuman losers. I am, in a sense, a father to those young men; I am their avatar.

I think the church needs to offer something to those young men. Something stronger than what we’ve got. Something a little more dangerous. Something edgy.

But I don’t know what that is. I certainly never found it in my own life.

The ideal solution, I think, would be arranged marriages. Historically, arranged marriages have an excellent track record. However, I don’t think the young people would go for it. Also, it’s probably illegal.

But we need something new. I want to see young men swaggering like Kirk Douglas. Grinning at women like Burt Lancaster. Sweeping the girls off their feet like Clark Gable.

I think – personally – that (generally speaking) that would please God, who made Sydney Sweeney beautiful, not without reason.

Fiction, Reviews

‘The Silent Hour,’ by Michael Koryta

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“I’ve got to live with that,” he said, “and all I can do, the only way I know to cope with it, is by looking for atonement. Because while his blood might be on my hands, I didn’t kill him—and if I can see that whoever did kill him is punished? Perry, that’s the closest thing I’ve got to redemption.”

The Lincoln Perry detective series by Michael Koryta comes to an end with The Silent Hour – though the conclusion is open-ended, and I imagine there could be more coming down the line.

The great pleasure in these books, I think, is the plotting – these are the kinds of stories where you think you have the solutions, and then further mysteries open up, like petals in a flower, till you finally reach the shocking heart of things. In this case – and I may be being pretentious here – I thought I saw the same thing going on, on a subtextual level, making this a meta-mystery.

Lincoln Perry has had a rough time in his most recent big cases. He got his partner shot and nearly killed. He got his girlfriend into danger. He isn’t much interested when a quiet man named Parker Harrison comes to him – repeatedly – asking him to look into a twelve-year-old mystery. A couple named Cantrell had run a rehabilitation program for ex-convicts – one of whom was Harrison himself. Twelve years ago they disappeared. Harrison wants to find out what happened to them.

Lincoln isn’t much interested in the case – even less so when he learns that the missing wife was sister to one of Cleveland’s chief crime lords. But Harrison gets through to him at last. He agrees to look into it.

Before too long, someone Lincoln likes is dead. Lincoln goes sour, not only on the case, but on the very idea of being a private investigator. Should he just pack it in? Is the game worth the candle?

The question is an existential one – why do we feel the need to solve mysteries? To learn the truth? At what cost? Is it worth people’s lives?

I wish there were more Lincoln Perry novels to read after The Silent Hour. As it is, I’ll go on to other Michael Koryta novels, as well as his Scott Carson books.

I wish he’d work out his paragraph protocols, though. The breaks in the text are unnecessarily confusing.

Fiction, Reviews

‘A Welcome Grave,’ by Michael Koryta

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I’ve reached Book 3 in Michael Koryta’s Lincoln Perry detective series, A Welcome Grave. Lincoln, our hero, has a girlfriend whom he loves, but he also has a past. Once he was engaged to a woman, but she broke it off, later marrying an older, millionaire lawyer. Lincoln responded in character – he punched the guy in the face, ending his own police career.

Now, years later, that man is dead – tortured to death. Lincoln gets a call from the widow, who wants him to locate her stepson, who ran off some time ago and has a substantial inheritance coming. Lincoln isn’t happy about the job, but feels obligated to take it. He finds the young man, too – but he’s not prepared for his shocking reaction. Nor is he prepared for the local cop who decides that Lincoln Perry will be the chief suspect in the father’s murder case. Suspicions are increased as clue after clue pops up to frame him, neatly orchestrated. Lincoln will have to work fast, and be very smart, to keep out of jail. And then the stakes will be raised yet again.

The Lincoln Perry books are simply very good. Well written and engaging. There’s plenty of action, but the emphasis is on the characters.

A Welcome Grave is highly recommended, with the usual cautions for grownup stuff.

Fiction, Reviews

‘Sorrow’s Anthem,’ by Michael Koryta

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I am finding, in Michael Koryta’s Lincoln Perry novels, a pleasure I haven’t enjoyed (at least to this extent) since I first read Andrew Klavan’s under-appreciated Weiss/Bishop novels – a series of free-standing stories that nevertheless form a larger, coherent narrative in which the main characters develop. Sorrow’s Anthem is the second book in the series.

Ed Gradduk and Lincoln Perry were best friends as boys. They lived in the same neighborhood, played together, made mischief together. But Lincoln grew up to be a cop, then a private investigator, while Ed got into trouble and went to prison. Worse than that, it was Lincoln who sent him down. He didn’t mean to – he offered him a chance to get off if he’d testify against his associates, but Ed kept mum and did his time.

But now he’s out and in trouble again, charged with murder and arson. Lincoln goes to look for him, and finds him. But Ed has something he wants to explain before Lincoln takes him in. Except that he’s dead before he can finish his story. Agonized by his guilt over failing his old friend, Lincoln sets about discovering Ed’s secret, and the reason why someone thought he had to die. He’ll find himself up against crooked cops, crooked politicians, and organized crime before he blows it all open.

Koryta writes a great story. He generally doesn’t produce the kind of memorable prose that makes Raymond Chandler or John D. MacDonald so quotable, but every line does its job and the final effect goes directly to the heart.

My only quibbles are first (as I’ve mentioned before) paragraph breaks are inconsistent and confusing. Prose of this quality deserves better page setup. Also, Koryta is one of those writers who thinks a semiautomatic pistol uses a “clip” rather than a magazine.

Doesn’t matter, though. These are great books, and Sorrow’s Anthem is a great (and memorable) read.